Walt Disney Animation Studios (1923)

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Walt Disney Animation Studios

Formerly called: Disney Brothers Cartoon Studio (1923–1929), Walt Disney Productions (1929–1986), Walt Disney Feature Animation (1986–2006)
Type: Division
Industry: Motion pictures
Predecessor: Laugh-O-Gram Studio, Walt Disney Cartoons
Founded: October 16, 1923; 93 years ago
Founder: Walt Disney (1901–1966), Roy O. Disney (1893–1971)
Headquarters: 2100 W. Riverside Drive, Burbank, California, United States
Key people: Edwin Catmull (President), Jennifer Lee (Chief Creative Officer), Andrew Millstein (President)
Products: Animated films
Number of employees: 800+
Parent: The Walt Disney Studios (The Walt Disney Company)
Divisions: DisneyToon Studios
Website: www.disneyanimation.com

Walt Disney Animation Studios, headquartered at the Walt Disney Studios in Burbank, California, is an American animation studio that creates animated feature films, short films, and television specials for The Walt Disney Company. Founded on October 16, 1923, it is a division of The Walt Disney Studios. The studio has produced 55 feature films, from Snow White and the Seven Dwarfs (1937) to Moana (2016).
Originally founded as Disney Brothers Cartoon Studio in 1923 and incorporated as Walt Disney Productions in 1929, the studio was exclusively dedicated to producing short films until it expanded into feature production in 1934. In 1983, Walt Disney Productions named its live-action film studio Walt Disney Pictures. During a corporate restructuring in 1986, Walt Disney Productions was renamed The Walt Disney Company and the animation division, renamed Walt Disney Feature Animation, became a subsidiary of its film division, The Walt Disney Studios. In 2006, Walt Disney Feature Animation took on its current name, Walt Disney Animation Studios after Pixar Animation Studios was acquired by Disney in the same year.
For much of its existence, the studio was recognized as the premier American animation studio; it developed many of the techniques, concepts, and principles that became standard practices of traditional animation. The studio also pioneered the art of storyboarding, which is now a standard technique used in both animated and live-action filmmaking. The studio's catalog of animated features is among Disney's most notable assets, with the stars of its animated shorts – Mickey Mouse, Donald Duck, Goofy, and Pluto – becoming recognizable figures in popular culture and mascots for The Walt Disney Company as a whole.
Walt Disney Animation Studios, today managed by Edwin Catmull (1945-) and John Lasseter (1957-) (who also manage Pixar), continues to produce films using both traditional animation and computer-generated imagery (CGI).
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1923–29: Disney Brothers Cartoon Studio
Kansas City, Missouri, natives Walt Disney (1901–1966) and Roy O. Disney (1893–1971) founded the Disney Brothers Cartoon Studio in Los Angeles in 1923, and got their start producing a series of silent Alice Comedies short films featuring a live-action child actress in an animated world. The Alice Comedies were distributed by Margaret J. Winkler's (1895-1990) Winkler Pictures, which later also distributed a second Disney short subject series, the all-animated Oswald the Lucky Rabbit, through Universal Pictures starting in 1927. Upon relocating to California, the Disney brothers initially started working in their uncle Robert Disney's garage at 4406 Kingswell Avenue in the Los Feliz neighborhood of Los Angeles, then in October 1923 formally launched their studio in a small office on the rear side of a real estate agency's office at 4651 Kingswell Avenue. In February 1924, the studio moved next door to office space of its own at 4649 Kingswell Avenue. In 1925, Disney put down a deposit on a new location at 2719 Hyperion Avenue in the nearby Silver Lake neighborhood, which came to be known as the Hyperion Studio to distinguish it from the studio's other locations, and in January 1926 the studio moved there and took on the name the Walt Disney Studio.

The building on Kingswell Avenue in Los Feliz which was home to the studio from 1923 to 1926.

Meanwhile, after the first year's worth of Oswalds, Walt Disney attempted to renew his contract with Winkler Pictures, but Charles Mintz (1889–1939), who had taken over Margaret Winkler's business after marrying her, wanted to force Disney to accept a lower advance payment for each Oswald short. Disney refused, and as Universal owned the rights to Oswald rather than Disney, Mintz set up his own animation studio to produce Oswald cartoons. Most of Disney's staff was hired away by Mintz to move over, once Disney's Oswald contract was done in mid-1928.
Working in secret while the rest of the staff finished the remaining Oswalds on contract, Disney and his head animator Ub Iwerks (1901–1971) led a small handful of loyal staffers in producing cartoons starring a new character named Mickey Mouse. The first two Mickey Mouse cartoons, Plane Crazy and The Galloping Gaucho, were previewed in limited engagements during the summer of 1928. For the third Mickey cartoon, however, Disney produced a soundtrack, collaborating with musician Carl Stalling (1891-1972) and businessman Pat Powers (1870–1948), who provided Disney with his bootlegged "Cinephone" sound-on-film process. Subsequently, the third Mickey Mouse cartoon, Steamboat Willie, became Disney's first cartoon with synchronized sound, and was a major success upon its November 1928 debut at the West 57th Theatre in New York City. The Mickey Mouse series of sound cartoons, distributed by Powers through Celebrity Productions, quickly became the most popular cartoon series in the United States. A second Disney series of sound cartoons, the Silly Symphonies, debuted in 1929 with The Skeleton Dance.
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1929–40: Reincorporation, Silly Symphonies and Snow White and the Seven Dwarfs
In 1930, disputes over finances between Disney and Powers led to Disney's studio, reincorporated on December 16, 1929, as Walt Disney Productions, signing a new distribution contract with Columbia Pictures. Powers in return signed away Ub Iwerks, who began producing cartoons at his own studio.

The Disney Studios building in the 1930's.

Columbia distributed Disney's shorts for two years before the Disney studio entered a new distribution deal with United Artists in 1932. The same year, Disney signed a two-year exclusive deal with Technicolor to utilize its new 3-strip color film process, which allowed for fuller-color reproduction where previous color film processors could not. The result was the Silly Symphony Flowers and Trees, the first film commercially released in full Technicolor. Flowers and Trees was a major success, and all Silly Symphonies were subsequently produced in Technicolor.
By the early 1930s, Walt Disney had realized that the success of animated films depended upon telling emotionally gripping stories that would grab the audience and not let go, and this realization led him to create a separate "story department" with storyboard artists dedicated to story development. With well-developed characters and an interesting story, the 1933 Technicolor Silly Symphony Three Little Pigs became a major box office and pop culture success, with its theme song "Who's Afraid of the Big Bad Wolf?" becoming a popular chart hit.
In 1934, Walt Disney gathered several key staff members and announced his plans to make his first feature animated film. Despite derision from most of the film industry, who dubbed the production "Disney's Folly," Disney proceeded undaunted into the production of Snow White and the Seven Dwarfs, which would become the first animated feature in English and Technicolor. Considerable training and development went into the production of Snow White and the Seven Dwarfs, and the studio greatly expanded with established animators, artists from other fields, and recent college graduates joining the studio to work on the film. The training classes, supervised by the head animators such as Les Clark (1907–1979), Norm Ferguson (1902–1957), and Art Babbit (1907–1992) and taught by Donald W. Graham (1883–1976), an art teacher from the nearby Chouinard Art Institute, had begun at the studio in 1932 and were greatly expanded into orientation training and continuing education classes. In the course of teaching the classes, Graham and the animators created or formalized many of the techniques and processes that became the key tenets and principles of traditional animation. Silly Symphonies such as The Goddess of Spring (1934) and The Old Mill (1937) served as experimentation grounds for new techniques such as the animation of realistic human figures, special effects animation, the use of the multiplane camera, an invention which split animation artwork layers into several planes, allowing the camera to appear to move dimensionally through an animated scene.

Animation historian Allan Neuwirth (1956-) points that the music of Snow White and the Seven Dwarfs played a part in its success. The 1930s were part of the early sound film era. Music had already become a driving force for American animated films, along with their storylines and their sight gags. It made sense for the Disney studio to turn their first full-length animated feature into a musical film. Songs developed by Frank Churchill (1901–1942), Leigh Harline (11907-1969), Larry Morey (1905–1971), and Paul Smith (1906–1985) helped move along the film's storyline. As it turned out, several of these songs were particularly memorable and went on to become "classics" of film music. Among them were "Heigh-Ho", "Someday My Prince Will Come", and "Whistle While You Work".

Walt Disney introduces each of the Seven Dwarfs in a scene from the original 1937 Snow White theatrical trailer.

Snow White and the Seven Dwarfs cost Disney a then-expensive sum of $1.4 million to complete (including $100,000 on story development alone), and was an unprecedented success when released in February 1938 by RKO Radio Pictures, which had assumed distribution of Disney product from United Artists in 1937. Snow White and the Seven Dwarfs was briefly the highest-grossing film of all time before the success of Gone with the Wind two years later, grossing over $8 million on its initial release, the equivalent of $134,713,950 in 1999 dollars.
During the production of Snow White and the Seven Dwarfs, work had continued on the Mickey Mouse and Silly Symphonies series of shorts. Mickey Mouse switched to Technicolor in 1935, by which time the series had added several major supporting characters, among them Mickey's dog Pluto and their friends Donald Duck and Goofy. Donald, Goofy, and Pluto would all be appearing in series of their own by 1940, and the Donald Duck cartoons eclipsed the Mickey Mouse series in popularity. The Silly Symphonies, which garnered seven Academy Awards, ended in 1939.
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1940–48: New features, strike, World War II
The success of Snow White allowed Disney to build a new, larger studio on Buena Vista Street in Burbank, where The Walt Disney Company remains headquartered to this day. Walt Disney Productions had its initial public offering on April 2, 1940, with Walt Disney as president and chairman and Roy Disney as CEO.

Despite being a financial disappointment upon its initial release, Pinocchio is widely regarded as the pinnacle of Disney animation.

The studio launched into the production of new animated features, the first of which was Pinocchio, released in February 1940. Pinocchio was not initially a box office success. The box office returns from the film's initial release were both below Snow White's unprecedented success and below studio expectations. Of the film's $2.289 million cost – twice of Snow White – Disney only recouped $1 million by late 1940, with studio reports of the film's final original box office take varying between $1.4 million and $1.9 million. However, Pinocchio was a critical success, winning the Academy Award for Best Original Song and Best Original Score, making it the first film of the studio to win not only either Oscar, but both at the same time.

Walt Disney acts out a storyboarded scene in The Sorcerer's Apprentice, a segment of Fantasia (1940), for its on-screen stars, host Deems Taylor and conductor Leopold Stokowski.

Fantasia, an experimental film produced to an accompanying orchestral arrangement conducted by Leopold Stokowski (1882–1977), was released in November 1940 by Disney itself in a series of limited-seating roadshow engagements. The film cost $2 million to produce, and although the film earned $1.4 million in its roadshow engagements, the high cost ($85,000 per theater) of installing Fantasound placed Fantasia at an even greater loss than Pinocchio. RKO assumed distribution of Fantasia in 1941, later reissuing it in severely edited versions over the years. Despite its financial failure, Fantasia was the subject of two Academy Honorary Awards on February 26, 1942 – one for the development of the innovative Fantasound system used to create the film's stereoscopic soundtrack, and the other for Stokowski and his contributions to the film.
Much of the character animation on these productions and all subsequent features until the late 1970s was supervised by a brain-trust of animators Walt Disney dubbed the "Nine Old Men," many of whom also served as directors and later producers on the Disney features: Frank Thomas (1912–2004), Ollie Johnston (1912–2008), Woolie Reitherman (1909–1985), Les Clark, Ward Kimball (1914–2002), Eric Larson (1905–1988), John Lounsbery (1911–1976), Milt Kahl (1909–1987), and Marc Davis (1913–2000). Other head animators at Disney during this period included Norm Ferguson, Bill Tytla (1904–1968), and Fred Moore (1911–1952). The development of the feature animation department created a caste system at the Disney studio: lesser animators (and feature animators in-between assignments) were assigned to work on the short subjects, while animators higher in status such as the Nine Old Men worked on the features. Concern over Walt Disney accepting credit for the artists' work as well as debates over compensation led to many of the newer and lower-ranked animators seeking to unionize the Disney studio.
A bitter union strike began in May 1941, which was resolved without the angered Walt Disney's involvement in July and August of that year. As Walt Disney Productions was being set up as a union shop, Walt Disney and several studio employees were sent by the US government on a Good Neighbor policy trip to Central and South America. The Disney strike and its aftermath led to an exodus of several animation professionals from the studio, from top-level animators such as Art Babbitt and Bill Tytla, to artists better known for their work outside the Disney studio such as Frank Tashlin (1913–1972), Maurice Noble (1911–2001), Walt Kelly (1913–1973), Bill Meléndez (1916–2008), and John Hubley (1914–1977). Hubley, with several other Disney strikers, went on to found the United Productions of America studio, Disney's key animation rival in the 1950s.
Dumbo, in production during the midst of the animators' strike, premiered in October 1941, and proved to be a financial success. The simple film only cost $950,000 to produce, half the cost of Snow White and the Seven Dwarfs, less than a third of the cost of Pinocchio, and two-fifths of the cost of Fantasia. Dumbo eventually grossed $1.6 million during its original release. In August 1942, Bambi was released, and as with Pinocchio and Fantasia, did not perform well at the box office. Out of its $1.7 million budget, it only grossed $1.64 million.
Production of full-length animated features was temporarily suspended after the release of Bambi. Given the financial failures of some of the recent features and World War II cutting off much of the overseas cinema market, the studio's financiers at the Bank of America would only loan the studio working capital if it temporarily restricted itself to shorts production. Then in-production features such as Peter Pan, Alice in Wonderland, and Lady and the Tramp were therefore put on hold until after the war. Other issues affecting the studio at the time included the drafting of several Disney animators to fight in World War II, and the necessity for the studio to focus on producing wartime content for the U.S. Army, particularly military training and civilian propaganda films. From 1942 to 1943, 95 percent of the studio's animation output was for the military. During the war, Disney produced the live-action/animated military propaganda feature Victory Through Air Power (1943), and a series of Latin culture-themed shorts resulting from the 1941 Good Neighbor trip were compiled into two features, Saludos Amigos (1942) and The Three Caballeros (1944).
Saludos and Caballeros set the template for several other 1940s Disney releases of "package films": low-budgeted films composed of animated short subjects with animated or live-action bridging material. These films were Make Mine Music (1946), Fun and Fancy Free (1947), Melody Time (1948), and The Adventures of Ichabod and Mr. Toad (1949). The studio also produced two features, Song of the South (1946) and So Dear to My Heart (1948), which used more expansive live-action stories which still included animated sequences and sequences combining live-action and animated characters. Shorts production continued during this period as well, with Donald Duck, Goofy, and Pluto cartoons being the main output accompanied by cartoons starring Mickey Mouse, Figaro, and in the 1950s, Chip 'n Dale and Humphrey the Bear.
In addition, Disney began reissuing the previous features, beginning with re-releases of Snow White in 1944, Pinocchio in 1945, and Fantasia in 1946. This led to a tradition of reissuing the Disney films every seven years, which lasted into the 1990s before being translated into the studio's handling of home video releases.
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1948–59: Return of features, end of shorts, layoffs
In 1948, Disney returned to the production of full-length features with Cinderella, a full-length film based on the fairy tale by Charles Perrault. At a cost of nearly $3,000,000, the future of the studio depended upon the success of this film. Upon its release in 1950, Cinderella proved to be a box office success, with the profits from the film's release allowing Disney to carry on producing animated features throughout the 1950s. Following its success, production on the in-limbo features Alice in Wonderland, Peter Pan, and Lady and the Tramp was resumed. In addition, an ambitious new project, an adaptation of the fairy tale "Sleeping Beauty" set to Tchaikovsky's classic score, was begun but took much of the rest of the decade to complete.

The original Animation Building at the Walt Disney Studios in Burbank, California, the headquarters of the animation department from 1940 to 1984.

Alice in Wonderland, released in 1951 (the year of the 50th anniversary of the birth of Walt Disney and the birth of Walt Disney V (1951–2016) (the person known for executive producing animated films from the Disney Renaissance, the Post-Renaissance, and the Tinker Bell revival series)), met with a lukewarm response at the box office and was a sharp critical disappointment in its initial release. Peter Pan, released in 1953, was, on the other hand, a commercial success and the highest-grossing film of the year. In 1955, Lady and the Tramp was released to higher box office success than any other Disney feature from the studio since Snow White and the Seven Dwarfs, earning an estimated $7.5 million in rentals at the North American box office in 1955. Lady is significant as Disney's first widescreen animated feature, produced in the CinemaScope process, and was the first Disney animated feature to be released by Disney's own distribution company, Buena Vista Distribution.
By the mid-1950s, with Walt Disney's attention primarily set on new endeavour such as live-action films, television, and the Disneyland theme park, production of the animated films was left primarily in the hands of the "Nine Old Men" trust of head animators and directors. This led to several delays in approvals during the production of Disney's Sleeping Beauty, which was finally released in 1959. At $6 million, it was Disney's most expensive film to date, produced in a heavily stylized art style devised by artist Eyvind Earle (1916–2000) and presented in large-format Super Technirama 70 with six-track stereophonic sound. However, the film's large production costs and underperformance at the box office resulted in the studio posting its first annual loss in a decade for fiscal year 1960, leading to massive layoffs throughout the studio.
By the end of the decade, the Disney short subjects were no longer being produced on a regular basis, with many of the shorts divisions' personnel either leaving the company or begin reassigned to work on Disney television programs such as The Mickey Mouse Club and Disneyland. While the Disney shorts had dominated the Academy Award for Best Short Subject (Cartoons) during the 1930s, its reign over the award had been ended by MGM's Tom and Jerry cartoons, Warner Bros' Looney Tunes and Merrie Melodies, and the works of United Productions of America (UPA), whose flat art style and stylized animation techniques were lauded as more modern alternatives to the older Disney style. During the 1950s, only one Disney short, the stylized Toot, Whistle, Plunk and Boom, won the Best Short Subject (Cartoons) Oscar.
The Mickey Mouse, Pluto, and Goofy shorts had all ceased regular production by 1953, with Donald Duck and Humphrey continuing and converting to widescreen CinemaScope before the shorts division was shut down in 1956. After that, all future shorts were produced by the feature films division until 1969. The last Disney short of the golden age of animation was It's Tough to Be a Bird. Disney shorts would only be produced on a sporadic basis from this point on, with notable later shorts including Runaway Brain (1995, starring Mickey Mouse), and Paperman (2012).
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1959–66: Reduced feature animation, Walt Disney's final years
Despite the 1959 layoffs and competition for Walt Disney's attention from the company's grown live-action film, TV, and theme park departments, production continued on feature animation productions at a reduced level. In 1961, the studio released One Hundred and One Dalmatians, an animated feature which popularized the use of xerography during the process of inking and painting traditional animation cels. Using xerography, animation drawings could be photo-chemically transferred rather than traced from paper drawings to the clear acetate sheets ("cels") used in final animation production. The resulting art style – a scratchier line which revealed the construction lines in the animators' drawings – typified Disney films into the 1980s. The film was a success, being the tenth highest-grossing film of 1961 with rentals of $6.4 million.
The Disney animation training program started at the studio before the development of Snow White in 1932 eventually led to Walt Disney helping found the California Institute of the Arts (CalArts). This university, formed via the merger of Chouinard Art Institute and the Los Angeles Conservatory of Music, included a Disney-developed animation program of study among its degree offerings. CalArts became the alma mater of many of the animators who would work at Disney and other animation studios from the 1970s to the present.
The Sword in the Stone was released in 1963, and was the sixth highest-grossing film of the year in North America with estimated rentals of $4.75 million. A featurette adaptation of one of A. A. Milne's (1882–1956) Winnie-the-Pooh stories, Winnie the Pooh and the Honey Tree, was released in 1966, to be followed by several other Pooh featurettes over the years and a full-length compilation feature, The Many Adventures of Winnie the Pooh, which was released in 1977.
Walt Disney died in December 1966, ten months before the studio's next film, The Jungle Book, was completed and released. The film was a success, finishing 1967 as the fourth highest-grossing movie of the year.
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1966–84: Decline in popularity, Don Bluth's entrance and departure, "rock bottom"
Following Walt Disney's passing, Woolie Reitherman continued as both producer and director of the features. The studio began the 1970s with the release of The AristoCats, the last film project to be approved by Walt Disney himself. In 1971, Roy O. Disney, the studio co-founder, died and Walt Disney Productions was left in the hands of Donn Tatum (1913–1993) and Card Walker (1916–2005), who alternated as chairman and CEO in overlapping terms for the rest of the decade. The next feature, Robin Hood (1973), was produced with a significantly reduced budget and animation repurposed from previous features. Both The Aristocats and Robin Hood were minor box office and critical successes.
The Rescuers, released in 1977, was a success exceeding the achievements of the previous two Disney features. Receiving broad critical acclaim, commercial returns, and an Academy Award nomination, it ended up being the third highest-grossing film in 1977 and the most successful and acclaimed Disney animated film since The Jungle Book. The film was reissued in 1983, accompanied by a new Disney featurette, Mickey's Christmas Carol.
The production of The Rescuers signaled the beginning of a changing of the guard process in the personnel at the Disney animation studio: as veterans such as Milt Kahl and Les Clark retired, they were gradually replaced by new talents such as Don Bluth (1937-), Ron Clements (1953-), John Musker (1953-), and Glen Keane (1954-). The new animators, culled from the animation program at CalArts and trained by Eric Larson, Frank Thomas, Ollie Johnston, and Woolie Reitherman got their first chances to prove themselves as a group with the animated sequences in Disney's live-action/animated hybrid feature Pete's Dragon (1977), the animation for which was directed by Don Bluth. In September 1979, dissatisfied with what they felt was a stagnation in the development of the art of animation at Disney, Bluth and several of the other new guard animators quit to start their own studio, Don Bluth Productions, which became Disney's chief competitor in the animation field during the 1980s.
Delayed half a year by the defection of the Bluth group, The Fox and the Hound was released in 1981 after four years in production. The film was considered a financial success by the studio, and development continued on The Black Cauldron, a long-gestating adaptation of the Chronicles of Prydain series of novels by Lloyd Alexander (1924–2007) produced in Super Technirama 70.
The Black Cauldron was intended to expand the appeal of Disney animated films to older audiences and to showcase the talents of the new generation of Disney animators from CalArts. Besides Keane, Musker, and Clements, this new group of artists included other promising animators such as Andreas Deja (1957-), Mike Gabriel (1954-), John Lasseter (1957-), and Tim Burton (1958-). Lasseter was fired from Disney in 1983 for pushing the studio to explore computer animation production, but went on to become the creative head of Pixar, a pioneering computer animation studio that would begin a close association with Disney in the late 1980s. Similarly, Burton was fired in 1984 after producing a live-action short shelved by the studio, Frankenweenie, then went on to become a high-profile producer and director of live-action and stop motion animated features for Disney and other studios. Some of Burton's high-profile projects for Disney would include the stop-motion The Nightmare Before Christmas (1993), a live-action adaptation of Alice in Wonderland (2010), and a stop-motion feature remake of Frankenweenie (2012).
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1984–89: Michael Eisner takeover, restructuring, return to prominence
Ron Miller (1933-), Walt Disney's son-in-law, became president of Walt Disney Productions in 1980 and CEO in 1983. That year, he expanded the company's film and television production divisions, creating the Walt Disney Pictures banner under which future films from the feature animation department would be released. After a series of corporate takeover attempts in 1984, Roy E. Disney (1930–2009), son of Roy O. and nephew of Walt, resigned from the company's board of directors and launched a campaign called "SaveDisney", successfully convincing the board to fire Miller. Roy E. Disney brought in Michael Eisner (1942-) as Disney's new CEO, and Frank Wells (1932–1994) as president. Eisner in turn named Jeffrey Katzenberg (1950-) chairman of the film division, The Walt Disney Studios. Near completion when the Eisner regime took over Disney, The Black Cauldron would come to represent what would later be referred to as the "rock bottom" point for Disney animation. The studio's most expensive feature to that point at $44 million, The Black Cauldron was a critical and commercial failure. The film's $21 million box office gross led to a loss for the studio, putting the future of the animation division in jeopardy.

Roy E. Disney (Chairman, 1985–2003), nephew of Walt Disney, was a key figure in restructuring the animation department following the reorganization of the Disney company in 1984.

Between the 1950s and 1980s, the significance of animation to Disney's bottom line was significantly reduced as the company expanded into further live-action production, television, and theme parks. As new CEO, Michael Eisner strongly considered shuttering the feature animation studio and outsourcing future animation. Roy E. Disney intervened, offering to head the feature animation division and turn its fortunes around, while Eisner established the Walt Disney Pictures Television Animation Group to produce lower-cost animation for television. Named Chairman of feature animation by Eisner, Roy E. Disney appointed Peter Schneider president of animation to run the day-to-day operations in 1985.
In February 1985, Disney executives moved the animation division from the Disney studio lot in Burbank to a variety of warehouses, hangars, and trailers located about two miles east (3.2 kilometers) in nearby Glendale, California. The animation division's first feature animation at its new location was The Great Mouse Detective, begun by John Musker and Ron Clements as Basil of Baker Street after both left the Black Cauldron production. The Great Mouse Detective was enough of a critical and commercial success to instill executive confidence in the animation studio. Later the same year, however, Universal Pictures and Steven Spielberg's (1946-) Amblin Entertainment released Don Bluth's An American Tail, which outgrossed The Great Mouse Detective at the box office and became the highest-grossing first-issue animated film to that point.
Katzenberg, Schneider, and Roy E. Disney set about changing the culture of the studio, increasing staffing and production so that a new animated feature would be released every year instead of every two to four. The first of the releases on the accelerated production schedule was Oliver & Company in 1988, which featured an all-star cast including Billy Joel (1949-) and Bette Midler (1945-) and an emphasis on a modern pop soundtrack. Oliver & Company opened in the theaters on the same day as another Bluth/Amblin/Universal animated film, The Land Before Time; however, Oliver outgrossed Time and went on to become the most successful animated feature to that date.
From a musical perspective, animation historian Allan Neuwirth considers the Disney animated feature films of the 1970s and most of the 1980s to be part of a "fallow period" for the Disney studio. Neuwirth concedes that the studio continued producing and releasing well-regarded musical films, but argues that their songs were no longer particularly memorable. In his view, The AristoCats (1970), Robin Hood (1973), The Rescuers (1977), The Fox and the Hound (1981), The Great Mouse Detective (1986) and Oliver & Company (1988) were all fondly-remembered films. But he argues that most people would have trouble recalling a single song out of any of them.
At the same time in 1988, Disney's started entering into Australia's long standing animation industry, by purchasing Hanna-Barbera's Australian studio to start Disney Animation Australia.

1400 Flower Street in Glendale, California, one of several buildings used by Walt Disney Feature Animation between 1985 and 1995.

While Oliver & Company and next feature animation, The Little Mermaid, were in production, Disney collaborated with Steven Spielberg's Amblin Entertainment and master animator Richard Williams (1933-) to produce Who Framed Roger Rabbit, a groundbreaking live action/animation hybrid directed by Robert Zemeckis (1952-) which featured licensed animated characters from other animation studios. Disney set up a new animation studio under Williams' supervision in London to create the cartoon characters for Roger Rabbit, with many of the artists from the California studio traveling to England to work on the film. A significant critical and commercial success, Roger Rabbit won three Academy Awards for technical achievements. and was key in renewing mainstream interest in American animation. Other than the film itself, the studio also produced three Roger Rabbit shorts during the late 1980s and early 1990s.
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1989–94: Beginning of the Disney Renaissance, successful releases, impact on the animation industry

A second satellite studio, Walt Disney Feature Animation Florida, opened in 1989 with 40 employees. Its offices were located within the Disney-MGM Studios theme park at Walt Disney World in Bay Lake, Florida, and visitors were allowed to tour the studio and observe animators at work. The same year, the studio released The Little Mermaid, which became a keystone achievement in Disney's history as its largest critical and commercial success in decades. Directed by John Musker and Ron Clements, who'd been co-directors on The Great Mouse Detective, The Little Mermaid earned $84 million at the North American box office, a record for the studio. The film was built around a score from Broadway songwriters Alan Menken (1949-) and Howard Ashman (1950–1991), who was also a co-producer and story consultant on the film. Mermaid won two Academy Awards, for Best Original Song and for Best Original Score.

The story of a mermaid enthralled with the human world would forever change Disney animation.

The Little Mermaid vigorously relaunched a profound new interest in the animation and musical film genres. Mermaid was also the first to feature the use of Disney's Computer Animation Production System (CAPS). Developed for Disney by Pixar, which had grown into a commercial computer animation and technology development company, CAPS would become significant in allowing future Disney films to more seamlessly integrate computer-generated imagery and achieve higher production values with digital ink and paint and compositing techniques. The Little Mermaid was the first of a series of blockbusters that would be released over the next decade by Walt Disney Feature Animation, a period later designated by the term Disney Renaissance.

1400 Air Way, another Glendale building used by Walt Disney Feature Animation between 1985 and 1995.

Accompanied in theaters by the Mickey Mouse featurette The Prince and the Pauper, The Rescuers Down Under (1990) was Disney's first animated feature sequel and the studio's first film to be fully colored and composited via computer using the CAPS system. However, the film did not duplicate the success of The Little Mermaid. The next Disney animated feature, Beauty and the Beast, had begun production in London, but was moved back to Burbank after Disney decided to shutter the London satellite office and retool Beauty into a musical-comedy format similar to Mermaid. Alan Menken and Howard Ashman were retained to write the song score, though Ashman died before production was completed.
Debuting first in a work-in-progress version at the 1991 New York Film Festival before its November 1991 wide release, Beauty, directed by Kirk Wise (1963-) & Gary Trousdale (1960-), was an unprecedented critical and commercial success, and would later be seen as one of the studio's best films. The film earned six Academy Award nominations, including one for Best Picture, a first for an animated work, winning for Best Song and Best Original Score. Its $145 million box office gross set new records, and merchandising for the film – including toys, cross-promotions, and soundtrack sales – was also lucrative.
The successes of Mermaid and Beauty established the template for future Disney releases during the 1990s: a musical-comedy format with Broadway-styled songs and tentpole action sequences, buoyed by cross-promotional marketing and merchandising, all carefully designed to pull audiences of all ages and types into theatres. In addition to John Musker, Ron Clements, Kirk Wise, and Gary Trousdale, the new guard of Disney artists creating these films included story artists/directors Roger Allers (1949-), Rob Minkoff (1962-), Chris Sanders (1962-), and Brenda Chapman (1962-), and lead animators Glen Keane (1954-), Andreas Deja (1957-), Eric Goldberg (1955-), Nik Ranieri, Will Finn (1958-), and many others.
Aladdin, released in November 1992, continued the upward trend in Disney's animation success, earning $504 million worldwide at the box office, and two more Oscars for Best Song and Best Score. Featuring songs by Menken, Ashman, and Tim Rice (1944-) (who replaced Ashman after his passing) and starring the voice of Robin Williams (1951–2014), Aladdin also established the trend of hiring celebrity actors and actresses to provide the voices of Disney characters, which had been explored to some degree with The Jungle Book and Oliver & Company, but now became standard practice.
In June 1994, Disney released The Lion King, directed by Roger Allers and Rob Minkoff. An all-animal adventure set in Africa, The Lion King featured an all-star voice cast which included James Earl Jones (1931-), Matthew Broderick (1962-), and Jeremy Irons (1948-), and songs written by Tim Rice and pop star Elton John (1947-). The Lion King earned $768 million at the worldwide box office, to this date a record for a traditionally animated film, earning millions more in merchandising, promotions, and record sales for its soundtrack.
Aladdin and The Lion King had been the highest-grossing films worldwide in each of their respective release years. Between these in-house productions, Disney diversified in animation methods and produced The Nightmare Before Christmas with former Disney animator Tim Burton (1958-). With animation becoming again an increasingly important and lucrative part of Disney's business, the company began to expand its operations. The flagship California studio was split into two units and expanded, and ground was broken on a new Disney Feature Animation building adjacent to the main Disney lot in Burbank, which was dedicated in 1995. The Florida satellite, officially incorporated in 1992, was expanded as well, and one of Disney's television animation studios in the Paris, France suburb of Montreuil – the former Brizzi Brothers studio – became Walt Disney Feature Animation Paris, where A Goofy Movie (1995) and significant parts of later Disney films were produced. Also, Disney began producing lower cost direct to video sequels for its successful animated films using the services of its television animation studios under the name Disney MovieToons. The Return of Jafar (1994), a sequel to Aladdin and a pilot for the Aladdin television show spin-off, was the first of these productions. Walt Disney Feature Animation was also heavily involved in the adaptations of both Beauty and the Beast in 1994 and The Lion King in 1997 into Broadway musicals.

622/610 Circle 7 Drive (the Hart-Dannon Building), another Glendale building used by Walt Disney Feature Animation during the early 1990s.

Jeffrey Katzenberg and the Disney story team were heavily involved in the development and production of Toy Story, the first fully computer-animated feature ever produced. Toy Story was produced for Disney by Pixar and directed by former Disney animator John Lasseter (1957-), whom Peter Schneider had unsuccessfully tried to hire back after his success with Pixar shorts such as Tin Toy (1988). Released in 1995, Toy Story opened to critical acclaim and commercial success, leading to Pixar signing a five-film deal with Disney, which bore critically and financially successful computer animated films such as A Bug's Life (1998), Toy Story 2 (1999), and Monsters, Inc. (2001).
In addition, the successes of Aladdin and The Lion King spurred a significant increase in the number of American-produced animated features throughout the rest of the decade, with the major film studios establishing new animation divisions such as Fox Animation Studios, Turner Feature Animation, and Warner Bros. Animation being formed to produce films in a Disney-esque musical-comedy format such as Thumbelina (1994), The Swan Princess (1994), Anastasia (1997), Cats Don't Dance (1997), Quest for Camelot (1998), and The King and I (1999) respectively.
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1994–99: End of the Disney Renaissance, declining returns
Concerns arose internally at Disney, particularly from Roy E. Disney, about studio chief Jeffrey Katzenberg taking too much credit for the success of Disney's early 1990s releases. Disney president Frank Wells was killed in a helicopter accident in 1994, and Katzenberg lobbied CEO Michael Eisner for the vacant president position. Instead, tensions between Katzenberg, Eisner, and Disney resulted in Katzenberg being forced to resign from the company that October, with Joe Roth (1948-) taking his place. Katzenberg went on to become one of the founders of DreamWorks SKG, whose's animation division became Disney's key rival in feature animation with both computer animated films such as Antz (1998), and traditionally animated films such as The Prince of Egypt (1998).

Walt Disney Feature Animation logo, used from 1997 to 2006.

In contrast to the early 1990s productions, the mid-1990s Disney animated features presented a trend of diminishing returns. Pocahontas, released in summer 1995, was a critical and commercial disappointment compared to its predecessors, earning $346 million worldwide while still winning two Academy Awards for its music by Alan Menken and Stephen Schwartz (1948-). The next film, The Hunchback of Notre Dame (1996), partially produced at the Paris studio, performed better critically but grossed only $325 million worldwide. The following summer, Hercules, grossed only $252 million worldwide and received positive reviews, but it was responsible for beginning the decline of traditional animated films. The declining box office success became doubly concerning inside the studio as wage competition from DreamWorks had significantly increased the studio's overhead, with production costs increasing from $79 million in total costs (production, marketing, and overhead) for The Lion King in 1994 to $179 million for Hercules three years later. Moreover, Disney depended upon the popularity of its new features in order to develop merchandising, theme park attractions, direct-to-video sequels, and television programming in its other divisions. The production schedule was scaled back, and a larger number of creative executives were hired to more closely supervise production, a move that was not popular among the animation staff.
Mulan (1998), the first film produced primarily at the Florida studio, earned $305 million in worldwide box office. The next summer's Tarzan, directed by Kevin Lima (1962-) and Chris Buck (1960-), had a high production cost of $150 million, but earned $448 million at the box office. The Tarzan song score by pop star Phil Collins (1951-) resulted in significant record sales and an Academy Award for Best Song.
In October 1999, Dream Quest Images, a special effects studio previously purchased by The Walt Disney Company in April 1996 to replace Buena Vista Visual Effects, was merged with the computer-graphics operation of Walt Disney Feature Animation to form a division called The Secret Lab. The Secret Lab produced one feature film, Dinosaur (2000), which featured CGI prehistoric creatures against filmed live-action backgrounds. The $128 million production earned $349 million worldwide, below studio expectations, and the Secret Lab was closed in 2001.
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2000–05: Slump, downsizing and conversion to computer animation, corporate issues
Fantasia 2000, a sequel to the 1940 film that had been a pet-project of Roy E. Disney's since 1990, was released on January 1, 2000. Produced in pieces when artists were available between productions, Fantasia 2000 was the first animated feature produced for and released in IMAX format. A standard theatrical release followed in June, but the film's $90 million worldwide box office total against its $90 million production cost resulted in it losing $100 million for the studio. Peter Schneider left his post as president of Walt Disney Feature Animation in 1999 to become president of The Walt Disney Studios under Joe Roth. Thomas Schumacher, who had been Schneider's vice president of animation for several years, became the new president of Walt Disney Feature Animation. By this time, competition from other studios had driven animators' incomes to all-time highs, making traditionally animated features even more costly to produce. Schumacher was tasked with cutting costs, and massive layoffs began to cut salaries and bring the studio's staff – which peaked at 2,200 people in 1999 – down to approximately 1,200 employees.
That December saw the release of The Emperor's New Groove, which had originally been a musical epic called Kingdom of the Sun before being revised mid-production into a smaller comedy, New Groove earned $169 million worldwide when released in December 2000, though it was well reviewed and performed better on video. Atlantis: The Lost Empire (2001), an attempt to break the Disney formula by moving into action-adventure, received mixed reviews and earned $186 million worldwide against production costs of $120 million.
By 2001, the notable successes of computer-animated films from Pixar and DreamWorks such as Monsters, Inc. and Shrek, respectively, against Disney's lesser returns for The Emperor's New Groove and Atlantis led to a growing perception that hand-drawn animation was becoming outdated and falling out of fashion. In March 2002, just after the successful release of Blue Sky Studios' computer-animated feature Ice Age, Disney laid off most of the employees at the Feature Animation studio in Burbank, downsizing it to one unit and beginning plans to move into fully computer animated films. A handful of employees were offered positions doing computer animation. Morale plunged to a low not seen since the start of the studio's ten-year exile to Glendale in 1985. The Paris studio was also closed in 2003.
The Burbank studio's remaining hand-drawn productions, Treasure Planet (2002) and Home on the Range (2004), continued production. Treasure Planet was a retelling of Treasure Island in space that was a pet project of writer-directors Ron Clements & John Musker. It received generally positive reviews and an IMAX release but was financially unsuccessful upon release, resulting in a $74 million writedown for The Walt Disney Company in fiscal year 2003. The Burbank studio's 2D departments closed at the end of 2002 following completion of Home on the Range, a long-in-production feature originally known as Sweating Bullets.
Meanwhile, hand-drawn feature animation production continued at the Feature Animation Florida studio, where the films could be produced at lower costs. Lilo & Stitch, an offbeat comedy written and directed by Chris Sanders and Dean DeBlois (1970-), became the studio's first bonafide hit since Tarzan upon its summer 2002 release, earning $273 million worldwide against a $80 million production budget.
Most of the 1990s Disney features had been spun off into direct-to-video sequels, television series, or both, produced by the Disney Television Animation unit. Beginning with Return to Never Land, a 2002 sequel to 1953's Peter Pan, Disney began releasing lower-budgeted sequels to earlier films, originally intended for video premieres, in theaters, a process derided by some of the Disney animation staff and fans of the Disney films.
In 2003, Tom Schumacher was appointed president of Buena Vista Theatrical Group, Disney's stageplay and musical theater arm, and David Stainton, then president of Walt Disney Television Animation, was appointed as his replacement. Stainton continued to oversee Disney's direct-to-video division, DisneyToon Studios, which had been part of the television animation department, though transferred at this time to Walt Disney Feature Animation management.
Under Stainton, the Florida studio completed Brother Bear (2003), which did not perform as well as Lilo & Stitch critically or financially. Disney announced the closing of the Florida studio on January 12, 2004, with the then in-progress feature My Peoples left unfinished when the studio closed two months later. Upon the unsuccessful April 2004 release of Home on the Range, Disney, led by executive Bob Lambert (1957–2012), officially announced its conversion of Walt Disney Feature Animation into a fully CGI studio – a process begun two years prior – now with a staff of 600 people and began selling off all of its traditional animation equipment.
Just after Brother Bear's November 2003 release, Feature Animation chairman Roy E. Disney had resigned from The Walt Disney Company, launching with business partner Stanley Gold (1942-) a second external "SaveDisney" campaign similar to the one that had forced Ron Miller out in 1984, this time to force out Michael Eisner. Two of their arguing points against Eisner included his handling of Feature Animation and the souring of the studio's relationship with Pixar.
Talks between Michael Eisner and Pixar CEO Steve Jobs (1955–2011) over renewal terms for the highly lucrative Pixar-Disney distribution deal broke down in January 2004. Jobs in particular disagreed with Eisner's insistence that sequels such as the then in-development Toy Story 3 (2010) would not count against the number of films required in the studio's new deal. To that end, Disney announced the launching of Circle 7 Animation, a division of Feature Animation which would produce sequels to the Pixar films, while Pixar began shopping for a new distribution deal.
In 2005, Disney released its first fully computer-animated feature, Chicken Little. The film was a moderate success at the box office, earning $315 million worldwide, but was not well-received critically. Later that year, after two years of Roy E. Disney's "SaveDisney" campaign, Michael Eisner announced that he would resign and named Bob Iger (1951-), then president of The Walt Disney Company, his successor as chairman and CEO.
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2005–09: Rebound, Disney's acquisition of Pixar, renaming, the birth of the Tinker Bell franchise
With Iger in place as the new CEO of Disney, Steve Jobs resumed negotiations for Pixar with Disney. On January 24, 2006, Disney announced that it would acquire Pixar for $7.4 billion, with the deal closing that May. As part of the acquisition, Pixar executives Edwin Catmull (1945-) and John Lasseter assumed control of Walt Disney Feature Animation as President and Chief Creative Officer, respectively, and the Circle 7 studio launched to produce Toy Story 3 was shut down, with most of its employees returning to Feature Animation and Toy Story 3 returning to Pixar's control.

John Lasseter (Chief Creative Officer, left) and Edwin Catmull (President, right) came to Disney following its acquisition of Pixar and dedicated themselves to revitalizing Walt Disney Animation Studios after the studio's unsuccessful early 2000s period.

While Disney executives had originally discussed closing Feature Animation as redundant, Catmull and Lasseter refused and instead resolved to try to turn things around at the studio. Lasseter and Catmull set about rebuilding the morale of the Feature Animation staff, and rehired a number of its 1980s "new guard" generation of star animators who had left the studio, including Ron Clements, John Musker, Eric Goldberg, Mark Henn, Andreas Deja, Bruce W. Smith (1961-), and Chris Buck. To maintain the separation of Disney and Pixar despite their now common ownership and management, Catmull and Lasseter "drew a hard line" that each studio was solely responsible for its own projects and would not be allowed to borrow personnel from or lend tasks out to the other.
Catmull and Lasseter also brought to Disney the Pixar model of a "filmmaker-driven studio" as opposed to an "executive-driven studio"; they abolished Disney's prior system of requiring directors to respond to "mandatory" notes from development executives ranking above the producers in favor of a system roughly analogous to peer review, in which non-mandatory notes come primarily from fellow producers, directors, and writers. Most of the layers of "gatekeepers" (midlevel executives) were stripped away, and Lasseter established a routine of personally meeting weekly with filmmakers on all projects in the last year of production and delivering feedback on the spot.

Lasseter renamed Walt Disney Feature Animation to Walt Disney Animation Studios, and re-positioned the studio as an animation house that produced both traditional and computer-animated projects. In order to keep costs down on hand-drawn productions, animation, design, and layout were done in-house at Disney while clean-up animation and digital ink-and-paint were farmed out to vendors and freelancers.
In 2007, the studio released Meet the Robinsons, its second all-CGI film, earning $169.3 million worldwide. That year, DisneyToon Studios was also restructured and began to operate as a separate unit under Lasseter and Catmull's control. John Lasseter's direct intervention with the studio's next film, American Dog, resulted in the departure of director Chris Sanders, who went on to become a director at DreamWorks Animation. The film was retooled by new directors Byron Howard (1968-) and Chris Williams (1968-) as Bolt (2008), which had the best critical reception of any Disney animated feature since Lilo & Stitch, and became a moderate financial success.
The Princess and the Frog & Tinker Bell, directed by Ron Clements & John Musker, was the studio's first hand-drawn animated film in five years and the first chapter of the Tinker Bell series made by Walt Disney V. A return to the musical-comedy format of the 1990s with songs by Randy Newman (1943-), the film was released in 2009 to a positive reception and was also nominated for three Academy Awards, including two for Best Song. The box office performance of The Princess and the Frog & Tinker Bell – a total of $267 million earned worldwide against a $105 million production budget – was seen as an underperformance due to competition with Avatar. In addition, the "Princess" aspect of the title was blamed, resulting in future Disney films starring Jim Henson's The Muppets then in production about princesses being given neutral/symbolic titles: Rapunzel became Tangled & Muppets & Fairies Treasure Autumn and The Snow Queen became Frozen & Muppets & Fairies' Wintry Secret. In 2014, Disney animator Tom Sito (1956-) compared the film's box office performance to that of The Great Mouse Detective (1986), which was a step-up from the theatrical run of the 1985 film The Black Cauldron. In 2009, the studio also produced the computer-animated Prep & Landing holiday special for the Disney-owned ABC television network.
At the D23 Expo in 2009, Guillermo del Toro's (1964-) Double Dare You production company and Disney announced a production deal for a line of darker animated films. The label was announced with one original animated project, "Trollhunters". However, de Toro moved his deal to DreamWorks in fourth quarter 2010.
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2010–2019: Continued resurgence, the final years of Walt Disney V, John Lasseter & Ed Catmull's departure, the studio's renaming
After The Princess and the Frog & Tinker Bell, the studio released Tangled & Muppets & Fairies Treasure Autumn, a musical CGI adaptation of the Brothers Grimm's Rapunzel tale with songs by Alan Menken and Glenn Slater (1968-). In active development since 2002 under Glen Keane, Tangled & Muppets & Fairies Treasure Autumn, directed by Byron Howard and Nathan Greno (1975-), was released in November 2010 and became a significant critical and commercial success, and was nominated for several accolades including two Academy Award for Best Original Songs. The film earned $591 million in worldwide box office revenue, becoming the studio's third most successful release to date.
The hand-drawn feature Winnie the Pooh & Tinker Bell's Midsummer Rescue, a new feature film based on the A.A. Milne characters, followed in 2011 to positive reviews but underperformed at the box office. Winnie the Pooh & Tinker Bell's Midsummer Rescue remains to date the studio's most recent hand-drawn feature.

Wreck-It Ralph, directed by Rich Moore (1963-), was released in 2012, to critical acclaim and commercial success. A comedy-adventure about a video-game villain who redeems himself as a hero, it won numerous awards, including the Annie, Critics' Choice, and Kids' Choice Awards for Best Animated Feature Film and received Golden Globe and Academy Award nominations. The film earned $471 million in worldwide box office revenue. In addition, the studio won its first Academy Award for a short film in forty-four years with Paperman. Directed by John Kahrs (1967/1968-), Paperman utilized new software developed in house at the studio called Meander, which merges hand-drawn and computer animation techniques within the same character to create a unique "hybrid." According to Producer Kristina Reed, the studio is continuing to develop the technique for future projects, including an animated feature. However, four years later, Disneywiz panned the film after it was responsible for letting Disney purchase Lucasfilm, put an end to Tinker Bell's homeland, ordered a film's sequel which involves the world of the Wi-Fi, which caused Walt Disney V to die at December 15, 2016.

In 2013, the studio laid off nine of its hand-drawn animators, including Nik Ranieri and Ruben A. Aquino (1953-), leading to speculation on animation blogs that the studio was abandoning traditional animation, an idea that the studio dismissed.

That same year, Frozen & Muppets & Fairies' Wintry Secret, a CGI musical film inspired by Hans Christian Anderson's The Snow Queen, was released to acclaim and became a merchandising juggernaut. Directed by Chris Buck and Jennifer Lee (1971-) with songs by the Broadway team of Robert Lopez (1975-) & Kristen Anderson-Lopez (1972-), it was the first Disney animated film to earn over $1 billion in worldwide box office revenue and is currently the highest-grossing animated film of all time, surpassing Pixar's Toy Story 3. Frozen & Muppets & Fairies' Wintry Secret also became the first film from Walt Disney Animation Studios to win the Academy Award for Best Animated Feature (a category started in 2001), as well as the first feature-length motion picture from the studio to win an Academy Award since Tarzan and the first to win multiple Academy Awards since Pocahontas. It was released in theaters with Get a Horse!, a new Mickey Mouse cartoon combining black-and-white hand-drawn animation and full-color CGI animation. Three years later, a log flume attraction opened in Epcot at the Walt Disney World Resort on June 21, 2016, which is a better hit than the first film (ever since the childhood version of Anna and Elsa receives important specific reviews (like Tinker Bell's sisterhood with Periwinkle) while the adulthood version receive mixed reviews).

Elsa shares many similar traits with Periwinkle: 

• Both have blue eyes and very fair hair – Peri's is white and Elsa's is platinum blonde. 

• Both have a small lock of hair down their forehead. 

• Both possess unusually strong powers over ice and snow, frost and sleet, hail and cold. 

• Both have icy-blue motifs. 

• Both have a dear sister (Anna / Tinker Bell) whom they love and care about very, very much. 

• Their sisters are the protagonists of both movies respectively. 

• Both enjoy playing in the snow with their sister but are forced into separation as their sisters may be vulnerable to the cold. 

• Both also appear to be unaffected by the cold. Peri's outfit has no sleeves, and she is almost always surrounded by ice and snow. Elsa, during "Let it Go", sings that "the cold never bothered her." 

• In the end, both reunite with their beloved sister to save their home kingdom (Arendelle / Pixie Hollow) from a ravaging blizzard / snowstorm.

A year later, Disney Pixar's Coco overtook Frozen with becoming a blockbuster hit and winning two Academy Award nominations since Toy Story 3.

The studio's next feature, Big Hero 6, a CGI comedy-adventure film inspired by Marvel's Big Hero 6 comics, was released on November 7, 2014. For the film, the studio developed new light rendering software called Hyperion, which the studio continued to use on all subsequent films. Big Hero 6 received critical acclaim and was the highest-grossing animated film of 2014, and it also won the Academy Award for Best Animated Feature. The film was accompanied in theaters by the animated short Feast, which won the Academy Award for Best Animated Short Film. Four years later, Stan Lee (1922–2018), the CEO of Marvel, passed away on November 12, 2018 due to cardiac arrest with underlying causes of respiratory failure and congestive heart failure and Disneywiz decides to disdain and retire as the fan of the film since Incredibles 2 had losing the awards to another superhero movie, Spider-Man: Into the Spider-Verse in 2019.

The following year releases Frozen Fever & Muppetational & Winged Pirate on March 13, 2015, which receives generally positive reviews but underperformed at the box office while the live action version of Cinderella grossed $540 million worldwide.

In March 2016, the studio released Zootopia & Tinker Bell's NeverZootropolis Legend, a CGI buddy-comedy film set in a modern world inhabited by anthropomorphic animals and the last chapter in the Tinker Bell series. Zootopia & Tinker Bell's NeverZootropolis Legend was a critical and commercial success, grossing over $1 billion worldwide (the first being Frozen & Muppets & Fairies' Wintry Secret), and won the Academy Award for Best Animated Feature. Zootopia joined the other acclaimed Pixar films, including the Toy Story trilogy, Finding Nemo, The Incredibles, the Cars trilogy, Inside Out and most recently, Coco as the international film of all time.

Moana, a CGI fantasy-adventure film, was released in November 2016. The film was shown in theaters with the animated short Inner Workings. Moana was another commercial and critical success for the studio, grossing over $600 million worldwide and received two Academy Award nominations. Since Moana's success, Disneywiz decides to prove which animation was the best, so he ignored CGI-modern animation and learned old-school animation from the same people who worked on the film (The Little Mermaid, Aladdin, Hercules, Tarzan, Lilo & Stitch, Treasure Planet, Brother Bear, and The Princess and the Frog).

Walt Disney V died in December 15, 2016 of circulatory collapse caused by lung cancer, treated with cobalt therapy (nearly nine months after Zootopia & Tinker Bell's NeverZootropolis Legend was released). On November 21, 2017, John Lasseter announced that he was taking a six-month leave of absence after acknowledging "missteps" in his behavior with employees in a memo to staff. According to various new outlets, Lasseter had a history of alleged sexual misconduct towards employees. On June 8, 2018, it was announced that Lasseter would leave Disney and Pixar at the end of the year, but would take on a consulting role until then. Jennifer Lee was announced as Lasseter's replacement as chief creative officer of Disney Animation on June 19, 2018.
On June 28, 2018, the studio's division DisneyToon Studios was shut down, resulting in the layoffs of 75 animators and staff.

In November 2018, the studio released a sequel to Wreck-It Ralph, titled Ralph Breaks the Internet. The film grossed over $500 million worldwide and received nominations for a Golden Globe and a Academy Award, both for Best Animated Feature. However, Disneywiz panned the film due to the cancelation of Gigantic, a new musical film (and one of the last film projects to be approved by Walt Disney V itself) based on the English folk tale "Jack and the Beanstalk", the story was set in Spain, in which Jack befriends a female giant. The song-writing team for Tinker Bell's fan-franchise, Frozen, and the Winnie the Pooh sequel; were writing music for the film. However, like the film, it was scrapped due to creative difficulties. But Disneywiz decides to chronicle the film instead of disdaining it and change Ralph and Vanellope's future because they were responsible for discontinuing the Tinker Bell series, making Anna and Elsa move on from their childhood during separate ways, keeping me and Frozen Ever After apart, letting Walt Disney V die in 2016, cancelling Gigantic, shutting down DisneyToon Studios, and nearly making Incredibles 2 forfeit the Academy Award like the other Pixar sequels (Monsters University, Finding Dory, and Cars 3). The replacement for Ralph Breaks the Internet was the re-releases of Peter Pan (the sequel to the discontinued Tinker Bell franchise as part of the celebration of the film's 65th anniversary) and Pinocchio (as the fact that the plot is based on a wishing star, one of Disney's most iconic symbols, it can easily be considered a celebration for the studio's 95th anniversary). Luckily, the company had released the soundtrack promo of Secret of the Wings since May 2018 (the month before DisneyToons Studios shut its doors and as part of the anniversary celebrations of Peter Pan and the Tinker Bell trilogy, thanks to the veteran crew of animators and voice cast who played the characters of Tinker Bell, Wendy Darling, and John Darling: Margaret Kerry, Kathryn Beaumont, Paul Collins), which actually cured the Tinker Bell franchise. As a result, the studio re-released Frozen (after five years) to better acclaim and became a better blockbuster hit (if the last one didn't see no future like the other Tinker Bell series, especially for Secret of the Wings). Directed by Chris Buck and Jennifer Lee with songs by the Lopez team, it became the second film from Walt Disney Animation Studios to win the Academy Award for Best Animated Feature since Zootopia, as well as the first feature-length motion picture re-release from the studio to win multiple Academy Awards since Toy Story 3.

In May 2019, Disneywiz renamed the studio from Walt Disney Animation Studios to Walt Disney Toon Studios, since the studio's division's retirement.

In August 2019, it was announced that Andrew Millstein would be stepping down from his role as president, before moving on to become co-president of Blue Sky Studios alongside Robert Baird, while Clark Spencer (1963-) has been named president of Disney Animation, reporting to Walt Disney Studios chairman, Alan Bergman and working alongside chief creative officer, Jennifer Lee.
In October 2019, it was announced that Carlos López Estrada (1988-), Suzi Yoonessi (1978-), along with Disney veterans Josie Trinidad and Marc Smith have been working on four new original films.

The studio's next feature film was the sequel Frozen II & Tinker Bell Ever After (the last animated feature film to be executive produced by Walt Disney V, who died during its production), premiered in May/June 2019 as a time release posthumous Christmas memorial present and released in November 2019. The film grossed over $1 billion worldwide and received an Academy Award nomination for Best Original Song. According to Disney (who does not consider the 2019 The Lion King remake to be an animated film), Frozen II is the highest-grossing animated film of all time. After Disneywiz agreed and thought so with the critics that Frozen II is much, much better than the original and the last six films of the era starting from 2012 to 2018, the Tinker Bell franchise was completely cured. He had been underrating the predecessor like the less popular film in the Tinker Bell series, Secret of the Wings. After four years of patience to find out which discontinued the Tinker Bell series and shut down DisneyToon Studios, he also learned that the clue behind the closure of Tinker Bell's Pixie Hollow life was the conflict between Arendelle, the Northuldra and the elemental spirits after the Arendellian dam, which is commissioned during the reign of King Runeard, grandfather of Anna (Tinker Bell) and Elsa (Periwinkle), was damaging the beauty and nature of the forest.

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Studio
Management
Walt Disney Animation Studios is currently managed by Edwin Catmull (President, Walt Disney and Pixar Animation Studios), John Lasseter (Chief Creative Officer) and Andrew Millstein (President). Since 2006, while continuing to live in the San Francisco Bay Area (where they manage Pixar), Catmull and Lasseter have regularly commuted to Burbank every week to spend at least two days (usually Tuesdays and Wednesdays) at Disney Animation. They initially appointed Millstein as general manager and executive vice president to handle day-to-day business operations on their behalf. Millstein was promoted to the title of president in November 2014, along with his counterpart at Pixar, general manager Jim Morris. Both Millstein and Morris continue to report to Catmull, who retains the title of president of both studios.
Former presidents of the studio include David Stainton (January 2003 – January 2006), Thomas Schumacher (January 2000 – December 2002) and Peter Schneider (1985 – December 1999).
Other Disney executives who also exercised much influence within the studio were Roy E. Disney (1985–2003, Chairman, Walt Disney Feature Animation), Jeffrey Katzenberg (1984–94, Chairman, The Walt Disney Studios), Michael Eisner (1984–2005, CEO, The Walt Disney Company), and Frank Wells (1984–94, President and COO, The Walt Disney Company). Following Roy Disney's passing in 2009, the WDAS headquarters in Burbank was re-dedicated as The Roy E. Disney Animation Building in May 2010.
Locations
Since 1995, Walt Disney Animation Studios has been headquartered in the Roy E. Disney Animation Building in Burbank, California, across Riverside Drive from The Walt Disney Studios, where the original Animation building (now housing corporate offices) is located. The Disney Animation Building's lobby is capped by a large version of the famous hat from the Sorcerer's Apprentice segment of Fantasia (1940), and the building is informally called the "hat building" for that reason. Disney Animation shares its site with ABC Studios, whose building is located immediately to the west.

The south side of the Roy E. Disney Animation Building, as seen from the public park that separates it from the Ventura Freeway.

Until the mid-1990s, Disney Animation previously operated out of the Air Way complex, a cluster of old hangars, office buildings, and trailers in the Grand Central Business Centre, an industrial park on the site of the former Grand Central Airport about two miles (3.2 km) east in the city of Glendale. Today, the DisneyToon Studios unit is currently based in Glendale. Disney Animation's archive, formerly known as "the morgue" (based on an analogy to a morgue file) and today known as the Animation Research Library, is also located in Glendale. Unlike the Burbank buildings, DisneyToon Studios and the ARL are located in nondescript office buildings near Disney's Grand Central Creative Campus. The 12,000-square-foot ARL is home to over 64 million items of animation artwork going back to 1924; because of its importance to the company, it requires visitors to agree to not disclose its exact location within Glendale.
Previously, feature animation satellite studios were located around the world in Montreuil, Seine-Saint-Denis, France (a suburb of Paris), and in Bay Lake, Florida (near Orlando, at Disney's Hollywood Studios, one of the four theme parks at Walt Disney World). The Paris studio was shut down in 2002, while the Florida studio was shut down in 2004. The Florida animation building survives as an office building, while the former Magic of Disney Animation section of the building is home to Star Wars Launch Bay.
In November 2014, Disney Animation commenced a 16-month upgrade of the Roy E. Disney Animation Building, in order to fix what Catmull has called its "dungeon-like" interior. For example, the interior was so cramped that it could not easily accommodate "town hall" meetings with all employees in attendance. Disney did not disclose the renovation's cost, but Lasseter revealed that the whole center of the second floor will have an atrium that will go up two stories; we want to make this building so beautiful that it's worthy of the artistic talent that's there." In addition, it was revealed that the large sorcerer's hat will become the building's main entrance. Lasseter stated, "There will be a gorgeous stairway that goes up into the hat, it's a really great symbol, like you're entering the building through the magic of Mickey Mouse's hat." Due to the renovation, the studio's employees have been temporarily moved from Burbank into the closest available Disney-controlled studio space – the DisneyToon Studios building in the industrial park in Glendale and the old Imagineering warehouse in North Hollywood under the western approach to Bob Hope Airport (the Tujunga Building). Director Don Hall (1969-) analogized the studio's relocation to the end of The Empire Strikes Back, where "you know they're going to get back together."
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Productions
Feature films
Walt Disney Animation Studios has produced animated features in a series of animation techniques, including traditional animation, computer animation, and animation combined with live-action scenes. The studio's first film, Snow White and the Seven Dwarfs, was released on December 21, 1937, and their most recent film, Zootopia & The NeverZootropolis Legend, was released on March 4, 2016.
Short films
Since Alice Comedies in the 1920s, Walt Disney Animation Studios has produced a series of prominent short films, including the Mickey Mouse cartoons and the Silly Symphonies series. Many of these shorts provided a medium for the studio to experiment with new technologies that they would use in their filmmaking process, such as the synchronization of sound in Steamboat Willie (1928), the integration of the three strip Technicolor process in Flowers and Trees (1932), the multiplane camera in The Old Mill (1937), the xerography process in Goliath II (1960), and the hand-drawn/CGI hybrid animation in Off His Rockers (1992), Paperman (2012), and Get a Horse! (2013).
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Collaborations
Parks and resorts
Walt Disney Animation Studios has occasionally collaborated with Walt Disney Creative Entertainment and Walt Disney Imagineering to create attractions for various Disney theme parks and resorts. Some of these attractions are:

1. The Making of Me (October 30, 1989 – January 1, 2007), at Epcot
2. Cranium Command (October 19, 1989 – January 1, 2007), at Epcot
3. Circle of Life: An Environmental Fable (January 21, 1995 – February 3, 2018), at Epcot
4. Gran Fiesta Tour Starring The Three Caballeros (April 6, 2007), at Epcot
5. Mickey's PhilharMagic, at the Magic Kingdom (October 8, 2003), Hong Kong Disneyland (September 12, 2005) and Tokyo Disneyland (January 24, 2011)
6. Stitch's Great Escape! (November 18, 2004), at the Magic Kingdom
7. Stitch Encounter, at Hong Kong Disneyland (July 13, 2006 – May 2, 2016) and Tokyo Disneyland (July 17, 2015), and Walt Disney Studios Park as "Stitch Live!" (March 22, 2008)
8. Fantasmic!, at Disneyland (May 13, 1992), Disney's Hollywood Studios (October 15, 1998) and Tokyo DisneySea (April 28, 2011)
9. World of Color (June 11, 2010), at Disney's California Adventure
10. Disney Dreams! (April 1, 2012), at Disneyland Park Paris
11. Seven Dwarfs Mine Train (May 28, 2014), at the Magic Kingdom
12. Frozen Ever After (June 21, 2016), at Epcot

Video games
Walt Disney Animation Studios has also collaborated and put input through the company's Disney Interactive unit for several games. Some of these games are:

1. Disney Infinity series (Developed by Avalanche Software)
2. Kingdom Hearts III (Co-Published/Developed by Square Enix)

Associated productions
Walt Disney Animation Studios has occasionally collaborated with other studios to assist in the production of some animated and live-action features. These films are:

1. The Reluctant Dragon, providing the animated segments
2. Victory Through Air Power, providing the animated segments
3. Song of the South, providing the animated segments
4. So Dear to My Heart, providing the animated segments
5. Mary Poppins, providing the animated segments
6. Sesame Street (television show), providing the animated segments
7. Bedknobs and Broomsticks, providing the animated segments
8. Pete's Dragon, providing animation
9. The Brave Little Toaster, providing development
10. Who Framed Roger Rabbit, providing animation, layout, animatics and storyboards (animation unit only), and special effects
11. The Nightmare Before Christmas, providing second-layering traditional animation
12. A Goofy Movie, providing story, development, and pre-production
13. Toy Story, providing development
14. James and the Giant Peach, providing second-layering traditional animation
15. Saving Mr. Banks, providing animation for a short scene recreating an episode of the Disneyland TV show

_________________________________

BOO: Kitty!
_
ROZ: Now...
_
BUZZ: Now!
_
BOLT: Penny.
ZEUS: Ha ha!
_
DAVID: Nani!
TRITON: Yes.
SINA: Moana!
_
MIA: He's hot!
GUIDO: Okay.
_

TANANA: Oh.

NEERA: Kron.
SWATI: Whoa!
_

LIBBY: Ha-ha!

KENAI: Koda?
BEAST: What?
ELSA: Conceal
_

MR. BIG: Meh.

MOM: Oh, boy.
_
DOCTOR: Fire!
GYPSY: Whoa!
_

MARY: Wendy!

LASZLO: Yeah!
_
KAA: ...mistake.
GOOB: So tired.
_

FALINE: Bambi.

DINKY: Charge!
ONUS: Land ho!
JAFAR: Shut up!
_

BRUTON: Kron!

SLADE: Copper!
_
DAWSON: Basil?
_

ELINOR: Merida!
PHIL: Two words.
JENNY: A whale?
_
DOLI: What now?
NEMO: Bye, Dad!
SPOT: Whoo-hoo!
_
GUARD: My lord!

HATTER: Oh, my!
_

MANCHAS: You...
HARE: Mad watch.
GEORGES: Edgar?
_

FLASH: ...Priscilla!
FRANKIE: Master?
EVE: Who are you?
_
KOHUT: Incoming!
ALIENS: The claw!
CRUSH: 150, dude!
_

DODO: Look lively.
BLOAT: Now what?
GO GO: Woman up!
_
AUDREY: Milo, no!
DACHSIE: Und Fifi.
SIMBA: Come here!
CARL: What is that?
_

HANNAH: I'll get it!

SITKA: Knock it off.

VINNY: Hey, Junior.

NORWOOD: Guilty!

JACK-JACK: Hello?
CORNELIUS: Okay.
MUSE: It was tragic.
HOLMES: Come on.
KAI: Princess Anna?
_

BAGHEERA: Baloo.
RAMONE: Ah, yeah.
_

UMPIRE: You're out!
_
CYCLOPS: Hercules!
_
FRANCIS: Goodness!
JESSIE: (GASPS) Oh.
_
CHEF LOUIS: Ah-ha!
ANNA: Do the magic!
CHICHA: I heard that.
_
LUCKY: Mother, Dad,
KING: And remember,
JESSE: Hey! Open up!
BO PEEP: Oh, Woody.
EEYORE: There's one.
_
MICKEY: But Donald!
CATERPILLAR: Stop!
YOUNG GIRL: Whoa!
GRUMPY: You don't...
FAIRY: No, Pinocchio.
TWITCH: Get in there!
ELSA: Go away, Anna.
STORK: Oh, of course.
NASH: Who does that?
_

LORINA: Alice! Alice!
DOUBLE DAN: Hmm.
VOYAGE: IncrediBoy?
YAMA: There they are!
_

MR. RAY: Dory! Dory!

NALA: Simba, wait up!
SCHUMACHER: Ciao.
JAQ: Isn't it wonderful?
MRS. HARE: Thumper.
LOUIS: Tiana! Naveen!
_

MR. LITWAK: Oh, boy.
RALPHZILLA: Friend?

BONNIE: Glorious day!
YOUNG TOD: Copper?
_
NAKOMA: Pocahontas!
SEAHORSE: Sebastian!
_
WALL-E: Whoa! Uh-oh!
MUFASA: Look, Simba.
SOLDIER 1: Make way!
SHERIFF: Howdy, Friar.
SPIKE: You know what?
YESSS: Hey, my babies!
_
FRIAR TUCK: Surprise!
NALA: It's really creepy.
SLIM: Are they all right?
EMILE: I'm sorry, Remy.
DASH: Come on, Violet!
_

LABRADOR: Run for it!
FAGIN: Oh, it's hopeless.
HORST: Coming around.
_
BAILEY: Zzz... (GASPS)
DODGER: You help Tito.
ORYX: Will you shut up?
NASH: Whoo-hoo! Yeah!
KEN: What do you want?
_

HONEY LEMON: Whoo!
SHANK: Well, well, well.
GILL: That's it, Sharkbait.
KREI: That's just not true.
_
THUMPER: Hiya, Bambi.
VAN: Okay! Yes. You bet.
TONY: Now here you are.
REX: (GASPS) I need air!
CASS: That's my nephew!
_

INCREDIBLE: You know,
MOANA: What's in there?
MEG: (PANTING) Please.
BLAKE: He's so on board!
MARY: Hey. What? John?
_
BUDDY: And IncrediBoy!
MOMMA: Henry, it's time.

NARRATOR: You go, girl.

THUMPER: Hello, Bambi.

VICTOR: Ready, aim, fire!
CARL: Why is it an acorn?
POWHATAN: Pocahontas.
TOPOLINO: Hey, race car.
_
GOTHEL: I love you most.
RABBIT: The March Hare.
M-O: Foreign contaminant.
PHOEBUS: No, you're not.
REFEREE: Fighters ready?
_
KING: And to prevent Kida
BASHFUL: Ain't he sweet?
GASTON: Ready, aim, fire!
FINNICK: She hustled you.
CLYDE: Nice share, Ralph.
LEWIS: That's a prototype?
TERRI: We were awesome!
_

CHICK: Oh! (GRUNTING)
RUSTY: Please no pictures.
_

DESTINY: Dory! I'm sorry!
MERRYWEATHER: Flora?
KING: The gloves will help.
CRUELLA: Jasper! Horace!
MOM: Okay, who's hungry?
TIGGER: Come on, bounce.
_
BABY DORY: Hi, I'm Dory.
WOOLENSWORTH: Hmm.
HASAGAWA: Whoa, whoa!
LAWRENCE: Give it to me!
SHENZI: Ooh, it tingles me.
HELGA: It just keeps going.
JOHN: Blast you, Peter Pan!
_
OLD MAN: Tell me about it.
VIXEY: Oh. Sure. Why not?
MR. SPELL: Lazy toy brain.
MANNY: And now, insectus
STERLING: So? You like it?
AUTO: Good night, Captain.
KRISTOFF: Come on, Sven.
FLUKE: Just pick one, mate.
SCROOP: What was it now?
_
ARCHIMEDES: Wart! Wart!
LIONHEART: Swell-wether!
ELLIE: My Adventure Book.
BAYLENE: Oh, joy. Blisters.
BARBIE: This is so exciting!
_

CALHOUN: All right, Fix-It.
KNIGHT: All right. All right.

RITA: Oh, that poor little kid.

LITTLE JOHN: Rob? Robin?
HOPPER: You little termites!
RATIGAN: Goodbye so soon
ROSCOE: Come on, DeSoto.
STU: Oh, she's not a real cop.
_

MULAN: "Quiet and demure.
FRANNY: Now, don't be shy.
RIVER: Lou won't admit this,
KODA: Hello. I can't breathe.
ORGOCH: Thieves! Thieves!
GUARD 1: Get back in there!
BUCK: Now, where to begin?
GOOFY: Easy, Donald. Easy!
_

COOKIE: Ya-ha! Gertie, pull!
FRANCIS: I gotcha! I gotcha!
KALA: Oh! Oh, no. Shh. Shh.
PHILLIP: You know, Samson,
NICK: Mission accomplished.
PEACH: I'm right behind you.
SHAN-YU: What do you see?
CHET: Thank you very much.
_
BOOKWORM: Ah! Here it is.
QUASIMODO: Most of them.
GREAT ANCESTOR: Mushu!
AMPHITRYON: Who's there?
TRAMP: What's wrong, Pige?
SPAMLEY: Oh, there you are.
HELEN: Do I have to answer?
_

AUNT BILLIE: One of a kind.
CODY: That's it, you've got it!
ZAZU: Oh, Scar, this is awful!
TADASHI: Oh, hey, Professor.
SMEE: Oh, captain, you did it.
ARTHUR: Insecurity detected.
DIRECTOR: Guards, stop her!
_
MR. WILLERSTEIN: Coach...
CLAWHAUSER: Here you go.
P.T. FLEA: Get me out of here!
JOE: Okay, Tony, you the boss.
_
SNOW WHITE: Uh-uh, uh-uh!
JENNY: Wait till you taste this.
TIANA: Where you taking me?
STROMBOLI: Get along there.
JOHN: This place is incredible.
SYKES: I don't think you grasp
FRED: (GASPS) He's glorious.
_

ALADDIN: Look, I... I'm sorry.

TALLULAH: Is it gonna work?
ANDY: To infinity and beyond!
WILBUR: Robinson Industries,
BEN: Smith was right all along.
BRUCE: That's all right, Chum.
NANNY: The puppies are here!
RHINO: Superbark. Superbark!
JUDY: (WHISPERS) Come on.
ROGER: Maybe Scotland Yard.
_
TIMOTHY: I think they're cute.
NAPOLEON: Get him, get him.
COMPUTER: Deploying chute.
FRANK: Hey, what do you got?
KRON: We have to keep trying.
_

ABU: Yoo-hoo! Aladdin! Hello!
LUMIERE: Life is so unnerving
THORNY: Okay, lower, lower...
BELLE: New and a bit alarming
MAUI: I wasn't born a demigod.
QUEEN: Don't let her get away!
TERRY: My tentacle fell asleep.
SONIC: If you leave your game,
PLIO: Some things start out big,
_
AMELIA: Oh. Oh, how unusual.
CRUZ: Not cool, man. Not cool!
MRS. PACKARD: Commander?
VIOLET: Pretty loud discussion.
EUDORA: "Just in that moment,
HUGO: And since you're shaped
PRINCE: That has possessed me
_

SLIGHTLY: Yea for Bear Killer!
WILBUR: Girls? Girls, I'm here!
FLOUNDER: Ariel, wait for me.
SLINKY: Hey, Woody, come on.
MATER: Oh, yeah, I'm tellin' ya!
KERCHAK: I said he could stay.
FUNGUS: Ow, ow! I'm not here.
EVELYN: You know what's sad?
MEDUSA: There is another one!
CREPPER: This will please him.
TONY: Good evening, everyone.
JANE: I've never seen such eyes.
_
WINSTON: Attention. Attention.
SARABI: And it's time for yours.
HAMILTON: 122 miles per hour.
BETA: Gray Leader, checking in.
GOPHER: Quick! Turn the page!
HANK: Where's everybody else?
_

DRIZELLA: Huh. As if you care.
MOLLY: Then, yes, I'll miss you.
NANI: Okay, I got to get to work.
GAZELLE: Wow! I'm impressed.
LILO: Want to listen to the King?
KARI: I'm gonna call the police...
COGSWORTH: Now it's too late.
JIM: Whoa. What is all this stuff?
GRAMMA: The legends are true.
FLO: Oh, would you look at that?
POOH: Oh, not for honey, I hope.
_
DARLA: (SCREAMS) Get it out!
DUKE: What? Tea? (YAWNING)
MARIE: Me first, me first. Whoo.
GIRL: (SINGING) My own home
ATTINA: What is with her lately?
MRS. OTTERTON: (SIGHS) Oh!
FIDGET: Let me out! Let me out!
MORPH: "Nothing but me heart."
GREAT PRINCE: Get up, Bambi.
HERCULES: Yeah. Yeah. I know.
YAX: Yeah, some mammals say...
PIGLET: Oh, dear. Oh, dear, dear.
_

ALLAN-A-DALE: Man, oh, man.
CHUCKLES: Yeah, I knew Lotso.
SCUTTLE: Nothing is happening.
BAYMAX: I have some concerns.
TUI: Mother, Motunui is paradise.
YOUNG COPPER: Yeah, forever.
SPARKS: Neither are you, Chunk.
_

KAY: Why, you clumsy little fool!

DALLBEN: Ah, the Horned King.

KRONK: Back! Elbow! Shoulder!
ALADAR: Everyone just be quiet.
SOIL: Do not panic. Do not panic!
CAPTAIN: Well, let's open her up.
WILLOW: Is that my Pocahontas?
TARZAN: They mean us no harm.
PRINCE JOHN: Seize the fat one!
E: All was well, another day saved
_
CALLAGHAN: You must be Hiro.
ANNOUNCER: It's all over, folks!
LORD MACINTOSH: ...my liege?
CINDERELLA: Oh, there you are.
SQUISHY: I've never felt so alive!
VOICE: We've been watching you.
SARAH: James Pleiades Hawkins.
_
UNDERMINER: Ooh. (LAUGHS)
DOORKNOB: This won't do at all.
MALEFICENT: Touch the spindle.
SCREENSLAVER: Find anything?
HATHI: Oh, absolutely impossible.
PACHA: Well, we better get going.
ERIC: Whoa! Hang on, I've got ya.
WOODY: You want a piece of me?
RUNT: Don't go breaking my heart
DUSTY: Get your rear end in here.
_
WYNNCHEL: Come on! Go! Roll!
ATTA: Good job, guys! Nice work!
ANASTASIA: Well, it's about time.
GAMMA: I'm gonna get there first!
LING: Some king of the rock. Aah!
KRISTOFF: Stay out of sight, Olaf.
JIMINY: Everyone keeps askin' me
_

CAPTAIN AMELIA: Mr. Hawkins,

TERK: Oh! Watch it! Oh! Ow! Ow!

ROBIN: We're waiting. (LAUGHS)
SEBASTIAN: Ariel, grab onto that.
ELASTIGIRL: How do we do that?
EDGAR: Now, my little pesky pets,
PETUNIA: Where's my sloppy joe?
FROZONE: It's not doing anything.
BASIL: This case is most intriguing
ZINI: (SNIFFS) Hold on a moment.
FERGUS: I'm sure it went this way.
BOBBY: Congratulations, cupcake.
SURI: Now, you come out on three.
FROLLO: The prisoner, Esmeralda,
ACE: Stay on target. Stay on target!
JERRY: Okay, people, take a break!
_

SILVER: Well done, Mr. Arrow, sir!
LOTSO: Well, thank you, Big Baby.
CELIA: Monsters, Inc., please hold.
SHIP: What are you doing out here?
_

CHICKEN LITTLE: All right, guys.

MACK: Hey, Lightning! You ready?
SALLY: (SIGHING) Yeah, imagine.

JUMBA: He is bulletproof, fireproof
SIGOURNEY: What lies before you
SHERRIE: Boys! It's a school night!
LAVERNE: Don't you ever migrate?
WATERNOOSE: No, no, no, no, no.
WIDOW TWEED: We met, it seems
ARTHUR: Kay, Kay, here's a sword.
POPPA: Go on, Buck. You earned it.
_
PLEAKLEY: Well, what's he doing?
GRIMSBY: Oh, yes, of course, Eric,
RUDY: Uh, pardon me. That's mine.
ARROW: Stow those casks forward!
TITO: Go, go, go, go, go, go, go, go!
ROURKE: Speak English, professor.
ARLO: Where am I? Where's home?
B.E.N.: Laser cannons disconnected,
_
MOLT: Look at me! I'm barefooting!
ECTOR: Tiger, Talbert, off with you.
JACKSON STORM: You look good!
RUTT: So, you want to play "I spy"?
BELLWETHER: Come on out, Judy.
HONEST JOHN: (SIGHS) Splendid!
COACH: Okay, everyone. Listen up!
HORACE: But they ain't big enough.
CHARLOTTE: Cheese and crackers!
_
JIMMY'S GRANDMA: Jim! Jimmy?

BIG MAMA: Mm-hmm. Oh, uh-huh.

GURGLE: I am truly going to vomit!
CHATTER TELEPHONE: Hallways.
WASABI: Whoa, whoa, whoa, whoa.
DE LA CRUZ: Stay back! Stay back!
VINNIE: Right, that's what'll happen.
DOC: Now don't you worry about us.
HUPH: You know, Bob, a company...
KOCOUM: Pocahontas! Pocahontas!
PINOCCHIO: Father? Father, it's me.
_
HARDSCRABBLE: You're not scary.
TOULOUSE: I told you it was Edgar.
FORGETTER BOBBY: Forget them!
ALPHA: Impossible! Where are you?
LUCIUS: So now I'm in deep trouble.
PETE: Woody, don't be mad at Jessie.
_
TARAN: They're only frogs, Eilonwy.
REMY: At first, Ego thinks it's a joke.
FOXY: I won't go breaking your heart
PERDY: Shh, children. Children, shh.
NARRATOR: And so it seemed to be.
COMPUTER: Caution. Rogue robots.
SWEET: Milo, you better get up here.
ORDDU: Someone stole all our frogs.
RILEY: We used to play tag and stuff.
JASPER: Aw, please, miss. Have pity.
PETER: I came to listen to the stories.
_

RANDALL: Move it! Look out, you...
ABUELITA ELENA: What is all this?
MICHAEL: And I'll cut you to pieces.
HAMM: I think he said, "All at once."
ANNOUNCER: Taffyta Muttonfudge!
MERLIN: You merely look like a fish.
RABBIT: Here we come. Don't worry.
FLORA: Bolt the door, Merryweather.
COLETTE: Don't mess with my mise!
DUCHESS: Now, be careful, children.
MILO: Sorry about... Sorry about that.
GASTON: Who does she think she is?
_

MILDRED: Hi, folks. Everything all...

LADY: (THINKING) What is a baby?

PENNY: Bolt! It's okay, Bolt. I'm fine.

ZÜNDAPP: Down! Everybody, down!
AURORA: Why, it's my dream prince.
JOHNNY: No one will remember you.
HADES: A stirring performance, boys.
DOT: Well, I think he's gonna make it.
ANGER: You want Riley to be happy?
HÉCTOR: He's a living child, Ernesto.
SARAH: What's going on down there?
HAPPY: Never say die. Never say die.
DIRECTOR: Set up the classroom set!
STEFAN: Now, be reasonable, Hubert.
RUSSELL: Can we keep him? Please?
_

BIANCA: Let go, you big bullies, you!
RAPUNZEL: What did you do to him?
EEMA: I've got blisters on my blisters.
JASMINE: Just go jump off a balcony!
SOUR BILL: Citizens of Sugar Rush...
HUBERT: Tonight, we toast the future,
DORY: Are... Are you my conscience?
KUZCO: So this is where you came in.
ALICE: (GASPS) Oh, erm, excuse me.
OWL: Yes, yes, that's good, that's great
_
MELVIN: Why did you take our child?
FELIX: The vines. They're Laffy Taffy.
DOPPLER: Jim! Oh, Jim! Wait for me!
MUSHU: Uh, uh... Yes, I just woke up.
POCAHONTAS: Quiyoughcohannock.
MISS FRITTER: Nobody touches him.
HARV: No, wait. Where are you goin'?
SMOKEY: Cruz? What are you doing?
GIANT: Pot roast! Chocolate pot roast!
JOY: Oh! And remember your rockets?
DON: That's a pretty good one, Squish.
_
MARIAN: Are you ready, Lady Kluck?
RAY: Will you hold still, you big baby?
DAD: All right, just a few more blocks.
CHARLOTTE: I do! I do! He's so cute!
CANDLEHEAD: Get your own candle.
FRIEND OWL: Come on. (SHOOING)
MITTENS: So, if you got superpowers,
YZMA: And so, it is with great sadness
LAROUSSE: Drink now, there's plenty.
NARRATOR: On the clearest of nights,
FINN: That's how I like to start the day.
MUNTZ: In a house? A floating house?
YAR: Whoa, whoa, whoa, whoa, whoa!
DUG: Oh, I am ready to not be up high.
FILLMORE: Respect the classics, man.
_
STEPMOTHER: You clumsy little fool.
ABBY: No worries, Mr. Woolensworth.
FLAVERSHAM: Of truly noble stature.
FISHERMAN: I don't think it's the bait.
FAUNA: (CRYING) We're all to blame.
HUDSON: You drive like you fix roads.
NAVEEN: Ray! Get me out of this box!
MERIDA: Mum, you can't go out there.
LAMPWICK: Heh, some fun, huh, kid?
VANELLOPE: Okay, good. Little more.
FLYNN: This is the story of how I died.
TRUSTY: That's right. Where we know
JOCK: Aye. And they walk on all fours.
CLAYTON: Now, be careful, Professor.
HIRO: I know what you're going to say.
LINGUINI: Secret? You want the truth?
MIKE: What a plan. Simple, yet insane!
RINGMASTER: Ladies and gentlemen,
SNOOPS: Welsher! Swindler! Chiseler!
SHERIFF: Hope you enjoyed the show!
PROFESSOR: Where? Yes, more nests!
_
MR. INCREDIBLE: You two, stay here.
URSULA: Come in. Come in, my child.
HARRY: I can't help it! It's so beautiful!
BONNIE'S MOM: Bonnie, you in here?
EINSTEIN: Yeah. And you're okay, too.
THUD: (GROWLING) Where are they?
BUBBLES: You know I have no choice.
DENAHI: I don't blame the bear, Kenai.
BERLIOZ: Yeah, old pickle-puss Edgar.
MAURICE: We should be there by now.
NARRATOR: On a planet with no name
DISGUST: That figures. The van is lost.
OSCAR: Real alebrijes. Spirit creatures.
GEPPETTO: It's no use. We're done for!
FEAR: Oh, thank goodness you're back!
_

KING CANDY: Now, now! (LAUGHS)
BOWLER HAT GUY: What's going on?
MR. POTATO HEAD: What did he say?
DUKE: It's getting colder by the minute.
SERGEANT: A large box... It's-It's-It's...
NARRATOR: And so, for 16 long years,
BOB: Pace it. Slow down just a little bit.
YAO: Does this dress make me look fat?
_
SYNDROME: I knew you couldn't do it.
THOMAS: Help! Somebody help! Help!
WINSTON: Why me? Today of all days.
CARL: I'm getting Kevin. You stay here.
CLOPIN: Ugly folks forget your shyness
DOLLY: Yeah, she really got your smile.
WENDY: Bu... But where are we going?
CHRISTOPHER: You can let go, Tigger.
PAPÁ: You want it down by the kitchen?
DOGCATCHER: Easy. Go on, get away.
HOOK: Don't stand there, you bilge rats!
PONGO: For a while, it seemed to work.
ARIEL: Flounder, don't be such a guppy.
_

O'MALLEY: Hey, cool it, you little tiger.

JIMINY: I gotta get in! My pal's in there.
SULTAN: Find him! Search everywhere!
BOB: Wow, this is history in the making.
ESMERALDA: You've done this before?
FFLEWDDUR: Great beelin', he is alive.
BRENT: French rally car Raoul ÇaRoule
_

EILONWY: Come on, Fflewddur. Hurry!

SHERMAN: Out with you. And stay out!
MADAME: Edgar? Edgar, come quickly.
BERNARD: No, no! Back! Back, Penny!
McLEACH: Get out of here! Go on! Get!
JIM: (CHUCKLES) Well, it has a ribbon.
HOLLEY: No! Don't go down that street.
MOM: You're not going to finish tryouts?
MIGUEL: Sometimes, I think I'm cursed.
DOWNPOUR: No, I didn't say you were.
GRAY THREE: Gray Three, checking in.
ANITA: We're doing everything possible.
_
DARLING: And Aunt Sarah will be here.
DARRELL: No! McQueen's blown a tire!
SADNESS: I was thinking more like rain.
RALPH: No, no, no! Wait a second! Aah!
_

FLIK: (WEAKLY) You're wrong, Hopper.
ANDRINA: Ariel, dear, time to come out.
McQUEEN: Look, they're drivin' right by.
SULLEY: (WHISPERING) They're gone.
OLAF: All right. We got off to a bad start.
BING BONG: We're not going to make it!
_

BALOO: (LAUGHS) You're gettin' it, kid.

MARLIN: Almost there. Keep swimming!
_
FEMALE ANNOUNCER: But be warned.
_

ANNA: All right. I'm just blocking you out
_

MALE ANNOUNCER: Python Nu Kappa!
_

FRED:
Yeah! They made it!
EVELYN:
Less than two minutes!

GO GO:
You gotta be kidding me.
HELEN:
One thing leads to another

TADASHI:
This is Tadashi Hamada.
ARTHUR:
Scanning for insecurities.
RALPH:
What's going on, Spamley?
SLINKY:
Whoa, whoa, whoa, whoa!
SPAMLEY:
Now, this area down here
TONY:
They looked like superheroes.
HAMM:
All right, gangway, gangway.
RAPUNZEL:
(GASPS) Look up there!
P.T. FLEA:
I'm gonna be rich, rich, rich
EBAY ELAYNE:
So, we are set to ship

BOGO:
At twenty-two hundred hours...
ELASTIGIRL:
How you feeling, Chad?

SLADE:
Ouch! You're killin' me! Ouch!
BOB:
Welcome back to the Dinoco 400.

WASABI:
That's what I'm talking about.

HONEY LEMON:
We're gonna make it!

GEPPETTO:
Huh? Oh, yeah, yeah. Here.
MOTHER:
Everybody say, "Bye, house!"
FRANCESCO:
He is afraid of Francesco.

WINSTON:
Probably just a little stunned.

BOWLER HAT GUY:
They all hated me.

NARRATOR:
Everyone followed Eeyore.
SADNESS:
Riley's Islands of Personality.
WINSTON:
My father called Gazerbeam.

DR. FACILIER:
Shame on that hard work

ANASTASIA:
Oh, it's the right foot, but...

NARRATOR:
...like a Candarian zaftwing

ALADDIN:
Phenomenal cosmic powers...
SERGEANT:
Frankincense, this is Myrrh.

RABBIT:
They muddy up your tidy house

FAUNA:
Oh, why did we leave her alone?
MARLIN:
What do these markings mean?

CHARLOTTE:
Anything you want, sugar.

TUI:
Have you tried using a different bait?
VANELLOPE:
This is a shockingly sound,
ELINOR:
Merida, come along, sweetheart.

CINDERELLA:
Good morning, Anastasia.

DODGER:
Looks like Louie's got a visitor.
UNDERMINER:
I am always beneath you,

BAYMAX:
His blood type is AB-negative.

O'MALLEY:
It sure was, and what a finale.

DUCHESS:
And they are very fond of you.

GREAT ANCESTOR:
Great Stone Dragon,

NARRATOR:
All this has happened before.
SID'S MOM:
Sid, your Pop Tarts are ready!
DOWNPOUR:
Come back with that critter!
WENDY:
Well, what were you doing there?

MISS BIANCA:
Darling, you'll be just fine!

CALLAGHAN:
This is your decision, Hiro.

MRS. HARE:
Good morning, young prince.

SILVER:
You got something to say, Scroop?

SNOW WHITE:
And you're, you're Bashful.

ANNOUNCER:
What's this? Cherry bombs!

QUASIMODO:
Is this the court of miracles?
ARRIVALS AGENT:
How wonderful. Next.
SCREENSLAVER:
I control this broadcast...

WILLOW:
It's enough to make your sap boil.

ARTHUR:
Change to something else, Merlin.
LAFAYETTE:
This time I get the tender part.
ABUELITA ELENA:
In the courtyard, mijos.

BAGHEERA:
But it's an emergency, Colonel.
MRS. POTATO HEAD:
They sound so sweet.
DEPARTURES AGENT:
Next family, please.

DOPPLER:
I just spoke with the constabulary.
PETERBILT:
Turn on your lights, you moron!

YOUNG COPPER:
And you're mine too, Tod.
AUTO:
Captain, you are needed on the bridge.
BING BONG:
I know people in Headquarters!
JUNIOR MOON:
We ran moonshine, dummy!

POCAHONTAS:
What are you doing? Meeko!

MRS. POSSUM:
Good morning, young prince.

STEPMOTHER:
Well, come in, child, come in.

TWEEDLEDEE:
Mr. Walrus, said the carpenter
BONNIE'S MOM:
Ooh. You hear that, Bonnie?
DOGCATCHER:
Just picking up a stray, mister.
HORNED KING:
Ah, yes. The Black Cauldron.

HERCULES:
Don't get too comfortable, Hades!
BARBARA:
Darla, your uncle will see you now.

CHRISTOPHER:
No, silly. Put your arms down.
CHATTER TELEPHONE:
Even the playground.
POTATO HEAD:
Yeah. Go home, Mr. Fancy Car.

ANNOUNCER:
Yes, Chicken Little, it's all yours!

MR. FENNER 2:
You drive a hard bargain, Tiana!

FAIRY GODMOTHER:
But tonight, for a change,
JTC PRESIDENT:
Did you see him catch that pig?

NARRATOR:
Fondly had these monarchs dreamed
LORD DINGWALL:
I propped it open with a stick.
NATALIE CERTAIN:
Storm's in a class of his own.

GRANDMOTHER:
Would you like to stay forever?
CHICKEN LITTLE:
He's all right! Stop the invasion!

DRILL INSTRUCTOR:
You're dead, Bunny Bumpkin!

GRAND COUNCILWOMAN:
Gantu, what's going on?
MALE ANNOUNCER:
We don't have any human toys,
LORD MACGUFFIN:
You can see my house from here.
ARCHIMEDES:
You're gonna have a time pulling it out.

LORD MACINTOSH:
Oh, and what exactly are we after...
FEMALE ANNOUNCER:
Welcome to the final competition

NEWSREEL ANNOUNCER:
And, golly, what a swell monster this is!

YAR: What?
ZINI: I did.
ABBY: Ace!
ACE: Abby.

ABBY: Yeah!
RUNT: Yeah!

PIGLET: Whoa!
POOH: Ooh!

JANE: Tarzan!
TARZAN: Jane!

KANGA: Yes.
RABBIT: Honey.

BUCK: Plan D.
KIRBY: Plan D!

ABBY: Uh-huh.
RUNT: Uh-huh.

ANNA: Okay.
KRISTOFF: One...

JUDY: Oh.
BELLWETHER: Hmm.

NAVEEN: No, no...
TIANA: Don't...

HAPPY: Who will?
DOC: Yes, who?

OWL: Honey.
RABBIT: Ooh, honey!

LADY: (GASPING) No!
JOCK: Aye.

GO GO: Hiro? Hiro?
WASABI: Help!

ANNA: Pardon. Sorry.
WOMAN: Oh!

SURI: Me too!
PLIO: Where did it go?

UMPIRE: Wait!
ANNOUNCER: Wait!

LEWIS: 3.7 seconds.
GASTON: I win!

DOC: Snow White?
ALL: The Princess?

DARLING: Aw, Jim.
JIM: Hmm? What?

YAR: It's scaring Suri.
SURI: No, it's not.

MAN: I need her in hair.
PENNY: I just...

CODY: We did it!
FRANK: You've got it!

KALA: Tarzan?
APE MOTHER: Terkina?

ORYX: Oh, shut up!
KUDU: You shut up!

ORYX: You shut up!
KUDU: You shut up!

LAFAYETTE: Oooh.
NAPOLEON: Aaah!

HOOK: Elevation 65.
SMEE: Elevation 65.

FRED: Laser eyes?
HONEY LEMON: What?

SNOOPS: Swindler!
MEDUSA: Cheap crook!

CLERK: Careful, doggy.
SARAH: Come back!

LADY: The sign says...
TRAMP: Yeah, that's...

HONEY LEMON: No!
FRED: He's too strong!

MERRYWEATHER: Rose.
FAUNA: Oh, Rose.

WENDY AND JOHN: Dust?
MICHAEL: Dust?

HONEY LEMON: You did it!
GO GO: Not bad!

PILO: Zini, jump! Jump!
ALADAR: Zini, jump!

TUKE: You brought it up.
RUTT: I'm trying to...

FRANCIS: You were very good.
OLIVER: What?

TINA: Now put them down.
MELVIN: Of course.

FEATHERDUSTER: Oh, no.
LUMIERE: Oh, yes.

GARGOYLES: Oh.
VICTOR: Yeah. Oh, dear, yes.

ANNA: Coming through.
HANS: Excuse me. Oh...

TANTOR: It's alway me.
TERK: Cramp in the calf.

MERRYWEATHER: Goodbye.
FLORA: Goodbye.

MICE: Heave! Ho!
WILBUR: What are you doing?

FIDGET: Move along, honey!
QUEEN: You fiends!
ABBY: Now breathe.
CHICKEN LITTLE: Breathe.

MICKEY: That's the harp!
DONALD: Boy, oh, boy!

TIANA: I can't see a thing!
NAVEEN: Neither can I!

MAURICE: Thank you.
COGSWORTH: No, no, no!

JUMBA: Now, this is interesting.
PLEAKLEY: What?

NAVEEN: Look out! Out of the way!
TIANA: Oh, no!

FRED: Tingly fingers?
WASABI: Never gonna happen.

TANTOR: Okay, maybe it was.
KERCHAK: Everyone,

SOLDIER 1: Make way!
SOLDIER 2: Make way, now!

GO GO: There's no way out!
FRED: You can't beat him!

SNOOPS: Double-crosser!
MEDUSA: Cheap pickpocket!

DENAHI: Sitka wouldn't want it.
KENAI: Sitka's not here

DOC: The door is open.
HAPPY: The chimney's smoking.

YOUNG ANNA: Catch me!
YOUNG ELSA: Slow down!

DARLING: What is it, Jim?
SARAH: (GASPS) Aah! A rat!

AMELIA: Shifty, too.
ABIGAIL: Look at his crooked smile.

BOY 1: Help! I can't breathe!
BOY 2: (COUGHING) Hurry!

EEMA: (GASPS) Get a load of that.
BAYLENE: Good show.

RABBIT: They chip your tooth
KANGA: They steal your youth

FIDGET: I got you, toy maker!
FLAVERSHAM: Oh, no! Olivia!

RITA: What're we gonna do, Dodge?
DODGER: Yo, Tito, hot-wire.

DARLING: What do you suppose...
JIM: Say, what's going on here?

RAPUNZEL: (SCOLDING) Eugene!
FLYNN: All right, I asked her.

HATTER: A very merry unbirthday
HARE: A very merry unbirthday

CRUELLA: Have you called the police?
ANITA: Yes, Scotland Yard.

HAPPY: We'll be all right, ma'am.
DOC: Go right on up now, my dear.

COGSWORTH: Encroachers.
MRS. POTTS: And they have the mirror.

ABIGAIL: Swimming some of the way.
AMELIA: On water, of course.

____

EVE: Plant!
M-O: EVE!

ATTA: Oh!
ANT 1: Hey!
MARY: Look out!
EVE: Ah!
BARBIE: Love...
KEN: You.
LUCIUS: Ha, ha.
DASH: Oh!

KEN: Cowgirl.
JESSIE: Here.

KEN: Barbie.
BARBIE: Here.

DASH: Wow.
VIOLET: Whoa.

KEN: Ready?
BARBIE: Ready.

MARLIN: Dory.
NEMO: Dory!

HAMM: What?
SLINKY: Huh?
MARLIN: Wow.
CORAL: Mmm.

REX: He did it!
HAMM: Yes, sir!

KEN: Tyrannosaurus.
REX: Here.

CARL: Watch it!
RUSSELL: Sorry.
NEMO: Dad!
DORY: Nemo's alive!
REX: Geronimo!
HAMM: Look out!
DON: Salud!
DE LA CRUZ: Poison!

BUZZ: Hold on.
HAMM: What's up?

BOTH: Open Ocean.
DORY: Exactly.

DAD: Now hold still.
MOM: The car!

KEN: Springy dog.
SLINKY: Present.

CHUNK: All right.
KEN: Here we go.
ALL: Wow!
MIKE: Excuse me. Fellas.
BING BONG: Whoo-hoo!
JOY: Whoo!
FILLMORE: Fascist!
SARGE: Commie!
LUCIUS: Is that everybody?
BOB: Yeah.

REX: Is he out there?
BUZZ: There he is.
MOLLY: Mom.
ANDY'S MOM: No buts.

HANNAH: Mom! Mom!
SID: She's lying!
FLO: Looking fabulous.
LUIGI: Favoloso.
DARRELL: Holy cow!
CUTLASS: Whoa!
MATER: Yes, you do.
McQUEEN: No way.

BARBIE: I'll wait up for you.
KEN: Kisses!

FEAR: Did you see that look?
JOY: Oh, no.

CHILD: Mine!
SERGEANT: There they are.

ALL: The undertow!
MR. RAY: That's right.

JESSIE: Look!
MR. POTATO HEAD: Wow!

DAD: I know. I know.
MOM: Be right there!

McQUEEN: Harv?
REPORTER 3: Come on!

M-O: Foreign contaminant.
WALL-E: Whoa!

ALPHA: Where is it?
DUG: Uh... Tomorrow.

JOY: In we go!
FEAR: Okay! Going in! Yes!

MARLIN: Dory, no! Wait!
DESTINY: Dory!

McQUEEN: Whoo! Whoo!
HUDSON: Yeah!
JESSIE: Woody? You okay?
WOODY: Yeah.
MOLLY: Can I have your stereo?
ANDY: No.

ROSIE: I can't see!
SLIM: What is happening?
WOODY: Just push it! Push it!
BUZZ: Push it!
LALO: Coming down the line.
COLETTE: Set.
BOB: I take it our host is...
MIRAGE: I'm sorry.

JESSIE: Take that!
POTATO HEAD: To the left.
SHERMAN: Barbara.
BARBARA: Mmm-hmm?
GUARD 3: Hold it! Freeze!
VIOLET: Dash, run!
JESSIE: He did it!
HAMM: All right, Slinkykins.
SECURITY: Stop right there!
BING BONG: Ow!
DISGUST: Let's go!
ANGER: It's gonna be great!

HEIMLICH: Oh, thank you!
MANNY: Thank you.

M-O: Whee!
BEAUTICIAN-BOT: You're kidding!

SHERIFF: Mater!
MATER: I wasn't tractor-tippin'!

MR. SPELL: Spell, trash can.
REX: We're doomed!
ALPHA: No, wait, wait!
BETA: What's Dug doing?
BUZZ: How many?
HAMM: There must be dozens.
DORY: Hey there!
BRUCE: How about you, Chum?
COMPUTER: Confirm acquisition.
CAPTAIN: Ooh!

DORY: Are we there yet?
HANK: Sh. Keep it down!

DORY: Watch the turn.
MARLIN: Watch what? Ow!

KIDS: Ooh! Wow!
ROSIE: Kids, he's kind of ticklish.
RILEY: Come on!
COACH: Let's pick it up out there!
BETA: Not you.
GAMMA: What do we do with Dug?
MARLIN: See anything?
DORY: Something's got me!

GAMMA: He's got the bird!
DOG 2: The bird's gone...

REPORTER 2: Your tires balding?
SALLY: McQueen!

HORST: Fire seven.
MAN: Three salade composée up.
FEAR: Really bad.
DISGUST: It's absolutely the worst.
NEMO: Just go, Dad.
MARLIN: Don't push me, Nemo.

HEIMLICH: Oh, stop. You're too kind.
ALL: Thank you.
JESSIE: Look at this place.
MR. POTATO HEAD: Wow!
LALO: One order of steamed pike up.
MAN: Coming up.
MOLLY: Why not?
ANDY: 'Cause I'm taking it with me.
CRUZ: It's not easy for him.
STERLING: Cruz, just relax.
NEMO: Too late.
DORY: Okay, I think we're close. Whee!
HORST: Bonjour, chef.
LAROUSSE: Hello, Chef Skinner.
ANDY: I'm gonna miss you.
ANDY'S MOM: Don't, Andy.

SLIM: We got the water!
HEIMLICH: Here we come, P.T.!
MATER: Tractor-tippin's fun.
McQUEEN: This is ridiculous.
MATER: Don't come any closer!
McQUEEN: Are you okay?
DARRELL: McQueen saved it!
BOB: He's back on the track!
STERLING: Look, I'm trying to help you.
McQUEEN: Whoa.

BUZZ: He's stealin' Woody!
REX: What? He can't take Woody.
FEAR: What the heck is that?
JOY: Who put broccoli on pizza?
ANGER: Great. This is just great.
DISGUST: I'm gonna be sick.
ANGER: They're stressed out?
FEAR: What are we going to do?

HAMM: I got dibs on his hat!
BO PEEP: Would you boys stop it!
HORST: Ready to go on table seven.
COLETTE: Coming around.
DASH: You're gonna be toast!
HELEN: Stop running in the house.
ANGER: We're supposed to live here?
SADNESS: Do we have to?

HAMM: So now what do we do?
WOODY: We go back to Andy's.

MRS. POTATO HEAD: My babies!
WOODY: Hey, guys! No! No!

BOB: The most spectacular, amazing...
DARRELL: I don't believe it!
HARV: Come on, get in the trailer.
MALE: Where's the old McQueen?
CRUZ: I can still work with him.
STERLING: I know he's your project.
BOB: McQueen passes on the inside!
DARRELL: He's nearly a lap down.
MIRAGE: How soon can you get here?
BOB: I'll leave tomorrow morning.
JENNY: Oh no! They're going away!
NEMO: Oh no! Dory! What do we do?

ANDY: (AS WOODY) Thanks, Buzz.
ANDY: (AS BUZZ) No problem, buddy.

_________________________________
Disney Tinker Bell Revival series (2009–2017)

KATIE: Ah.

FURY: Nyx.

OWL: Who?

ALIENS: Ooh!

ZARINA: Huh.
MR. BIG: Meh.

ELSA: Conceal

NAWT: All right.
BLANKO: Uh-oh.

NELSON: Ha-ha!

MANCHAS: You...

RIZZO: Ha! I'll say.

FLASH: ...Priscilla!
RICHMAN: Deadly.

ZOOT: Whoa, man!

CHASE: Over here!

KAI: Princess Anna?
LOLA: Oh, my. Bugs!
PIGLET: Excuse me.

WALDORF: Land ho!
ANNA: Do the magic!

ELLIE: Okay, let's go.
MONTY: Kill them all!
ANIMAL: Paris! Paris!
TALL TROLL: Really?
BUCK: Thanks, Gruff!
LONG JOHN: Jim, lad!
ELSA: Go away, Anna.

JESSE: Hey! Open up!

PEACHES: Wow, Dad.

LOUIS: Tiana! Naveen!

RECEPTIONIST: Next!

BONNIE: Glorious day!
LARRY: Handle it, baby.

GARY: Come on, buddy.
ROGER: Hey... (YELPS)
KRUSTY: Drama queen!
ORYX: Will you shut up?
SMEE: Man in the water!

CRASH: Almost... There!

FOZZIE: That's not good.
GRANNY: It's Air Jordan.
JOJO: (ECHOING) Yopp!
BUPKUS: Wow. He did it.
STAN: This is it. This is it.
EDDIE: Ow! Not the face!
BANG: Big man pancake.
SILVERMIST: Tinker Bell!
FLOYD: Animal, heel! Sit!
GOTHEL: I love you most.
ALICE: They don't call this
GRANNY: I'm in here, too.
'80S ROBOT: Mr. Kermit...
NARRATOR: Chapter one,
NAWT: Hey, it's basketball.
KING: The gloves will help.
FINNICK: She hustled you.
BROOKE: I can't believe it!
SCRATCHY: Itchy... Itchy...
LAWRENCE: Give it to me!
SLED: Ha! They're serious.
POOH: Well, I was moving.
MORTON: Please, for me...
LIONHEART: Swell-wether!

QUEEN: (LAUGHS) No, no.
BLANKO: Are we there yet?
FAWN: We'll save you, Tink!
MANNY: And so, in the end,
NEWSMAN: Breaking news,
DIEGO: Hey, don't mind me.

KRISTOFF: Come on, Sven.
BOOKWORM: Ah! Here it is.

GONZO: Hey, guys, up here!
OPPENHEIMER: It's perfect.
SALLY: Hi! You're home late.
NICK: Mission accomplished.
BANG: Quiet, they're looking.
ROSETTA: Cover your tushy!
FAIRY GARY: Good morning,
MARY: Gary, I've gone home.
ROWLF: Ah, not now, Fozzie.
CLAWHAUSER: Here you go.

STU: Oh, she's not a real cop.
INMA: Bluebells, cockleshells.
SCRIBBLE: Hmm. Interesting.
SHANGRI LLAMA: What? No!
GRAMPA: I'm part of the mob!
TIANA: Where you taking me?

BOGO: Abandoning your post.
MARGE: (GASPS) Springfield.

FOGHORN: Pardon me. Sorry.
BARNEY: Okay. Hail, emperor.

JUDY: (WHISPERS) Come on.
LEW ZEALAND: Mr. the Frog...
NEIL deBUCK WEASEL: Mars.
MAYOR: Everybody, don't stop!
BARBIE: Oh, this is so exciting!

IRIDESSA: That's a good point.
BEAUREGARD: Let's go, guys!
PERIWINKLE: You're welcome.

EUDORA: "Just in that moment,

TUNE: We're in big trouble now.
MARVIN: Come to me, my prey.
WIGGUM: See you in court, kid.
NADYA: There he is, right there!
GAZELLE: Wow! I'm impressed.
CARGILL: Attention, Springfield.
MICHAEL: Couldn't sleep, Pops.
BONITO: A beautiful suggestion.
DR. GRIFFITHS: Yes, of course.
MRS. OTTERTON: (SIGHS) Oh!
TWEETY: My poor little cranium.
MISS POOGY: Squash that frog!
JACK BLACK: Stop cleaning me!
BLUVERIDGE: Time, gentlemen!
CHUCKLES: Yeah, I knew Lotso.
BUCK: (SINGING) Figaro, Figaro
JULIAN: Oh, you're gonna love it.
TERENCE: Knock-knickity-knock!

YAX: Yeah, some mammals say...
HORTON: Mayor? Are you there?
LIZZY: Aren't her wings beautiful?
SPARKS: Neither are you, Chunk.
MRS. DARLING: I know. It's just...
VIDIA: Sil, Fast Flyer, check it out.

STRETCH: Let me have the duck,
FAIRY MARY: Not here, you don't!
INUIT SHAMAN: Homer Simpson,
POUND: Excuse me. Oh, so sorry.
DOMINIC: Colonel Thomas Blood.
KRISTOFF: Stay out of sight, Olaf.
PATRICK: Oh, man. That felt good.
LOTSO: Well, thank you, Big Baby.

LISA: Dad, we can't see the movie!
FLANDERS: Rough day, huh, son?
DAFFY: The view back here stinks.
VICTORIA: Then, yes, I'll miss you.
BART: Jabbity, jabbity, jab, jab, jab!
LARRY: You clowns can't beat that.
MISS PIGGY: Decisions, decisions.
TINKER BELL: Just tie this off here.
BELLWETHER: Come on out, Judy.
POUND: Get the rabbit. Get the girl.
STARBOARD: Oh, that golden dust.
CHUNK: Come on, turkey, come on.
WALTER: Yeah. Uh, race you home!
VLAD: Right in the beak! (GRUNTS)

SAM THE EAGLE: Stay on the road!
MICHAEL: You can stop posing now.
SID: I just heard you're going extinct.

CHARLOTTE: Cheese and crackers!
PORKY: I thought we search in style.
DANNY TREJO: I really need this job
HOMER: Relax. Those pious morons

BUPKUS: Yeah, beat up on the duck.
QUEEN CLARION: Thank you, Viola.
SWACKHAMMER: Are you listening?

LYRIA: "The changing of the seasons

ELMER: All right, you irascible bunny.
RAPUNZEL: What did you do to him?
NYX: Get away from the hawk, Fawn.
RAY: Will you hold still, you big baby?
CHARLOTTE: I do! I do! He's so cute!
NAVEEN: Ray! Get me out of this box!
FLYNN: This is the story of how I died.

MOE: This is why we should hate kids.
JUANITA: Mike? Honey, are you okay?
ROBO-PHONE: Good luck, tinker fairy.
CLANK: Well, spring won't spring itself.
JEAN PIERRE: Madrid, here we come!
MRS. ANDERSON: Inma, you in here?
TWITCH: Shhhh! They might hear you.
DEWEY: That's the end of that chapter.
DUKE: It's getting colder by the minute.
LORD MILORI: Keeper? Are you here?
KERMIT: Well, I guess this is the place.
NARRATOR: And why didn't he speak?

OWL: Yes, yes, that's good, that's great
SWEETUMS: Keep waltzing, Mr. Waltz!

JAMES: Captain says, restock the ship.
YANG: All righty, mates, you heard him.
PORT: I'll move it in me own good time.
KEN: Little late for a stroll, eh, Rosetta?
KANGAROO: That Horton is a menace.
BOBBLE: Like a wittle, wee baby, there.

BUGS: We have found the trophy room.

SCOOTER: Welcome back, Miss Piggy.
WENDY: (AS MICHAEL) Thanks, Bugs.
BILL: A hundred and seventy-five yards.
MUD BUNNY: There's no one on board.
ANNA: All right. I'm just blocking you out

CHRISTOPHER: Okay. Open your eyes.
CONSTANTINE: Yes, of course, let's go!
OLAF: All right. We got off to a bad start.
POLLY: Then we'll get that twit of a bear!

ELSA:

Okay, okay, here we go.

KRISTOFF:

"Dry Banana Hippy Hat"?

BOGO:

At twenty-two hundred hours...

JANICE:

Wow, she sure hasn't changed.

NEIL deBUCK WEASEL:

The universe.

SWEDISH CHEF:

(GASPS) No maskin'?

DR. FACILIER:

Shame on that hard work

PORT:

What if we tie her wings together?

RABBIT:

They muddy up your tidy house

CHARLOTTE:

Anything you want, sugar.

SUMMER:

But we can't! We can't do that!

POUND:

Hold on there, Mr. Looney Tune.

BROOKE:

Please keep your arms and legs

CARGILL:

The United States government.

SMITHERS:

They've taken everything, sir.

PORKY:

Come on, guys. No pain, no gain.

SHAWN:

Look at Muggsy handle the rock.

QUEEN CLARION:

Minister, Fairy Mary?

HORTON:

Well, from where you standing?

PEACHES:

How could you do that to him?

ROSETTA:

Well, at least our wings are dry.

IRIDESSA:

Yeah, you're doing really good.

BLACK-EYED PEA:

What are they doing?

KERMIT:

Watch out for the forklift, Fozzie.

CHUNK:

You think they had a fun playtime?

OPPENHEIMER:

Oh, my! Up, up and away!

MICHAEL:

I just feel at this particular time...

DR. GRIFFITHS:

Well, of course, my darling.

TINKER BELL:

The mouse's name is Cheese?

SYLVESTER:

Yeah. Go home, Mr. Fancy Car.

NARRATOR:

As the others searched for a tail,

MISS PIGGY:

Dominic, Dominic! Five songs.

PERIWINKLE:

I've never felt anything like it!

BLUVERIDGE:

To the northwest, dirty dishes!

MRS. ANDERSON:

Ooh. You hear that, Inma?

OLAF:

I'm probably gonna walk around a little.

BOBBLE:

Glad we had a bath today, eh, Clank?

PROSPECTOR:

Michael, don't be mad at Alice.

CONSTANTINE:

It's got to be here somewhere.

KANGAROO:

When Horton tells our children...

CHRISTOPHER:

No, silly. Put your arms down.

SWACKHAMMER:

You'll be our star attraction.

MRS. DARLING:

Wendy, you got all your stuff?

MINISTER OF SPRING:

But if the temperatures

MR. FENNER 2:

You drive a hard bargain, Tiana!

SILVERMIST:

Well, I'm gonna remain optimistic.

FAIRY ANNOUNCER:

Welcome one, welcome all

DRILL INSTRUCTOR:

You're dead, Bunny Bumpkin!

STARBOARD:

I just said that, you daft potato muncher.

LONE GUNSLINGER VULTURE:

There is some good news, though.

MAXIMUM SECURITY PRISONER:

How many people does he need?

BARBIE: Love...

KEN: You.

LISA: Phew!

HOMER: Okay.

KEN: Barbie.

BARBIE: Here.

PIGLET: Whoa!

POOH: Ooh!

BONNIE: Never.

STU: Never.

BUPKUS: Whoa!

NAWT: Ah!

BUGS: Whoa.

DAFFY: What?

KEN: Ready?

BARBIE: Ready.

GARY: Walter!

MARY: Walter!

GARY: Walter!

MARY: Walter?

KANGA: Yes.

RABBIT: Honey.

LOLA: Oh!

POUND: Belly flop.

PORKY: What?

TWEETY: Huh?

JUANITA: Hey.

MICHAEL: Hey.

ANNA: Okay.

KRISTOFF: One...

NAWT: Hey, hey!

POUND: What?

CRASH: Manny!

EDDIE: It's Ellie!

JUDY: Oh.

BELLWETHER: Hmm.

KEN: Light fairy.

IRIDESSA: Here.

WALTER: What?

ANIMAL: Uh-oh.

NAVEEN: No, no...

TIANA: Don't...

STAN: What, here?

MICHAEL: Yes.

BART: Geronimo!

LISA: Sacajawea!

OWL: Honey.

RABBIT: Ooh, honey!

HILDY: Me two!

HOOLY: Me three!

HOMER: Ow!

BARKER: That's two.

BUGS: Hold on.

PORKY: What's up?

TOMMY: Horton!

JESSICA: Horton!

CHUNK: All right.

KEN: Here we go.

ANNA: Pardon. Sorry.

WOMAN: Oh!

SMOLLETT: Ha!

BENJAMINA: Yes!

ALL: Oh!

YANG: You know, he's right.

KEN: Fast-flying fairy.

VIDIA: Present.

FOZZIE: Like that.

WALTER: Oh, okay.

PERIWINKLE: Look!

ROSETTA: Wow!

KEN: Winter fairy.

PERIWINKLE: Here.

NAWT: Okay, go get him.

POUND: Yeah.

ORYX: Oh, shut up!

KUDU: You shut up!

IRIDESSA: Oh, no!

SILVERMIST: Fawn.

ORYX: You shut up!

KUDU: You shut up!

IRIDESSA: Garden Fairy!

ROSETTA: Oh.

FAWN: You fixed it!

SILVERMIST: Wow!

HOMER: Ow!

BARKER: And that's three.

POUND: Wow, a killer.

BANG: Let me see.

BARBIE: I'll wait up for you.

KEN: Kisses!
LEW ZEALAND: Whoop!
GONZO: Whoa!

DAFFY: Is he out there?

BUGS: There he is.

ALICE: Take that!

SYLVESTER: To the left.

BONITO: Nice boom!

PORT: Oh, yes! Nice!

IRIDESSA: Beautiful!

ROSETTA: Amazing!

BUPKUS: Hey.

BLANKO: Bring it on, dude.

ROSETTA: Tinker Bell?

FAWN: Tinker Bell?

BANG: Where?

BLANKO: Whoa. Now what?

STARBOARD: Yes, tiny!

PORT: A tiny plank!

VICTORIA: Mom.

MRS. DARLING: No buts.

SILVERMIST: Amazing!

FAWN: It's fantastic!

PORKY: Going up.

POUND: You're mine, fool.

MARY: You guys okay?

GARY: Is anyone hurt?

WALTER: She wasn't very nice.

KERMIT: Yeah.

IRIDESSA: Geronimo!

SILVERMIST: Look out!

CLANK: Excuse us!

BOBBLE: Coming through!

BURNS: First door on the right.

APU: Thank you.

CLANK: I'm sorry.

BOBBLE: I can't feel my legs.

RECEPTIONIST: All right.

ANIMAL: Mean lady.

DR. GRIFFITHS: Lizzy?

LIZZY: Coming, Father!

ANNA: Coming through.

HANS: Excuse me. Oh...

IRIDESSA: Hey, Gruff.

SILVERMIST: Hi, Gruffy.

DAFFY: Ha. Not a cent.

BUGS: Hmm. Me neither.

IRIDESSA: She did it!

SILVERMIST: Yes, ma'am!

VICTORIA: Can I have your stereo?

WENDY: No.

NAWT: She's looking again.

BUPKUS: Close it up.

NARRATOR: And that "Yopp".

KANGAROO: Oh.

LARRY: Sounds good.

BILL: I'll go close to the pin.

TIANA: I can't see a thing!

NAVEEN: Neither can I!

SHAWN: I got it.

MUGGSY: You got it. Yeah, baby.

CLANK: What've we got?

BOBBLE: House! Get off.

PERIWINKLE: Look at this place.

ROSETTA: Wow!

IRIDESSA: I knew you'd get to go!

FAWN: Oh, Tink!

STAN: Sorry it took so long.

MICHAEL: Don't worry.

FOZZIE: Yeah! Come on!

ROWLF: Come on, Walter!

TINKER BELL: Good luck!

SILVERMIST: Be brave!

TINKER BELL: Fawn, wake up!

VIDIA: Is she okay?

NAVEEN: Look out! Out of the way!

TIANA: Oh, no!

VICTORIA: Why not?

WENDY: I'm taking it with me.

MARGE: I hate being late.

HOMER: Well, I hate going.

KIDS: Trick or treat!

WALTER: Because from then on...

TINKER BELL: Just push it! Push it!

ZARINA: Push it!

KANGAROO: Watch it!

MRS. QUILLIGAN: Eh... Uh...

PERIWINKLE: Tink? You okay?

TINKER BELL: Yeah.

FAWN: My babies!

TINKER BELL: Hey, guys! No! No!

DR. GRIFFITHS: The butterfly. It's gone!

LIZZY: What?

BOBO: Nicely done, sir. As usual.

RICHMAN: En garde.

FOZZIE: Wocka wocka wocka!

JACK: Make it stop! No!

IRIDESSA: This way!

ROSETTA: Come on, girls. Hurry.

YOUNG ANNA: Catch me!

YOUNG ELSA: Slow down!

TINKER BELL: Back home.

ROSETTA: Come on, Gruff.

SMALL TROLL: You're the best.

TALL TROLL: No, you.

GONZO: Thank you, Billy.

BLUVERIDGE: There you go!

LOLA: I'll take some.

PORKY: Yeah, can I have some too?

TALL TROLL: Fuzz face.

SMALL TROLL: Thimble head.

LIZZY: Father, look!

DR. GRIFFITHS: Not just now, Lizzy.

LARRY: Don't say it.

STAN: Never seen one of these before.

TALL TROLL: Weasel toes!

SMALL TROLL: Badger brain!

ZARINA: How many?

SILVERMIST: There must be dozens.

PERIWINKLE: She did it!

SILVERMIST: All right, Vidiakins.

RABBIT: They chip your tooth

KANGA: They steal your youth

WENDY: I'm gonna miss you.

MRS. DARLING: Don't, Wendy.

DEADLY: Let me wipe that down.

BOBO: You've missed a spot.

ELLIE: Bravery is just dumb.

MANNY: You can't be two things!

BUGS: He's stealin' Michael!

DAFFY: What? He can't take Mike.

MR. ARROW: Move along.

GONZO: Oh, good. That's good. Yeah.

FAWN: You, too! Fly with you later!

ROSETTA: Fly with you later!

RAPUNZEL: (SCOLDING) Eugene!

FLYNN: All right, I asked her.

STARBOARD: Come on, get moving.

PORT: Are you talking to me?

FAWN: Don't get your wings in a bunch.

ROSETTA: Don't be like that.

STAN: That exit wasn't clearly marked.

MICHAEL: Hold up, right here.

SILVERMIST: Now what do we do?

TINKER BELL: Go back to Wendy's.

BIRD: Where's you big happy family?

MANNY: What if I am a last mammoth?

_________________________________
Disney Golden Age (1937–1967)

CYRIL: Ahem!
BROM: Yahoo!
LORINA: Alice.
MARY: Wendy!
WINKY: After it.

FALINE: Bambi.

KAA: ...mistake.
RAT: MacBadger.
BEAVER: Timber.

DODO: Look lively.
TONY: What's this?

KATRINA: Yoo-hoo!

BAGHEERA: Baloo.

LUCKY: Mother, Dad,
MICKEY: But Donald!

CATERPILLAR: Stop!

KING: And remember,

GRUMPY: You don't...

FAIRY: No, Pinocchio.

STORK: Oh, of course.

JAQ: Isn't it wonderful?

MRS. HARE: Thumper.

LABRADOR: Run for it!

THUMPER: Hiya, Bambi.
TOAD: Hello, you fellows.

THUMPER: Hello, Bambi.

RABBIT: The March Hare.

MERRYWEATHER: Flora?

BASHFUL: Ain't he sweet?

ARCHIMEDES: Wart! Wart!

CRUELLA: Jasper! Horace!

JOHN: Blast you, Peter Pan!
DONALD: Food! Let me at it!

PHILLIP: You know, Samson,
GOOFY: Easy, Donald. Easy!

SNOW WHITE: Uh-uh, uh-uh!

SMEE: Oh, captain, you did it.
ALICE: Oh, erm... Excuse me.

TIMOTHY: I think they're cute.

STROMBOLI: Get along there.
SLIGHTLY: Yea for Bear Killer!
JOE: Watch your step, Donald.

NANNY: The puppies are here!

JOE: Okay, Tony, you the boss.
LADY: Where is he taking him?

ROGER: Maybe Scotland Yard.
QUEEN: Don't let her get away!

DRIZELLA: Huh. As if you care.

KAY: Why, you clumsy little fool!

DUKE: What? Tea? (YAWNING)

GIRL: (SINGING) My own home
NARRATOR: By the way, amigo,

GREAT PRINCE: Get up, Bambi.

CINDERELLA: Oh, there you are.

MALEFICENT: Touch the spindle.
DOORKNOB: This won't do at all.
PRINCE: That has possessed me

ANASTASIA: Well, it's about time.

HATHI: Oh, absolutely impossible.
JIMINY: Everyone keeps askin' me

ECTOR: Tiger, Talbert, off with you.
MOLE: Oh, look. They're all asleep.

ARTHUR: Kay, Kay, here's a sword.
BULL: Let's see. There's been Lulu.

HONEST JOHN: (SIGHS) Splendid!
TRUSTY: But I'd say a mite smaller.

MICHAEL: And I'll cut you to pieces.
ICHABOD: Truth to say, every portal

HORACE: But they ain't big enough.
LUANA: Well, at least they had milk.

MERLIN: You merely look like a fish.

DOC: Now don't you worry about us.
JIM: Lady. Quiet, now. You hear me?
GAUCHO: Caramba! The jig was up.
PANCHITO: This custom takes place

FLORA: Bolt the door, Merryweather.

PINOCCHIO: Father? Father, it's me.

AURORA: Why, it's my dream prince.

PERDY: Shh, children. Children, shh.
NARRATOR: It was an excellent plan,

FRIEND OWL: Come on. (SHOOING)

STEPMOTHER: You clumsy little fool.

JASPER: Aw, please, miss. Have pity.

PETER: I came to listen to the stories.

HUBERT: Tonight, we toast the future,
SARAH: What's going on down there?

FAUNA: (CRYING) We're all to blame.
MORTIMER: Mmm. Yeah, yeah, yeah.

HAPPY: Never say die. Never say die.

LAMPWICK: Heh, some fun, huh, kid?
JOCK: Aye, and they walk on all fours.

STEFAN: Now, be reasonable, Hubert.
GIANT: Pot roast! Chocolate pot roast!
DONALD: Am I going to like this place!
HOLLOWAY: Must be near Cape Horn.

RINGMASTER: Ladies and gentlemen,
CHARLIE: If she can't, I know who can.

JIMINY: I gotta get in! My pal's in there.

NARRATOR: And so, for 16 long years,
BERGEN: What's the matter, Mortimer?
BALOO: (LAUGHS) You're gettin' it, kid.

WENDY: Bu... But where are we going?

DARLING: And Aunt Sarah will be here.

DINAH: He couldn't ignore it any longer.

DOGCATCHER: Easy. Go on, get away.
TRAMP: Alligators. Now there's an idea.

PONGO: For a while, it seemed to work.

ANITA: We're doing everything possible.
GEPPETTO: It's no use. We're done for!

HOOK: Don't stand there, you bilge rats!

WENDY:
Well, what were you doing there?

FAUNA:

Oh, why did we leave her alone?
ARTHUR:
Change to something else, Merlin.
MRS. HARE:
Good morning, young prince.
GEPPETTO:
Huh? Oh, yeah, yeah. Here.

NARRATOR:

Now he's called the Aracuan

NARRATOR:
All this has happened before.
NARRATOR:
Fondly had these monarchs dreamed
BAGHEERA:
But it's an emergency, Colonel.
SNOW WHITE:
And you're, you're Bashful.
MRS. POSSUM:
Good morning, young prince.
ANASTASIA:
Oh, it's the right foot, but...

CINDERELLA:

Good morning, Anastasia.

STEPMOTHER:

Well, come in, child, come in.

TWEEDLEDEE:

Mr. Walrus, said the carpenter
DOGCATCHER:
Just picking up a stray, mister.

FAIRY GODMOTHER:
But tonight, for a change,
ARCHIMEDES:
You're gonna have a time pulling it out.

DINAH ON RECORDING:

This is the story of three bears.

HAPPY: Who will?
DOC: Yes, who?
JIM: Goodbye.
DARLING: Goodbye.
BERGEN: Charlie.
CHARLIE: Yes, sir.

DOC: Snow White?
ALL: The Princess?
JIM: Aunt Sarah.
DARLING: Aunt Sarah.

HOOK: Elevation 65.
SMEE: Elevation 65.
JIM: Let me take your things.
SARAH: No.
MORTIMER: Dry rot.
CHARLIE: Yes, isn't it?

MERRYWEATHER: Rose.
FAUNA: Oh, Rose.

WENDY AND JOHN: Dust?
MICHAEL: Dust?

MERRYWEATHER: Goodbye.
FLORA: Goodbye.
MICKEY: That's the harp!
DONALD: Boy, oh, boy!
CHARLIE: Behind the jar, stupid.
LUANA: Charlie!
JIM: Aunt Sarah.
DARLING: Aunt Sarah. Aunt Sarah!
BERGEN: What?
LUANA: There's something moving.

CHORUS: Grab your girl
DINAH: Give her your cheek

BERGEN: Charlie!
CHARLIE: Caught with his pants...

DOC: The door is open.
HAPPY: The chimney's smoking.
BERGEN: Charlie!
CHARLIE: Well, his slip was showing.
BERGEN: You're quite right.
OPHELIA: Oh, yes, I am. Yes.
BERGEN: For one day...
CHARLIE: They built a schoolhouse.
MORTIMER: Is that a peasant?
CHARLIE: That's a cow, stupid.

DARLING: What do you suppose...
JIM: Say, what's going on here?

HATTER: A very merry unbirthday
HARE: A very merry unbirthday

CRUELLA: Have you called the police?
ANITA: Yes, Scotland Yard.

HAPPY: We'll be all right, ma'am.
DOC: Go right on up now, my dear.

_________________________________
Disney Dark Age (1970–1988)

DINKY: Charge!

SLADE: Copper!

DAWSON: Basil?
DOLI: What now?

GEORGES: Edgar?

HOLMES: Come on.

FRANCIS: Goodness!

EEYORE: There's one.

YOUNG TOD: Copper?

FRIAR TUCK: Surprise!

SHERIFF: Howdy, Friar.

DODGER: You help Tito.

FAGIN: Oh, it's hopeless.

VIXEY: Oh. Sure. Why not?

RITA: Oh, that poor little kid.

TIGGER: Come on, bounce.

LITTLE JOHN: Rob? Robin?

RATIGAN: Goodbye so soon
ORGOCH: Thieves! Thieves!

ROSCOE: Come on, DeSoto.

JENNY: Wait till you taste this.

SYKES: I don't think you grasp

NAPOLEON: Get him, get him.

AMELIA: Oh. Oh, how unusual.

ALLAN-A-DALE: Man, oh, man.

MARIE: Me first, me first. Whoo.

MEDUSA: There is another one!
CREPPER: This will please him.
DALLBEN: Ah, the Horned King.

GOPHER: Quick! Turn the page!

FIDGET: Let me out! Let me out!

POOH: Oh, not for honey, I hope.

YOUNG COPPER: Yeah, forever.

ROBIN: We're waiting. (LAUGHS)

PRINCE JOHN: Seize the fat one!

PIGLET: Oh, dear. Oh, dear, dear.

EDGAR: Now, my little pesky pets,

BASIL: This case is most intriguing
BIG MAMA: Mm-hmm. Oh, uh-huh.

WIDOW TWEED: We met, it seems
TARAN: They're only frogs, Eilonwy.

TOULOUSE: I told you it was Edgar.

TITO: Go, go, go, go, go, go, go, go!

RABBIT: Here we come. Don't worry.

BIANCA: Let go, you big bullies, you!

MARIAN: Are you ready, Lady Kluck?

NARRATOR: And so it seemed to be.
ORDDU: Someone stole all our frogs.
DUCHESS: Now, be careful, children.

FLAVERSHAM: Of truly noble stature.
O'MALLEY: Hey, cool it, you little tiger.

EINSTEIN: Yeah. And you're okay, too.

SNOOPS: Welsher! Swindler! Chiseler!

EILONWY: Come on, Fflewddur. Hurry!
BERLIOZ: Yeah, old pickle-puss Edgar.

WINSTON: Why me? Today of all days.
MADAME: Edgar? Edgar, come quickly.

BERNARD: No, no! Back! Back, Penny!

CHRISTOPHER: You can let go, Tigger.

FFLEWDDUR: Great beelin', he is alive.

SLADE:

Ouch! You're killin' me! Ouch!

DODGER:
Looks like Louie's got a visitor.
O'MALLEY:
It sure was, and what a finale.
DUCHESS:
And they are very fond of you.

WINSTON:

Probably just a little stunned.

NARRATOR:

Everyone followed Eeyore.
LAFAYETTE:
This time I get the tender part.

YOUNG COPPER:

And you're mine too, Tod.
HORNED KING:
Ah, yes. The Black Cauldron.

LAFAYETTE: Oooh.

NAPOLEON: Aaah!

SNOOPS: Swindler!

MEDUSA: Cheap crook!

FRANCIS: You were very good.

OLIVER: What?

FIDGET: Move along, honey!

QUEEN: You fiends!

SNOOPS: Double-crosser!

MEDUSA: Cheap pickpocket!

AMELIA: Shifty, too.

ABIGAIL: Look at his crooked smile.

FIDGET: I got you, toy maker!

FLAVERSHAM: Oh, no! Olivia!

RITA: What're we gonna do, Dodge?

DODGER: Yo, Tito, hot-wire.

ABIGAIL: Swimming some of the way.

AMELIA: On water, of course.

_________________________________
Disney Renaissance (1989–1999)

TRITON: Yes.

ZEUS: Ha ha!

BEAST: What?

MOM: Oh, boy.

DOCTOR: Fire!

JAFAR: Shut up!

PHIL: Two words.

SIMBA: Come here!

MUSE: It was tragic.

CHEF LOUIS: Ah-ha!

CYCLOPS: Hercules!

NALA: Simba, wait up!

NAKOMA: Pocahontas!

MUFASA: Look, Simba.

NALA: It's really creepy.

SOLDIER 1: Make way!

SEAHORSE: Sebastian!

NARRATOR: You go, girl.
MEG: (PANTING) Please.

VICTOR: Ready, aim, fire!

POWHATAN: Pocahontas.

PHOEBUS: No, you're not.

OLD MAN: Tell me about it.

SHENZI: Ooh, it tingles me.

MULAN: "Quiet and demure.

QUASIMODO: Most of them.

KALA: Oh! Oh, no. Shh. Shh.
GREAT ANCESTOR: Mushu!
CODY: That's it, you've got it!

ALADDIN: Look, I... I'm sorry.
AMPHITRYON: Who's there?

ZAZU: Oh, Scar, this is awful!

SHAN-YU: What do you see?

ABU: Yoo-hoo! Aladdin! Hello!
JOHN: This place is incredible.
BEN: Smith was right all along.

LUMIERE: Life is so unnerving

FLOUNDER: Ariel, wait for me.

FRANK: Hey, what do you got?

WILBUR: Girls? Girls, I'm here!

BELLE: New and a bit alarming

SARABI: And it's time for yours.

KERCHAK: I said he could stay.

ATTINA: What is with her lately?

HUGO: And since you're shaped

COGSWORTH: Now it's too late.

HERCULES: Yeah. Yeah. I know.

SCUTTLE: Nothing is happening.

TERK: Oh! Watch it! Oh! Ow! Ow!
JANE: I've never seen such eyes.

WILLOW: Is that my Pocahontas?

TARZAN: They mean us no harm.

SEBASTIAN: Ariel, grab onto that.

LING: Some king of the rock. Aah!

ERIC: Whoa! Hang on, I've got ya.

FROLLO: The prisoner, Esmeralda,

LAVERNE: Don't you ever migrate?

GRIMSBY: Oh, yes, of course, Eric,

BERNARD: Jake's been gone... Ow!

KOCOUM: Pocahontas! Pocahontas!

HADES: A stirring performance, boys.

JASMINE: Just go jump off a balcony!

POCAHONTAS: Quiyoughcohannock.

MUSHU: Uh, uh... Yes, I just woke up.

GASTON: Who does she think she is?

URSULA: Come in. Come in, my child.

CLAYTON: Now, be careful, Professor.

THOMAS: Help! Somebody help! Help!

MAURICE: We should be there by now.
CLOPIN: Ugly folks forget your shyness
McLEACH: Get out of here! Go on! Get!

ESMERALDA: You've done this before?
SULTAN: Find him! Search everywhere!

ANDRINA: Ariel, dear, time to come out.
ARIEL: Flounder, don't be such a guppy.
YAO: Does this dress make me look fat?

PROFESSOR: Where? Yes, more nests!

WILLOW:
It's enough to make your sap boil.

ALADDIN:

Phenomenal cosmic powers...
HERCULES:
Don't get too comfortable, Hades!
QUASIMODO:
Is this the court of miracles?
MISS BIANCA:
Darling, you'll be just fine!
POCAHONTAS:
What are you doing? Meeko!
GRANDMOTHER:
Would you like to stay forever?

GREAT ANCESTOR:

Great Stone Dragon,

JANE: Tarzan!

TARZAN: Jane!

CODY: We did it!

FRANK: You've got it!

KALA: Tarzan?

APE MOTHER: Terkina?

FEATHERDUSTER: Oh, no.

LUMIERE: Oh, yes.

GARGOYLES: Oh.

VICTOR: Yeah. Oh, dear, yes.

TANTOR: It's alway me.

TERK: Cramp in the calf.

MICE: Heave! Ho!

WILBUR: What are you doing?

MAURICE: Thank you.

COGSWORTH: No, no, no!

TANTOR: Okay, maybe it was.

KERCHAK: Everyone,

SOLDIER 1: Make way!

SOLDIER 2: Make way, now!

BOY 1: Help! I can't breathe!

BOY 2: (COUGHING) Hurry!

COGSWORTH: Encroachers.

MRS. POTTS: And they have the mirror.

_____
Pixar Renaissance (1995–1999)

BUZZ: Now!

GYPSY: Whoa!

BO PEEP: Buzz!

ALIENS: The claw!

HANNAH: I'll get it!

JESSIE: (GASPS) Oh.

BO PEEP: Oh, Woody.

SLIM: Are they all right?

REX: (GASPS) I need air!

MOM: Okay, who's hungry?

MR. SPELL: Lazy toy brain.

MANNY: And now, insectus

HOPPER: You little termites!

ANDY: (EVIL VOICE) Never!
FRANCIS: I gotcha! I gotcha!
WOODY: Please, please, no!

ANDY: To infinity and beyond!
P.T. FLEA: Get me out of here!

THORNY: Okay, lower, lower...

SLINKY: Hey, Woody, come on.

BUZZ: Come on, Bullseye! Yah!

SOIL: Do not panic. Do not panic!
ATTA: Good job, guys! Nice work!
REX: But the sign says it's closed.

WOODY: You want a piece of me?

MOLT: Look at me! I'm barefooting!

DOT: Well, I think he's gonna make it.
PETE: Woody, don't be mad at Jessie.

HARRY: I can't help it! It's so beautiful!

MOTHER: Andy, you got all your stuff?
THUD: (GROWLING) Where are they?

SERGEANT: A large box... It's-It's-It's...

SLINKY: Oh, no. Which way do we go?

FLIK: (WEAKLY) You're wrong, Hopper.

SLINKY:

Whoa, whoa, whoa, whoa!

HAMM:

All right, gangway, gangway.

P.T. FLEA:

I'm gonna be rich, rich, rich

MOTHER:

Everybody say, "Bye, house!"

SERGEANT:

Frankincense, this is Myrrh.

SID'S MOM:

Sid, your Pop Tarts are ready!

POTATO HEAD:

Yeah. Go home, Mr. Fancy Car.

ATTA: Oh!

ANT 1: Hey!

HAMM: What?

SLINKY: Huh?

BUZZ: Hold on.

HAMM: What's up?

REX: Is he out there?

BUZZ: There he is.

HANNAH: Mom! Mom!

SID: She's lying!

CHILD: Mine!

SERGEANT: There they are.

ROSIE: I can't see!

SLIM: What is happening?

JESSIE: Take that!

POTATO HEAD: To the left.

HEIMLICH: Oh, thank you!

MANNY: Thank you.

MR. SPELL: Spell, trash can.

REX: We're doomed!

KIDS: Ooh! Wow!

ROSIE: Kids, he's kind of ticklish.

HEIMLICH: Oh, stop. You're too kind.

ALL: Thank you.

SLIM: We got the water!

HEIMLICH: Here we come, P.T.!

BUZZ: He's stealin' Woody!

REX: What? He can't take Woody.

HAMM: I got dibs on his hat!

BO PEEP: Would you boys stop it!

ANDY: (AS WOODY) Thanks, Buzz.

ANDY: (AS BUZZ) No problem, buddy.

_________________________________
Disney Post-Renaissance (2000–2008)

DAVID: Nani!

BOLT: Penny.

TANANA: Oh.

KENAI: Koda?

LASZLO: Yeah!

GOOB: So tired.

ONUS: Land ho!

AUDREY: Milo, no!

FRANKIE: Master?

SITKA: Knock it off.

VINNY: Hey, Junior.

CORNELIUS: Okay.

UMPIRE: You're out!
JEB: Don't yell at me.

CHICHA: I heard that.

YOUNG GIRL: Whoa!
RUSTY: Earth to Buck!

SPIKE: You know what?

BLAKE: He's so on board!

CARL: Why is it an acorn?

KING: And to prevent Kida

GASTON: Ready, aim, fire!

HASAGAWA: Whoa, whoa!

WOOLENSWORTH: Hmm.

LEWIS: That's a prototype?

HELGA: It just keeps going.
GRACE: We're on your trail.
SLIM: Much obliged, Sheriff.

COOKIE: Ya-ha! Gertie, pull!

SCROOP: What was it now?

FRANNY: Now, don't be shy.

AUNT BILLIE: One of a kind.

KODA: Hello. I can't breathe.
BUCK: Now, where to begin?

MR. WILLERSTEIN: Coach...

TALLULAH: Is it gonna work?
BUCK: Hasta la vista, heifers.
MELVIN: Silence! (ECHOING)

DIRECTOR: Guards, stop her!

WILBUR: Robinson Industries,

RHINO: Superbark. Superbark!

MRS. PACKARD: Commander?

NANI: Okay, I got to get to work.

LILO: Want to listen to the King?

KRONK: Back! Elbow! Shoulder!

CAPTAIN AMELIA: Mr. Hawkins,

JIM: Whoa. What is all this stuff?

MORPH: "Nothing but me heart."

ANNOUNCER: It's all over, folks!
CHICKEN LITTLE: All right, guys.

SILVER: Well done, Mr. Arrow, sir!

PACHA: Well, we better get going.

RUNT: Don't go breaking my heart

JUMBA: He is bulletproof, fireproof
SARAH: James Pleiades Hawkins.

PETUNIA: Where's my sloppy joe?

PLEAKLEY: Well, what's he doing?
WESLEY: All right, move it, Bessie,

RUTT: So, you want to play "I spy"?
ACE: Stay on target. Stay on target!

RUDY: Uh, pardon me. That's mine.

COACH: Okay, everyone. Listen up!

MILDRED: Hi, folks. Everything all...
MAGGIE: Stallion of the Sim-moron.

ARROW: Stow those casks forward!

VINNIE: Right, that's what'll happen.

ROURKE: Speak English, professor.
PENNY: Bolt! It's okay, Bolt. I'm fine.
JACK: "So it was that Alameda Slim,
PEARL: Now don't you worry, Abner.

FOXY: I won't go breaking your heart

B.E.N.: Laser cannons disconnected,

SWEET: Milo, you better get up here.

MILO: Sorry about... Sorry about that.

DOPPLER: Jim! Oh, Jim! Wait for me!

ABBY: No worries, Mr. Woolensworth.

KUZCO: So this is where you came in.

MITTENS: So, if you got superpowers,
YZMA: And so, it is with great sadness

NARRATOR: On the clearest of nights,

BOWLER HAT GUY: What's going on?
DENAHI: I don't blame the bear, Kenai.

BUBBLES: You know I have no choice.
CALOWAY: There's a star on that door.

AUDREY:
Rourke! We took a big hit down here,
SILVER:
You got something to say, Scroop?

DOPPLER:
I just spoke with the constabulary.
NARRATOR:
...like a Candarian zaftwing
ANNOUNCER:
Yes, Chicken Little, it's all yours!
MRS. PACKARD:
Commander? Commander?

BOWLER HAT GUY:

They all hated me.
CHICKEN LITTLE:
He's all right! Stop the invasion!

GRAND COUNCILWOMAN:

Gantu, what's going on?

ABBY: Ace!
ACE: Abby.

ABBY: Yeah!
RUNT: Yeah!
SLIM: 1,420.
NEPHEW: 4,334.

BUCK: Plan D.
KIRBY: Plan D!

ABBY: Uh-huh.
RUNT: Uh-huh.

UMPIRE: Wait!
ANNOUNCER: Wait!

LEWIS: 3.7 seconds.
GASTON: I win!

MAN: I need her in hair.
PENNY: I just...
BUCK: Let's get it on.
MAGGIE: Cows rule.

PILO: Zini, jump! Jump!
ALADAR: Zini, jump!

TUKE: You brought it up.
RUTT: I'm trying to...
MAGGIE: We made it!
GRACE: Hip-hip-hurrah!

TINA: Now put them down.
MELVIN: Of course.
ABBY: Now breathe.
CHICKEN LITTLE: Breathe.

JUMBA: Now, this is interesting.
PLEAKLEY: What?
MAGGIE: Hit the dirt.
CALOWAY: Who lives like this?

DENAHI: Sitka wouldn't want it.
KENAI: Sitka's not here

_____
Pixar Post-Renaissance (2001–2009)

BOO: Kitty!

ROZ: Now...

MIA: He's hot!

NEMO: Bye, Dad!

EVE: Who are you?

JACK-JACK: Hello?
CRUSH: 150, dude!

RAMONE: Ah, yeah.

VOYAGE: IncrediBoy?

SCHUMACHER: Ciao.
WALL-E: Whoa! Uh-oh!
EMILE: I'm sorry, Remy.

DASH: Come on, Violet!
INCREDIBLE: You know,
BUDDY: And IncrediBoy!

HORST: Coming around.

GILL: That's it, Sharkbait.

VAN: Okay! Yes. You bet.

MARY: Hey. What? John?
CHICK: Oh! (GRUNTING)

M-O: Foreign contaminant.
ELLIE: My Adventure Book.

AUTO: Good night, Captain.

HELEN: Do I have to answer?

BRUCE: That's all right, Chum.
MATER: Oh, yeah, I'm tellin' ya!

FUNGUS: Ow, ow! I'm not here.

VIOLET: Pretty loud discussion.
DARLA: (SCREAMS) Get it out!

BETA: Gray Leader, checking in.

KARI: I'm gonna call the police...

FLO: Oh, would you look at that?
CAPTAIN: Well, let's open her up.
GAMMA: I'm gonna get there first!

E: All was well, another day saved
MACK: Hey, Lightning! You ready?
SALLY: (SIGHING) Yeah, imagine.

DUSTY: Get your rear end in here.
FROZONE: It's not doing anything.
CELIA: Monsters, Inc., please hold.
RANDALL: Move it! Look out, you...
WATERNOOSE: No, no, no, no, no.

JERRY: Okay, people, take a break!

HUPH: You know, Bob, a company...
REMY: At first, Ego thinks it's a joke.

LUCIUS: So now I'm in deep trouble.
ALPHA: Impossible! Where are you?
COLETTE: Don't mess with my mise!

COMPUTER: Caution. Rogue robots.

DORY: Are... Are you my conscience?

HARV: No, wait. Where are you goin'?
HUDSON: You drive like you fix roads.
LAROUSSE: Drink now, there's plenty.
MIKE: What a plan, simple, yet insane!

MUNTZ: In a house? A floating house?
LINGUINI: Secret? You want the truth?
SYNDROME: I knew you couldn't do it.
RUSSELL: Can we keep him? Please?
DUG: Oh, I am ready to not be up high.

FILLMORE: Respect the classics, man.

SHERIFF: Hope you enjoyed the show!

BOB: Pace it. Slow down just a little bit.

CARL: I'm getting Kevin. You stay here.
SHERMAN: Out with you. And stay out!

BOB: Wow, this is history in the making.
DARRELL: No! McQueen's blown a tire!
McQUEEN: Look, they're drivin' right by.
MARLIN: Almost there. Keep swimming!

GRAY THREE: Gray Three, checking in.

SULLEY: (WHISPERING) They're gone.

BOB:

Welcome back to the Dinoco 400.

MARLIN:

What do these markings mean?

UNDERMINER:

I am always beneath you,

PETERBILT:

Turn on your lights, you moron!

AUTO:

Captain, you are needed on the bridge.

BARBARA:

Darla, your uncle will see you now.

NEWSREEL ANNOUNCER:

And, golly, what a swell monster this is!

EVE: Plant!

M-O: EVE!

MARY: Look out!

EVE: Ah!

LUCIUS: Ha, ha.

DASH: Oh!

DASH: Wow.

VIOLET: Whoa.

MARLIN: Wow.

CORAL: Mmm.

CARL: Watch it!

RUSSELL: Sorry.

NEMO: Dad!

DORY: Nemo's alive!

FILLMORE: Fascist!

SARGE: Commie!

LUCIUS: Is that everybody?

BOB: Yeah.

MATER: Yes, you do.

McQUEEN: No way.

McQUEEN: Harv?

REPORTER 3: Come on!

M-O: Foreign contaminant.

WALL-E: Whoa!

ALPHA: Where is it?

DUG: Uh... Tomorrow.

McQUEEN: Whoo! Whoo!

HUDSON: Yeah!

LALO: Coming down the line.

COLETTE: Set.

BOB: I take it our host is...

MIRAGE: I'm sorry.

SHERMAN: Barbara.

BARBARA: Mmm-hmm?

GUARD 3: Hold it! Freeze!

VIOLET: Dash, run!

M-O: Whee!

BEAUTICIAN-BOT: You're kidding!

SHERIFF: Mater!

MATER: I wasn't tractor-tippin'!

ALPHA: No, wait, wait!

BETA: What's Dug doing?

DORY: Hey there!

BRUCE: How about you, Chum?

COMPUTER: Confirm acquisition.

CAPTAIN: Ooh!

BETA: Not you.

GAMMA: What do we do with Dug?

MARLIN: See anything?

DORY: Something's got me!

GAMMA: He's got the bird!

DOG 2: The bird's gone...

REPORTER 2: Your tires balding?

SALLY: McQueen!

HORST: Fire seven.

MAN: Three salade composée up.

LALO: One order of steamed pike up.

MAN: Coming up.

HORST: Bonjour, chef.

LAROUSSE: Hello, Chef Skinner.

MATER: Tractor-tippin's fun.

McQUEEN: This is ridiculous.

DARRELL: McQueen saved it!

BOB: He's back on the track!

HORST: Ready to go on table seven.

COLETTE: Coming around.

DASH: You're gonna be toast!

HELEN: Stop running in the house.

BOB: The most spectacular, amazing...

DARRELL: I don't believe it!

HARV: Come on, get in the trailer.

MALE: Where's the old McQueen?

BOB: McQueen passes on the inside!

DARRELL: He's nearly a lap down.

MIRAGE: How soon can you get here?

BOB: I'll leave tomorrow morning.

_________________________________
Disney Revival (2009–present)

SINA: Moana!

MR. BIG: Meh.

ELSA: Conceal

MANCHAS: You...

FLASH: ...Priscilla!

KOHUT: Incoming!

NORWOOD: Guilty!

GO GO: Woman up!

KAI: Princess Anna?
PIGLET: Excuse me.

ANNA: Do the magic!

ELSA: I'm sorry, Anna.

MR. LITWAK: Oh, boy.

YAMA: There they are!

JESSE: Hey! Open up!

LOUIS: Tiana! Naveen!

BONNIE: Glorious day!

HONEY LEMON: Whoo!

ORYX: Will you shut up?

KREI: That's just not true.

MOANA: What's in there?

GOTHEL: I love you most.

CASS: That's my nephew!

CALHOUN: All right, Fix-It.

NARRATOR: Chapter one,

KING: The gloves will help.

FINNICK: She hustled you.

LAWRENCE: Give it to me!

CLYDE: Nice share, Ralph.

POOH: Well, I was moving.

REFEREE: Fighters ready?

LIONHEART: Swell-wether!

KRISTOFF: Come on, Sven.

NICK: Mission accomplished.

TADASHI: Oh, hey, Professor.

CLAWHAUSER: Here you go.

STU: Oh, she's not a real cop.

TIANA: Where you taking me?

BOGO: Abandoning your post.

FRED: (GASPS) He's glorious.

JUDY: (WHISPERS) Come on.

MAUI: I wasn't born a demigod.

SONIC: If you leave your game,

EUDORA: "Just in that moment,

GAZELLE: Wow! I'm impressed.

MRS. OTTERTON: (SIGHS) Oh!

CALLAGHAN: You must be Hiro.

GRAMMA: The legends are true.

BAYMAX: I have some concerns.

TUI: Mother, Motunui is paradise.

WYNNCHEL: Come on! Go! Roll!

YAX: Yeah, some mammals say...

KRISTOFF: Stay out of sight, Olaf.

BELLWETHER: Come on out, Judy.

ANNOUNCER: Taffyta Muttonfudge!

WASABI: Whoa, whoa, whoa, whoa.

CHARLOTTE: Cheese and crackers!

KING CANDY: Now, now! (LAUGHS)

FELIX: The vines. They're Laffy Taffy.

RAPUNZEL: What did you do to him?

RAY: Will you hold still, you big baby?

CHARLOTTE: I do! I do! He's so cute!

SOUR BILL: Citizens of Sugar Rush...

FISHERMAN: I don't think it's the bait.

NAVEEN: Ray! Get me out of this box!

FLYNN: This is the story of how I died.

VANELLOPE: Okay, good. Little more.

HIRO: I know what you're going to say.

DUKE: It's getting colder by the minute.

OWL: Yes, yes, that's good, that's great

NARRATOR: On a planet with no name

ANNA: All right. I'm just blocking you out

CHRISTOPHER: Okay. Open your eyes.

RALPH: No, no, no! Wait a second! Aah!

OLAF: All right. We got off to a bad start.

TUI:

Have you tried using a different bait?

GO GO:

You gotta be kidding me.
FRED:
Yeah! They made it!
BOGO:
At twenty-two hundred hours...
RABBIT:
They muddy up your tidy house
WASABI:
That's what I'm talking about.
BAYMAX:
His blood type is AB-negative.

TADASHI:

This is Tadashi Hamada.
NARRATOR:
As the others searched for a tail,
MR. FENNER 2:
You drive a hard bargain, Tiana!

CHARLOTTE:
Anything you want, sugar.
ANNOUNCER:
What's this? Cherry bombs!
CALLAGHAN:
This is your decision, Hiro.
DR. FACILIER:
Shame on that hard work

HONEY LEMON:

We're gonna make it!

CHRISTOPHER:

No, silly. Put your arms down.

DRILL INSTRUCTOR:

You're dead, Bunny Bumpkin!

PIGLET: Whoa!

POOH: Ooh!

KANGA: Yes.

RABBIT: Honey.

ANNA: Okay.

KRISTOFF: One...

JUDY: Oh.

BELLWETHER: Hmm.

NAVEEN: No, no...

TIANA: Don't...

OWL: Honey.

RABBIT: Ooh, honey!

GO GO: Hiro? Hiro?

WASABI: Help!

ANNA: Pardon. Sorry.

WOMAN: Oh!

ORYX: Oh, shut up!

KUDU: You shut up!

ORYX: You shut up!

KUDU: You shut up!

FRED: Laser eyes?

HONEY LEMON: What?

HONEY LEMON: No!

FRED: He's too strong!

HONEY LEMON: You did it!

GO GO: Not bad!

ANNA: Coming through.

HANS: Excuse me. Oh...

TIANA: I can't see a thing!

NAVEEN: Neither can I!

NAVEEN: Look out! Out of the way!

TIANA: Oh, no!

FRED: Tingly fingers?

WASABI: Never gonna happen.

GO GO: There's no way out!

FRED: You can't beat him!

YOUNG ANNA: Catch me!

YOUNG ELSA: Slow down!

RABBIT: They chip your tooth

KANGA: They steal your youth

RAPUNZEL: (SCOLDING) Eugene!

FLYNN: All right, I asked her.

_____
Pixar Revival (2010–present)

HICKS: Wow!

ALIENS: Ooh!

GUIDO: Okay.

LIBBY: Ha-ha!

ELINOR: Merida!
GUARD: My lord!

JENNY: A whale?

SPOT: Whoo-hoo!

BLOAT: Now what?

CARL: What is that?
MR. RAY: Dory! Dory!

TWITCH: Get in there!

NASH: Who does that?

MATER: Oh, well, good.
BAILEY: Zzz... (GASPS)
NASH: Whoo-hoo! Yeah!

KEN: What do you want?

MATER: Hey, excuse me!
MOMMA: Henry, it's time.
SALLY: Ah, this is so nice.
DESTINY: Dory! I'm sorry!

TOPOLINO: Hey, race car.
BABY DORY: Hi, I'm Dory.
KNIGHT: All right. All right.

TERRI: We were awesome!
BARBIE: This is so exciting!
STERLING: So? You like it?

RUSTY: Please no pictures.

FLUKE: Just pick one, mate.

DARRELL: I am speechless!
RIVER: Lou won't admit this,
BOOKWORM: Ah! Here it is.

CRUSH: Go! Go! Go, go, go.

GUARD 1: Get back in there!
PEACH: I'm right behind you.

CHET: Thank you very much.

SULLEY: Come on! Dig deep!

DORY: Oh boy. Okay. This is--
COMPUTER: Deploying chute.
CRUZ: Not cool, man. Not cool!
TERRY: My tentacle fell asleep.

HAMILTON: 122 miles per hour.
McQUEEN: Speed. I am speed.
MOLLY: Then, yes, I'll miss you.
ANDY'S MOM: I know. It's just...

HANK: Where's everybody else?
CHUCKLES: Yeah, I knew Lotso.
LORD MACINTOSH: ...my liege?
WOODY: Hold on, we're going in!
SQUISHY: I've never felt so alive!

SPARKS: Neither are you, Chunk.

BUZZ: What are ya... Unhand me!

VOICE: We've been watching you.
MACK: Hey, Lightning, you ready?

FERGUS: I'm sure it went this way.

BOBBY: Congratulations, cupcake.

LOTSO: Well, thank you, Big Baby.
SIGOURNEY: What lies before you
GURGLE: I am truly going to vomit!
JACKSON STORM: You look good!
SHERRIE: Boys! It's a school night!
HUDSON: You got a lot of stuff, kid.
CHATTER TELEPHONE: Hallways.
ABUELITA ELENA: What is all this?

SHIP: What are you doing out here?
DE LA CRUZ: Stay back! Stay back!
HARDSCRABBLE: You're not scary.
HAMM: I think he said, "All at once."

POPPA: Go on, Buck. You earned it.
ANDY: I'll get something on the way.
FORGETTER BOBBY: Forget them!

ARLO: Where am I? Where's home?
ZÜNDAPP: Down! Everybody, down!
MARLIN: No. Dory! Dory! Wait! Wait.
MIKE: Why are my settings different?
JOHNNY: No one will remember you.
RILEY: We used to play tag and stuff.
DUSTY: Besides, this Sterling fellow?
NEMO: (GASPS) Dad, look! It's Dory.

JESSIE: What do you see? Anything?
ANGER: You want Riley to be happy?
DAD: All right, just a few more blocks.
HÉCTOR: He's a living child, Ernesto.

MISS FRITTER: Nobody touches him.
CUTLASS: Storm takes back the lead!

SMOKEY: Cruz? What are you doing?
McQUEEN: All right, Cruz. The beach.
FINN: That's how I like to start the day.
MERIDA: Mum, you can't go out there.
BONNIE'S MOM: Bonnie, you in here?
DIRECTOR: Set up the classroom set!
JOY: Oh! And remember your rockets?

DON: That's a pretty good one, Squish.
MR. POTATO HEAD: What did he say?
DARRELL: I cannot believe what I saw.

DISGUST: That figures. The van is lost.
REX: At last! I'm gonna get played with!
RANDY: Come on, Mike. It's a fraternity

OSCAR: Real alebrijes. Spirit creatures.

DOLLY: Yeah, she really got your smile.

PAPÁ: You want it down by the kitchen?
HOLLEY: No! Don't go down that street.
MOM: You're not going to finish tryouts?
DOWNPOUR: No, I didn't say you were.
MIGUEL: Sometimes, I think I'm cursed.
FEAR: Oh, thank goodness you're back!

BRENT: French rally car Raoul ÇaRoule

SADNESS: I was thinking more like rain.

BING BONG: We're not going to make it!

FEMALE ANNOUNCER: But be warned.

MALE ANNOUNCER: Python Nu Kappa!

FRANCESCO:

He is afraid of Francesco.

SADNESS:

Riley's Islands of Personality.

ELINOR:

Merida, come along, sweetheart.

DOWNPOUR:

Come back with that critter!

MR. POTATO HEAD:

Hey, hey, hey, buddy!

ARRIVALS AGENT:

How wonderful. Next.

ABUELITA ELENA:

In the courtyard, mijos.

DEPARTURES AGENT:

Next family, please.

ANDY'S MOM:

Look how tall you're getting.

MRS. POTATO HEAD:

They sound so sweet.

BING BONG:

I know people in Headquarters!

JUNIOR MOON:

We ran moonshine, dummy!

BONNIE'S MOM:

Ooh. You hear that, Bonnie?

CHATTER TELEPHONE:

Even the playground.

JTC PRESIDENT:

Did you see him catch that pig?

LORD DINGWALL:

I propped it open with a stick.

NATALIE CERTAIN:

Storm's in a class of his own.

MALE ANNOUNCER:

We don't have any human toys,

LORD MACGUFFIN:

You can see my house from here.

LORD MACINTOSH:

Oh, and what exactly are we after...

FEMALE ANNOUNCER:

Welcome to the final competition

BARBIE: Love...

KEN: You.

KEN: Cowgirl.

JESSIE: Here.

KEN: Barbie.

BARBIE: Here.

KEN: Ready?

BARBIE: Ready.

MARLIN: Dory.

NEMO: Dory!

REX: He did it!

HAMM: Yes, sir!

KEN: Tyrannosaurus.

REX: Here.

REX: Geronimo!

HAMM: Look out!

DON: Salud!

DE LA CRUZ: Poison!

BOTH: Open Ocean.

DORY: Exactly.

DAD: Now hold still.

MOM: The car!

KEN: Springy dog.

SLINKY: Present.

CHUNK: All right.

KEN: Here we go.

ALL: Wow!

MIKE: Excuse me. Fellas.

BING BONG: Whoo-hoo!

JOY: Whoo!

MOLLY: Mom.

ANDY'S MOM: No buts.

FLO: Looking fabulous.

LUIGI: Favoloso.

DARRELL: Holy cow!

CUTLASS: Whoa!

BARBIE: I'll wait up for you.

KEN: Kisses!

FEAR: Did you see that look?

JOY: Oh, no.

ALL: The undertow!

MR. RAY: That's right.

JESSIE: Look!

MR. POTATO HEAD: Wow!

DAD: I know. I know.

MOM: Be right there!

JOY: In we go!

FEAR: Okay! Going in! Yes!

MARLIN: Dory, no! Wait!

DESTINY: Dory!

JESSIE: Woody? You okay?

WOODY: Yeah.

MOLLY: Can I have your stereo?

ANDY: No.

WOODY: Just push it! Push it!

BUZZ: Push it!

JESSIE: He did it!

HAMM: All right, Slinkykins.

SECURITY: Stop right there!

BING BONG: Ow!

DISGUST: Let's go!

ANGER: It's gonna be great!

BUZZ: How many?

HAMM: There must be dozens.

DORY: Are we there yet?

HANK: Sh. Keep it down!

DORY: Watch the turn.

MARLIN: Watch what? Ow!

RILEY: Come on!

COACH: Let's pick it up out there!

FEAR: Really bad.

DISGUST: It's absolutely the worst.

NEMO: Just go, Dad.

MARLIN: Don't push me, Nemo.

JESSIE: Look at this place.

MR. POTATO HEAD: Wow!

MOLLY: Why not?

ANDY: 'Cause I'm taking it with me.

CRUZ: It's not easy for him.

STERLING: Cruz, just relax.

NEMO: Too late.

DORY: Okay, I think we're close. Whee!

ANDY: I'm gonna miss you.

ANDY'S MOM: Don't, Andy.

MATER: Don't come any closer!

McQUEEN: Are you okay?

STERLING: Look, I'm trying to help you.

McQUEEN: Whoa.

FEAR: What the heck is that?

JOY: Who put broccoli on pizza?

ANGER: Great. This is just great.

DISGUST: I'm gonna be sick.

ANGER: They're stressed out?

FEAR: What are we going to do?

ANGER: We're supposed to live here?

SADNESS: Do we have to?

HAMM: So now what do we do?

WOODY: We go back to Andy's.

MRS. POTATO HEAD: My babies!

WOODY: Hey, guys! No! No!

CRUZ: I can still work with him.

STERLING: I know he's your project.

JENNY: Oh no! They're going away!

NEMO: Oh no! Dory! What do we do?

_________________________________
Disney Tinker Bell Revival series (2009–2017)

KATIE: Ah.

FURY: Nyx.

OWL: Who?

ALIENS: Ooh!

ZARINA: Huh.
MR. BIG: Meh.
CLARION: Oh!
BOBBLE: Ooh!

ELSA: Conceal

OLAF: All fixed.

NAWT: All right.
BLANKO: Uh-oh.

NELSON: Ha-ha!

CLANK: For Tink!
MANCHAS: You...

KRISTOFF: Relax!

RIZZO: Ha! I'll say.

FLASH: ...Priscilla!
RICHMAN: Deadly.

ZOOT: Whoa, man!

CHASE: Over here!
BOBBLE: Still okay.

JIM: Please! Please!

KAI: Princess Anna?
LOLA: Oh, my. Bugs!
PIGLET: Excuse me.

FAWN: I can't dance!
TINKER BELL: Wow!
WALDORF: Land ho!
ANNA: Do the magic!

ELLIE: Okay, let's go.
MONTY: Kill them all!
ANIMAL: Paris! Paris!
TALL TROLL: Really?
BUCK: Thanks, Gruff!
FLOYD: Is he serious?
LONG JOHN: Jim, lad!
ELSA: Go away, Anna.

JESSE: Hey! Open up!

PEACHES: Wow, Dad.

LOUIS: Tiana! Naveen!

RECEPTIONIST: Next!

BONNIE: Glorious day!
LARRY: Handle it, baby.

GARY: Come on, buddy.
ROGER: Hey... (YELPS)
KRUSTY: Drama queen!
TINKER BELL: Hammer.
ORYX: Will you shut up?
SMEE: Man in the water!

CRASH: Almost... There!

FOZZIE: That's not good.
GRANNY: It's Air Jordan.
RIZZO: Wow! Whoo-hoo!
JOJO: (ECHOING) Yopp!
BUPKUS: Wow. He did it.
STAN: This is it. This is it.
SILVERMIST: We're free!
EDDIE: Ow! Not the face!
BANG: Big man pancake.
SILVERMIST: Tinker Bell!
FLOYD: Animal, heel! Sit!
SID: Whoa! Whoa! Whoa!
ANNA: Every Christmas...
GOTHEL: I love you most.
ALICE: They don't call this
GRANNY: I'm in here, too.
'80S ROBOT: Mr. Kermit...
FAWN: Road? What road?
NARRATOR: Chapter one,
NAWT: Hey, it's basketball.
KING: The gloves will help.
GONZO: (LAUGHING) Oh!
FINNICK: She hustled you.
BROOKE: I can't believe it!
SCRATCHY: Itchy... Itchy...
LAWRENCE: Give it to me!
SLED: Ha! They're serious.
CRASH: Okay, it's our turn.
POOH: Well, I was moving.
ROSETTA: I feel so tinkery.
MORTON: Please, for me...
LIONHEART: Swell-wether!

QUEEN: (LAUGHS) No, no.
BLANKO: Are we there yet?
FAWN: We'll save you, Tink!
MANNY: And so, in the end,
NEWSMAN: Breaking news,
DIEGO: Hey, don't mind me.

KRISTOFF: Come on, Sven.
BOOKWORM: Ah! Here it is.

GONZO: Hey, guys, up here!
OPPENHEIMER: It's perfect.
SALLY: Hi! You're home late.
NICK: Mission accomplished.
BANG: Quiet, they're looking.
ROSETTA: Cover your tushy!
FAIRY GARY: Good morning,
MARY: Gary, I've gone home.
ROWLF: Ah, not now, Fozzie.
CLAWHAUSER: Here you go.

STU: Oh, she's not a real cop.
INMA: Bluebells, cockleshells.
IRIDESSA: This is so exciting.
SCRIBBLE: Hmm. Interesting.
SHANGRI LLAMA: What? No!
GRAMPA: I'm part of the mob!
TIANA: Where you taking me?
CLANK: Gear it down, Bobble!
ROSETTA: Our wings are wet.
MICHAEL: Please, please, no!

FOZZIE: Hmm. Let's see here.
BOGO: Abandoning your post.
LEW ZEALAND: Mr. The Frog,
MARGE: (GASPS) Springfield.

FOGHORN: Pardon me. Sorry.
BARNEY: Okay. Hail, emperor.

JUDY: (WHISPERS) Come on.
NEIL deBUCK WEASEL: Mars.
FAWN: (SHOUTING) Incoming!
MAYOR: Everybody, don't stop!
BARBIE: Oh, this is so exciting!

IRIDESSA: That's a good point.
BEAUREGARD: Let's go, guys!
PERIWINKLE: You're welcome.

EUDORA: "Just in that moment,

TUNE: We're in big trouble now.
MARVIN: Come to me, my prey.
TINKER BELL: Fawn, you can't!
WIGGUM: See you in court, kid.
NADYA: There he is, right there!
GAZELLE: Wow! I'm impressed.
SILVERMIST: Brace yourselves!
CARGILL: Attention, Springfield.
MICHAEL: Couldn't sleep, Pops.
BONITO: A beautiful suggestion.
DR. GRIFFITHS: Yes, of course.
MRS. OTTERTON: (SIGHS) Oh!
TWEETY: My poor little cranium.
MISS POOGY: Squash that frog!
JACK BLACK: Stop cleaning me!
BLUVERIDGE: Time, gentlemen!
CHUCKLES: Yeah, I knew Lotso.
BUCK: (SINGING) Figaro, Figaro
FAWN: Oh, they sound so sweet.
JULIAN: Oh, you're gonna love it.
MANNY: We might wanna think...
DIEGO: Wait a second. (SNIFFS)
OLAF: Hey! It's Kristoff and Sven!
TERENCE: Knock-knickity-knock!

YAX: Yeah, some mammals say...
IRIDESSA: (WHIMPERS) Oh, no.
HORTON: Mayor? Are you there?
LIZZY: Aren't her wings beautiful?
MRS. DARLING: I know. It's just...
SPARKS: Neither are you, Chunk.
VIDIA: Sil, Fast Flyer, check it out.

STRETCH: Let me have the duck,
FAIRY MARY: Not here, you don't!
INUIT SHAMAN: Homer Simpson,
POUND: Excuse me. Oh, so sorry.
DOMINIC: Colonel Thomas Blood.
TINKER BELL: It's getting warmer.
KRISTOFF: Stay out of sight, Olaf.
PATRICK: Oh, man. That felt good.
TINKER BELL: Go on, you're okay.
LOTSO: Well, thank you, Big Baby.

LISA: Dad, we can't see the movie!
FLANDERS: Rough day, huh, son?
DAFFY: The view back here stinks.
VICTORIA: Then, yes, I'll miss you.
BART: Jabbity, jabbity, jab, jab, jab!
LARRY: You clowns can't beat that.
MISS PIGGY: Decisions, decisions.
ROSETTA: What's with the berries?
TINKER BELL: Just tie this off here.
BELLWETHER: Come on out, Judy.
ELLIE: It was a good one, wasn't it?
ELSA: Anna made these years ago.
VIDIA: We ain't ever get believed in.
POUND: Get the rabbit. Get the girl.
BOBBLE: Can you reach it, Clanky?
STARBOARD: Oh, that golden dust.
CHUNK: Come on, turkey, come on.
WALTER: Yeah. Uh, race you home!
BENJAMINA: Yes! Yes! Smolly! Yes!
VLAD: Right in the beak! (GRUNTS)

BUGS: Hold on. He's got something.
SILVERMIST: You guys are so alike.
SAM THE EAGLE: Stay on the road!
MICHAEL: You can stop posing now.
SID: I just heard you're going extinct.

CHARLOTTE: Cheese and crackers!
ROSETTA: At least a couple of days.
BOBBLE: Hurry! It's nearly out of ice!
WALTER: I can't believe that worked!
PORKY: I thought we search in style.
FAIRY MARY: Look sharp, everyone!
DANNY TREJO: I really need this job
HOMER: Relax. Those pious morons

BUPKUS: Yeah, beat up on the duck.
QUEEN CLARION: Thank you, Viola.
SWACKHAMMER: Are you listening?

LYRIA: "The changing of the seasons
FAWN: That lost thing really is handy.

IRIDESSA: Yeah, let's talk about that.
ELMER: All right, you irascible bunny.
RAPUNZEL: What did you do to him?
DAFFY: Hey, Bugs! Stop! Slow down!
NYX: Get away from the hawk, Fawn.
RAY: Will you hold still, you big baby?
ZARINA: What are you... Unhand me!
SILVERMIST: Yeah, but now it's here.
CHARLOTTE: I do! I do! He's so cute!
CLANK: (LAUGHING) Sneaky glacier.
QUEEN CLARION: Oh, my goodness.
NAVEEN: Ray! Get me out of this box!
FLYNN: This is the story of how I died.

SCOOTER: What an action sequence!
PERIWINKLE: Tinker Bell! Down here!
WENDY: I'll get something on the way.
MOE: This is why we should hate kids.
FOGHORN: Keep looking. Dig deeper!
JUANITA: Mike? Honey, are you okay?
ROBO-PHONE: Good luck, tinker fairy.
JEAN PIERRE: Madrid, here we come!
CLANK: Well, spring won't spring itself.
MISS PIGGY: No, what are you doing?
ROWLF: Okay. Can we get down now?
MRS. ANDERSON: Inma, you in here?
TWITCH: Shhhh! They might hear you.
DEWEY: That's the end of that chapter.
DUKE: It's getting colder by the minute.
LORD MILORI: Keeper? Are you here?
KERMIT: Well, I guess this is the place.
NARRATOR: And why didn't he speak?

OWL: Yes, yes, that's good, that's great
SWEETUMS: Keep waltzing, Mr. Waltz!

JAMES: Captain says, restock the ship.
YANG: All righty, mates, you heard him.
ROSETTA: Exit. Let's get believed with.
PORT: I'll move it in me own good time.
KEN: Little late for a stroll, eh, Rosetta?
TINKER BELL: Okay, places, everyone.
KANGAROO: That Horton is a menace.
IRIDESSA: At last! I am get believed in!
BOBBLE: Like a wittle, wee baby, there.

BUGS: We have found the trophy room.

SCOOTER: Welcome back, Miss Piggy.
WENDY: (AS MICHAEL) Thanks, Bugs.
KERMIT: No, you've got the wrong frog.
BILL: A hundred and seventy-five yards.
TWEETY: That's the kidnapper, all right.
MUD BUNNY: There's no one on board.
ANNA: All right. I'm just blocking you out

SYLVESTER: What makes you so sure?
CHRISTOPHER: Okay. Open your eyes.
CONSTANTINE: Yes, of course, let's go!
OLAF: All right. We got off to a bad start.
POLLY: Then we'll get that twit of a bear!

ELSA:

Okay, okay, here we go.

KRISTOFF:

"Dry Banana Hippy Hat"?

BOGO:

At twenty-two hundred hours...

JANICE:

Wow, she sure hasn't changed.

NEIL deBUCK WEASEL:

The universe.

SWEDISH CHEF:

(GASPS) No maskin'?

DR. FACILIER:

Shame on that hard work

PORT:

What if we tie her wings together?

RABBIT:

They muddy up your tidy house

CHARLOTTE:

Anything you want, sugar.

SUMMER:

But we can't! We can't do that!

PORKY:

He's selling himself for 25 cents!

TINKER BELL:

This isn't a human house.

POUND:

Hold on there, Mr. Looney Tune.

BROOKE:
Please keep your arms and legs
HORTON:
I don't want to sound the alarm.

CARGILL:
The United States government.

SMITHERS:

They've taken everything, sir.

PORKY:

Come on, guys. No pain, no gain.

SHAWN:

Look at Muggsy handle the rock.

QUEEN CLARION:

Minister, Fairy Mary?

PEACHES:

How could you do that to him?

ROSETTA:

Well, at least our wings are dry.

IRIDESSA:

Yeah, you're doing really good.

BLACK-EYED PEA:

What are they doing?

KERMIT:

Watch out for the forklift, Fozzie.

TINKER BELL:

(GASPS) We're losing her!

TINKER BELL:

Um... I know. Favorite star?

CHUNK:

You think they had a fun playtime?

OPPENHEIMER:

Oh, my! Up, up and away!

PERIWINKLE:

What do you see? Anything?

MICHAEL:

I just feel at this particular time...

SILVERMIST:

That was what I was thinking.

SILVERMIST:

I think she said, "All at once."

DR. GRIFFITHS:

Well, of course, my darling.

TINKER BELL:

The mouse's name is Cheese?

SYLVESTER:

Yeah. Go home, Mr. Fancy Car.

NARRATOR:

As the others searched for a tail,

MISS PIGGY:

Dominic, Dominic! Five songs.

PERIWINKLE:

I've never felt anything like it!

BOBBLE:

And who knows when they'll be dry.

BLUVERIDGE:

To the northwest, dirty dishes!

MRS. ANDERSON:

Ooh. You hear that, Inma?

OLAF:

I'm probably gonna walk around a little.

TINKER BELL:

Just like we rehearsed it, guys.

MRS. DARLING:

Look how tall you're getting.

BOBBLE:

Glad we had a bath today, eh, Clank?

PROSPECTOR:

Michael, don't be mad at Alice.

CONSTANTINE:

It's got to be here somewhere.

KANGAROO:

When Horton tells our children...

CHRISTOPHER:

No, silly. Put your arms down.

QUEEN CLARION:

If you had wings to lift you

SWACKHAMMER:

You'll be our star attraction.

MRS. DARLING:

Wendy, you got all your stuff?

MINISTER OF SPRING:

But if the temperatures

MR. FENNER 2:

You drive a hard bargain, Tiana!

SILVERMIST:

Well, I'm gonna remain optimistic.

FAIRY ANNOUNCER:

Welcome one, welcome all

DRILL INSTRUCTOR:

You're dead, Bunny Bumpkin!

STARBOARD:

I just said that, you daft potato muncher.

LONE GUNSLINGER VULTURE:

There is some good news, though.

MAXIMUM SECURITY PRISONER:

How many people does he need?

BARBIE: Love...

KEN: You.

LISA: Phew!

HOMER: Okay.

KEN: Barbie.

BARBIE: Here.

PIGLET: Whoa!

POOH: Ooh!

BONNIE: Never.

STU: Never.

BUPKUS: Whoa!

NAWT: Ah!

BUGS: Whoa.

DAFFY: What?

KEN: Ready?

BARBIE: Ready.

GARY: Walter!

MARY: Walter!

GARY: Walter!

MARY: Walter?

KANGA: Yes.

RABBIT: Honey.

LOLA: Oh!

POUND: Belly flop.

PORKY: What?

TWEETY: Huh?

JUANITA: Hey.

MICHAEL: Hey.

ANNA: Okay.

KRISTOFF: One...

NAWT: Hey, hey!

POUND: What?

CRASH: Manny!

EDDIE: It's Ellie!

JUDY: Oh.

BELLWETHER: Hmm.

KEN: Light fairy.

IRIDESSA: Here.

WALTER: What?

ANIMAL: Uh-oh.

NAVEEN: No, no...

TIANA: Don't...

STAN: What, here?

MICHAEL: Yes.

BART: Geronimo!

LISA: Sacajawea!

OWL: Honey.

RABBIT: Ooh, honey!

HILDY: Me two!

HOOLY: Me three!

HOMER: Ow!

BARKER: That's two.

BUGS: Hold on.

PORKY: What's up?

TOMMY: Horton!

JESSICA: Horton!

CHUNK: All right.

KEN: Here we go.

ANNA: Pardon. Sorry.

WOMAN: Oh!

SMOLLETT: Ha!

BENJAMINA: Yes!

ALL: Oh!

YANG: You know, he's right.

KEN: Fast-flying fairy.

VIDIA: Present.

FOZZIE: Like that.

WALTER: Oh, okay.

PERIWINKLE: Look!

ROSETTA: Wow!

KEN: Winter fairy.

PERIWINKLE: Here.

NAWT: Okay, go get him.

POUND: Yeah.

ORYX: Oh, shut up!

KUDU: You shut up!

IRIDESSA: Oh, no!

SILVERMIST: Fawn.

ORYX: You shut up!

KUDU: You shut up!

IRIDESSA: Garden Fairy!

ROSETTA: Oh.

FAWN: You fixed it!

SILVERMIST: Wow!

HOMER: Ow!

BARKER: And that's three.

POUND: Wow, a killer.

BANG: Let me see.

BARBIE: I'll wait up for you.

KEN: Kisses!
LEW ZEALAND: Whoop!
GONZO: Whoa!

DAFFY: Is he out there?

BUGS: There he is.

ALICE: Take that!

SYLVESTER: To the left.

BONITO: Nice boom!

PORT: Oh, yes! Nice!

IRIDESSA: Beautiful!

ROSETTA: Amazing!

BUPKUS: Hey.

BLANKO: Bring it on, dude.

ROSETTA: Tinker Bell?

FAWN: Tinker Bell?

BANG: Where?

BLANKO: Whoa. Now what?

STARBOARD: Yes, tiny!

PORT: A tiny plank!

VICTORIA: Mom.

MRS. DARLING: No buts.

SILVERMIST: Amazing!

FAWN: It's fantastic!

PORKY: Going up.

POUND: You're mine, fool.

MARY: You guys okay?

GARY: Is anyone hurt?

WALTER: She wasn't very nice.

KERMIT: Yeah.

IRIDESSA: Geronimo!

SILVERMIST: Look out!

CLANK: Excuse us!

BOBBLE: Coming through!

BURNS: First door on the right.

APU: Thank you.

CLANK: I'm sorry.

BOBBLE: I can't feel my legs.

RECEPTIONIST: All right.

ANIMAL: Mean lady.

DR. GRIFFITHS: Lizzy?

LIZZY: Coming, Father!

ANNA: Coming through.

HANS: Excuse me. Oh...

IRIDESSA: Hey, Gruff.

SILVERMIST: Hi, Gruffy.

DAFFY: Ha. Not a cent.

BUGS: Hmm. Me neither.

IRIDESSA: She did it!

SILVERMIST: Yes, ma'am!

VICTORIA: Can I have your stereo?

WENDY: No.

NAWT: She's looking again.

BUPKUS: Close it up.

NARRATOR: And that "Yopp".

KANGAROO: Oh.

LARRY: Sounds good.

BILL: I'll go close to the pin.

TIANA: I can't see a thing!

NAVEEN: Neither can I!

SHAWN: I got it.

MUGGSY: You got it. Yeah, baby.

CLANK: What've we got?

BOBBLE: House! Get off.

PERIWINKLE: Look at this place.

ROSETTA: Wow!

IRIDESSA: I knew you'd get to go!

FAWN: Oh, Tink!

STAN: Sorry it took so long.

MICHAEL: Don't worry.

FOZZIE: Yeah! Come on!

ROWLF: Come on, Walter!

TINKER BELL: Good luck!

SILVERMIST: Be brave!

TINKER BELL: Fawn, wake up!

VIDIA: Is she okay?

NAVEEN: Look out! Out of the way!

TIANA: Oh, no!

VICTORIA: Why not?

WENDY: I'm taking it with me.

MARGE: I hate being late.

HOMER: Well, I hate going.

KIDS: Trick or treat!

WALTER: Because from then on...

TINKER BELL: Just push it! Push it!

ZARINA: Push it!

KANGAROO: Watch it!

MRS. QUILLIGAN: Eh... Uh...

PERIWINKLE: Tink? You okay?

TINKER BELL: Yeah.

FAWN: My babies!

TINKER BELL: Hey, guys! No! No!

DR. GRIFFITHS: The butterfly. It's gone!

LIZZY: What?

BOBO: Nicely done, sir. As usual.

RICHMAN: En garde.

FOZZIE: Wocka wocka wocka!

JACK: Make it stop! No!

IRIDESSA: This way!

ROSETTA: Come on, girls. Hurry.

YOUNG ANNA: Catch me!

YOUNG ELSA: Slow down!

TINKER BELL: Back home.

ROSETTA: Come on, Gruff.

SMALL TROLL: You're the best.

TALL TROLL: No, you.

GONZO: Thank you, Billy.

BLUVERIDGE: There you go!

LOLA: I'll take some.

PORKY: Yeah, can I have some too?

TALL TROLL: Fuzz face.

SMALL TROLL: Thimble head.

LIZZY: Father, look!

DR. GRIFFITHS: Not just now, Lizzy.

LARRY: Don't say it.

STAN: Never seen one of these before.

TALL TROLL: Weasel toes!

SMALL TROLL: Badger brain!

ZARINA: How many?

SILVERMIST: There must be dozens.

PERIWINKLE: She did it!

SILVERMIST: All right, Vidiakins.

RABBIT: They chip your tooth

KANGA: They steal your youth

WENDY: I'm gonna miss you.

MRS. DARLING: Don't, Wendy.

DEADLY: Let me wipe that down.

BOBO: You've missed a spot.

ELLIE: Bravery is just dumb.

MANNY: You can't be two things!

BUGS: He's stealin' Michael!

DAFFY: What? He can't take Mike.

MR. ARROW: Move along.

GONZO: Oh, good. That's good. Yeah.

FAWN: You, too! Fly with you later!

ROSETTA: Fly with you later!

RAPUNZEL: (SCOLDING) Eugene!

FLYNN: All right, I asked her.

STARBOARD: Come on, get moving.

PORT: Are you talking to me?

FAWN: Don't get your wings in a bunch.

ROSETTA: Don't be like that.

STAN: That exit wasn't clearly marked.

MICHAEL: Hold up, right here.

SILVERMIST: Now what do we do?

TINKER BELL: Go back to Wendy's.

BIRD: Where's you big happy family?

MANNY: What if I am a last mammoth?

_________________________________
RKO Radio Pictures

MARY: Wendy!
FALINE: Bambi.
HATTER: Oh, my!
DODO: Look lively.
HARE: Mad watch.
LORINA: Alice! Alice!
CATERPILLAR: Stop!
KING: And remember,

GRUMPY: You don't...

FAIRY: No, Pinocchio.

STORK: Oh, of course.
JAQ: Isn't it wonderful?

THUMPER: Hiya, Bambi.

THUMPER: Hello, Bambi.
RABBIT: The March Hare.

BASHFUL: Ain't he sweet?
JOHN: Blast you, Peter Pan!

SNOW WHITE: Uh-uh, uh-uh!

SMEE: Oh, captain, you did it.

TIMOTHY: I think they're cute.

STROMBOLI: Get along there.
SLIGHTLY: Yea for Bear Killer!
DRIZELLA: Huh. As if you care.
QUEEN: Don't let her get away!
DUKE: What? Tea? (YAWNING)

GREAT PRINCE: Get up, Bambi.
CINDERELLA: Oh, there you are.

PRINCE: That has possessed me
DOORKNOB: This won't do at all.
ANASTASIA: Well, it's about time.

HONEST JOHN: (SIGHS) Splendid!
MICHAEL: And I'll cut you to pieces.

DOC: Now don't you worry about us.

PINOCCHIO: Father? Father, it's me.

FRIEND OWL: Come on. (SHOOING)
STEPMOTHER: You clumsy little fool.
PETER: I came to listen to the stories.

HAPPY: Never say die. Never say die.

LAMPWICK: Heh, some fun, huh, kid?

RINGMASTER: Ladies and gentlemen,
ALICE: (GASPS) Oh, I'm... Excuse me.

JIMINY: I gotta get in! My pal's in there.

WENDY: Bu... But where are we going?
GEPPETTO: It's no use. We're done for!
HOOK: Don't stand there, you bilge rats!

_________________________________
Disney David Hand and Ben Sharpsteen

FALINE: Bambi.

GRUMPY: You don't...

FAIRY: No, Pinocchio.

STORK: Oh, of course.

THUMPER: Hiya, Bambi.

THUMPER: Hello, Bambi.

BASHFUL: Ain't he sweet?

SNOW WHITE: Uh-uh, uh-uh!

TIMOTHY: I think they're cute.

STROMBOLI: Get along there.

GREAT PRINCE: Get up, Bambi.

PRINCE: That has possessed me

HONEST JOHN: (SIGHS) Splendid!

DOC: Now don't you worry about us.

PINOCCHIO: Father? Father, it's me.

FRIEND OWL: Come on. (SHOOING)

HAPPY: Never say die. Never say die.

LAMPWICK: Heh, some fun, huh, kid?

RINGMASTER: Ladies and gentlemen,

JIMINY: I gotta get in! My pal's in there.

GEPPETTO: It's no use. We're done for!

_________________________________
Disney Wilfred Jackson, Hamilton Luske, Clyde Geronimi

MARY: Wendy!
HATTER: Oh, my!

DODO: Look lively.
HARE: Mad watch.

DACHSIE: Und Fifi.
LORINA: Alice! Alice!

CATERPILLAR: Stop!

KING: And remember,

JAQ: Isn't it wonderful?

TONY: Now here you are.

RABBIT: The March Hare.

JOHN: Blast you, Peter Pan!

TRAMP: What's wrong, Pige?
SMEE: Oh, captain, you did it.
SLIGHTLY: Yea for Bear Killer!

JOE: Okay, Tony, you the boss.

DRIZELLA: Huh. As if you care.
QUEEN: Don't let her get away!

DUKE: What? Tea? (YAWNING)

CINDERELLA: Oh, there you are.

DOORKNOB: This won't do at all.

ANASTASIA: Well, it's about time.

MICHAEL: And I'll cut you to pieces.
LADY: (THINKING) What is a baby?

STEPMOTHER: You clumsy little fool.

PETER: I came to listen to the stories.

SARAH: What's going on down there?

TRUSTY: That's right. Where we know

JOCK: Aye. And they walk on all fours.
ALICE: (GASPS) Oh, I'm... Excuse me.

JIM: (CHUCKLES) Well, it has a ribbon.

WENDY: Bu... But where are we going?

DARLING: And Aunt Sarah will be here.

DOGCATCHER: Easy. Go on, get away.

HOOK: Don't stand there, you bilge rats!

_________________________________
Disney Clyde Geronimi and Wolfgang Reitherman

MERRYWEATHER: Flora?

PHILLIP: You know, Samson,

MALEFICENT: Touch the spindle.

FLORA: Bolt the door, Merryweather.

AURORA: Why, it's my dream prince.

HUBERT: Tonight, we toast the future,

FAUNA: (CRYING) We're all to blame.

STEFAN: Now, be reasonable, Hubert.

NARRATOR: And so, for 16 long years,

_________________________________
Disney Wolfgang Reitherman

KAA: ...mistake.

GEORGES: Edgar?

BAGHEERA: Baloo.

LUCKY: Mother, Dad,

EEYORE: There's one.

LABRADOR: Run for it!

FRIAR TUCK: Surprise!

SHERIFF: Howdy, Friar.

ARCHIMEDES: Wart! Wart!

CRUELLA: Jasper! Horace!

TIGGER: Come on, bounce.

LITTLE JOHN: Rob? Robin?
WALDO: Girls, it's outrageous.

NAPOLEON: Get him, get him.

NANNY: The puppies are here!

AMELIA: Oh. Oh, how unusual.

ROGER: Maybe Scotland Yard.

ALLAN-A-DALE: Man, oh, man.

KAY: Why, you clumsy little fool!

GIRL: (SINGING) My own home

MARIE: Me first, me first. Whoo.

MEDUSA: There is another one!

GOPHER: Quick! Turn the page!

POOH: Oh, not for honey, I hope.

ROBIN: We're waiting. (LAUGHS)

PRINCE JOHN: Seize the fat one!

PIGLET: Oh, dear. Oh, dear, dear.

HATHI: Oh, absolutely impossible.

EDGAR: Now, my little pesky pets,

ECTOR: Tiger, Talbert, off with you.

ARTHUR: Kay, Kay, here's a sword.

HORACE: But they ain't big enough.

MERLIN: You merely look like a fish.

TOULOUSE: I told you it was Edgar.

RABBIT: Here we come. Don't worry.

BIANCA: Let go, you big bullies, you!

PERDY: Shh, children. Children, shh.

MARIAN: Are you ready, Lady Kluck?

NARRATOR: And so it seemed to be.
DUCHESS: Now, be careful, children.

JASPER: Aw, please, miss. Have pity.
O'MALLEY: Hey, cool it, you little tiger.

SNOOPS: Welsher! Swindler! Chiseler!
BERLIOZ: Yeah, old pickle-puss Edgar.
MADAME: Edgar? Edgar, come quickly.

BALOO: (LAUGHS) You're gettin' it, kid.

BERNARD: No, no! Back! Back, Penny!

CHRISTOPHER: You can let go, Tigger.

PONGO: For a while, it seemed to work.

ANITA: We're doing everything possible.

_________________________________
Disney Ted Berman and Richard Rich

DINKY: Charge!

SLADE: Copper!
DOLI: What now?

VIXEY: Oh. Sure. Why not?
ORGOCH: Thieves! Thieves!
CREPPER: This will please him.
DALLBEN: Ah, the Horned King.
YOUNG COPPER: Yeah, forever.
BIG MAMA: Mm-hmm. Oh, uh-huh.
WIDOW TWEED: We met, it seems
TARAN: They're only frogs, Eilonwy.
ORDDU: Someone stole all our frogs.
EILONWY: Come on, Fflewddur. Hurry!
FFLEWDDUR: Great beelin', he is alive.

_________________________________
Disney Ron Clements & John Musker

TRITON: Yes.

ZEUS: Ha ha!

SINA: Moana!

ONUS: Land ho!

JAFAR: Shut up!

DAWSON: Basil?

PHIL: Two words.

MUSE: It was tragic.

HOLMES: Come on.

CHEF LOUIS: Ah-ha!

CYCLOPS: Hercules!

LOUIS: Tiana! Naveen!

SEAHORSE: Sebastian!

NARRATOR: You go, girl.

MOANA: What's in there?
MEG: (PANTING) Please.

LAWRENCE: Give it to me!

OLD MAN: Tell me about it.

SCROOP: What was it now?

RATIGAN: Goodbye so soon

ALADDIN: Look, I... I'm sorry.

AMPHITRYON: Who's there?

ABU: Yoo-hoo! Aladdin! Hello!

TIANA: Where you taking me?

FLOUNDER: Ariel, wait for me.

MAUI: I wasn't born a demigod.

EUDORA: "Just in that moment,

ATTINA: What is with her lately?

CAPTAIN AMELIA: Mr. Hawkins,

JIM: Whoa. What is all this stuff?

FIDGET: Let me out! Let me out!

MORPH: "Nothing but me heart."

GRAMMA: The legends are true.

HERCULES: Yeah. Yeah. I know.

TUI: Mother, Motunui is paradise.

SCUTTLE: Nothing is happening.

SILVER: Well done, Mr. Arrow, sir!

SEBASTIAN: Ariel, grab onto that.

ERIC: Whoa! Hang on, I've got ya.

SARAH: James Pleiades Hawkins.

BASIL: This case is most intriguing

GRIMSBY: Oh, yes, of course, Eric,

ARROW: Stow those casks forward!

CHARLOTTE: Cheese and crackers!

B.E.N.: Laser cannons disconnected,

HADES: A stirring performance, boys.

RAY: Will you hold still, you big baby?

JASMINE: Just go jump off a balcony!

FLAVERSHAM: Of truly noble stature.

DOPPLER: Jim! Oh, Jim! Wait for me!

CHARLOTTE: I do! I do! He's so cute!

FISHERMAN: I don't think it's the bait.

NAVEEN: Ray! Get me out of this box!

URSULA: Come in. Come in, my child.

NARRATOR: On the clearest of nights,

SULTAN: Find him! Search everywhere!
ANDRINA: Ariel, dear, time to come out.

ARIEL: Flounder, don't be such a guppy.

_________________________________
Disney Ron Clements & John Musker 2

TRITON: Yes.

ZEUS: Ha ha!

SINA: Moana!
NAWT: All right.

ONUS: Land ho!

JAFAR: Shut up!
BLANKO: Uh-oh.

DAWSON: Basil?

PHIL: Two words.

MUSE: It was tragic.

HOLMES: Come on.
LOLA: Oh, my. Bugs!

CHEF LOUIS: Ah-ha!

CYCLOPS: Hercules!

LOUIS: Tiana! Naveen!
LARRY: Handle it, baby.

SEAHORSE: Sebastian!
GRANNY: It's Air Jordan.

NARRATOR: You go, girl.
BUPKUS: Wow. He did it.
STAN: This is it. This is it.
BANG: Big man pancake.
SILVERMIST: Tinker Bell!

MOANA: What's in there?
MEG: (PANTING) Please.
NAWT: Hey, it's basketball.

LAWRENCE: Give it to me!

OLD MAN: Tell me about it.
BLANKO: Are we there yet?
FAWN: We'll save you, Tink!

SCROOP: What was it now?

RATIGAN: Goodbye so soon

ALADDIN: Look, I... I'm sorry.

AMPHITRYON: Who's there?
BANG: Quiet, they're looking.
ROSETTA: Cover your tushy!

ABU: Yoo-hoo! Aladdin! Hello!

TIANA: Where you taking me?
FOGHORN: Pardon me. Sorry.

FLOUNDER: Ariel, wait for me.

MAUI: I wasn't born a demigod.

EUDORA: "Just in that moment,
TUNE: We're in big trouble now.

ATTINA: What is with her lately?
MICHAEL: Couldn't sleep, Pops.

CAPTAIN AMELIA: Mr. Hawkins,

JIM: Whoa. What is all this stuff?

FIDGET: Let me out! Let me out!
TWEETY: My poor little cranium.

MORPH: "Nothing but me heart."

GRAMMA: The legends are true.

HERCULES: Yeah. Yeah. I know.

TUI: Mother, Motunui is paradise.

SCUTTLE: Nothing is happening.

SILVER: Well done, Mr. Arrow, sir!

SEBASTIAN: Ariel, grab onto that.

ERIC: Whoa! Hang on, I've got ya.
FAIRY MARY: Not here, you don't!
POUND: Excuse me. Oh, so sorry.

SARAH: James Pleiades Hawkins.

BASIL: This case is most intriguing
PATRICK: Oh, man. That felt good.
DAFFY: The view back here stinks.
LARRY: You clowns can't beat that.

GRIMSBY: Oh, yes, of course, Eric,
TINKER BELL: Just tie this off here.
POUND: Get the rabbit. Get the girl.

ARROW: Stow those casks forward!
MICHAEL: You can stop posing now.

CHARLOTTE: Cheese and crackers!

B.E.N.: Laser cannons disconnected,
BUPKUS: Yeah, beat up on the duck.
SWACKHAMMER: Are you listening?
ELMER: All right, you irascible bunny.

HADES: A stirring performance, boys.

RAY: Will you hold still, you big baby?

JASMINE: Just go jump off a balcony!

FLAVERSHAM: Of truly noble stature.

DOPPLER: Jim! Oh, Jim! Wait for me!

CHARLOTTE: I do! I do! He's so cute!

FISHERMAN: I don't think it's the bait.

NAVEEN: Ray! Get me out of this box!

URSULA: Come in. Come in, my child.

NARRATOR: On the clearest of nights,
CLANK: Well, spring won't spring itself.

SULTAN: Find him! Search everywhere!
BOBBLE: Like a wittle, wee baby, there.
BILL: A hundred and seventy-five yards.
BUGS: We have found the trophy room.
ANDRINA: Ariel, dear, time to come out.

ARIEL: Flounder, don't be such a guppy.

_________________________________
Disney Gary Trousdale and Kirk Wise

BEAST: What?

AUDREY: Milo, no!

VINNY: Hey, Junior.

SOLDIER 1: Make way!

VICTOR: Ready, aim, fire!
KING: And to prevent Kida

PHOEBUS: No, you're not.

HELGA: It just keeps going.

COOKIE: Ya-ha! Gertie, pull!

QUASIMODO: Most of them.

LUMIERE: Life is so unnerving

BELLE: New and a bit alarming

MRS. PACKARD: Commander?
HUGO: And since you're shaped

COGSWORTH: Now it's too late.

FROLLO: The prisoner, Esmeralda,

LAVERNE: Don't you ever migrate?

ROURKE: Speak English, professor.

SWEET: Milo, you better get up here.

MILO: Sorry about... Sorry about that.
GASTON: Who does she think she is?

MAURICE: We should be there by now.

CLOPIN: Ugly folks forget your shyness

ESMERALDA: You've done this before?

_________________________________
Disney Mike Gabriel

DOCTOR: Fire!

NAKOMA: Pocahontas!

POWHATAN: Pocahontas.

CODY: That's it, you've got it!

JOHN: This place is incredible.
BEN: Smith was right all along.

FRANK: Hey, what do you got?

WILBUR: Girls? Girls, I'm here!

WILLOW: Is that my Pocahontas?

BERNARD: Jake's been gone... Ow!

KOCOUM: Pocahontas! Pocahontas!

POCAHONTAS: Quiyoughcohannock.

THOMAS: Help! Somebody help! Help!

McLEACH: Get out of here! Go on! Get!

_________________________________
Disney Dean DeBlois and Chris Sanders

DAVID: Nani!

HASAGAWA: Whoa, whoa!

MULAN: "Quiet and demure.

GREAT ANCESTOR: Mushu!

SHAN-YU: What do you see?

NANI: Okay, I got to get to work.

LILO: Want to listen to the King?

LING: Some king of the rock. Aah!

JUMBA: He is bulletproof, fireproof

PLEAKLEY: Well, what's he doing?

MUSHU: Uh, uh... Yes, I just woke up.

BUBBLES: You know I have no choice.

YAO: Does this dress make me look fat?

_________________________________
Disney Chris Buck

ZARINA: Huh.
CLARION: Oh!
MOM: Oh, boy.
BOBBLE: Ooh!

ELSA: Conceal

OLAF: All fixed.

KRISTOFF: Relax!

RIZZO: Ha! I'll say.

ZOOT: Whoa, man!

JIM: Please! Please!

KAI: Princess Anna?

FAWN: I can't dance!
WALDORF: Land ho!
ANNA: Do the magic!

ELLIE: Okay, let's go.
MONTY: Kill them all!
FLOYD: Is he serious?
LONG JOHN: Jim, lad!
ELSA: Go away, Anna.

RECEPTIONIST: Next!

SMEE: Man in the water!

CRASH: Almost... There!

RIZZO: Wow! Whoo-hoo!
SILVERMIST: We're free!
EDDIE: Ow! Not the face!
KING: The gloves will help.
GONZO: (LAUGHING) Oh!
SLED: Ha! They're serious.
ROSETTA: I feel so tinkery.

QUEEN: (LAUGHS) No, no.
MANNY: And so, in the end,
DIEGO: Hey, don't mind me.

KRISTOFF: Come on, Sven.

OPPENHEIMER: It's perfect.
KALA: Oh! Oh, no. Shh. Shh.
FAIRY GARY: Good morning,

IRIDESSA: This is so exciting.

FOZZIE: Hmm. Let's see here.

BEAUREGARD: Let's go, guys!
PERIWINKLE: You're welcome.
KERCHAK: I said he could stay.

NADYA: There he is, right there!
BONITO: A beautiful suggestion.
MISS POOGY: Squash that frog!
BLUVERIDGE: Time, gentlemen!
JANE: I've never seen such eyes.
TERK: Oh! Watch it! Oh! Ow! Ow!
TARZAN: They mean us no harm.

VIDIA: Sil, Fast Flyer, check it out.

DOMINIC: Colonel Thomas Blood.
TINKER BELL: It's getting warmer.
KRISTOFF: Stay out of sight, Olaf.
TINKER BELL: Go on, you're okay.

STARBOARD: Oh, that golden dust.
BENJAMINA: Yes! Yes! Smolly! Yes!

SILVERMIST: You guys are so alike.
SAM THE EAGLE: Stay on the road!
SID: I just heard you're going extinct.

ROSETTA: At least a couple of days.
BOBBLE: Hurry! It's nearly out of ice!
WALTER: I can't believe that worked!
FAIRY MARY: Look sharp, everyone!
DANNY TREJO: I really need this job

FAWN: That lost thing really is handy.

IRIDESSA: Yeah, let's talk about that.
CLANK: (LAUGHING) Sneaky glacier.
QUEEN CLARION: Oh, my goodness.
MISS PIGGY: "Hole in the Wall Club"?

SCOOTER: What an action sequence!
CLAYTON: Now, be careful, Professor.
JEAN PIERRE: Madrid, here we come!
ROWLF: Okay. Can we get down now?
DEWEY: That's the end of that chapter.
DUKE: It's getting colder by the minute.
LORD MILORI: Keeper? Are you here?

SWEETUMS: Keep waltzing, Mr. Waltz!

JAMES: Captain says, restock the ship.
YANG: All righty, mates, you heard him.
PORT: I'll move it in me own good time.

KERMIT: No, you've got the wrong frog.
MUD BUNNY: There's no one on board.
ANNA: All right. I'm just blocking you out

CONSTANTINE: Yes, of course, let's go!
PROFESSOR: Where? Yes, more nests!
OLAF: All right. We got off to a bad start.
POLLY: Then we'll get that twit of a bear!

_________________________________
Disney Mark Dindal

UMPIRE: You're out!

CHICHA: I heard that.

WOOLENSWORTH: Hmm.
TURKEY: Oh... (GASPING)

BUCK: Hey! Son! You all right?

KRONK: Back! Elbow! Shoulder!

ANNOUNCER: It's all over, folks!

PACHA: Well, we better get going.
LITTLE: All right, guys. Watch this.

RUNT: Don't go breaking my heart
ACE: Stay on target. Stay on target!

RUDY: Uh, pardon me. That's mine.

COACH: Okay, everyone. Listen up!

FOXY: I won't go breaking your heart

MELVIN: Why did you take our child?

ABBY: No worries, Mr. Woolensworth.

KUZCO: So this is where you came in.
YZMA: And so, it is with great sadness

_________________________________
Disney Stephen J. Anderson

LASZLO: Yeah!

GOOB: So tired.

FRANKIE: Master?

CORNELIUS: Okay.
PIGLET: Excuse me.

TINKER BELL: Wow!
YOUNG GIRL: Whoa!
SPIKE: You know what?
CARL: Why is it an acorn?
ALICE: They don't call this
FAWN: Road? What road?
NARRATOR: Chapter one,
GASTON: Ready, aim, fire!
POOH: Well, I was moving.
LEWIS: That's a prototype?
FRANNY: Now, don't be shy.
AUNT BILLIE: One of a kind.
MR. WILLERSTEIN: Coach...
TALLULAH: Is it gonna work?
CLANK: Gear it down, Bobble!
ROSETTA: Our wings are wet.
MICHAEL: Please, please, no!
WILBUR: Robinson Industries,
IRIDESSA: That's a good point.
MARVIN: Come to me, my prey.
SILVERMIST: Brace yourselves!
DR. GRIFFITHS: Yes, of course.
LIZZY: Aren't her wings beautiful?
PETUNIA: Where's my sloppy joe?
MILDRED: Hi, folks. Everything all...
BOBBLE: Can you reach it, Clanky?
BUGS: Hold on. He's got something.
PORKY: I thought we search in style.
DAFFY: Hey, Bugs! Stop! Slow down!
JUANITA: Mike? Honey, are you okay?
BOWLER HAT GUY: What's going on?
FOGHORN: Keep looking. Dig deeper!
OWL: Yes, yes, that's good, that's great
WENDY: (AS MICHAEL) Thanks, Bugs.
TWEETY: That's the kidnapper, all right.
SYLVESTER: What makes you so sure?
CHRISTOPHER: Okay. Open your eyes.

_________________________________
Disney Chris Williams

BOLT: Penny.

GO GO: Woman up!
YAMA: There they are!
HONEY LEMON: Whoo!
KREI: That's just not true.
BLAKE: He's so on board!
CASS: That's my nephew!
REFEREE: Fighters ready?
TADASHI: Oh, hey, Professor.
DIRECTOR: Guards, stop her!
FRED: (GASPS) He's glorious.
RHINO: Superbark. Superbark!
CALLAGHAN: You must be Hiro.
BAYMAX: I have some concerns.
VINNIE: Right, that's what'll happen.
PENNY: Bolt! It's okay, Bolt. I'm fine.
WASABI: Whoa, whoa, whoa, whoa.
MITTENS: So, if you got superpowers,
HIRO: I know what you're going to say.

_________________________________
Disney Byron Howard

KATIE: Ah.

FURY: Nyx.

OWL: Who?

BOLT: Penny.

MR. BIG: Meh.

CLANK: For Tink!

MANCHAS: You...
FLASH: ...Priscilla!

RICHMAN: Deadly.

CHASE: Over here!

BOBBLE: Still okay.

DR. TEETH: Kermit?
ANIMAL: Paris! Paris!
TALL TROLL: Really?
BUCK: Thanks, Gruff!
JESSE: Hey! Open up!
BONNIE: Glorious day!
GARY: Come on, buddy.
TINKER BELL: Hammer.
ORYX: Will you shut up?
JACK: Stop cleaning me!
FOZZIE: That's not good.
JOJO: (ECHOING) Yopp!
FLOYD: Animal, heel! Sit!
BLAKE: He's so on board!
GOTHEL: I love you most.
'80S ROBOT: Mr. Kermit...
FINNICK: She hustled you.
MORTON: Please, for me...
LIONHEART: Swell-wether!
GONZO: Hey, guys, up here!
SALLY: Hi! You're home late.
NICK: Mission accomplished.
MARY: Gary, I've gone home.
ROWLF: Ah, not now, Fozzie.
CLAWHAUSER: Here you go.
STU: Oh, she's not a real cop.
SCRIBBLE: Hmm. Interesting.
DIRECTOR: Guards, stop her!
BOGO: Abandoning your post.
JUDY: (WHISPERS) Come on.
RHINO: Superbark. Superbark!
LEW ZEALAND: Mr. the Frog...
FAWN: (SHOUTING) Incoming!
MAYOR: Everybody, don't stop!
TINKER BELL: Fawn, you can't!
GAZELLE: Wow! I'm impressed.
MRS. OTTERTON: (SIGHS) Oh!
TERENCE: Knock-knickity-knock!
YAX: Yeah, some mammals say...
IRIDESSA: (WHIMPERS) Oh, no.
HORTON: Mayor? Are you there?
MISS PIGGY: Decisions, decisions.
ROSETTA: What's with the berries?
BELLWETHER: Come on out, Judy.
VINNIE: Right, that's what'll happen.
PENNY: Bolt! It's okay, Bolt. I'm fine.
WALTER: Yeah. Uh, race you home!
VLAD: Right in the beak! (GRUNTS)
QUEEN CLARION: Thank you, Viola.
LYRIA: "The changing of the seasons
RAPUNZEL: What did you do to him?
NYX: Get away from the hawk, Fawn.
FLYNN: This is the story of how I died.
MITTENS: So, if you got superpowers,
NARRATOR: And why didn't he speak?
KERMIT: Well, I guess this is the place.
KANGAROO: That Horton is a menace.
SCOOTER: Welcome back, Miss Piggy.

_________________________________
Disney Don Hall

GO GO: Woman up!
PIGLET: Excuse me.

TINKER BELL: Wow!
YAMA: There they are!
HONEY LEMON: Whoo!
KREI: That's just not true.
CASS: That's my nephew!
ALICE: They don't call this
FAWN: Road? What road?
NARRATOR: Chapter one,
POOH: Well, I was moving.
REFEREE: Fighters ready?
TADASHI: Oh, hey, Professor.
CLANK: Gear it down, Bobble!
ROSETTA: Our wings are wet.
MICHAEL: Please, please, no!
FRED: (GASPS) He's glorious.
IRIDESSA: That's a good point.
MARVIN: Come to me, my prey.
SILVERMIST: Brace yourselves!
DR. GRIFFITHS: Yes, of course.
CALLAGHAN: You must be Hiro.
BAYMAX: I have some concerns.
LIZZY: Aren't her wings beautiful?
BOBBLE: Can you reach it, Clanky?
WASABI: Whoa, whoa, whoa, whoa.
BUGS: Hold on. He's got something.
PORKY: I thought we search in style.
DAFFY: Hey, Bugs! Stop! Slow down!
HIRO: I know what you're going to say.
FOGHORN: Keep looking. Dig deeper!
JUANITA: Mike? Honey, are you okay?
OWL: Yes, yes, that's good, that's great
WENDY: (AS MICHAEL) Thanks, Bugs.
TWEETY: That's the kidnapper, all right.
SYLVESTER: What makes you so sure?
CHRISTOPHER: Okay. Open your eyes.

_________________________________
Disney Rich Moore

KATIE: Ah.

FURY: Nyx.

MR. BIG: Meh.

NELSON: Ha-ha.

MANCHAS: You...

KOHUT: Incoming!
FLASH: ...Priscilla!

CHASE: Over here!

NORWOOD: Guilty!
BUCK: Thanks, Gruff!
MR. LITWAK: Oh, boy.
JESSE: Hey! Open up!
BONNIE: Glorious day!
KRUSTY: Drama queen!
ORYX: Will you shut up?
JOJO: (ECHOING) Yopp!
CALHOUN: All right, Fix-It.
FINNICK: She hustled you.
SCRATCHY: Itchy... Itchy...
CLYDE: Nice share, Ralph.
MORTON: Please, for me...
LIONHEART: Swell-wether!
SALLY: Hi! You're home late.
NICK: Mission accomplished.
CLAWHAUSER: Here you go.
STU: Oh, she's not a real cop.
SCRIBBLE: Hmm. Interesting.
GRAMPA: I'm part of the mob!
BOGO: Abandoning your post.
MARGE: (GASPS) Springfield.
BARNEY: Okay. Hail, emperor.
JUDY: (WHISPERS) Come on.
FAWN: (SHOUTING) Incoming!
MAYOR: Everybody, don't stop!
SONIC: If you leave your game,
TINKER BELL: Fawn, you can't!
WIGGUM: See you in court, kid.
GAZELLE: Wow! I'm impressed.
CARGILL: Attention, Springfield.
MRS. OTTERTON: (SIGHS) Oh!
WYNNCHEL: Come on! Go! Roll!
YAX: Yeah, some mammals say...
IRIDESSA: (WHIMPERS) Oh, no.
HORTON: Mayor? Are you there?
INUIT SHAMAN: Homer Simpson,
LISA: Dad, we can't see the movie!
FLANDERS: Rough day, huh, son?
BART: Jabbity, jabbity, jab, jab, jab!
ROSETTA: What's with the berries?
BELLWETHER: Come on out, Judy.
ANNOUNCER: Taffyta Muttonfudge!
VLAD: Right in the beak! (GRUNTS)
KING CANDY: Now, now! (LAUGHS)
FELIX: The vines. They're Laffy Taffy.
HOMER: Relax. Those pious morons
NYX: Get away from the hawk, Fawn.
SOUR BILL: Citizens of Sugar Rush...
VANELLOPE: Okay, good. Little more.
MOE: This is why we should hate kids.
NARRATOR: And why didn't he speak?
NARRATOR: On a planet with no name
KANGAROO: That Horton is a menace.
RALPH: No, no, no! Wait a second! Aah!

_________________________________
All Walt Disney Animated Classics (1937–1998)

TRITON: Yes.

ZEUS: Ha ha!

BEAST: What?

MARY: Wendy!

DOCTOR: Fire!

FALINE: Bambi.

KAA: ...mistake.

DINKY: Charge!

SLADE: Copper!

JAFAR: Shut up!

DAWSON: Basil?

PHIL: Two words.
DOLI: What now?
HATTER: Oh, my!

DODO: Look lively.
HARE: Mad watch.

DACHSIE: Und Fifi.

GEORGES: Edgar?

SIMBA: Come here!

BAGHEERA: Baloo.

MUSE: It was tragic.

HOLMES: Come on.
LORINA: Alice! Alice!

CHEF LOUIS: Ah-ha!

CYCLOPS: Hercules!

LUCKY: Mother, Dad,

CATERPILLAR: Stop!

FRANCIS: Goodness!

KING: And remember,

GRUMPY: You don't...

FAIRY: No, Pinocchio.

NALA: Simba, wait up!

STORK: Oh, of course.

JAQ: Isn't it wonderful?

EEYORE: There's one.

MRS. HARE: Thumper.

LABRADOR: Run for it!

YOUNG TOD: Copper?

NAKOMA: Pocahontas!

FRIAR TUCK: Surprise!

MUFASA: Look, Simba.

NALA: It's really creepy.

SOLDIER 1: Make way!

SHERIFF: Howdy, Friar.

SEAHORSE: Sebastian!

DODGER: You help Tito.

THUMPER: Hiya, Bambi.

FAGIN: Oh, it's hopeless.

NARRATOR: You go, girl.

THUMPER: Hello, Bambi.

TONY: Now here you are.
MEG: (PANTING) Please.

VICTOR: Ready, aim, fire!

RABBIT: The March Hare.

POWHATAN: Pocahontas.

MERRYWEATHER: Flora?

BASHFUL: Ain't he sweet?

PHOEBUS: No, you're not.

OLD MAN: Tell me about it.

ARCHIMEDES: Wart! Wart!

CRUELLA: Jasper! Horace!

VIXEY: Oh. Sure. Why not?

SHENZI: Ooh, it tingles me.

RITA: Oh, that poor little kid.

TIGGER: Come on, bounce.

JOHN: Blast you, Peter Pan!

LITTLE JOHN: Rob? Robin?

MULAN: "Quiet and demure.

RATIGAN: Goodbye so soon

QUASIMODO: Most of them.
ORGOCH: Thieves! Thieves!

PHILLIP: You know, Samson,

ALADDIN: Look, I... I'm sorry.

GREAT ANCESTOR: Mushu!

CODY: That's it, you've got it!

ZAZU: Oh, Scar, this is awful!

AMPHITRYON: Who's there?

ROSCOE: Come on, DeSoto.

SHAN-YU: What do you see?

TRAMP: What's wrong, Pige?

SNOW WHITE: Uh-uh, uh-uh!

ABU: Yoo-hoo! Aladdin! Hello!

SMEE: Oh, captain, you did it.

TIMOTHY: I think they're cute.

JENNY: Wait till you taste this.

STROMBOLI: Get along there.
SLIGHTLY: Yea for Bear Killer!

LUMIERE: Life is so unnerving
JOHN: This place is incredible.
BEN: Smith was right all along.

NAPOLEON: Get him, get him.

SYKES: I don't think you grasp

FLOUNDER: Ariel, wait for me.

NANNY: The puppies are here!
WILBUR: Girls? Girls, I'm here!

FRANK: Hey, what do you got?

JOE: Okay, Tony, you the boss.

AMELIA: Oh. Oh, how unusual.

BELLE: New and a bit alarming

ROGER: Maybe Scotland Yard.

DRIZELLA: Huh. As if you care.
QUEEN: Don't let her get away!
SARABI: And it's time for yours.

ALLAN-A-DALE: Man, oh, man.

KAY: Why, you clumsy little fool!

DUKE: What? Tea? (YAWNING)

GIRL: (SINGING) My own home

MARIE: Me first, me first. Whoo.
MEDUSA: There is another one!
CREPPER: This will please him.

ATTINA: What is with her lately?

DALLBEN: Ah, the Horned King.

GOPHER: Quick! Turn the page!

HUGO: And since you're shaped

FIDGET: Let me out! Let me out!

COGSWORTH: Now it's too late.

GREAT PRINCE: Get up, Bambi.

HERCULES: Yeah. Yeah. I know.

SCUTTLE: Nothing is happening.
POOH: Oh, not for honey, I hope.

CINDERELLA: Oh, there you are.

YOUNG COPPER: Yeah, forever.

DOORKNOB: This won't do at all.
PRINCE: That has possessed me

MALEFICENT: Touch the spindle.

ANASTASIA: Well, it's about time.

ROBIN: We're waiting. (LAUGHS)

WILLOW: Is that my Pocahontas?

PRINCE JOHN: Seize the fat one!

PIGLET: Oh, dear. Oh, dear, dear.

HATHI: Oh, absolutely impossible.

SEBASTIAN: Ariel, grab onto that.

LING: Some king of the rock. Aah!

ERIC: Whoa! Hang on, I've got ya.

EDGAR: Now, my little pesky pets,

BASIL: This case is most intriguing
BIG MAMA: Mm-hmm. Oh, uh-huh.

ECTOR: Tiger, Talbert, off with you.

FROLLO: The prisoner, Esmeralda,

LAVERNE: Don't you ever migrate?

WIDOW TWEED: We met, it seems

GRIMSBY: Oh, yes, of course, Eric,

HONEST JOHN: (SIGHS) Splendid!
ARTHUR: Kay, Kay, here's a sword.

MICHAEL: And I'll cut you to pieces.
TARAN: They're only frogs, Eilonwy.
LADY: (THINKING) What is a baby?

HORACE: But they ain't big enough.

MERLIN: You merely look like a fish.

TOULOUSE: I told you it was Edgar.

TITO: Go, go, go, go, go, go, go, go!

BERNARD: Jake's been gone... Ow!

DOC: Now don't you worry about us.

FLORA: Bolt the door, Merryweather.

RABBIT: Here we come. Don't worry.

BIANCA: Let go, you big bullies, you!

PINOCCHIO: Father? Father, it's me.

KOCOUM: Pocahontas! Pocahontas!

AURORA: Why, it's my dream prince.

PERDY: Shh, children. Children, shh.

MARIAN: Are you ready, Lady Kluck?

NARRATOR: And so it seemed to be.
DUCHESS: Now, be careful, children.
ORDDU: Someone stole all our frogs.

HADES: A stirring performance, boys.

JASMINE: Just go jump off a balcony!

FRIEND OWL: Come on. (SHOOING)

STEPMOTHER: You clumsy little fool.

JASPER: Aw, please, miss. Have pity.

FLAVERSHAM: Of truly noble stature.

PETER: I came to listen to the stories.

POCAHONTAS: Quiyoughcohannock.

MUSHU: Uh, uh... Yes, I just woke up.

SARAH: What's going on down there?

HUBERT: Tonight, we toast the future,

FAUNA: (CRYING) We're all to blame.

HAPPY: Never say die. Never say die.

LAMPWICK: Heh, some fun, huh, kid?
O'MALLEY: Hey, cool it, you little tiger.

GASTON: Who does she think she is?

TRUSTY: That's right. Where we know

STEFAN: Now, be reasonable, Hubert.

URSULA: Come in. Come in, my child.

JOCK: Aye. And they walk on all fours.

EINSTEIN: Yeah. And you're okay, too.

THOMAS: Help! Somebody help! Help!

RINGMASTER: Ladies and gentlemen,

SNOOPS: Welsher! Swindler! Chiseler!
ALICE: (GASPS) Oh, I'm... Excuse me.

JIMINY: I gotta get in! My pal's in there.
EILONWY: Come on, Fflewddur. Hurry!
BERLIOZ: Yeah, old pickle-puss Edgar.

NARRATOR: And so, for 16 long years,

WINSTON: Why me? Today of all days.

MAURICE: We should be there by now.

JIM: (CHUCKLES) Well, it has a ribbon.
MADAME: Edgar? Edgar, come quickly.
CLOPIN: Ugly folks forget your shyness

WENDY: Bu... But where are we going?

BERNARD: No, no! Back! Back, Penny!

McLEACH: Get out of here! Go on! Get!

SULTAN: Find him! Search everywhere!
BALOO: (LAUGHS) You're gettin' it, kid.
DARLING: And Aunt Sarah will be here.

ESMERALDA: You've done this before?

CHRISTOPHER: You can let go, Tigger.

DOGCATCHER: Easy. Go on, get away.

FFLEWDDUR: Great beelin', he is alive.

ANDRINA: Ariel, dear, time to come out.

PONGO: For a while, it seemed to work.

ANITA: We're doing everything possible.

ARIEL: Flounder, don't be such a guppy.
GEPPETTO: It's no use. We're done for!

HOOK: Don't stand there, you bilge rats!

YAO: Does this dress make me look fat?

SLADE:

Ouch! You're killin' me! Ouch!

GEPPETTO:

Huh? Oh, yeah, yeah. Here.

WINSTON:

Probably just a little stunned.

NARRATOR:

Everyone followed Eeyore.

ANASTASIA:

Oh, it's the right foot, but...

ALADDIN:

Phenomenal cosmic powers...

FAUNA:

Oh, why did we leave her alone?

CINDERELLA:

Good morning, Anastasia.

DODGER:

Looks like Louie's got a visitor.

O'MALLEY:

It sure was, and what a finale.
DUCHESS:
And they are very fond of you.

GREAT ANCESTOR:

Great Stone Dragon,

NARRATOR:

All this has happened before.

MISS BIANCA:

Darling, you'll be just fine!

MRS. HARE:

Good morning, young prince.

SNOW WHITE:

And you're, you're Bashful.

QUASIMODO:

Is this the court of miracles?

WILLOW:

It's enough to make your sap boil.

ARTHUR:

Change to something else, Merlin.
LAFAYETTE:
This time I get the tender part.

BAGHEERA:

But it's an emergency, Colonel.

YOUNG COPPER:

And you're mine too, Tod.

POCAHONTAS:

What are you doing? Meeko!

MRS. POSSUM:

Good morning, young prince.

STEPMOTHER:

Well, come in, child, come in.

TWEEDLEDEE:

Mr. Walrus, said the carpenter
DOGCATCHER:
Just picking up a stray, mister.
HORNED KING:
Ah, yes. The Black Cauldron.

HERCULES:

Don't get too comfortable, Hades!

FAIRY GODMOTHER:

But tonight, for a change,

NARRATOR:

Fondly had these monarchs dreamed

GRANDMOTHER:

Would you like to stay forever?

ARCHIMEDES:

You're gonna have a time pulling it out.

HAPPY: Who will?
DOC: Yes, who?

LADY: (GASPING) No!
JOCK: Aye.

DOC: Snow White?
ALL: The Princess?

DARLING: Aw, Jim.
JIM: Hmm? What?

CODY: We did it!
FRANK: You've got it!

LAFAYETTE: Oooh.
NAPOLEON: Aaah!

HOOK: Elevation 65.
SMEE: Elevation 65.

SNOOPS: Swindler!
MEDUSA: Cheap crook!

CLERK: Careful, doggy.
SARAH: Come back!

LADY: The sign says...
TRAMP: Yeah, that's...

MERRYWEATHER: Rose.
FAUNA: Oh, Rose.

WENDY AND JOHN: Dust?
MICHAEL: Dust?

FRANCIS: You were very good.
OLIVER: What?

FEATHERDUSTER: Oh, no.
LUMIERE: Oh, yes.

GARGOYLES: Oh.
VICTOR: Yeah. Oh, dear, yes.

MERRYWEATHER: Goodbye.
FLORA: Goodbye.

MICE: Heave! Ho!
WILBUR: What are you doing?

FIDGET: Move along, honey!
QUEEN: You fiends!

MICKEY: That's the harp!
DONALD: Boy, oh, boy!

MAURICE: Thank you.
COGSWORTH: No, no, no!

SOLDIER 1: Make way!
SOLDIER 2: Make way, now!

SNOOPS: Double-crosser!
MEDUSA: Cheap pickpocket!

DOC: The door is open.
HAPPY: The chimney's smoking.

DARLING: What is it, Jim?
SARAH: (GASPS) Aah! A rat!

AMELIA: Shifty, too.
ABIGAIL: Look at his crooked smile.

BOY 1: Help! I can't breathe!
BOY 2: (COUGHING) Hurry!

FIDGET: I got you, toy maker!
FLAVERSHAM: Oh, no! Olivia!

RITA: What're we gonna do, Dodge?
DODGER: Yo, Tito, hot-wire.

DARLING: What do you suppose...
JIM: Say, what's going on here?

HATTER: A very merry unbirthday
HARE: A very merry unbirthday

CRUELLA: Have you called the police?
ANITA: Yes, Scotland Yard.

HAPPY: We'll be all right, ma'am.
DOC: Go right on up now, my dear.

COGSWORTH: Encroachers.
MRS. POTTS: And they have the mirror.

ABIGAIL: Swimming some of the way.
AMELIA: On water, of course.

_________________________________
Walt Disney Classics (1986–1994)

TRITON: Yes.

BEAST: What?

MARY: Wendy!

DOCTOR: Fire!

FALINE: Bambi.

KAA: ...mistake.

DINKY: Charge!

SLADE: Copper!

JAFAR: Shut up!

DAWSON: Basil?
HATTER: Oh, my!

DODO: Look lively.
HARE: Mad watch.

DACHSIE: Und Fifi.

BAGHEERA: Baloo.

HOLMES: Come on.
LORINA: Alice! Alice!

CHEF LOUIS: Ah-ha!

LUCKY: Mother, Dad,

CATERPILLAR: Stop!

KING: And remember,

FAIRY: No, Pinocchio.

STORK: Oh, of course.

JAQ: Isn't it wonderful?

MRS. HARE: Thumper.

LABRADOR: Run for it!

YOUNG TOD: Copper?

FRIAR TUCK: Surprise!

SHERIFF: Howdy, Friar.

SEAHORSE: Sebastian!

THUMPER: Hiya, Bambi.

THUMPER: Hello, Bambi.

TONY: Now here you are.

RABBIT: The March Hare.

MERRYWEATHER: Flora?
ARCHIMEDES: Wart! Wart!

CRUELLA: Jasper! Horace!

VIXEY: Oh. Sure. Why not?

JOHN: Blast you, Peter Pan!

LITTLE JOHN: Rob? Robin?

RATIGAN: Goodbye so soon

PHILLIP: You know, Samson,

ALADDIN: Look, I... I'm sorry.

CODY: That's it, you've got it!

TRAMP: What's wrong, Pige?

ABU: Yoo-hoo! Aladdin! Hello!

SMEE: Oh, captain, you did it.

TIMOTHY: I think they're cute.

STROMBOLI: Get along there.
SLIGHTLY: Yea for Bear Killer!

LUMIERE: Life is so unnerving

FLOUNDER: Ariel, wait for me.

NANNY: The puppies are here!

FRANK: Hey, what do you got?

WILBUR: Girls? Girls, I'm here!

JOE: Okay, Tony, you the boss.

BELLE: New and a bit alarming

ROGER: Maybe Scotland Yard.

DRIZELLA: Huh. As if you care.
QUEEN: Don't let her get away!

ALLAN-A-DALE: Man, oh, man.

KAY: Why, you clumsy little fool!

DUKE: What? Tea? (YAWNING)

GIRL: (SINGING) My own home

ATTINA: What is with her lately?

MEDUSA: There is another one!

FIDGET: Let me out! Let me out!

COGSWORTH: Now it's too late.

GREAT PRINCE: Get up, Bambi.

SCUTTLE: Nothing is happening.

CINDERELLA: Oh, there you are.

YOUNG COPPER: Yeah, forever.

DOORKNOB: This won't do at all.

MALEFICENT: Touch the spindle.

ANASTASIA: Well, it's about time.

ROBIN: We're waiting. (LAUGHS)

PRINCE JOHN: Seize the fat one!

HATHI: Oh, absolutely impossible.

SEBASTIAN: Ariel, grab onto that.

ERIC: Whoa! Hang on, I've got ya.

BASIL: This case is most intriguing
BIG MAMA: Mm-hmm. Oh, uh-huh.

ECTOR: Tiger, Talbert, off with you.

WIDOW TWEED: We met, it seems

GRIMSBY: Oh, yes, of course, Eric,

ARTHUR: Kay, Kay, here's a sword.

HONEST JOHN: (SIGHS) Splendid!

MICHAEL: And I'll cut you to pieces.
LADY: (THINKING) What is a baby?

HORACE: But they ain't big enough.

MERLIN: You merely look like a fish.

BERNARD: Jake's been gone... Ow!

FLORA: Bolt the door, Merryweather.

BIANCA: Let go, you big bullies, you!

PINOCCHIO: Father? Father, it's me.

AURORA: Why, it's my dream prince.

PERDY: Shh, children. Children, shh.

MARIAN: Are you ready, Lady Kluck?

JASMINE: Just go jump off a balcony!

FRIEND OWL: Come on. (SHOOING)

STEPMOTHER: You clumsy little fool.

JASPER: Aw, please, miss. Have pity.

FLAVERSHAM: Of truly noble stature.

PETER: I came to listen to the stories.

SARAH: What's going on down there?

HUBERT: Tonight, we toast the future,

FAUNA: (CRYING) We're all to blame.

LAMPWICK: Heh, some fun, huh, kid?

GASTON: Who does she think she is?

TRUSTY: That's right. Where we know

STEFAN: Now, be reasonable, Hubert.

URSULA: Come in. Come in, my child.

JOCK: Aye. And they walk on all fours.

RINGMASTER: Ladies and gentlemen,

SNOOPS: Welsher! Swindler! Chiseler!
ALICE: (GASPS) Oh, I'm... Excuse me.

JIMINY: I gotta get in! My pal's in there.

NARRATOR: And so, for 16 long years,

MAURICE: We should be there by now.

JIM: (CHUCKLES) Well, it has a ribbon.

WENDY: Bu... But where are we going?

BERNARD: No, no! Back! Back, Penny!

McLEACH: Get out of here! Go on! Get!

SULTAN: Find him! Search everywhere!
BALOO: (LAUGHS) You're gettin' it, kid.
DARLING: And Aunt Sarah will be here.

DOGCATCHER: Easy. Go on, get away.

ANDRINA: Ariel, dear, time to come out.

PONGO: For a while, it seemed to work.

ANITA: We're doing everything possible.

ARIEL: Flounder, don't be such a guppy.
GEPPETTO: It's no use. We're done for!

HOOK: Don't stand there, you bilge rats!

SLADE:

Ouch! You're killin' me! Ouch!

GEPPETTO:

Huh? Oh, yeah, yeah. Here.

ANASTASIA:

Oh, it's the right foot, but...

ALADDIN:

Phenomenal cosmic powers...

FAUNA:

Oh, why did we leave her alone?

CINDERELLA:

Good morning, Anastasia.

NARRATOR:

All this has happened before.

MISS BIANCA:

Darling, you'll be just fine!

MRS. HARE:

Good morning, young prince.

WENDY:

Well, what were you doing there?

ARTHUR:

Change to something else, Merlin.

BAGHEERA:

But it's an emergency, Colonel.

YOUNG COPPER:

And you're mine too, Tod.

MRS. POSSUM:

Good morning, young prince.

STEPMOTHER:

Well, come in, child, come in.

TWEEDLEDEE:

Mr. Walrus, said the carpenter
DOGCATCHER:
Just picking up a stray, mister.

FAIRY GODMOTHER:

But tonight, for a change,

NARRATOR:

Fondly had these monarchs dreamed

ARCHIMEDES:

You're gonna have a time pulling it out.

LADY: (GASPING) No!

JOCK: Aye.

DARLING: Aw, Jim.

JIM: Hmm? What?

CODY: We did it!

FRANK: You've got it!

HOOK: Elevation 65.

SMEE: Elevation 65.

SNOOPS: Swindler!

MEDUSA: Cheap crook!

CLERK: Careful, doggy.

SARAH: Come back!

LADY: The sign says...

TRAMP: Yeah, that's...

MERRYWEATHER: Rose.

FAUNA: Oh, Rose.

WENDY AND JOHN: Dust?

MICHAEL: Dust?

FEATHERDUSTER: Oh, no.

LUMIERE: Oh, yes.

MERRYWEATHER: Goodbye.

FLORA: Goodbye.

MICE: Heave! Ho!

WILBUR: What are you doing?

FIDGET: Move along, honey!

QUEEN: You fiends!

MAURICE: Thank you.

COGSWORTH: No, no, no!

DRIZELLA: Cinderella!

CINDERELLA: I'm coming.

SNOOPS: Double-crosser!

MEDUSA: Cheap pickpocket!

DARLING: What is it, Jim?

SARAH: (GASPS) Aah! A rat!

STEPMOTHER: Pay no attention.

DRIZELLA: It's Cinderella.

FIDGET: I got you, toy maker!

FLAVERSHAM: Oh, no! Olivia!

DARLING: What do you suppose...

JIM: Say, what's going on here?

HATTER: A very merry unbirthday

HARE: A very merry unbirthday

CRUELLA: Have you called the police?

ANITA: Yes, Scotland Yard.

COGSWORTH: Encroachers.

MRS. POTTS: And they have the mirror.

_________________________________
Walt Disney Masterpiece Collection (1994–1999)

TRITON: Yes.

ZEUS: Ha ha!

MARY: Wendy!

FALINE: Bambi.

KAA: ...mistake.

PHIL: Two words.
DOLI: What now?
HATTER: Oh, my!

DODO: Look lively.
HARE: Mad watch.

DACHSIE: Und Fifi.

GEORGES: Edgar?

SIMBA: Come here!

BAGHEERA: Baloo.

MUSE: It was tragic.
LORINA: Alice! Alice!

CHEF LOUIS: Ah-ha!

CYCLOPS: Hercules!

LUCKY: Mother, Dad,

CATERPILLAR: Stop!

FRANCIS: Goodness!

KING: And remember,

GRUMPY: You don't...

NALA: Simba, wait up!

STORK: Oh, of course.

JAQ: Isn't it wonderful?

EEYORE: There's one.

MRS. HARE: Thumper.

LABRADOR: Run for it!

NAKOMA: Pocahontas!

FRIAR TUCK: Surprise!

MUFASA: Look, Simba.

NALA: It's really creepy.

SOLDIER 1: Make way!

SHERIFF: Howdy, Friar.

SEAHORSE: Sebastian!

DODGER: You help Tito.

THUMPER: Hiya, Bambi.

FAGIN: Oh, it's hopeless.

NARRATOR: You go, girl.

THUMPER: Hello, Bambi.

TONY: Now here you are.
MEG: (PANTING) Please.

VICTOR: Ready, aim, fire!

RABBIT: The March Hare.

POWHATAN: Pocahontas.

MERRYWEATHER: Flora?

BASHFUL: Ain't he sweet?

PHOEBUS: No, you're not.

OLD MAN: Tell me about it.

ARCHIMEDES: Wart! Wart!

CRUELLA: Jasper! Horace!

SHENZI: Ooh, it tingles me.

RITA: Oh, that poor little kid.

TIGGER: Come on, bounce.

JOHN: Blast you, Peter Pan!

LITTLE JOHN: Rob? Robin?

MULAN: "Quiet and demure.

QUASIMODO: Most of them.
ORGOCH: Thieves! Thieves!

PHILLIP: You know, Samson,

GREAT ANCESTOR: Mushu!
AMPHITRYON: Who's there?

ZAZU: Oh, Scar, this is awful!

ROSCOE: Come on, DeSoto.

SHAN-YU: What do you see?

TRAMP: What's wrong, Pige?

SNOW WHITE: Uh-uh, uh-uh!

SMEE: Oh, captain, you did it.

TIMOTHY: I think they're cute.

JENNY: Wait till you taste this.
SLIGHTLY: Yea for Bear Killer!
JOHN: This place is incredible.
BEN: Smith was right all along.

NAPOLEON: Get him, get him.

SYKES: I don't think you grasp

FLOUNDER: Ariel, wait for me.

NANNY: The puppies are here!

JOE: Okay, Tony, you the boss.

AMELIA: Oh. Oh, how unusual.

ROGER: Maybe Scotland Yard.

DRIZELLA: Huh. As if you care.
QUEEN: Don't let her get away!

ALLAN-A-DALE: Man, oh, man.

SARABI: And it's time for yours.

KAY: Why, you clumsy little fool!

DUKE: What? Tea? (YAWNING)

GIRL: (SINGING) My own home

MARIE: Me first, me first. Whoo.
MEDUSA: There is another one!
CREPPER: This will please him.

ATTINA: What is with her lately?

DALLBEN: Ah, the Horned King.

GOPHER: Quick! Turn the page!

HUGO: And since you're shaped

GREAT PRINCE: Get up, Bambi.

HERCULES: Yeah. Yeah. I know.

SCUTTLE: Nothing is happening.
POOH: Oh, not for honey, I hope.

CINDERELLA: Oh, there you are.

DOORKNOB: This won't do at all.
PRINCE: That has possessed me

MALEFICENT: Touch the spindle.

ANASTASIA: Well, it's about time.

ROBIN: We're waiting. (LAUGHS)

WILLOW: Is that my Pocahontas?

PRINCE JOHN: Seize the fat one!
HATHI: Oh, absolutely impossible.

PIGLET: Oh, dear. Oh, dear, dear.

SEBASTIAN: Ariel, grab onto that.

LING: Some king of the rock. Aah!

ERIC: Whoa! Hang on, I've got ya.

EDGAR: Now, my little pesky pets,

ECTOR: Tiger, Talbert, off with you.

FROLLO: The prisoner, Esmeralda,

LAVERNE: Don't you ever migrate?

GRIMSBY: Oh, yes, of course, Eric,

ARTHUR: Kay, Kay, here's a sword.

MICHAEL: And I'll cut you to pieces.
TARAN: They're only frogs, Eilonwy.
LADY: (THINKING) What is a baby?

HORACE: But they ain't big enough.

MERLIN: You merely look like a fish.

TOULOUSE: I told you it was Edgar.

TITO: Go, go, go, go, go, go, go, go!

DOC: Now don't you worry about us.

FLORA: Bolt the door, Merryweather.

RABBIT: Here we come. Don't worry.

BIANCA: Let go, you big bullies, you!

KOCOUM: Pocahontas! Pocahontas!

AURORA: Why, it's my dream prince.

PERDY: Shh, children. Children, shh.

MARIAN: Are you ready, Lady Kluck?

NARRATOR: And so it seemed to be.
DUCHESS: Now, be careful, children.
ORDDU: Someone stole all our frogs.

HADES: A stirring performance, boys.

FRIEND OWL: Come on. (SHOOING)

STEPMOTHER: You clumsy little fool.

JASPER: Aw, please, miss. Have pity.

PETER: I came to listen to the stories.

POCAHONTAS: Quiyoughcohannock.

MUSHU: Uh, uh... Yes, I just woke up.

SARAH: What's going on down there?

HUBERT: Tonight, we toast the future,

FAUNA: (CRYING) We're all to blame.

HAPPY: Never say die. Never say die.
O'MALLEY: Hey, cool it, you little tiger.

TRUSTY: That's right. Where we know

STEFAN: Now, be reasonable, Hubert.

URSULA: Come in. Come in, my child.

JOCK: Aye. And they walk on all fours.

EINSTEIN: Yeah. And you're okay, too.

THOMAS: Help! Somebody help! Help!

RINGMASTER: Ladies and gentlemen,

SNOOPS: Welsher! Swindler! Chiseler!
ALICE: (GASPS) Oh, I'm... Excuse me.
EILONWY: Come on, Fflewddur. Hurry!
BERLIOZ: Yeah, old pickle-puss Edgar.

NARRATOR: And so, for 16 long years,

WINSTON: Why me? Today of all days.

JIM: (CHUCKLES) Well, it has a ribbon.
MADAME: Edgar? Edgar, come quickly.
CLOPIN: Ugly folks forget your shyness

WENDY: Bu... But where are we going?

BERNARD: No, no! Back! Back, Penny!
BALOO: (LAUGHS) You're gettin' it, kid.
DARLING: And Aunt Sarah will be here.

ESMERALDA: You've done this before?

CHRISTOPHER: You can let go, Tigger.

DOGCATCHER: Easy. Go on, get away.

FFLEWDDUR: Great beelin', he is alive.

ANDRINA: Ariel, dear, time to come out.

PONGO: For a while, it seemed to work.

ANITA: We're doing everything possible.

ARIEL: Flounder, don't be such a guppy.

HOOK: Don't stand there, you bilge rats!

YAO: Does this dress make me look fat?

WINSTON:

Probably just a little stunned.

NARRATOR:

Everyone followed Eeyore.

ANASTASIA:

Oh, it's the right foot, but...

FAUNA:

Oh, why did we leave her alone?

CINDERELLA:

Good morning, Anastasia.

DODGER:

Looks like Louie's got a visitor.

O'MALLEY:

It sure was, and what a finale.
DUCHESS:
And they are very fond of you.

GREAT ANCESTOR:

Great Stone Dragon,

NARRATOR:

All this has happened before.

MRS. HARE:

Good morning, young prince.

WENDY:

Well, what were you doing there?

SNOW WHITE:

And you're, you're Bashful.

QUASIMODO:

Is this the court of miracles?

WILLOW:

It's enough to make your sap boil.

ARTHUR:

Change to something else, Merlin.
LAFAYETTE:
This time I get the tender part.

BAGHEERA:

But it's an emergency, Colonel.

POCAHONTAS:

What are you doing? Meeko!

MRS. POSSUM:

Good morning, young prince.

STEPMOTHER:

Well, come in, child, come in.

TWEEDLEDEE:

Mr. Walrus, said the carpenter
DOGCATCHER:
Just picking up a stray, mister.
HORNED KING:
Ah, yes. The Black Cauldron.

HERCULES:

Don't get too comfortable, Hades!

FAIRY GODMOTHER:

But tonight, for a change,

NARRATOR:

Fondly had these monarchs dreamed

GRANDMOTHER:

Would you like to stay forever?

ARCHIMEDES:

You're gonna have a time pulling it out.

HAPPY: Who will?

DOC: Yes, who?

LADY: (GASPING) No!

JOCK: Aye.

DOC: Snow White?

ALL: The Princess?

DARLING: Aw, Jim.

JIM: Hmm? What?

LAFAYETTE: Oooh.

NAPOLEON: Aaah!

HOOK: Elevation 65.

SMEE: Elevation 65.

SNOOPS: Swindler!

MEDUSA: Cheap crook!

CLERK: Careful, doggy.

SARAH: Come back!

LADY: The sign says...

TRAMP: Yeah, that's...

MERRYWEATHER: Rose.

FAUNA: Oh, Rose.

WENDY AND JOHN: Dust?

MICHAEL: Dust?

FRANCIS: You were very good.

OLIVER: What?

GARGOYLES: Oh.

VICTOR: Yeah. Oh, dear, yes.

MERRYWEATHER: Goodbye.

FLORA: Goodbye.

MICKEY: That's the harp!

DONALD: Boy, oh, boy!

DRIZELLA: Cinderella!

CINDERELLA: I'm coming.

SOLDIER 1: Make way!

SOLDIER 2: Make way, now!

SNOOPS: Double-crosser!

MEDUSA: Cheap pickpocket!

DOC: The door is open.

HAPPY: The chimney's smoking.

DARLING: What is it, Jim?

SARAH: (GASPS) Aah! A rat!

AMELIA: Shifty, too.

ABIGAIL: Look at his crooked smile.

BOY 1: Help! I can't breathe!

BOY 2: (COUGHING) Hurry!

STEPMOTHER: Pay no attention.

DRIZELLA: It's Cinderella.

RITA: What're we gonna do, Dodge?

DODGER: Yo, Tito, hot-wire.

DARLING: What do you suppose...

JIM: Say, what's going on here?

HATTER: A very merry unbirthday

HARE: A very merry unbirthday

CRUELLA: Have you called the police?

ANITA: Yes, Scotland Yard.

HAPPY: We'll be all right, ma'am.

DOC: Go right on up now, my dear.

ABIGAIL: Swimming some of the way.

AMELIA: On water, of course.

_________________________________
Disney Animated Classics on Platinum (2001–2009), Diamond (2009–2015), and Signature (2016–present) Editions

TRITON: Yes.

BEAST: What?

MARY: Wendy!

FALINE: Bambi.

KAA: ...mistake.

JAFAR: Shut up!

DACHSIE: Und Fifi.

SIMBA: Come here!

BAGHEERA: Baloo.

CHEF LOUIS: Ah-ha!

LUCKY: Mother, Dad,

KING: And remember,

GRUMPY: You don't...

FAIRY: No, Pinocchio.

NALA: Simba, wait up!

JAQ: Isn't it wonderful?

MRS. HARE: Thumper.

LABRADOR: Run for it!

MUFASA: Look, Simba.

NALA: It's really creepy.

SEAHORSE: Sebastian!

THUMPER: Hiya, Bambi.

THUMPER: Hello, Bambi.

TONY: Now here you are.

MERRYWEATHER: Flora?

BASHFUL: Ain't he sweet?

CRUELLA: Jasper! Horace!

SHENZI: Ooh, it tingles me.

JOHN: Blast you, Peter Pan!

PHILLIP: You know, Samson,

ALADDIN: Look, I... I'm sorry.

ZAZU: Oh, Scar, this is awful!

TRAMP: What's wrong, Pige?

SNOW WHITE: Uh-uh, uh-uh!

ABU: Yoo-hoo! Aladdin! Hello!

SMEE: Oh, captain, you did it.

STROMBOLI: Get along there.
SLIGHTLY: Yea for Bear Killer!

LUMIERE: Life is so unnerving

FLOUNDER: Ariel, wait for me.

NANNY: The puppies are here!

JOE: Okay, Tony, you the boss.

BELLE: New and a bit alarming

ROGER: Maybe Scotland Yard.

DRIZELLA: Huh. As if you care.

SARABI: And it's time for yours.

DUKE: What? Tea? (YAWNING)

GIRL: (SINGING) My own home

ATTINA: What is with her lately?

COGSWORTH: Now it's too late.

GREAT PRINCE: Get up, Bambi.

SCUTTLE: Nothing is happening.

CINDERELLA: Oh, there you are.

PRINCE: That has possessed me

MALEFICENT: Touch the spindle.

ANASTASIA: Well, it's about time.

HATHI: Oh, absolutely impossible.

SEBASTIAN: Ariel, grab onto that.

ERIC: Whoa! Hang on, I've got ya.

GRIMSBY: Oh, yes, of course, Eric,

HONEST JOHN: (SIGHS) Splendid!

MICHAEL: And I'll cut you to pieces.
LADY: (THINKING) What is a baby?

HORACE: But they ain't big enough.

DOC: Now don't you worry about us.

FLORA: Bolt the door, Merryweather.

PINOCCHIO: Father? Father, it's me.

AURORA: Why, it's my dream prince.

PERDY: Shh, children. Children, shh.

JASMINE: Just go jump off a balcony!

FRIEND OWL: Come on. (SHOOING)

STEPMOTHER: You clumsy little fool.

JASPER: Aw, please, miss. Have pity.

PETER: I came to listen to the stories.

SARAH: What's going on down there?

HUBERT: Tonight, we toast the future,

FAUNA: (CRYING) We're all to blame.

HAPPY: Never say die. Never say die.

LAMPWICK: Heh, some fun, huh, kid?

GASTON: Who does she think she is?

TRUSTY: That's right. Where we know

STEFAN: Now, be reasonable, Hubert.

URSULA: Come in. Come in, my child.

JOCK: Aye. And they walk on all fours.

JIMINY: I gotta get in! My pal's in there.

NARRATOR: And so, for 16 long years,

MAURICE: We should be there by now.

JIM: (CHUCKLES) Well, it has a ribbon.

WENDY: Bu... But where are we going?

DARLING: And Aunt Sarah will be here.

SULTAN: Find him! Search everywhere!
BALOO: (LAUGHS) You're gettin' it, kid.

DOGCATCHER: Easy. Go on, get away.

ANDRINA: Ariel, dear, time to come out.

PONGO: For a while, it seemed to work.

ANITA: We're doing everything possible.

ARIEL: Flounder, don't be such a guppy.
GEPPETTO: It's no use. We're done for!

HOOK: Don't stand there, you bilge rats!

GEPPETTO:

Huh? Oh, yeah, yeah. Here.

ANASTASIA:

Oh, it's the right foot, but...

ALADDIN:

Phenomenal cosmic powers...

FAUNA:

Oh, why did we leave her alone?

CINDERELLA:

Good morning, Anastasia.

NARRATOR:

All this has happened before.

MRS. HARE:

Good morning, young prince.

WENDY:

Well, what were you doing there?

SNOW WHITE:

And you're, you're Bashful.

BAGHEERA:

But it's an emergency, Colonel.

MRS. POSSUM:

Good morning, young prince.

STEPMOTHER:

Well, come in, child, come in.

FAIRY GODMOTHER:

But tonight, for a change,

NARRATOR:

Fondly had these monarchs dreamed
DOGCATCHER:
Just picking up a stray, mister.

HAPPY: Who will?

DOC: Yes, who?

LADY: (GASPING) No!

JOCK: Aye.

DOC: Snow White?

ALL: The Princess?

DARLING: Aw, Jim.

JIM: Hmm? What?

HOOK: Elevation 65.

SMEE: Elevation 65.

CLERK: Careful, doggy.

SARAH: Come back!

LADY: The sign says...

TRAMP: Yeah, that's...

MERRYWEATHER: Rose.

FAUNA: Oh, Rose.

WENDY AND JOHN: Dust?

MICHAEL: Dust?

FEATHERDUSTER: Oh, no.

LUMIERE: Oh, yes.

MERRYWEATHER: Goodbye.

FLORA: Goodbye.

MAURICE: Thank you.

COGSWORTH: No, no, no!

DRIZELLA: Cinderella!

CINDERELLA: I'm coming.

DOC: The door is open.

HAPPY: The chimney's smoking.

DARLING: What is it, Jim?

SARAH: (GASPS) Aah! A rat!

STEPMOTHER: Pay no attention.

DRIZELLA: It's Cinderella.

DARLING: What do you suppose...

JIM: Say, what's going on here?

CRUELLA: Have you called the police?

ANITA: Yes, Scotland Yard.

HAPPY: We'll be all right, ma'am.

DOC: Go right on up now, my dear.

COGSWORTH: Encroachers.

MRS. POTTS: And they have the mirror.

_________________________________