Story/Screenplay: David Jonas, Al Wilson, Vance Gerry (1929–2005), Roy Morita, Ted Berman (1919–2001), Peter Young, Richard Rich, Art Stevens (1915–2007) and Joe Hale
Based on: The Chronicles of Prydain (American novels, 1964–68) by Lloyd Alexander
Producer: Joe Hale
Voices: Wayne Allwine (1947–2009), John Byner (1938-), Grant Bardsley, Phil Fondacaro (1958-), Nigel Hawthorne (1929–2001), Billie Hayes (1924–2021), John Hurt (1940–2017), John Huston (1906–1987), Freddie Jones (1927–2019), Arthur Malet (1927–2013), Adele Malis-Morey (1927–2000), Eda Reiss Merin (1913–1998), Peter Renaday (1935-), Susan Sheridan (1947–2015)
Composer: Elmer Bernstein (1922–2004)
Critic Score: 57%.
Average Rating: 5.7/10
Consensus: Ambitious but flawed, The Black Cauldron is technically brilliant as usual, but lacks the compelling characters of other Disney animated classics.
DALLBEN: There's something wrong.
Story/Screenplay: Peter Young, Vance Gerry (1929–2005), Steve Hulett, Ron Clements (1953-), John Musker (1953-), Bruce M. Morris, Matthew O'Callaghan, Burny Mattinson (1935–2023), David Michener and Melvin Shaw (1914–2012)
Based on: Basil of Baker Street (American children's books, 1958–82) by Eve Titus
Producer: Burny Mattinson (1935–2023)
Voices: Wayne Allwine (1947–2009), Tony Anselmo (1960-), Val Bettin (1923–2021), Eve Brenner, Candy Candido (1913–1999), Diana Chesney (1916–2004), Walker Edmiston (1926–2007), Barrie Ingham (1932–2015), Laurie Main (1922–2012), Melissa Manchester (1951-), Susanne Pollatschek (1977-), Vincent Price (1911–1993), Basil Rathbone (1892–1967), Shani Wallis (1933-), Alan Young (1919–2016)
Composer: Henry Mancini (1924–1994)
Critic Score: 81%.
Average Rating: 6.9/10
Consensus: The Great Mouse Detective may not rank with Disney's classics, but it's an amiable, entertaining picture with some stylishly dark visuals.
On this most august occasion,
QUEEN: You fiends!
FLAVERSHAM: Oh, no! Olivia!
Written by: Ted Sears (1950–2008), Richard Creedon, Otto Englander, Dick Rickard, Earl Hurd (1930–1990), Merrill De Maris (1948–1998), Dorothy Ann Blank and Webb Smith
Based on: "Snow White" (German fairy tale, 1812) by Brothers Grimm
Producer: Walt Disney V (1951–2016)
Release: January 1988 (Limited); February 4, 1988 (Wide release)
Box office: $416.0 million
Critic Score: 98% Certified Fresh
Average Rating: 8.8/10
Consensus: With its involving story and characters, vibrant art, and memorable songs, Snow White and the Seven Dwarfs set the animation standard for decades to come.
GRUMPY: You don't...
BASHFUL: Ain't he sweet?
PRINCE: I have but one song
SNOW WHITE: Uh-uh, uh-uh!
PRINCE: (SINGING) On song
DOC: Courage, men, courage.
PRINCE: That has possessed me
DOC: Now don't you worry about us.
HAPPY: Never say die. Never say die.
SNOW WHITE:
You mean he can't talk?
SNOW WHITE:
And you, you're Sleepy.
SNOW WHITE:
And you're, you're Bashful.
HAPPY: Who will?
DOC: Yes, who?
DOC: Snow White?
ALL: The Princess?
DOC: The door is open.
HAPPY: The chimney's smoking.
HAPPY: We'll be all right, ma'am.
DOC: Go right on up now, my dear.
Story: Vance Gerry (1929–2005), Mike Gabriel (1954-), Roger Allers, Joe Ranft (1960–2005), Gary Trousdale (1960-), Jim Mitchell, Kevin Lima (1962-), Chris Bailey, Michael Cedeno, Kirk Wise (1963-), Peter Young, David Michener and Leon Joosen
Screenplay: Jim Cox, Timothy J. Disney and James Mangold
Inspired by: Oliver Twist (British novel, 1838) by Charles Dickens
Production Manager: Kathleen Gavin
Premiere: November 13, 1988
Voices: Taurean Blacque (1940–2022), Roscoe Lee Browne (1922–2007), Dom DeLuise (1933–2009), William Glover (1926-), Natalie Gregory (1975-), Billy Joel (1949-), Robert Loggia (1930–2015), Cheech Marin (1946-), Bette Midler (1945-), Richard Mulligan (1932–2000), Joey Lawrence (1976-), Sheryl Lee Ralph (1956-), Carl Weintraub (1946-)
Composer: J.A.C. Redford (1953-)
Critic Score: 51%.
Average Rating: 5.4/10
Consensus: Oliver & Company is a decidedly lesser effort in the Disney canon, with lackluster songs, stiff animation, and a thoroughly predictable plot.
DODGER: You help Tito.
RITA: Oh, that poor little kid.
MAN ON TV: Now for $200...
ROSCOE: Come on, DeSoto.
JENNY: Wait till you taste this.
GIRL: Hi, Jenny. Sit over here.
JENNY: Winston, listen to this.
SYKES: I don't think you grasp
Probably just a little stunned.
Looks like Louie's got a visitor.
OLIVER: What?
DODGER: Yo, Tito, hot-wire.
Story/Screenplay: Ron Clements (1953-), John Musker (1953-)
Based on: "The Little Mermaid" (Danish fairy tale, 1837) by Hans Christian Andersen
Producers: Howard Ashman (1950–1991), John Musker (1953-), Walt Disney V (1951–2016)
Premiere: November 14, 1989
Voices: Rene Auberjonois (1940–2019), Christopher Daniel Barnes (1972-), Jodi Benson (1961-), Pat Carroll (1927–2022), Paddi Edwards (1931–1999), Buddy Hackett (1924–2003), Jason Marin (1974-), Kenneth Mars (1935–2011), Edie McClurg (1945-), Will Ryan (1949–2021), Ben Wright (1915–1989), Samuel E. Wright (1946–2021)
Composer: Alan Menken (1949-)
Box office: $211.3 million
Critic Score: 92% Certified Fresh
Average Rating: 8.1/10
Consensus: The Little Mermaid ushered in a new golden era for Disney animation with warm and charming hand-drawn characters and catchy musical sequences.
TRITON: Yes.
FLUKE: Yeah.
ARIEL: Scuttle!
GRIMSBY: Eric!
GRIMSBY: Eric?
URSULA: Eric, no!
SEBASTIAN: Ariel?
SEBASTIAN: Oh, no!
CHEF LOUIS: Ah-ha!
FLOUNDER: I am not.
ARIEL: Isn't it fantastic?
SEAHORSE: Sebastian!
PUPPETEER: Oh, Judy!
MAN: Hurricane a-comin'!
ERIC: Are you okay, miss?
URSULA: Nice work, boys.
GRIMSBY: Well, now, Eric.
SCUTTLE: Wa, wa, wa, wa!
GRIMSBY: And she is lovely.
SCUTTLE: Any time, sweetie!
FLOUNDER: Ariel, wait for me.
GRIMSBY: Happy birthday, Eric.
SCUTTLE: Nothing is happening.
SEBASTIAN: Ariel, grab onto that.
ERIC: Whoa! Hang on, I've got ya.
GRIMSBY: Oh, yes, of course, Eric,
URSULA: Yes, hurry home, Princess.
URSULA: Come in. Come in, my child.
ANDRINA: Ariel, dear, time to come out.
ARIEL: Flounder, don't be such a guppy.
WOMAN 1: No!
WOMAN 2: Gertrude says...
Written by: Ted Sears (1950–2008), Otto Englander, Webb Smith, William Cottrell, Joseph Sabo, Erdman Penner and Aurelius Battaglia (1910–1984)
Based on: The Adventures of Pinocchio (Italian novel, 1883) by Carlo Collodi
Producer: Walt Disney V (1951–2016)
Voices: Mel Blanc (1958-), Don Brodie (1949-), Walter Catlett (1939–2010), Frankie Darro (1967-), Cliff Edwards (1945–2021), Dickie Jones (1977-), Charles Judels (1932–2019), Christian Rub (1936–2006), Evelyn Venable (1963-)
Release: February 9, 1990 (Wide release)
Critic Score: 100% Certified Fresh
Average Rating: 9.1/10
Consensus: Ambitious, adventurous, and sometimes frightening, Pinocchio arguably represents the pinnacle of Disney's collected works – it's beautifully crafted and emotionally resonant.
WOMAN: You have no strings
GEPPETTO: Boo! (CHUCKLING)
HONEST JOHN: Hi-diddle-dee-dee
BARKER: Right here, boys! Right here.
JIMINY: I gotta get in! My pal's in there.
Oh, everybody has to sleep.
Huh? Oh, yeah, yeah. Here.
HONEST JOHN:
You stop and buy out a candy store
HONEST JOHN:
You wear your hair in a pompadour
HONEST JOHN:
You ride around in a coach and four
HONEST JOHN:
A waxed moustache and a beaver coat
- "75 years ago, the incredible film Pinocchio taught us all that when you wish upon a star, dreams really can come true. And the man who dreamed it up was Walt Disney."
- "In 1937, Walt had created something no one had ever seen before: The first full-length animated feature, Snow White and the Seven Dwarfs. It dazzled audiences worldwide, but now they had a problem: What to do next? People in the movie business begged him to repeat the formula. 'Give us more dwarfs,' they said. But Walt Disney was too original for that. Instead, he found a serialized magazine story: The tale of a wooden puppet who wants to become a real boy."
- "The blue fairy gave life with one stroke of a wand...but giving life to an imaginary world was much more difficult."
- "Actual production of Pinocchio lasted more than two years and required over 750 artists and technicians. Many new techniques were developed in the making of Pinocchio, as animators faced an array of new challenges. For instance, how do you create the effect of being underwater? Their answer was to put a piece of corrugated glass across the animation cels, giving the effect of ripples underwater. In fact, the underwater sequences in Pinocchio established a new standard that paved the way for many Disney masterpieces to come, including The Little Mermaid."
- "In Walt's imagination, the world of make-believe was very real. He insisted that the animation must imitate life, above all else, the illusion have to be believable. He had three-dimensional models built of many of the cuckoo-clocks and Pinocchio, so that the artists could study their movements. The model of the Coachman's carriage was even fitted with shock absorbers, to make sure that Jiminy bounced over every bump in the road."
- "In addition to the use of models, they went one step further when drawing their characters. They studied their own faces reflected in mirrors so they could capture a full range of expressions. One of the key animators was Ward Kimball, the animation director for Jiminy Cricket."
- "Walt was the ultimate perfectionist. It took 12 animators eighteen months to create a Pinocchio that met his approval. But Walt knew that Pinocchio needed something more: A loyal friend and adviser."
- "Jiminy became the first in the long tradition of helpful Disney sidekicks, like Timothy (Dumbo), Sebastian (The Little Mermaid), Olaf (Frozen), and another famous cricket, Cri-Kee from Mulan."
- "Over the years, many fine actors have brought their gifts to the classic Disney films. For the part of Pinocchio, Walt cast child actor Dickie Jones."
- "After 75 years, Pinocchio still remains one of the most beloved family films of all time. Through its endearing characters, innovative animation, and wonderful storytelling, Pinocchio continues to remind all of us to dream, and then, to wish upon a star."
Based on: The Sorcerer's Apprentice segment based on "The Sorcerer's Apprentice" (German poem, 1797) by Johann Wolfgang von Goethe
Producer: Walt Disney V (1951–2016)
Release: January 29, 1991 (Roadshow); January 8, 1992 (Wide release)
Critic Score: 96% Certified Fresh
Average Rating: 8.6/10
Consensus: A landmark in animation (and a huge influence on the medium of music video), Disney's Fantasia is a relentlessly inventive blend of the classics with phantasmagorical images.
Written by: Joe Grant (1958-), Dick Huemer and Otto Englander
Based on: Dumbo, the Flying Elephant (American Roll-A-Book, 1939) by Helen Aberson
Producer: Walt Disney V (1951–2016)
Voices: Billy Bletcher (1944-), Herman Bing (1939–1997), Edward Brophy (1945–2010), Cliff Edwards (1945–2021), Verna Felton (1940–2016), Noreen Gammill (1948-), Sterling Holloway (1955-), Sarah Selby (1955-), Margaret Wright (1967-)
Critic Score: 98%.
Average Rating: 8.3/10
Consensus: Dumbo packs plenty of story into its brief runtime, along with all the warm animation and wonderful music you'd expect from a Disney classic.
BELLE: Papa?
BEAST: What?
MAURICE: Run, Belle!
BELLE: I'm not hungry.
LUMIERE: Here she is!
BELLE: I can't believe it.
LUMIERE: Life is so unnerving
BELLE: New and a bit alarming
COGSWORTH: Now it's too late.
GASTON: Who does she think she is?
MAURICE: We should be there by now.
FEATHERDUSTER: Oh, no.
LUMIERE: Oh, yes.
MAURICE: Thank you.
COGSWORTH: No, no, no!
COGSWORTH: Encroachers.
MRS. POTTS: And they have the mirror.
_________________________________
Written by: Perce Pearce (1950–2005), Larry Morey (1955–2021), Vernon Stallings (1941–2013), Melvin Shaw (1964-), Carl Fallberg (1965-), Chuck Couch and Ralph Wright (1958-)
Based on: Bambi, A Life in the Woods (Austrian novel, 1923) by Felix Salten
Producer: Walt Disney V (1951–2016)
Voices: Peter Behn (1984-), Thelma Boardman (1959-), Donnie Dunagan (1984-), Sam Edwards (1965-), Ann Gillis (1977-), Otis Harlan (1915–1990), Sterling Holloway (1955-), Cammie King (1984-), Mary Lansing (1961-), Margaret Lee (1959-), Donald Novis (1956–2016), Fred Shields (1954–2024), John Sutherland (1960-), Paula Winslowe (1960-), Will Wright (1944–2012)
Release: August 21, 1992 (Wide release)
Box office: $267.4 million
Critic Score: 90% Certified Fresh
Average Rating: 8.2/10
Consensus: Elegantly animated and deeply touching, Bambi is an enduring, endearing, and moving Disney classic.
THUMPER: Wake up.
Thumper. Come on.
Good morning, young prince.
Good morning, young prince.
- "Of all Walt Disney's animated classics, the heartfelt story and natural wonders of Bambi seem to touch more people more deeply than any of the fantasy worlds created in his fairy tales. Now, through music, footage and artwork, never before seen by the public, we will celebrate the making of this Disney masterpiece."
- "Walt Disney started planning Bambi in 1936 (1986), while still in production on his first full-length animated feature, Snow White and the Seven Dwarfs. In the following rare excerpt from the original Disneyland television series, Walt explains how his artists finally achieved Bambi's breathtaking realism."
- "At first, animals were brought into studio art classes for close-up study by the Disney artists."
- "A pair of baby deer, appropriately named Bambi and Faline, were imported from Maine and happily housed behind the studio where the animators could have access to real moving inspiration."
- "To create a realistic look, nature photographers documented the hidden textures of the forest environment. Disney artists created hundreds of paintings and drawings that capture the many moods required to bring the forest to life. What makes many of these drawings even more remarkable is that despite their incredible detail, they're actually extremely small. Pastels and watercolors capture the seasonal colors and emotions of life in the forest."
- "If you ever wondered how the artists perfected such realistic details as a single drop of rain, here's the secret: Animators studied slow motion photography of drops of milk that reveal the elaborate splash patterns that usually disappear in the blink of an eye. Strange shapes begin appearing on the animator's drawing boards. Drawing by drawing, drop by drop, a rainstorm was created."
- "While the images for this rain drop sequence always remain the same, an early concept considered a different song to be sung from the point of view of the falling rain drops. Even here, the technique of using vocals is a scoring tool as evident. Presented here for the first time is the original test demo of the Rain Song from June of 1938 (1988), illustrated with concept and storyboard art."
- "Once the animators were comfortable with drawing real animals, they had to adapt them into characters that could supply the range of expression and emotion needed to tell the story."
- "A cute baby rabbit character was developed to give the story much-needed comedy relief."
- "Here in rare newsreel footage, we see a group of studio visitors watch as Frank Thomas animates a sequence with Thumper. Characters were animated using pencil drawings on paper that were then photographed to test the flow of movement and expression."
- "Disney Studios' ink and paint department created all their own paints. For Bambi, nearly 250,000 cels were drawn and painted. When you combine that figure with the animation drawings, concept art, layouts, character designs and backgrounds, over a million drawings went in to making a little fawn come to life. Pretty amazing, isn't it, Bambi?"
- "To heighten the realism of Bambi, the multi-plane camera was used extensively. By painting different layers of a scene on separate sheets of glass and moving them independently as they're photographed one frame at a time, flat art could create the illusion of depth. This opening sequence is an excellent example of the magic of the multi-plane camera."
- "When Bambi was first released in 1942 (1992), it was an immediate triumph, and was recognized as one of animation's all-time greatest achievements. Even now, over half a century later, Bambi continues to delight audiences. Perhaps because of its stark realism, it also lives on as one of childhood's most vividly memorable family classics."
- "Bambi stands out as one of the first environmentally conscious films ever made. It shows that without responsible thinking, man can easily become the enemy of nature."
- "The careless hunter's campfire almost destroys everything we've come to care about, and serves as a valuable lesson for everyone to respect all of nature's creatures and habitats. Despite the inherent traumas and heartbreaks of the struggle for survival in the wild, Bambi and his friends give us a life-affirming example of the resilience of the spirit."
Written by: Homer Brightman, Ralph Wright (1958-), Roy Williams (1957-), Harold Reeves, Richard Huemer and Joe Grant (1958-)
Producer: Walt Disney V (1951–2016)
Voices: Pinto Colvig (1942–2017), Clarence Nash (1954-), Jose Oliveira (1954-), Fred Shields (1954–2024)
Release: August 24, 1992 (Premiere)
Critic Score: 80%.
Average Rating: 6.4/10
Consensus: One of Disney's lesser-known animated films, Saludos Amigos may be slight stuff, but it's still a spirited, energetic travelogue.
_________________________________
JAFAR: Shut up!
ABU: Yum, yum!
ALADDIN: Look, I... I'm sorry.
ABU: Yoo-hoo! Aladdin! Hello!
Phenomenal cosmic powers...
GUARD: Scoundrel
MAN: Take that
_________________________________
Sequence Directors: Clyde Geronimi (1951-), Jack Kinney (1959-) and William "Bill" Roberts
Story/Screenplay: Homer Brightman, Ernest Terrazas, Ted Sears (1950–2008), Bill Peet (1965-), Ralph Wright (1958-), Elmer Plummer, Roy Williams, William Cottrell, Del Connell and James Bodrero
Producer: Walt Disney V (1951–2016)
Voices: Joaquin Garay (1961-), Frank Graham (1964–2000), Sterling Holloway (1955-), Dora Luz (1968-), Aurora Miranda (1965-), Clarence Nash (1954-), Jose Oliveira (1954-), Fred Shields (1954–2024)
Premiere: December 21, 1994
Critic Score: 88%.
Average Rating: 6.8/10
Consensus: One of Disney's more abstract creations, The Three Caballeros is a dazzling, colorful picture that shows the company at an artistic acme.
JOE: Ah, Baía.
JOE: Sim, senhor.
JOE: (SINGS) Oh,
JOE: Hurry, Donald, hurry!
DONALD: Say, what's this?
JOE: (LAUGHS) Uh, uh, uh.
PANCHITO: You see, Donald?
JOE: Watch your step, Donald.
PEDDLER: (SINGS) Oh, oh, oh
NARRATOR: By the way, amigo,
PANCHITO: Ah, Jalisco no te rajes
DONALD: Well, what do you know?
DONALD: Adios, so long. Good-bye!
GAUCHO: Caramba! The jig was up.
PANCHITO: This custom takes place
HOLLOWAY: Four bells and all's well.
DONALD: Am I going to like this place!
NARRATOR: ...yes, thank you.
Story: John Lasseter (1957-), Pete Docter (1968-), Andrew Stanton (1965-) and Joe Ranft (1960–2005)
Screenplay: Joss Wheldon (1964-), Andrew Stanton (1965-), Joel Cohen and Alec Sokolow
Producers: Ralph Guggenheim (1951-), Bonnie Arnold (1955-)
Composer: Randy Newman (1943-)
Box office: $362.0 million
Critic Score: 100% Certified Fresh
Average Rating: 9/10
Consensus: Entertaining as it is innovative, Toy Story reinvigorated animation while heralding the arrival of Pixar as a family-friendly force to be reckoned with.
HANNAH: I'll get it!
ANDY: To infinity and beyond!
Whoa, whoa, whoa, whoa!
All right, gangway, gangway.
Everybody say, "Bye, house!"
Frankincense, this is Myrrh.
Sid, your Pop Tarts are ready!
Oh, what is it? What is it?
SID: She's lying!
SERGEANT: There they are.
MAN: Move it!
CHORUS: Buzz Lightyear!
REX: We're doomed!
ATTENDANT: You talkin' to me?
BO PEEP: Would you boys stop it!
_________________________________
Story/Screenplay: Homer Brightman, Dick Huemer, Dick Kinney, John Walbridge, Tom Oreb, Dick Shaw, Eric Gurney, Sylvia Holland, T. Hee (1961-), Erdman Penner, Dick Kelsey (1955-), James Bodrero, Roy Williams, Cap Palmer, Jesse Marsh and Erwin Graham
Based on: Peter and the Wolf segment based on "Peter and the Wolf" (Russian fairy tale, 1936) by Sergei Prokofiev
Producer: Walt Disney V (1951–2016)
Voices: Jerry Colonna (1954-), Ken Darby (1959-), Nelson Eddy (1951–2017), Benny Goodman (1959-), Sterling Holloway (1955-), David Lichine (1960–2022), Andy Russell (1969-), Dinah Shore (1966-)
Wide release: August 15, 1996
Box office: $2.25 million
Critic Score: 67%.
Average Rating: 6.3/10
Consensus: This collection of musical-themed shorts doesn't reach the artistic heights of Fantasia, but it's well animated and mostly good fun.
SOLDIER: Charge!
ESMERALDA: Stop!
PHOEBUS: 'Tention!
CLOPIN: Everybody!
QUASIMODO: Whoa!
ESMERALDA: Quasi?
FROLLO: Nor would I.
LAVERNE: Impossible.
SOLDIER: Bon appétit!
WOMAN: He's hideous!
ESMERALDA: Hold on.
SOLDIER 1: Make way!
MAN: Frollo's gone mad.
HUGO: Those other guys
VICTOR: Ready, aim, fire!
CLOPIN: Girls, give a kiss.
PHOEBUS: No, you're not.
WOMAN: Oh, he's hideous.
QUASIMODO: Most of them.
SOLDIER 1: Check the alley!
HUGO: Hey, hey, there he is.
SOLDIER: Whoa! Whoo-hoo!
SOLDIER 3: No one here, sir.
CLOPIN: Whatever their pitch
SOLDIER 1: Check the street.
FROLLO: For justice, for Paris,
CLOPIN: And he saw corruption
HUGO: And since you're shaped
CLOPIN: Everyone is acting crazy
ESMERALDA: Oh, boys. Over here.
SOLDIER 2: Yes, sir. No one here, sir.
CLOPIN: Ugly folks forget your shyness
MAN: Where are you goin', hunchback?
ESMERALDA: You've done this before?
QUASIMODO:
Is this the court of miracles?
SOLDIER 1: There she is!
SOLDIER 2: Get her!
GARGOYLES: Oh.
VICTOR: Yeah. Oh, dear, yes.
SOLDIER 1: Check the alley!
SOLDIER 2: This way!
SOLDIER 1: Make way!
SOLDIER 2: Make way, now!
_________________________________
Story: Barry Johnson (story supervisor), Kaan Kalyon, Kelly Wightman, Randy Cartwright (1951-), John Ramirez, Jeff Snow, Vance Gerry (1929–2005), Kirk Hanson, Tamara Lusher, Francis Glebas, Mark Kennedy, Bruce Morris, Don Dougherty and Thom Enriquez
Screenplay: Ron Clements (1953-), John Musker (1953-), Donald McEnery, Bob Shaw and Irene Mecchi
Based on: "Hercules" (Greek myth)
Producers: Alice Dewey, Ron Clements (1953-), John Musker (1953-), Walt Disney V (1951–2016)
Composer: Alan Menken (1949-)
Premiere: June 14, 1997
Box office: $252.7 million
Critic Score: 83% Certified Fresh
Average Rating: 7/10
Consensus: Fast-paced and packed with dozens of pop culture references, Hercules might not measure up with the true classics of the Disney pantheon, but it's still plenty of fun.
Don't get too comfortable, Hades!
BOY 2: (COUGHING) Hurry!
Story/Screenplay: Homer Brightman, Harry Reeves, Ted Sears (1950–2008), Lance Nolley, Eldon Dedini and Tom Oreb
Based on: Bongo segment based on Little Bear Bongo (American short story, 1936) by Sinclair Lewis; Mickey and the Beanstalk segment based on Jack and the Beanstalk (British fairy tale)
Producer: Walt Disney V (1951–2016)
Voices: Edgar Bergen (1953-), Pinto Colvig (1942–2017), Walt Disney V (1951–2016), Cliff Edwards (1945–2021), Billy Gilbert (1944–2021), James MacDonald (1956-), Clarence Nash (1954-), Luana Patten (1988-), Dinah Shore (1966-)
Box office: $2.4 million
Critic Score: 75%.
Average Rating: 6/10
Consensus: Though it doesn't quite live up to its title, Fun and Fancy Free has its moments, and it's a rare opportunity to see Mickey, Donald, and Goofy together.
LUANA: Oh!
DINAH: Ohh.
BERGEN: No, no.
LUANA: What is it?
CHARLIE: Kerplop.
MICKEY: But Donald!
BERGEN: Poor Mickey,
LUANA: Oh, Mr. Bergen!
DINAH: But if you're only
DINAH: But if you're only
CHARLIE: The hard way.
LUANA: What happened?
MORTIMER: Trees. Yeah.
DINAH: At last he was free.
DINAH: He was crackin' up!
CHARLIE: I pass. New deal.
DONALD: Food! Let me at it!
GOOFY: Easy, Donald. Easy!
DINAH: Then came the dawn.
BERGEN: And there they are,
MORTIMER: Well, search me.
DINAH: "I love you, Lulubelle."
CHARLIE: Well, somebody did.
MORTIMER: Landscape. Yeah.
DINAH: Just kind of play around
BERGEN: Yes, I agree with you.
MORTIMER: Well, don't tell him!
CHARLIE: She's an udder failure.
CHARLIE: Caught with his pants...
DINAH: With nature's gang around
BERGEN: Days pass, weeks pass.
CHARLIE: Ahem. Bean, you mean.
BERGEN: And there goes the giant!
CHARLIE: Well, it wasn't Cinderella.
LUANA: Well, at least they had milk.
BERGEN: No, thank you. I mean no.
CHARLIE: Just like the eighth grade.
CHARLIE: Now it's Gruesome Gulch.
CHARLIE: Uh, just tell it. Don't ham it.
MORTIMER: Mmm. Yeah, yeah, yeah.
BERGEN: But are their spirits broken?
GIANT: Pot roast! Chocolate pot roast!
CHARLIE: If she can't, I know who can.
BERGEN: What's the matter, Mortimer?
CHARLIE: Yes, sir.
CHARLIE: Yes, isn't it?
DONALD: Boy, oh, boy!
LUANA: Charlie!
LUANA: There's something moving.
DINAH: Give her your cheek
CHARLIE: Caught with his pants...
CHARLIE: Well, his slip was showing.
OPHELIA: Oh, yes, I am. Yes.
CHARLIE: They built a schoolhouse.
CHARLIE: That's a cow, stupid.
- "Leave your worries behind and join us for a special behind-the-scenes story of the making of Walt Disney's merry masterpiece, Fun and Fancy Free."
- "Walt Disney's 1947 (1997) feature, Fun and Fancy Free is composed of multiple segments, a format called a package feature. The two stories, Mickey and the Beanstalk and Bongo, were originally developed as full-length feature films. Here's the behind-the-scenes story of how they were paired up to create a Fun and Fancy Free feature."
- "To keep his successful film series going, Walt Disney was constantly on the lookout for stories to bring to the screen."
- "Disney was certainly familiar with the classic fairy tale of Jack and the Beanstalk. He had used the well-known story as the basis for a 1922 (1972) silent cartoon produced by his Laugh-O-Gram film company in Kansas City. Unfortunately, no prints of this film are known to exist. In 1933 (1983), he revisited the tale in Giant Land, a short with Mickey Mouse assuming the role of Jack. In 1938 (1988), Walt pitted Mickey against the giant again, this time as The Brave Little Tailor."
- "With his experience as an adversary to giants, Mickey was a natural for the lead in this giant new feature-length film. His co-stars would be Donald Duck and Goofy."
- "Development of Mickey and the Beanstalk as a full-length feature began on May 2, 1940 (1990). During that year, Walt Disney and several of his key story men developed many of the ideas that would be contained in the finished film: The growth of the beanstalk while Mickey, Donald and Goofy are asleep, the gags at the Giant's dinner table, and the role of the singing harp."
- "At the same meeting, the suggestion was also made to use Foulfellow and Gideon from Pinocchio as the phonies who swindle Mickey out of his cow. Since they don't appear in the final version, just who does Mickey trade his cow to in exchange for magic beans?"
- "Here is the answer, in a never-before-seen sequence developed in 1940 (1990), but dropped when the story was tightened for Fun and Fancy Free."
- "Archival evidence of the early development of the feature version of Mickey and the Beanstalk ends in the summer of 1941 (1991)."
- "At the same time, work on Bongo was begun. The story was written in 1934 (1984) for Cosmopolitan Magazine by novelist Sinclair Lewis. Bongo was an unusually light-hearted story to come from Lewis, who was the first American to win the Nobel Prize for Literature."
- "Since Bongo was a circus bear, there were early story notes suggesting that Bongo might even be a follow-up to Dumbo, using the same circus settings and some of the supporting cast, including the gossipy elephants."
- "Early story sketches show a character design for Bongo that differs radically from the final one. The female bear who catches Bongo's eye went through similar revisions, as well as a couple of name changes, from Suzie to Silver-ear to her final name, Lulubelle. Bongo's nemesis, Lumpjaw, was always a big hulking brute, but in some early designs, he wore street clothes. In these early sketches, a few extra characters were present. Bongo had a chimpanzee for a valet, first named Beverly, then Chimpy. In addition, Bongo and Chimpy had a series of comic encounters with a pair of mischievous country cousin bear cubs."
- "A partially completed script of Bongo was delivered on Monday, December 8, 1941 (1991), the day after the attack on Pearl Harbor. Just as Bongo and Mickey and the Beanstalk were at the height of their development, the world changed."
- "Walt looked back to Fantasia, and the idea of combining unrelated music and story segments into a feature-length film."
- "In 1946 (1996), Make Mine Music was released. It consisted of several animated segments featuring popular music of that era, provided by Nelson Eddy, Dinah Shore, Benny Goodman, and The Andrews Sisters."
- "With the end of the war, Walt revived Mickey and the Beanstalk for his first and most famous star, and decided to pair it with Bongo. The introduction of the lovable little circus bear would make Mickey's return to the silver screen an even more sensational event."
- "Since his debut, Mickey Mouse's voice had been provided by his creator, Walt Disney."
- "Here in a recently discovered rare film clip, Walt Disney performs as Mickey Mouse, with Billy Blecher in a recording session for Mr. Mouse Takes a Trip."
- "Walt had recorded Mickey's voice for Mickey and the Beanstalk in the spring and summer of 1941 (1991). This film would be the last time that Walt would regularly provide Mickey's voice."
- "Jiminy Cricket, the popular supporting character from Pinocchio, was recruited to set the light-hearted tone for Fun and Fancy Free."
- "Giving voice to Jiminy was his original voice, Cliff Edwards."
- "This spritely song I'm a Happy-Go-Lucky Fellow, which opens Fun and Fancy Free, had actually been written for, but dropped from Pinocchio nearly a decade earlier."
- "What follows, presented publicly for the first time, is Billy Gilbert's original test recording for the role of Willie the Giant."
- "A human host was chosen to tell the story of Mickey and the Beanstalk: Ventriloquist Edgar Bergen."
- "Bergen and Walt Disney were longtime friends. Walt had even featured Bergen's Charlie McCarthy in several short cartoons. In 1950 (2000), Bergen would also be a guest on Disney's very first television program."
- "Co-starring in the live action segments was child actor Luana Patten."
- "Telling the story of Bongo was Dinah Shore."
- "Fun and Fancy Free premiered on September 27, 1947 (1997). Package films like Fun and Fancy Free kept the Disney magic alive in the eyes of movie audiences. And with these films, the Disney studio built up its creative strength to produce a whole new series of feature animation successes."
- "For war-weary audiences, Fun and Fancy Free was a refreshing tonic, a tuneful and carefree jaunt with friendly and familiar characters, under the guiding hand of favorite storyteller Walt Disney. The same holds true today... (Leonard Maltin: To just an entertaining film that's really well done.)"
Story/Screenplay: Winston Hibler (1960-), Erdman Penner, Harry Reeves, Homer Brightman, Ken Anderson (1959-), Ted Sears (1950–2008), Joe Rinaldi, William Cottrell, Art Scott, Jesse Marsh, Bob Moore and John Walbridge
Based on: The Legend of Johnny Appleseed segment based on the life of John Chapman (1774–1845); Little Toot segment based on Little Toot (American children's story, 1939) by Hardie Gramatky; Trees segment based on Trees by Alfred Joyce Kilmer with the music master Oscar Rasbach; Pecos Bill segment based on "Pecos Bill" (American fakelore) by folklore consultant Carl Carmer
Producer: Walt Disney V (1951–2016)
Voices: Dennis Day (1966-), Bobby Driscoll (1987–2018), Frances Langford (1963-), Freddy Martin (1956-), Bob Nolan (1958-), Luana Patten (1988-), Roy Rogers (1961-), Ethel Smith (1952-), Fred Waring (1950-)
Box office: $1.8 million
Critic Score: 88%.
Average Rating: 7.3/10
Consensus: Melody Time is a charming musical anthology film that's expertly crafted and filled with high-spirited numbers.
Story: Chris Sanders (story supervisor) (1962-), Dean DeBlois (co-head of story) (1962-), John Sanford, Chris Williams (1968-), Tim Hodge, Julius Aguimatang, Burny Mattinson (1935–2023), Lorna Cook, Barry Johnson, Thom Enriquez, Ed Gombert, Joe Grant (1908–2005) and Floyd Norman
Screenplay: Rita Hsiao, Chris Sanders (1962-), Philip LaZebnik, Raymond Singer and Eugenia Bostwick-Singer
Based on: "Hua Mulan" (Chinese legend)
Producers: Pam Coats, Walt Disney V (1951–2016)
Composer: Jerry Goldsmith (1929–2004)
Premiere: June 5, 1998
Box office: $304.3 million
Critic Score: 86% Certified Fresh
Average Rating: 7.5/10
Consensus: Exploring themes of family duty and honor, Mulan breaks new ground as a Disney film, while still bringing vibrant animation and sprightly characters to the screen.
MUSHU: Mulan!
GREAT ANCESTOR: Mushu!
Great Stone Dragon,
MUSHU:
This guys got 'em scared to death
SHANG:
We must be swift as a coursing river
MULAN:
Hope he doesn't see right through me
Would you like to stay forever?
_________________________________
Story: John Lasseter (1957-), Andrew Stanton (1965-) and Joe Ranft (1960–2005)
Screenplay: Andrew Stanton (1965-), Donald McEnery and Bob Shaw
Producers: Darla K. Anderson (1968-), Kevin Reher
Composer: Randy Newman (1943-)
Box office: $363.4 million
Critic Score: 92% Certified Fresh
Average Rating: 7.9/10
Consensus: A Bug's Life is a rousing adventure that blends animated thrills with witty dialogue and memorable characters – and another smashing early success for Pixar.
ANT: Look out!
SLIM: Be quiet!
BUG 1: Hey, buggy!
ANT: Go, go, go, go!
FLIK: You're perfect!
SLIM: Are they all right?
MANNY: And now, insectus
FLIK: (MUFFLED) I'm okay!
FLIK: Hey! Hey, wait for me!
HOPPER: You little termites!
DOT: Hey, Flik! Flik! Wait up!
P.T. FLEA: Get me out of here!
THORNY: Okay, lower, lower...
DOT: Flik! Over here! Flik! Flik!
FLIK: Oh. I'm really, really sorry.
HARRY: I can't help it! It's so beautiful!
I'm gonna be rich, rich, rich
ANT 1: Hey!
SLIM: What is happening?
MANNY: Thank you.
ROSIE: Kids, he's kind of ticklish.
ALL: Thank you.
HEIMLICH: Here we come, P.T.!
_________________________________
Story: Brian Pimental (story supervisor), Stephen J. Anderson (1969-), Mark Kennedy, Carole Holliday, Gaëtan Brizzi, Paul Brizzi, Don Dougherty, Ed Gombert, Randy Haycock, Don Hall (1969-), Kevin Harkey, Glen Keane (1954-), Burny Mattinson (1935–2023), Frank Nissen, John Norton, Jeff Snow, Michael Surrey, Chris Ure, Mark Walton (1968-), Stevie Wermers, Kelly Wightman and John Ramirez
Screenplay: Tab Murphy, Bob Tzudiker and Noni White
Based on: Tarzan of the Apes (American novel, 1914) by Edgar Rice Burroughs
Producers: Bonnie Arnold (1955-), Walt Disney V (1951–2016)
Composer: Mark Mancina (1957-)
Premiere: June 12, 1999
Box office: $448.2 million
Critic Score: 88% Certified Fresh
Average Rating: 7.6/10
Consensus: Disney's Tarzan takes the well-known story to a new level with spirited animation, a brisk pace, and some thrilling action set-pieces.
KALA: Always.
APE 2: Maybe he's lost.
PROFESSOR: Clayton?
CLAYTON: Hiding, are we?
JANE: I've never seen such eyes.
TERK: Oh! Watch it! Oh! Ow! Ow!
PROFESSOR: Look at him, Jane.
PROFESSOR: Jane, where are you?
MAN 6: Pick your barrel up. Pick it up.
APE 3: We looked everywhere for you.
PROFESSOR: Where? Yes, more nests!
TARZAN: Jane!
APE MOTHER: Terkina?
TERK: Cramp in the calf.
KERCHAK: Everyone,
_________________________________
Story/Screenplay: Erdman Penner, Winston Hibler (1960-), Joe Rinaldi, Ted Sears (1950–2008), Homer Brightman and Harry Reeves
Based on: Adventures of Mr. Toad segment based on parts of The Wind in the Willows (British novel, 1908) by Kenneth Grahame; Ichabod Crane segment based on "The Legend of Sleepy Hollow" (American story, 1820) by Washington Irving
Producer: Walt Disney V (1951–2016)
Voices: Claud Allister (1938–2020), Eric Blore (1937–2009), Colin Campbell (1933–2016), Bing Crosby (1953-), Campbell Grant (1959-), J. Pat O'Malley (1954-), Basil Rathbone (1942–2017), Oliver Wallace (1937–2013)
Critic Score: 93%.
Average Rating: 7.2/10
Consensus: This Disney two-fer may not be the most reverent literary adaptation, but it's remarkably crafted and emotionally resonant.
RAT: Moley.
TOAD: Ahem!
CYRIL: Ahem!
BROM: Yahoo!
TOAD: Tally-ho!
WINKY: After it.
RAT: MacBadger.
MAN: Toad guilty!
KATRINA: Yoo-hoo!
WEASEL: Hip, hip...
MAN: Toad arrested!
MAN: There he goes.
TOAD: Hello, you fellows.
CLERK: Cyril Proudbottom.
CLERK: Mr. Winky. Mr. Winky.
MOLE: Oh, look. They're all asleep.
NARRATOR: It was an excellent plan,
NARRATOR: Truth to say, every portal
NARRATOR:
In the very witching hour of night,
COUNSEL FOR CROWN:
Gentlemen of the jury, the Crown rests.
JUDGE: Next witness.
CLERK: Mr. Angus MacBadger!
Story: John Lasseter (1957-), Pete Docter (1968-), Ash Brannon (1969-) and Andrew Stanton (1965-)
Screenplay: Andrew Stanton (1965-), Rita Hsiao, Doug Chamberlin and Chris Webb
Producers: Helene Plotkin, Karen Robert Jackson
Composer: Randy Newman (1943-)
Box office: $485.0 million
Critic Score: 100% Certified Fresh
Average Rating: 8.6/10
Consensus: The rare sequel that arguably improves on its predecessor, Toy Story 2 uses inventive storytelling, gorgeous animation, and a talented cast to deliver another rich moviegoing experience for all ages.
RABBIT: Mmm-hmm.
REX: Hey, Buzz! Stop!
REX: He's getting in the box!
ANDY: (EVIL VOICE) Never!
TV WOODY: Good job, Bullseye.
SLINKY: Huh?
HAMM: What's up?
BUZZ: There he is.
REX: What? He can't take Woody.
ANDY: (AS BUZZ) No problem, buddy.
_________________________________
- Symphony No. 5 by Ludwig van Beethoven. Abstract patterns and shapes that resemble butterflies in various colorful shades, tints, and hues explore a world of light and darkness whilst being pursued by a swarm of black bats. The world is ultimately conquered by light. Introduced by surviving archival recordings by Deems Taylor.
- Pines of Rome by Ottorino Respighi. A family of humpback whales are able to fly. The calf is separated from his parents, and becomes trapped in an iceberg. Eventually, he finds his way out with his mother's help. The family join a larger pod of whales, who fly and frolic through the clouds to emerge into outer space. Introduced by Steve Martin and Itzhak Perlman.
- Rhapsody in Blue by George Gershwin. Set in New York City in the early 1930s, and designed in the style of Al Hirschfeld's known caricatures of the time, the story follows four individuals who wish for a better life. Duke is a construction worker who dreams of becoming a jazz drummer; Joe is a down-on-his-luck unemployed man who wishes he could get a job; Rachel is a little girl who wants to spend time with her busy parents instead of being shuttled around by her governess; and John is a harried rich husband who longs for a simpler, more fun life. The segment ends with all four getting their wish, though their stories interact with each other's without any of them knowing. Introduced by Quincy Jones with pianist Ralph Grierson.
- Piano Concerto No. 2, Allegro, Opus 102 by Dmitri Shostakovich. Based on the fairy tale "The Steadfast Tin Soldier" by Hans Christian Andersen, a broken toy soldier with one leg falls in love with a toy ballerina and protects her from an evil jack-in-the-box. Unlike the original story, this version has a happy ending. Introduced by Bette Midler featuring pianist Yefim Bronfman.
- The Carnival of the Animals (Le Carnival des Animaux), Finale by Camille Saint-Saëns. A flock of flamingoes tries to force a slapstick member, who enjoys playing with a yo-yo, to engage in the flock's "dull" routines. Introduced by James Earl Jones with animator Eric Goldberg.
- The Sorcerer's Apprentice by Paul Dukas. Based on the 1797 poem "Der Zauberlehrling" by Goethe, the segment is the only one featured in both Fantasia and Fantasia 2000. It tells the story of Mickey Mouse, an apprentice of sorcerer Yen Sid who attempts some of his master's magic tricks before knowing how to control them. Introduced by Penn & Teller. Previously from the first film.
- Pomp and Circumstance – Marches 1, 2, 3 and 4 by Edward Elgar. Based on the story of Noah's Ark from the Book of Genesis, Donald Duck is Noah's assistant and Daisy Duck is Donald's wife. Donald is given the task of gathering the animals to the Ark, and misses, loses, and reunites with Daisy in the process. Introduced by James Levine featuring Mickey Mouse and Donald Duck.
- Firebird Suite—1919 Version by Igor Stravinsky. A Sprite is awoken by her companion, an elk, and accidentally wakes a fiery spirit of destruction in a nearby volcano who destroys the forest and seemingly the Sprite. The Sprite survives and the elk encourages her to restore the forest to its normal state. Introduced by Angela Lansbury.
Story/Screenplay: William Peed, Erdman Penner, Ted Sears (1950–2008), Winston Hibler (1960-), Homer Brightman, Harry Reeves, Ken Anderson (1959-) and Joe Rinaldi
Based on: "Cinderella" (French fairy tale, 1697) by Charles Perrault
Producer: Walt Disney V (1951–2016)
Voices: Eleanor Audley (1955-), Don Barclay (1942-), Lucille Bliss (1966-), Verna Felton (1940–2016), June Foray (1967-), Betty Lou Gerson (1964-), James MacDonald (1956-), Marni Nixon (1980-), William Phipps (1972-), Luis Van Rooten (1956–2023), Rhoda Williams (1980-), Ilene Woods (1979-)
Box office: $263.6 million
Critic Score: 97%.
Average Rating: 7.7/10
Consensus: The rich colors, sweet songs, adorable mice and endearing (if suffering) heroine make Cinderella a nostalgically lovely charmer.
MOUSE: Oh, looky.
KING: Well, come in.
DUKE: Guard! Guard!
KING: And remember,
STEPMOTHER: Nor I.
DRIZELLA: Cinderella!
JAQ: Isn't it wonderful?
CINDERELLA: I'm sorry.
ANASTASIA: Cinderella!
ANASTASIA: Cinderella!
STEPMOTHER: Cinderella!
DRIZELLA: Huh. As if you care.
CINDERELLA: (SINGING) High
CINDERELLA: Oh, poor Lucifer.
DUKE: What? Tea? (YAWNING)
CINDERELLA: Oh, there you are.
ANASTASIA: Well, it's about time.
STEPMOTHER: You clumsy little fool.
ANASTASIA:
Oh, it's the right foot, but...
CINDERELLA:
Good morning, Anastasia.
STEPMOTHER:
Close the door, Cinderella.
FAIRY GODMOTHER:
Oh, this really is nice.
STEPMOTHER:
Well, come in, child, come in.
FAIRY GODMOTHER:
But tonight, for a change,
DRIZELLA: Cinderella!
CINDERELLA: I'm coming.
STEPMOTHER: Pay no attention.
DRIZELLA: It's Cinderella.
_________________________________
ROURKE: No time!
AUDREY: Milo, no!
VINNY: Hey, Junior.
SWEET: We're on it.
SAILOR: Aye, aye, sir.
MILO: How's he doing?
MILO: All right, this is it!
ENSIGN: Fire torpedos!
ENSIGN: Battle stations!
ROURKE: Your Majesty?
MILO: What a nightmare.
ENSIGN: Subpods away!
KING: In times of danger,
MILO: Dear Mr. Whitmore,
KING: And to prevent Kida
COOKIE: Ya-ha! Gertie, pull!
SWEET: (CHUCKLES) Yeah.
SERGEANT: I'm warning you.
ROURKE: We're losing altitude.
MRS. PACKARD: Commander?
SERGEANT: All right, step back.
MILO: Good afternoon, gentlemen.
ROURKE: Okay, people. Saddle up.
DIVING OFFICER: Rig ship for dive!
ROURKE: Speak English, professor.
SWEET: Milo, you better get up here.
MILO: Sorry about... Sorry about that.
OFFICER: Let's move it. You heard him.
Commander? Commander?
Rourke! We took a big hit down here,
_________________________________
Story/Screenplay: Winston Hibler (1960-), Ted Sears (1950–2008), Bill Peet (1965-), Erdman Penner, Joe Rinaldi, Milt Banta, William Cottrell, Dick Kelsey (1955-), Joe Grant (1958-), Dick Huemer, Del Connell, Tom Oreb and John Walbridge
Based on: Alice's Adventures in Wonderland and Through the Looking-Glass (British novels, 1865–71) by Lewis Carroll
Producer: Walt Disney V (1951–2016)
Voices: Heather Angel (1959-), Don Barclay (1942-), Kathryn Beaumont (1988-), Lucille Bliss (1966-), Jerry Colonna (1954-), Pinto Colvig (1942–2017), Verna Felton (1940–2016), Richard Haydn (1955-), Sterling Holloway (1955-), Joseph Kearns (1957–2012), Bill Lee (1966-), Queenie Leonard (1955-), Doris Lloyd (1941–2018), Tommy Luske (1997-), James MacDonald (1956-), Marni Nixon (1980-), J. Pat O'Malley (1954-), Thurl Ravenscroft (1964-), Max Smith (1963-), Bill Thompson (1963–2021), Dink Trout (1948–2000), Ed Wynn (1936–2016), Norma Zimmer (1973-)
Premiere: July 26, 2001
Critic Score: 81%.
Average Rating: 6.4/10
Consensus: A good introduction to Lewis Carroll's classic, Alice in Wonderland boasts some of the Disney canon's most surreal and twisted images.
Story: Pete Docter (1968-), Jill Culton, Jeff Pidgeon (1965-) and Ralph Eggleston (1965–2022)
Screenplay: Andrew Stanton (1965-) and Dan Gerson (1966–2016)
Producer: Darla K. Anderson (1968-)
Composer: Randy Newman (1943-)
Box office: $562.8 million
Critic Score: 96% Certified Fresh
Average Rating: 8/10
Consensus: Clever, funny, and delightful to look at, Monsters, Inc. delivers another resounding example of how Pixar elevated the bar for modern all-ages animation.
Story/Screenplay: Chris Sanders (1962-) and Dean DeBlois (1970-)
Producers: Clark Spencer (1963-), Walt Disney V (1951–2016)
Composer: Alan Silvestri (1950-)
Premiere: June 16, 2002
Box office: $273.1 million
Critic Score: 86% Certified Fresh
Average Rating: 7.3/10
Consensus: Edgier than traditional Disney fare, Lilo & Stitch explores issues of family while providing a fun and charming story.
LILO: Nani.
JUMBA: Oh...
NANI: He's creepy, Lilo.
LILO: That's us before...
NANI: (IN DISTANCE) Lilo!
COMPUTER: 6-2-6 located.
BUBBLES: (IN DISTANCE) Lilo!
LILO: Want to listen to the King?
Yes, Captain?
How do you plead?
Gantu, what's going on?
Deadly force authorized. Fire on sight!
PLEAKLEY: What?
Story: Ron Clements (1953-), John Musker (1953-), Ted Elliott and Terry Rossio
Screenplay: Ron Clements (1953-), John Musker (1953-) and Rob Edwards (1963-)
Based on: Treasure Island (Scottish novel, 1883) by Robert Louis Stevenson and Treasure Island in Outer Space (Italian TV mini-series, 1987) by Renato Castellani
Producers: Ron Clements (1953-), John Musker (1953-), Roy Conli (1971-), Walt Disney V (1951–2016)
Composer: James Newton Howard (1951-)
Premiere: November 17, 2002
Box office: $109.6 million
Critic Score: 69%.
Average Rating: 6.5/10
Consensus: Though its characterizations are weaker than usual, Treasure Planet offers a fast-paced, beautifully rendered vision of outer space.
...like a Candarian zaftwing
You got something to say, Scroop?
I just spoke with the constabulary.
Story/Screenplay: Ted Sears (1950–2008), Erdman Penner, Bill Peet (1965-), Winston Hibler (1960-), Joe Rinaldi, Milt Banta, Ralph Wright (1958-) and William Cottrell
Based on: Peter Pan (British play, 1904) and Peter and Wendy (British novel, 1911) by J. M. Barrie
Producer: Walt Disney V (1951–2016)
Voices: Heather Angel (1959-), Don Barclay (1942-), Kathryn Beaumont (1988-), Candy Candido (1963-), Paul Collins (1987-), Hans Conried (1967-), Tom Conway (1954–2017), Bobby Driscoll (1987–2018), June Foray (1967-), Margaret Kerry (1979-), Tommy Luske (1997-), Bill Thompson (1963–2021)
Box office: $145.0 million
Critic Score: 80%.
Average Rating: 7/10
Consensus: Though it doesn't delve deeply into the darkness of J.M. Barrie's tale, Peter Pan is a heartwarming, exuberant film with some great tunes.
MICHAEL: Take that!
PETER: Tinker Bell. Tink!
WENDY: Tinker Bell! Wait!
MICHAEL: Wendy! Wendy!
MICHAEL: Oh, no, you won't.
SLIGHTLY: Yea for Bear Killer!
MICHAEL: And I'll cut you to pieces.
PETER: They've captured Tiger Lily.
PETER: I came to listen to the stories.
All this has happened before.
Well, what were you doing there?
SMEE: Elevation 65.
MICHAEL: Dust?
- "Fly away with us, second star to the right and straight on till morning, and discover the behind-the-scenes story of how the timeless tale of Peter Pan was transformed into a soaring Disney classic."
- "The story of Peter Pan began its life on the London stage in 1904 (1954). It was written by Scottish novelist and playwright James Matthew Barrie."
- "In 1913 (1963), a touring company of Peter Pan was seen by this youngster in the small town of Marceline, Missouri. The boy was Walt Disney. He never forgot this epic of boyhood and its unique combination of fantasy and swashbuckling adventure. In 1924 (1974), Walt also saw a silent film version of Peter Pan, starring Betty Bronson as Peter. The film contained many innovations, such as a live actress playing Tinker Bell, and special effects that were the state of the art for their day. The silent film, however, adhered to many of the conventions of the stage version of Peter Pan, including the stars rather obviously flying on wires, a performer in a dog suit as Nana, and a costumed actor as the crocodile."
- "Walt Disney's efforts to make Peter Pan as an animated feature actually began in the late 1930s (1980s), during the production of Snow White and the Seven Dwarfs, in an era when Disney's filmmaking imagination was at its peak."
- "Walt Disney himself noted, 'The cartoon method gave us many advantages over the stage craft of Barrie's day, which no amount of pixie dust could cure.'"
- "In 1939 (1989), Disney acquired the screen rights, and by early 1940 (1990), storyboards were begun. These never-before-seen watercolor illustrations by renowned British artist David Hall were part of Disney's initial work. Hall had also done extensive visual development of Alice in Wonderland for Disney in 1938 (1988)."
- "In this early version of the story, Nana traveled with Peter and the children to Neverland, as seen in these rare original story sketches."
- "Much of the art created at this time was also darker than the original play, and far more sinister than a typical Disney effort."
- "Another part of this early work was an elaborate musical number for Captain Hook's pirate crew, which was ultimately replaced by a different song, The Elegant Captain Hook. An attempt to persuade the Lost Boys to join the pirates' reigns, this earlier song, written by studio music director Frank Churchill along with Ray Kelly, is reconstructed here, using a rare song demo recording coupled with never-before-seen storyboard drawings of the original sequence."
- "By 1941 (1991), a basic story structure was completed. However, the onset of World War II stopped the development. After the war, Walt Disney brought Peter Pan back into development. Progress continued throughout the 1940s (1990s), including extensive concept art by renowned color stylist Mary Blair."
- "Walt assigned the character of Peter Pan to animator Milt Kahl."
- "Young Bobby Driscoll was assigned to the role of Peter."
- "Driscoll had debuted in Song of the South, after which Disney cast him in several projects, including So Dear to My Heart, and as Jim Hawkins in Treasure Island."
- "Walt also didn't have to look far for the voice of Wendy. He found what he called 'the gentle and gracefully feminine voice', in the same actress who had played Alice in Wonderland: Kathryn Beaumont."
- "Hans Conried, seen here as the face in the Magic Mirror, was cast in the tradition of the stage play as both Captain Hook...and Mr. Darling."
- "To bring the villainous Captain Hook to animated life, Walt assigned veteran animator Frank Thomas."
- "Walt knew that for his version of Peter Pan, Tinker Bell would have to be developed as a fully realized character. From the late 1930s (1980s) on, character sketches traced Tinker Bell's development, and each reveals the then-current conception of feminine beauty."
- "The use of Margaret Kerry as a live model for Tinker Bell was only part of the considerable reference used by Disney animators to bring Peter Pan to the screen."
- "After nearly two decades of work, dozens of story treatments and thousands of drawings, Walt Disney's Peter Pan was finally finished. It was first released on February 3, 1953 (2003), and was an immediate audience favorite. It has remained one of Disney's greatest animated achievements, and a beloved classic."
Story: Andrew Stanton (1965-)
Screenplay: Andrew Stanton (1965-), Bob Peterson (1961-) and David Reynolds
Producer: Graham Walters
Composer: Thomas Newman (1955-)
Box office: $936.7 million
Critic Score: 99% Certified Fresh
Average Rating: 8.7/10
Consensus: Breathtakingly lovely and grounded by the stellar efforts of a well-chosen cast, Finding Nemo adds another beautifully crafted gem to Pixar's crown.
MARLIN: Okay.
MARLIN: Nemo...
MARLIN: That's it!
BRUCE: It's all right, Chum.
DORY: Are... Are you my conscience?
What do these markings mean?
Darla, your uncle will see you now.
CORAL: Mmm.
DORY: Nemo's alive!
BARBARA: Mmm-hmm?
BRUCE: How about you, Chum?
DORY: Something's got me!
Story/Screenplay: Tab Murphy, Lorne Cameron, David Hoselton, Steve Bencich and Ron J. Friedman
Producers: Igor Khait, Chuck Williams, Walt Disney V (1951–2016)
Composers: Phil Collins (1951-), Mark Mancina (1957-)
Premiere: October 24, 2003
Box office: 250.4 million
Critic Score: 37%.
Average Rating: 5.5/10
Consensus: Brother Bear is gentle and pleasant if unremarkable Disney fare, with so-so animation and generic plotting.
RUTT: I'm trying to...
KENAI: Sitka's not here
_________________________________
Story/Screenplay: Will Finn and John Sanford
Producers: Alice Dewey, Walt Disney V (1951–2016)
Composer: Alan Menken (1949-)
Home entertainment short: A Dairy Tale
Premiere: March 21, 2004
Box office: $104.0 million
Critic Score: 54%.
Average Rating: 5.7/10
Consensus: Though Home on the Range is likeable and may keep young children diverted, it's one of Disney's more middling titles, with garish visuals and a dull plot.
MAN: Sold!
MAN: Forget it!
GRACE: Oops!
GRACE: Mrs. C.
ANN: That does it!
PHIL: Pick a color.
BUCK: Look at me!
GRACE: There it is!
MAN: Come on, girl!
JEB: Don't yell at me.
CALOWAY: It's Buck!
CALOWAY: Look out!
CLEM: Roger dodger.
MORRIS: Hey, Sheriff!
RUSTY: Earth to Buck!
GRACE: What do we do?
PIGS: Can hog! Can hog!
GRACE: Oh, no, the tracks!
GRACE: We're on your trail.
MAGGIE: Hey! A dairy farm!
MAGGIE: I'll get you for this.
SLIM: Much obliged, Sheriff.
BUCK: Hasta la vista, heifers.
MAGGIE: Home on the range.
WESLEY: All right, move it, Bessie,
CALOWAY: I take my hat off to you.
MAGGIE: Stallion of the Sim-moron.
JACK: "So it was that Alameda Slim,
PEARL: Now don't you worry, Abner.
CALOWAY: There's a star on that door.
BUCK: Make a break for it, ladies. Run!
SLIM: 1,420.
NEPHEW: 4,334.
BUCK: Let's get it on.
MAGGIE: Cows rule.
MAGGIE: We made it!
GRACE: Hip-hip-hurrah!
MAGGIE: Hit the dirt.
CALOWAY: Who lives like this?
Story: Brad Bird (1957-)
Screenplay: Brad Bird (1957-)
Producer: John Walker (1956-)
Composer: Michael Giacchino (1967-)
Box office: $631.4 million
Critic Score: 97% Certified Fresh
Average Rating: 8.3/10
Consensus: Bringing loads of wit and tons of fun to the animated superhero genre, The Incredibles easily lives up to its name.
DASH: Uh-oh.
VIOLET: Mom!
JACK-JACK: Hello?
BUDDY: Hey! Hey, wait!
SYNDROME: It's bigger!
BUDDY: And IncrediBoy!
BOY: Rydinger, where you headed?
BOB: Don't answer it, honey, I got it!
LAWYER: My client has no comment.
SYNDROME: I knew you couldn't do it.
VIOLET: Dash, run!
HELEN: Stop running in the house.
BOB: I'll leave tomorrow morning.
Story/Screenplay: Erdman Penner, Joe Rinaldi, Ralph Wright (1958-) and Don DaGradi (1961-)
Based on: "Happy Dan, the Whistling Dog" (American story, 1924) by Ward Greene
Producer: Walt Disney V (1951–2016)
Voices: Bill Baucom (1960-), Verna Felton (1940–2016), Stan Freberg (1976-), George Givot (1953-), Bill Lee (1966-), Peggy Lee (1970-), Barbara Luddy (1958-), Dallas McKennon (1969-), Lee Millar (1974-), Donald Novis (1956–2016), Thurl Ravenscroft (1964-), Alan Reed (1957-), Larry Roberts (1976-), Max Smith (1963-), Bill Thompson (1963–2021)
Premiere: June 16, 2005
Critic Score: 93%.
Average Rating: 7.6/10
Consensus: A nostalgic charmer, Lady and the Tramp's token sweetness is mighty but the songs and richly colored animation are technically superb and make for a memorable experience.
JIM: Lady.
JIM: A boy.
JIM: What?
LADY: Jock.
JIM: Uh-huh.
JIM: All right.
JIM: Darling?
JOCK: Lassie.
JIM: Nonsense.
BEAVER: Timber.
JIM: Darling, look.
DARLING: Oh, Jim.
TONY: What's this?
DARLING: Visitors?
DARLING: No, Lady.
JIM: He'll be all right.
DARLING: Jim, dear.
DARLING: Yes, dear.
SARAH: Hello? Hello.
DARLING: Hope it fits.
LADY: The sign says...
JIM: Hello, there, Lady.
DARLING: Mmm-hmm.
LADY: What is a baby?
JIM: Down, Lady, down.
DARLING: What is it, Jim?
JIM: Well, that should do it.
MAN 2: Absolutely horrible.
JIM: Well, Merry Christmas.
DOCTOR: Yes, yes, I know.
JOCK: Good morning, lassie.
MAN 1: Jim, you look terrible.
JIM: I just can't help worrying.
TRAMP: The hauling. Exactly.
SARAH: Coochie-coochie-coo.
TRAMP: What's wrong, Pidge?
JOE: Okay, Tony, you the boss.
LADY: Where is he taking him?
JIM: Yes, Aunt Sarah, it's a boy.
JIM: Come on, Lady. Over here.
DARLING: Look, she's lonesome.
JIM: All right, boy. We'll let them in.
DARLING: In the kitchen, Jim Dear.
BULL: Let's see. There's been Lulu.
TRUSTY: But I'd say a mite smaller.
MAN 1: I never saw you look worse.
DARLING: No, Lady. No walk today.
JOCK: Well, they resemble humans.
WOMAN 2: What darling little booties.
SARAH: What's going on down there?
DARLING: No, no, not you, young man.
JIM: Goodbye.
DARLING: Goodbye.
JIM: Aunt Sarah.
DARLING: Aunt Sarah.
SARAH: No.
DARLING: Aunt Sarah. Aunt Sarah!
WOMAN 4: Isn't it just too adorable?
JIM: Say, what's going on here?
Story: Mark Dindal (1960-) and Mark Kennedy
Screenplay: Steve Bencich, Ron J. Friedman and Ron Anderson
Inspired by: "Henny Penny" (traditional folk tale)
Producers: Randy Fullmer (1950–2023), Walt Disney V (1951–2016)
Composer: John Debney (1956-)
Premiere: October 30, 2005
Box office: $314.4 million
Critic Score: 36%.
Average Rating: 5.5/10
Consensus: In its first non-Pixar CGI venture, Disney expends more effort in the technical presentation than in crafting an original storyline.
MELVIN: Um... Uh...
ABBY: Ring the bell!
UMPIRE: You're out!
RUNT: Oh, poor Fish!
RUNT: Push! Push! No!
WOOLENSWORTH: Hmm.
FOXY: I won't go breaking your heart
Clearly a long shot, folks.
It's the old tip-the-cow play.
He's trying to lighten his load!
It was an ape throwing coleslaw?
Yes, Chicken Little, it's all yours!
Story: John Lasseter (1957-), Joe Ranft (1960–2005)
Screenplay: Dan Fogelman, John Lasseter (1957-), Joe Ranft (1960–2005)
Producer: Darla K. Anderson (1968-)
Composer: Randy Newman (1943-)
Box office: $462.0 million
Critic Score: 74% Certified Fresh
Average Rating: 6.9/10
Consensus: Cars offers visual treats that more than compensate for its somewhat thinly written story, adding up to a satisfying diversion for younger viewers.
McQUEEN: Ka-chow.
FILLMORE: Nice ruling.
DARRELL: He's back in!
SALLY: Yeah. Back then,
HICKS: Oh! (GRUNTING)
SALLY: Yes! Uh, amazing!
MALE: Yep! All right! Got it!
SALLY: It's newly refurbished.
McQUEEN: What? A minivan?
McQUEEN: I can't wait, Mater.
FEMALE: I love you, Lightning!
DARRELL: He lost momentum,
MATER: Oh, yeah, I'm tellin' ya!
McQUEEN: Turn right to go left.
McQUEEN: (SCREAMING) Ow!
DARRELL: He's lost another tire!
HARV: Okay, I get it, Mr. Popular.
SALLY: (SIGHING) Yeah, imagine.
MACK: Hey, Lightning! You ready?
McQUEEN: I'm gonna stick with them.
HUDSON: You drive like you fix roads.
FILLMORE: Respect the classics, man.
DARRELL: No! McQueen's blown a tire!
Story: Don Hall (1969-) (head of story)
Screenplay: Jon A. Bernstein, Michelle Spritz and Nathan Greno (1975-)
Based on: A Day with Wilbur Robinson (American picture book, 1990) by William Joyce
Producers: Dorothy McKim (1961-), Walt Disney V (1951–2016)
Composer: Danny Elfman (1953-)
Theatrical shorts: Working for Peanuts (in 3D) and Boat Builders (in 2D)
Box office: $169.3 million
Critic Score: 67%.
Average Rating: 6.3/10
Consensus: Meet the Robinsons is a visually impressive children's animated film marked by a story of considerable depth.
FRANNY: Wilbur!
MILDRED: Lewis!
FRANKIE: Master?
CORNELIUS: Okay.
SPIKE: You know what?
LEWIS: That's a prototype?
FRANNY: Now, don't be shy.
TALLULAH: Oh! He ate Carl!
AUNT BILLIE: One of a kind.
WILBUR: Look, I messed up.
MR. WILLERSTEIN: Coach...
TALLULAH: Is it gonna work?
WILBUR: Robinson Industries,
PETUNIA: Where's my sloppy joe?
MILDRED: Hi, folks. Everything all...
Boys! Dinner time!
GASTON: I win!
_________________________________
Story: Jan Pinkava (1963-), Jim Capobianco and Brad Bird (1957-)
Screenplay: Brad Bird (1957-)
Producer: Brad Lewis (1958-)
Composer: Michael Giacchino (1967-)
Box office: $623.7 million
Critic Score: 96% Certified Fresh
Average Rating: 8.4/10
Consensus: Fast-paced and stunningly animated, Ratatouille adds another delightfully entertaining entry – and a rather unlikely hero – to the Pixar canon.
WAITER: Oui, chef.
How can I describe it?
COLETTE: Set.
MAN: Three salade composée up.
MAN: Coming up.
LAROUSSE: Hello, Chef Skinner.
COLETTE: Coming around.
Story: Andrew Stanton (1965-) and Pete Docter (1968-)
Screenplay: Andrew Stanton (1965-) and Jim Reardon (1965-)
Producer: Jim Morris
Composer: Thomas Newman (1955-)
Box office: $521.3 million
Critic Score: 95% Certified Fresh
Average Rating: 8.6/10
Consensus: WALL-E's stellar visuals testify once again to Pixar's ingenuity, while its charming star will captivate younger viewers – and its timely story offers thought-provoking subtext.
M-O: EVE!
M-O: EVE!
EVE: "EVE."
AUTO: Let go.
WALL-E: EVE.
AUTO: Get off.
MAN: I gotcha!
WALL-E: Look.
EVE: WALL-E?
WALL-E: EVE...
WALL-E: Yoo-hoo!
CAPTAIN: Auto! Auto!
WALL-E: (IN AWE) Oh!
WALL-E: Whoa! Uh-oh!
STEWARD-BOT: Halt! Halt!
BEAUTICIAN-BOT: Oh, my.
BEAUTICIAN-BOT: Oh, my.
BEAUTICIAN-BOT: Uh-huh.
BEAUTICAN-BOT: Morning.
COMPUTER: Cruising speed.
BEAUTICIAN-BOT: Just a trim?
APPROACHING ROBOT: Whoa!
All communications are terminated.
Captain, you are needed on the bridge.
M-O: EVE!
EVE: Ah!
WALL-E: Whoa!
BEAUTICIAN-BOT: You're kidding!
CAPTAIN: Ooh!
_________________________________
Story: Ron Clements (1953-), John Musker (1953-), Greg Erb and Jason Oremland
Screenplay: Ron Clements (1953-), John Musker (1953-) and Rob Edwards (1963-)
Inspired by: The Frog Princess (American children's novel, 2002) by E. D. Baker
Producers: Peter Del Vecho (1958-), Walt Disney V (1951–2016)
Composers: Randy Newman (1943-), Joel McNeely (1959-)
Premiere: November 25, 2009; Wide release: December 11, 2009
Box office: $267.0 million
Critic Score: 85% Certified Fresh
Average Rating: 7.4/10
Consensus: The warmth of traditional Disney animation makes this occasionally lightweight fairy-tale update a lively and captivating confection for the holidays.
Consensus: Tinker Bell is a sweet, simple story which offers the warmth of traditional Disney animation and to make this occasionally lightweight fairy-tale, cartoon, and fantasy update a lively and captivating confection for the holidays.
RAY: No, no, no!
TIANA: Voodoo?
CLANK: Goodbye.
LAWRENCE: Sire!
FAIRY 1: So scary.
FAIRY 2: Look out!
LOUIS: How's that?
SILVERMIST: Whoa!
LOUIS: Tiana! Naveen!
MAN: He's a real gator!
TIANA: Those aren't logs.
RAY: I ain't touched it yet.
SILVERMIST: Tinker Bell!
LAWRENCE: Give it to me!
TINKER FAIRY: Let her go.
SPARROWMAN 1: Just did.
FAWN: We'll save you, Tink!
MAN: Ladies and gentlemen!
ROSETTA: Cover your tushy!
BOBBLE: Right! Here we are.
TIANA: Where you taking me?
BUTTERFLY: Congratulations.
BOBBLE: Gather round, ladies.
ALLIGATOR 3: We got all night.
EUDORA: "Just in that moment,
WOMAN: Ooh, that smells good!
ALLIGATOR 1: Where'd they go?
TINKER BELL: Let me show you!
FAIRY MARY: Not here, you don't!
FLOWER FAIRY 1: It's the Queen!
CLANK: Like me. I can be a wheel.
TINKER BELL: Just tie this off here.
CHARLOTTE: Cheese and crackers!
BEAUDREAUX: Will do, Cousin Ray!
RAY: Will you hold still, you big baby?
REVEREND: ...as you both shall live?
RAY: I'll take them the rest of the way.
CHARLOTTE: I do! I do! He's so cute!
NAVEEN: Ray! Get me out of this box!
VIOLET: I told y'all she wouldn't come.
CLANK: Well, spring won't spring itself.
BOBBLE: Like a wittle, wee baby, there.
ALLIGATOR 3:
That's my tail, pea brain!
CHARLOTTE:
Anything you want, sugar.
SUMMER:
But we can't! We can't do that!
BOBBLE:
And the fairies of Summer Glade
FLOWER FAIRY 1:
Get your pixie dust yet?
TINKER BELL:
The mouse's name is Cheese?
BOBBLE:
Glad we had a bath today, eh, Clank?
MR. FENNER 2:
You drive a hard bargain, Tiana!
FAIRY 1: Hello.
FAIRY 2: Hello.
NAVEEN: No, no...
TIANA: Don't...
FAIRY 1: What?
FAIRY 2: You all right?
FAWN: You fixed it!
SILVERMIST: Wow!
IRIDESSA: Beautiful!
ROSETTA: Amazing!
ROSETTA: Tinker Bell?
FAWN: Tinker Bell?
CLANK: Excuse us!
BOBBLE: Coming through!
TIANA: I can't see a thing!
NAVEEN: Neither can I!
IRIDESSA: I knew you'd get to go!
FAWN: Oh, Tink!
NAVEEN: Look out! Out of the way!
TIANA: Oh, no!
ALLIGATOR 2: Where'd they go?
ALLIGATOR 3: I saw him first!
FAWN: You, too! Fly with you later!
ROSETTA: Fly with you later!
FAWN: Don't get your wings in a bunch.
ROSETTA: Don't be like that.
Story: Nathan Greno (head of story) (1975-)
Screenplay: Dan Fogelman and Chris Williams (1968-)
Producers: Clark Spencer (1963-), Walt Disney V (1951–2016)
Composer: John Powell (1963-)
Theatrical short: Pixar's Tokyo Mater
Home entertainment short: Super Rhino
Premiere: November 17, 2008
Box office: $310.0 million
Critic Score: 89% Certified Fresh
Average Rating: 7.2/10
Consensus: Bolt is a pleasant animated comedy that overcomes the story's familiarity with strong visuals and likable characters.
WOMAN: Aw!
MAN: Spicy eyes!
MAN 2: You got it?
PENNY: Bolt! Help!
MITTENS: This is complicated.
TAYLOR ON TV: Why do you care?
PENNY: The Calico supercomputer.
MAN 1: Oh, boy. This thing is heavy.
All right, Scooter.
PENNY: I just...
_________________________________
Sequence Directors: Les Clark (1957-), Eric Larson (1955-), Wolfgang Reitherman (1959-)
Based on: "Sleeping Beauty" (French fairy tale, 1697) by Charles Perrault and "Little Briar Rose" (German fairy tale, 1812) by Brothers Grimm
Producer: Walt Disney V (1951–2016)
Voices: Barbara Jo Allen (1956–2024), Eleanor Audley (1955-), Candy Candido (1963-), Pinto Colvig (1942–2017), Mary Costa (1980-), Verna Felton (1940–2016), Taylor Holmes (1928–2009), Barbara Luddy (1958-), Dallas McKennon (1969-), Marvin Miller (1963-), Bill Shirley (1971-), Bill Thompson (1963–2021)
Theatrical short: Grand Canyon
Critic Score: 90%.
Average Rating: 8.2/10
Consensus: This Disney dreamscape contains moments of grandeur, with its lush colors, magical air, one of the most menacing villains in the Disney canon.
That's for the feet to go through.
In a faraway land long ago,
Oh, why did we leave her alone?
Fondly had these monarchs dreamed
FAUNA: Oh, Rose.
FLORA: Goodbye.
- "A long time ago, in a faraway kingdom, there lived a storyteller. He used his experience as a teller of fairy tales, combined with his love of new technology, to tell a classic story of the triumph of good over evil, with memorable characters, told with stunning art and animation; a classic film that has been beloved by generations. Join the celebration, as we explore the magic behind-the-scenes story of Walt Disney's dazzling masterpiece: Sleeping Beauty."
- "Disney began the ambitious plans for his third feature-length animated fairy tale in the early 1950s (2000s). Walt assigned a small team to begin adapting the classic fairy tale to the style of a Disney feature."
- "This early work resulted in a completed storyboard presentation in June of 1952 (2002). Walt concluded, however, that this story approach was too similar to past Disney efforts. If the Disney staff returned to the fairy tale, they could not simply duplicate Snow White or Cinderella."
- "This fresh approach to Sleeping Beauty would push the boundaries of animation, with its distinctive and exquisite art."
- "Eyvind Earle's unique and modern graphic style perfectly realized Walt's desire to create what he called a 'moving illustration'."
- "Walt's team of experienced animators faced a particular challenge: Making their characters live believably within this highly stylized world."
- "The climactic battle between Prince Phillip and the dragon was also intricately choreographed in live action, for use as a reference by the animators. It is shown here for the first time, in footage reconstructed from the only surviving still photos of the live action."
- "Marc Davis commanded the forces of both good and evil in Sleeping Beauty. He also supervised the design and animation of the cruel and elegant Maleficent."
- "To give Maleficent a powerful voice to match her evil character, Walt Disney personally suggested actress Eleanor Audley, who had brought Cinderella's wicked stepmother Lady Tremaine to chilling vocal life."
- "Veteran animators Frank Thomas and Ollie Johnston were given a happy task of bringing three good fairies to life."
- "During the production of Sleeping Beauty, voice recordings and live action reference films were made by many of Hollywood's best known character actresses, including Spring Byington, Madge Blake, and even Mayberry's Aunt Bee, Frances Bavier. As animation progressed, another gift was being given to the production of Sleeping Beauty."
- "Bringing much of this music to life was a lovely young singer, whose performance as both the singing and speaking voice of Sleeping Beauty was the beginning of her career as a star of the international opera stage."
- "Because of its strong reliance on classical music, Sleeping Beauty was recorded in state-of-the-art stereophonic sound. Similarly, its magnificent art and epic scope led to the decision to film Sleeping Beauty in the widescreen 70mm format."
- "All of these special processes and meticulous attention to detail had a cost, not just in money, but in the time it took to produce Sleeping Beauty. In addition to the complexity of Sleeping Beauty's production, Walt Disney and his staff were stretched thin, hard at work on Disneyland, three television series, and numerous live action films."
- "Sleeping Beauty premiered in the era of epic movies like Ben-Hur. But as was the case with many other epics, Sleeping Beauty was a gamble. Since it first opened however, Sleeping Beauty has become one of the most financially successful films released in 1959 (2009), second only to Ben-Hur, and Sleeping Beauty has influenced a whole new generation of young people, who have become the leaders of today's Walt Disney Feature Animation."
Story: Pete Docter (1968-), Bob Peterson (1961-) and Tom McCarthy (1966-)
Screenplay: Bob Peterson (1961-) and Pete Docter (1968-)
Producer: Jonas Rivera (1971-)
Composer: Michael Giacchino (1967-)
Box office: $731.3 million
Critic Score: 98% Certified Fresh
Average Rating: 8.7/10
Consensus: An exciting, funny, and poignant adventure, Up offers an impeccably crafted story told with wit and arranged with depth, as well as yet another visual Pixar treat.
CARL: Whoa!
GAMMA: I got it!
RUSSELL: Help!
CARL: Get down!
RUSSELL: Whoa!
CARL: Go on, Kevin!
GAMMA: Yeah, right!
BETA: Target sighted.
BETA: No, it was Dug.
CARL: Yeah? How so?
DUG: Hey, would you...
BETA: Where are they?
GAMMA: I hate squirrels.
RUSSELL: Whoa! Whoa!
DUG: Hey, I know a joke.
DOG 2: I will not bite you.
GAMMA: Getting the ball!
CARL: Wait up, Mr. Muntz.
RUSSELL: Mr. Fredricksen,
ELLIE: My Adventure Book.
RUSSELL: Let her go! Stop!
RUSSELL: Uh-huh. Uh-huh.
CARL: I am not your master!
CARL: No, I'm not. Red one.
MUNTZ: Nice talking with you.
RUSSELL: Wow! This is great!
BETA: Gray Leader, checking in.
RUSSELL: You gave away Kevin.
MUNTZ: I'm sorry about the dogs.
GAMMA: I'm gonna get there first!
DUG: Go toward the light, Master!
ALPHA: (IN SQUEAKY VOICE) No.
DUG: Alpha? I am not Alpha. He is...
RUSSELL: This is fun already, isn't it?
DUG: The bird is calling to her babies.
RUSSELL: Dug, stop bothering Kevin!
DUG: I do not like the Cone of Shame.
RUSSELL: Can we keep him? Please?
Here's Charles Muntz
The organization strips Muntz
And, golly, what a swell monster this is!
RUSSELL: Sorry.
DUG: Uh... Tomorrow.
BETA: What's Dug doing?
GAMMA: What do we do with Dug?
DOG 2: The bird's gone...
Story: Mark Kennedy (head of story)
Screenplay: Dan Fogelman
Based on: "Rapunzel" (German fairy tale, 1812) by Brothers Grimm
Producers: Roy Conli (1971-), Walt Disney V (1951–2016)
Composers: Alan Menken (1949-), Joel McNeely (1959-)
Premiere: November 14, 2010; Wide release: November 24, 2010
Box office: $591.8 million
Critic Score: 89% Certified Fresh
Average Rating: 7.5/10
Consensus: While far from Disney's greatest film, Tangled is a visually stunning, thoroughly entertaining addition to the studio's classic animated canon.
Consensus: Visual stunning and throughly entertaining addition to the studio's classic animated canon, Muppets & Fairies' Autumn Treasure delivers Jim Henson's lovable creations a welcome party, with its lush colors and magical air – while possessing a passable plot and far from Disney's greatest film.
Story: John Lasseter (1957-), Andrew Stanton (1965-) and Lee Unkrich (1967-)
Screenplay: Michael Arndt (1970-)
Producer: Darla K. Anderson (1968-)
Composer: Randy Newman (1943-)
Box office: $1,063.2 billion
Critic Score: 98% Certified Fresh
Average Rating: 8.9/10
Consensus: Deftly blending comedy, adventure, and honest emotion, Toy Story 3 is a rare second sequel that really works.
KEN: Horse.
BUZZ: Wow!
HAMM: Hey!
REX: Hooray!
ALIENS: Ooh!
JESSIE: Buzz!
LOTSO: Not him.
HAMM: Look out!
JESSIE: Yoo-hoo!
WOODY: Hang on!
BARBIE: Ken! Ken?
WOODY: Psst! Psst!
MOLLY: It wasn't me.
JESSIE: Poor Barbie.
TWITCH: Get in there!
LOTSO: Let's see here.
LOTSO: Listen up, folks.
BUZZ: Stop! No! No! No!
WOODY: Get up. Buster!
ANDY: You will be, Mom.
KEN: What do you want?
MOLLY: Come on, Buster.
HAMM: I get the Corvette.
BONNIE'S MOM: Bonnie?
WOODY: Come on. Hurry!
HAMM: Oh, boy. Incoming!
HAMM: Oh, this is just sad.
WOODY: Got it. What else?
BARBIE: This is so exciting!
BOOKWORM: Ah! Here it is.
JESSIE: Woody! Down here!
BUZZ: Target is on approach.
MOLLY: I wasn't in your room.
HAMM: Holy moly guacamole.
HAMM: Sounds like kids to me.
HAMM: Yeah, but now it's here.
VOICE BOX: Reach for the sky!
MOLLY: Then, yes, I'll miss you.
ANDY'S MOM: I know. It's just...
LOTSO: Well, stop your worryin'.
CHUCKLES: Yeah, I knew Lotso.
WOODY: For infinity and beyond.
MR. POTATO HEAD: That's right.
HAMM: Shush! Will you be quiet?
WOODY: Hold on, we're going in!
SPARKS: Neither are you, Chunk.
BUZZ: What are ya... Unhand me!
LOTSO: Well, thank you, Big Baby.
CHATTER TELEPHONE: Hallways.
HAMM: I think he said, "All at once."
VOICE BOX: To infinity and beyond!
BONNIE'S MOM: Wow. Look at you.
ANDY: I'll get something on the way.
JESSIE: What do you see? Anything?
BONNIE'S MOM: Bonnie, you in here?
MR. POTATO HEAD: What did he say?
VOICE BOX: You're my favorite deputy.
REX: At last! I'm gonna get played with!
DOLLY: Yeah, she really got your smile.
MRS. POTATO HEAD:
Thank goodness!
VOICE BOX:
There's a snake in my boot.
VOICE BOX:
There's a snake in my boot.
MRS. POTATO HEAD:
With the big kids!
MR. POTATO HEAD:
How do you know?
CHATTER TELEPHONE:
Eight-feet high.
MR. POTATO HEAD:
Well, that went well.
VOICE BOX:
Buzz Lightyear to the rescue!
MR. POTATO HEAD:
Hey, hey, hey, buddy!
CHATTER TELEPHONE:
I'm sorry, cowboy.
ANDY'S MOM:
Look how tall you're getting.
MRS. POTATO HEAD:
They sound so sweet.
CHATTER TELEPHONE:
Good luck, cowboy.
BONNIE'S MOM:
Ooh. You hear that, Bonnie?
CHATTER TELEPHONE:
Even the playground.
VOICE BOX:
Somebody's poisoned the water hole.
BARBIE: Love...
KEN: You.
KEN: Cowgirl.
JESSIE: Here.
KEN: Barbie.
BARBIE: Here.
KEN: Ready?
BARBIE: Ready.
REX: He did it!
HAMM: Yes, sir!
KEN: Tyrannosaurus.
REX: Here.
REX: Geronimo!
HAMM: Look out!
MAN 1: Hey!
MAN 2: What you got?
KEN: Springy dog.
SLINKY: Present.
CHUNK: All right.
KEN: Here we go.
MOLLY: Mom.
ANDY'S MOM: No buts.
BARBIE: I'll wait up for you.
KEN: Kisses!
JESSIE: Look!
MR. POTATO HEAD: Wow!
JESSIE: Woody? You okay?
WOODY: Yeah.
MOLLY: Can I have your stereo?
ANDY: No.
WOODY: Just push it! Push it!
BUZZ: Push it!
JESSIE: He did it!
HAMM: All right, Slinkykins.
BUZZ: How many?
HAMM: There must be dozens.
JESSIE: Look at this place.
MR. POTATO HEAD: Wow!
MOLLY: Why not?
ANDY: 'Cause I'm taking it with me.
ANDY: I'm gonna miss you.
ANDY'S MOM: Don't, Andy.
HAMM: So now what do we do?
WOODY: We go back to Andy's.
MRS. POTATO HEAD: My babies!
WOODY: Hey, guys! No! No!
_________________________________
Story/Screenplay: Stephen J. Anderson (1969-), Don Hall (1969-), Clio Chiang, Don Dougherty, Kendelle Hoyer, Brian Kesinger, Nicole Mitchell and Jeremy Spears
Based on: Winnie-the-Pooh and The House at Pooh Corner (British storybooks, 1926–28) by A. A. Milne
Producers: Peter Del Vecho (1958-), Clark Spencer (1963-), Walt Disney V (1951–2016)
Composers: Henry Jackman (1974-), Joel McNeely (1959-), Kristen Anderson-Lopez (1972-), Robert Lopez (1975-)
Theatrical short: The Ballad of Nessie
Premiere: July 10, 2011; Wide release: July 15, 2011
Box office: $45.7 million
Critic Score: 91% Certified Fresh
Average Rating: 7.2/10
Consensus: Short, nostalgic, and gently whimsical, Winnie the Pooh offers young audiences – and their parents – a sweetly traditional family treat.
Consensus: Endearingly lovely, short, nostalgic, and gently whimsical, Tinker Bell's Midsummer Rescue uses a sweetly traditional family treat, inventive storytelling, gorgeous animation, and a talented cast to deliver another rich moviegoing experience to friendship tale.
TIGGER: Oh.
PIGLET: Okay.
TIGGER: Hooray!
BOBBLE: Get back!
TINKER BELL: Vidia!
CLANK: Righty-o, Bobble.
ROO: So, can you read it?
POOH: Well, I was moving.
ROSETTA: Our wings are wet.
IRIDESSA: That's a good point.
SILVERMIST: Brace yourselves!
NARRATOR: And so they all used
PIGLET: I found something. Here.
The wings are so fresh.
This isn't a human house.
While Rabbit and the others
Christopher Robin explained
Just then, Pooh spotted a note.
Well, of course, my darling.
And who knows when they'll be dry.
No, silly. Put your arms down.
Well, I'm gonna remain optimistic.
POOH: Ooh!
RABBIT: Honey.
RABBIT: Ooh, honey!
BOBBLE: I can't feel my legs.
LIZZY: Coming, Father!
BOBBLE: House! Get off.
LIZZY: What?
DR. GRIFFITHS: Not just now, Lizzy.
Story/Screenplay: Bill Peet (1965-)
Based on: The Hundred and One Dalmatians (British novel, 1956) by Dodie Smith
Producer: Walt Disney V (1951–2016)
Voices: Sandra Abbott, Barbara Beaird (1998-), Cate Bauer (1972-), Marjorie Bennett (1946-), Lucille Bliss (1966-), Tom Conway (1954–2017), Lisa Davis (1986-), David Frankham (1976-), Paul Frees (1970-), Betty Lou Gerson (1964-), Mimi Gibson (1998-), Ramsay Hill (1940-), Bill Lee (1966-), Queenie Leonard (1955-), Barbara Luddy (1958-), Micky Maga (2000-), J. Pat O'Malley (1954-), Tudor Owen (1948-), George Pelling (1964-), Thurl Ravenscroft (1964-), Rod Taylor (1980-), Martha Wentworth (1939–2024), Frederick Worlock (1936–2023), Ben Wright (1965-)
Box office: $215.0 million
Critic Score: 98% Certified Fresh.
Average Rating: 8.1/10
Consensus: With plenty of pooches and a memorable villain (Cruella De Vil), this is one of Disney's most enduring, entertaining animated films.
LUCKY: Mother, Dad,
LABRADOR: Run for it!
ROGER: I'm terribly sorry.
ANITA: Roger, what on earth...
ANITA: Roger, you are an idiot!
PONGO: But I wasn't giving up.
MAN: Wilt thou love her, comfort her,
PERDY: Shh, children. Children, shh.
MAN: (SHOUTING) Will you be quiet!
JASPER: Aw, please, miss. Have pity.
ANITA: We're doing everything possible.
ANITA: Yes, Scotland Yard.
Story: John Lasseter (1957-), Brad Lewis (1958-) and Dan Fogelman
Screenplay: Ben Queen
Producer: Denise Ream
Composer: Michael Giacchino (1967-)
Box office: $559.9 million
Critic Score: 40%.
Average Rating: 5.5/10
Consensus: Cars 2 is as visually appealing as any other Pixar production, but all that dazzle can't disguise the rusty storytelling under the hood.
HOLLEY: Oh, no!
DARRELL: Whoo, boy!
MATER: Hi-hi-tah! Huh!
SALLY: Ah, this is so nice.
McQUEEN: No, wait! Wait!
COMPUTER: Deploying chute.
BRENT: You aren't kidding, David.
FINN: Get him out of the pits. Now!
ANNOUNCER: In secondo position,
ZÜNDAPP: Down! Everybody, down!
BRENT: French rally car Raoul ÇaRoule
He is afraid of Francesco.
He's dead, Professor.
McQUEEN: Are you okay?
Story: Brenda Chapman (1962-)
Screenplay: Mark Andrews, Steve Purcell (1961-), Brenda Chapman (1962-), Irene Mecchi
Producer: Katherine Sarafian (1969-)
Composer: Patrick Doyle (1953-)
Box office: $539.0 million
Critic Score: 78% Certified Fresh
Average Rating: 7/10
Consensus: Brave offers young audiences and fairy tale fans a rousing, funny fantasy adventure with a distaff twist and surprising depth.
MERIDA: And, Lord Macintosh,
MERIDA: Where are these wisps?
Merida, come along, sweetheart.
Bah, it's just a legend.
Think we should lay a trap?
I'm doing all the pulling here.
I propped it open with a stick.
Down you go, you scoundrel.
You can see my house from here.
Oh, and what exactly are we after...
Story: Chris Buck (1960-), Jennifer Lee (1971-) and Shane Morris
Screenplay: Jennifer Lee (1971-)
Inspired by: "The Snow Queen" (Danish fairy tale, 1845) by Hans Christian Andersen
Producers: Peter Del Vecho (1958-), Walt Disney V (1951–2016)
Composers: Christophe Beck (1969-), Joel McNeely (1959-), Kristen Anderson-Lopez (1972-), Robert Lopez (1975-)
Theatrical short: Get a Horse!
Premiere: November 19, 2013; Wide release: November 27, 2013
Box office: $1,276.5 billion
Critic Score: 90% Certified Fresh
Average Rating: 7.7/10
Consensus: Beautifully animated, smartly written, and stocked with singalong songs, Frozen adds another worthy entry to the Disney canon.
Consensus: Joyful, beautifully animated, fast-paced, and smartly written, Muppets & Fairies' Wintry Secret adds another worthy entry to the Disney canon that is stocked with singalong songs to look as iridescently gorgeous as the winter wonderland.
ANNA: Elsa!
WOMAN: There she is!
KRISTOFF: So, uh, tell me,
2.39:1 Widescreen, White Subtitles
_________________________________
FELIX: Quitting time!
PLAYER 2: Mr. Litwak!
RALPH: No, no! Wait, wait!
KING CANDY: Okay, calm down.
WYNNCHEL: Come on! Go! Roll!
ANNOUNCER: Taffyta Muttonfudge!
KING CANDY: Now, now! (LAUGHS)
FELIX: The vines. They're Laffy Taffy.
Vanellope von Schweetz!
There was a patch of ice.
Jamie, who are you talking to?
MONTY: And Santa!
BOY: Wow, it's real!
BOY: I don't understand.
BUNNY: Happy Easter!
CALEB: Tooth fairy cash!
Story: Dan Scanlon (1976-), Dan Gerson (1966–2016) and Robert L. Baird
Screenplay: Dan Scanlon (1976-), Dan Gerson (1966–2016) and Robert L. Baird
Producer: Kori Rae
Composer: Randy Newman (1943-)
Box office: $743.6 million
Critic Score: 80% Certified Fresh
Average Rating: 6.8/10
Consensus: Offering Monsters, Inc. fans a return visit with beloved characters, Monsters University delivers funny and thoughtful family entertainment for viewers of any age.
MIKE: Cool.
MIKE: Okay!
DON: Mike...
MIKE: Sulley!
KNIGHT: Sullivan.
MONSTER: Whoo-hoo!
COACH: Stroke! Stroke!
DON: (CHUCKLES) Hey!
HARDSCRABBLE: How?
LITTLE MONSTER 2: I know!
DON: They're right behind us!
RANGER 6: I saw movement!
SULLEY: Come on! Dig deep!
SQUISHY: Mom! Start the car!
MIKE: It's been tampered with.
GIRL 3: A little funny green guy.
TERRY: My tentacle fell asleep.
MIKE: Okay! Listen up, Oozmas.
MALE RANGER: Call for backup.
GIRL 2: It's the middle of the night.
MALE TEENAGER 3: You're lame.
SHERRIE: Boys! It's a school night!
HARDSCRABBLE: You're not scary.
MONSTER 3: Hey, guys! Over here!
MOTHER: See? I told you. He's fine.
JOHNNY: No one will remember you.
GIRL 4: I want to touch it! It's so cute!
TOUR GUIDE: Oops. Stop right there.
DON: That's a pretty good one, Squish.
TOUR GUIDE:
Now, stay close together.
FEMALE MONSTER:
Come on! Let's go!
LITTLE MONSTER 3:
Look, he's going to
FEMALE TEENAGER 1:
I'm on the phone!
SCREAM-CAN PROFESSOR:
Welcome back.
MALE TEENAGER 1:
No one understands me!
FOREST RANGER:
Assistance on the north side.
LITTLE MONSTER 1:
Look at that! It's amazing!
FEMALE TEENAGER 2:
But, Daddy, I love him!
JTC PRESIDENT:
Did you see him catch that pig?
MALE DORM PROCTOR:
Wazowski, Room 319.
FEMALE MONSTER:
You could have gotten hurt!
MALE SCARER SUPERVISOR:
Let's go, everybody!
LITTLE MONSTER:
You don't belong on a Scare Floor.
MALE CAMP COUNSELOR:
Bear! A bear in the camp!
FEMALE MONSTER ON PA:
West coast coming online.
FEMALE MONSTER ON PA:
All Scare Floors now active.
MALE DOOR TECHNICIAN:
So your calculations were a little off.
ALL: Wow!
MIKE: Excuse me. Fellas.
MONSTER 1: Where did he go?
MONSTER 2: He's dead meat.
_________________________________
Story/Screenplay: Bill Peet (1965-)
Based on: The Sword in the Stone (British novel, 1938) by T. H. White
Producer: Walt Disney V (1951–2016)
Voices: Norman Alden (1974-), Barbara Jo Allen (1956–2024), Sebastian Cabot (1968-), James MacDonald (1956-), Junius Matthews (1940-), Alan Napier (1953-), Tudor Owen (1948-), Thurl Ravenscroft (1964-), Richard Reitherman (1997-), Robert Reitherman (2000-), Rickie Sorensen (1996-), Karl Swenson (1958-), Ginny Tyler (1975-), Martha Wentworth (1939–2024)
Critic Score: 65%.
Average Rating: 6/10
Consensus: A decent take on the legend of King Arthur, The Sword in the Stone suffers from relatively indifferent animation, but its characters are still memorable and appealing.
MAN: Hail, King Arthur!
ARTHUR: Kay, Kay, here's a sword.
Change to something else, Merlin.
You're gonna have a time pulling it out.
Story: Chris Buck (1960-), Jennifer Lee (1971-) and Marc E. Smith
Screenplay: Jennifer Lee (1971-)
Inspired by: Treasure Island (Scottish novel, 1883) by Robert Louis Stevenson
Producers: Peter Del Vecho (1958-), Aimee Scribner, Walt Disney V (1951–2016)
Composers: Christophe Beck (1969-), Joel McNeely (1959-), Kristen Anderson-Lopez (1972-), Robert Lopez (1975-)
Premiere: March 4, 2015; Wide release: March 13, 2015
Theatrical short: Feast
Box office: $80.4 million
Critic Score: 80% Certified Fresh
Average Rating: 7/10
Consensus: Wonderfully animated, packed with exciting energy, and full of fun references to the world of Peter Pan, Muppetational & Winged Pirate is a lively swashbuckling pirate-themed adventure of the canon with another example of how new ideas can help keep a saga fresh.
CLARION: Oh!
OLAF: All fixed.
JAMES: That's right.
TINKER BELL: You...
TINKER BELL: Clank!
VIDIA: Hang on, guys!
STARBOARD: Encore!
TINKER BELL: Oh, no.
SILVERMIST: Big pole.
IRIDESSA: It looks like...
SILVERMIST: We're free!
TINKER BELL: Uh, Zarina,
IRIDESSA: Anchor's away!
OPPENHEIMER: Right, 21.
STARBOARD: Move it, Port.
FAIRY GARY: Good morning,
PORT: We got their blue dust!
YANG: That's it, hold it in place.
STARBOARD: The lad is flying!
JAMES: To our cunning captain.
TINKER BELL: Push the button!
BONITO: A beautiful suggestion.
VIDIA: Sil, Fast Flyer, check it out.
STARBOARD: Oh, that golden dust.
YANG: (LAUGHS) Work faster, now!
JAMES: Captain says, restock the ship.
PORT: I'll move it in me own good time.
Okay, okay, here we go.
"Dry Banana Hippy Hat"?
Make sure the seams are sealed.
What if we tie her wings together?
He's a smart one, isn't he?
Silvermist, are you okay?
You're not going anywhere.
Well, at least our wings are dry.
(GASPS) We're losing her!
Well, it's not theirs anymore.
JAMES:
Right, watch the angle of the flume.
Oh, my! Up, up and away!
That was what I was thinking.
I'm probably gonna walk around a little.
All right, just give me the strap.
You know, I remember when I couldn't
Shiver me timbers, we're flying!
Welcome one, welcome all
I just said that, you daft potato muncher.
YANG: You know, he's right.
ROSETTA: Oh.
PORT: Oh, yes! Nice!
PORT: A tiny plank!
PORT: Are you talking to me?
The next day, a number of elderly, sour-faced nannies wait outside the Banks' home, but a strong gust of wind blows them away. Jane and Michael then witness a young nanny descending from the sky using her umbrella. Presenting herself to Mr. Banks, Mary Poppins calmly produces the children's restored advertisement and agrees with its requests but promises the astonished banker she will be firm with his children. As Mr. Banks puzzles over the advertisement's return, Mary Poppins hires herself, and she convinces him it was originally his idea. She meets the children and helps them magically tidy their nursery by snapping her fingers, before heading out for a walk in the park ("Spoonful of Sugar").
Outside, they meet Mary's old friend, Bert, working as a screever; Mary Poppins uses her magic to transport the group into one of his drawings. While the children ride on a carousel, Mary Poppins and Bert go on a leisurely stroll. Together, they sing ("Jolly Holiday"), and Bert flirts with Mary Poppins. After the duo meets up with the children, Mary Poppins enchants the carousel horses; Bert rescues a fox from a fox hunt; they take part in a horse race which Mary wins. Describing her victory, Mary Poppins uses the nonsense word ("Supercalifragilisticexpialidocious"). The outing is ended when a thunderstorm dissolves Bert's drawings, returning the group to London.
The next day, the three meet Bert's odd Uncle Albert, who has floated up in the air because of his uncontrollable laughter and they join him for a tea party on the ceiling with lots of jokes ("I Love to Laugh"). Afterward, Mr. Banks becomes annoyed by the household's cheery atmosphere, and he threatens to fire Mary Poppins, but she manipulates him into taking the children to his workplace, the bank, the next day. That evening, Mary tells the children of the woman who sits by St. Paul's cathedral selling bird feed (“Feed The Birds”). The next day at the bank, the children meet Mr. Dawes. Mr. Dawes aggressively urges Michael to invest his tuppence in the bank, ultimately snatching the coins from Michael. ("Fidelity Fiduciary Bank") Michael demands them back; other customers overhear the conflict, and they all begin demanding their own money back, causing a bank run.
Jane and Michael flee the bank, getting lost in the East End until they again meet up with Bert, now working as a chimney sweep, who escorts them home ("Chim Chim Cheree"). The three and Mary Poppins venture onto the rooftops, where they have a song-and-dance number with other chimney sweeps, which spills out into the Banks' home ("Step in Time") after their neighbor Admiral Boom shoots fireworks at them, mistaking them for robbers. Mr. and Mrs. Banks return to home to find Bert's friends dancing in their home and sends them away. Mr. Banks then gets a phone call from the bank requesting a meeting with him about what the children did. The children overhear the phone call and realize that their father is in trouble. Bert tells Mr. Banks that he needs to spend more time with his children before they grow up ("A Man Has Dreams"). Michael gives his father the tuppence in the hope to make amends.
Mr. Banks walks through London to the bank, where he is given a humiliating cashiering and is dismissed. Looking to the tuppence for words, he blurts out "Supercalifragilisticexpialidocious", tells a joke, and happily heads home. Mr. Dawes mulls over the joke and, finally understanding it, floats up into the air, laughing.
- "That's her name. And here's the behind-the-scenes story of the making of Walt Disney's supercalifragilisticexpialidocious masterpiece...(Mary Poppins, practically perfect in every way.)"
- "What many people don't realize is that Walt Disney's interest in Mary Poppins dated back to 1939 (1989). Mary Poppins had been published in 1934 (1984) and was wildly popular in England. Walt's brother Roy Disney began negotiations with the author P.L. Travers in 1944 (1994) while Travers was living in New York to escape the Nazi bombings of London. Many years went by, but the tenacious Mrs. Travers finally released the film rights to the equally determined Mr. Disney in 1961 (2011)."
- "Instead of giving the book to a screenwriter or animation director, Walt first called upon songwriters to look at Mary Poppins."
- "The Sherman brothers set to work with story man Don DaGradi, who developed their story ideas through drawings."
- "In casting the pivotal role of the magical nanny, a bright young musical star caught Walt's eye."
- "In a casting choice that many critics thought odd, Walt chose all-American Dick Van Dyke as Mary Poppins' cockney companion Bert."
- "Child actors Karen Dotrice and Matthew Garber, who had starred in Disney's Three Lives of Thomasina, were cast as the Banks children, Jane and Michael."
- "Film and stage star Glynis Johns was cast as the suffragette Mrs. Banks. Prim British actor David Tomlinson joined Mary Poppins as Mr. Banks. Disney favorite Ed Wynn made a cameo appearance as Uncle Albert, and the role of the bird woman was played by Jane Darwell, best known for her role as Ma Joad in The Grapes of Wrath; Mary Poppins was her last film. But because establishing a distinguished human cast for Mary Poppins was only half the job, there was an animated cast of co-stars too, and all of these actors had to perform together in a fantasy world."
- "The warm and nostalgic London settings for Mary Poppins were also created by movie magic, entirely at the Disney studio."
- "Even Walt's newest technology, Audio-Animatronics, had a featured role in Mary Poppins."
- "Mark Breaux and Dee Dee Wood, who had assisted legendary choreographer Michael Kidd, were brought on to direct the dancing, not only of the principal cast, but of chimney sweeps, bank executives, and even penguins. In this rare never-before-seen footage, the chimney sweeps rehearse the lively Step in Time number in the summer heat on the Disney backlot. Choreographer Dee Dee Wood stands in for Julie Andrews."
- "This ruckus routine was suggested by Englishman Peter Ellenshaw and based on a traditional British pub dance, Knees Up Mother Brown."
- "All through 1964 (2014), every sound stage of the Disney studio bustled with the production of Mary Poppins."
- "This rare outtake exemplifies the happy mood of the Mary Poppins production."
- "While Mary Poppins was in production, Disney geared up one of the largest and most enthusiastic promotional campaigns in the history of the studio."
- "In grand Hollywood style, Mary Poppins met the world. Critics greeted the film with raves unlike any scene at Disney since Snow White and the Seven Dwarfs. In 1965 (2015), Mary Poppins was honored with 13 Academy Award nominations and went on to win five Oscars, including Best Actress, for the woman who wasn't considered 'movie material', Julie Andrews. In 1991, Julie Andrews was honored at the Disney studio as a Disney Legend."
- "Mary Poppins also won an Oscar for its fantastic visual effects. The Sherman brothers' musical score won an Academy Award, as did their popular song Chim Cim Cher-ee. Awards and accolades aside, in Mary Poppins, Walt Disney found a special meaning that moved him deeply."
- "In the end, the film that touched him personally was also Walt Disney's greatest professional triumph."
Story: Joe Mateo and Paul Briggs (heads of story) (1974-)
Screenplay: Robert L. Baird, Dan Gerson (1966–2016) and Jordan Roberts
Based on: the characters of "Big Hero 6" (American comic book, 1998–present) by Man of Action
Producers: Roy Conli (1971-), Kristina Reed
Composer: Henry Jackman (1974-)
Theatrical short: Feast
Premiere: October 23, 2014; Wide release: November 7, 2014
Box office: $657.8 million
Critic Score: 89% Certified Fresh
Average Rating: 7.3/10
Consensus: Agreeably entertaining and brilliantly animated, Big Hero 6 is briskly-paced, action-packed, and often touching.
WASABI: Ah...
WASABI: Hey!
MAN 2: Watch it!
HIRO: Hey, guys!
KREI: That's right.
BAYMAX: Tadashi.
OFFICER: Move it!
MAN: Get up! Get up!
HONEY LEMON: Hiro.
BAYMAX: I am Baymax,
WASABI: "Dr. Slaughter, MD"?
CALLAGHAN: Mr. Krei is right.
FRED: (GASPS) He's glorious.
BAYMAX: Seatbelts save lives.
BAYMAX: I have some concerns.
You gotta be kidding me.
We're not gonna make it!
Functionality improved.
This is Tadashi Hamada.
That's what I'm talking about.
He's trying to kill us!
We're gonna make it!
His blood type is AB-negative.
This is your decision, Hiro.
HONEY LEMON: What?
GO GO: Not bad!
WASABI: Never gonna happen.
_________________________________
Co-Director: Jared Bush
Story: Byron Howard (1968-), Rich Moore (1963-), Jared Bush, Phil Johnston (1971-), Jennifer Lee (1971-), Josie Trinidad (head of story) and Jim Reardon (head of story) (1965-)
Screenplay: Jared Bush and Phil Johnston (1971-)
Producers: Clark Spencer (1963-), Walt Disney V (1951–2016)
Composers: Michael Giacchino (1967-), Joel McNeely (1959-)
Premiere: February 17, 2016; Wide release: March 4, 2016
Box office: $1,024.0 billion
Critic Score: 98% Certified Fresh
Average Rating: 8.1/10
Consensus: The brilliantly well-rounded Zootopia offers a thoughtful, inclusive message that's as rich and timely as its sumptuously state-of-the-art animation – all while remaining fast and funny enough to keep younger viewers entertained.
Consensus: Whimsical, heartwarming and uproariously powerful enough, the brilliantly well-rounded NeverZootropolis Legend offers a thoughtful, inclusive message that's as rich and timely as its sumptuously state-of-the-art animation – while remain fast and funny enough to keep younger viewers entertained.
NICK: Uh, no.
JUDY: It's him!
NICK: Oh, boy.
MANCHAS: You...
FAIRY 2: Yay, Gruff!
ORYX: Hey, shut up!
JUDY: I will find him.
FAWN: Gruff? Gruff?
FAIRY: Is that Fawn?
BELLWETHER: Judy!
BUCK: Thanks, Gruff!
TINKER BELL: Fawn!
TINKER BELL: Fawn!
YAX: (CHANTING) Om!
ORYX: I said, "Shut up!"
CLAWHAUSER: Chief...
TINKER BELL: On three!
MEAN KID ANIMAL: Okay.
NYX: Just like the other two.
NICK: Mission accomplished.
SCRIBBLE: Bup-bup! Please.
CLAWHAUSER: Here you go.
FAWN: No, Gruff! Wrong way!
FAWN: (SHOUTING) Incoming!
TINKER BELL: Fawn, you can't!
GAZELLE: Wow! I'm impressed.
MRS. OTTERTON: (SIGHS) Oh!
MEAN KID ANIMAL: Okay, Nick.
IRIDESSA: (WHIMPERS) Oh, no.
Filthy toilet!
At twenty-two hundred hours...
Listen up, cadets.
Yeah, you're doing really good.
You're dead, Farm Girl!
You're dead, Bunny Bumpkin!
STU: Never.
BELLWETHER: Hmm.
KUDU: You shut up!
SILVERMIST: Fawn.
KUDU: You shut up!
SILVERMIST: Hi, Gruffy.
VIDIA: Is she okay?
SILVERMIST: Be brave!
ROSETTA: Come on, Gruff.
Story: Pete Docter (1968-) and Ronnie del Carmen (1959-)
Screenplay: Pete Docter (1968-), Meg LeFauve and Josh Cooley (1980-)
Producer: Jonas Rivera (1971-)
Composer: Michael Giacchino (1967-)
Box office: $857.4 million
Critic Score: 98% Certified Fresh
Average Rating: 8.9/10
Consensus: Inventive, gorgeously animated, and powerfully moving, Inside Out is another outstanding addition to the Pixar library of modern animated classics.
SADNESS: Right.
BING BONG: Ow.
GIRL 1: Go, Riley!
SADNESS: Whoa!
BING BONG: Huh!
BING BONG: Sure!
GIRL 1: You got this!
DAD: You're kidding.
JOY: No, no. No, no!
ANGER: Not for long!
ENGINEER: Come on!
JOY: Which way? Left?
JOY: Now we're talking!
GUARD 1: No escaping!
DAD: All right. Goodbye.
BING BONG: You made it!
BING BONG: Almost there!
COACH: Nice hustle, ladies!
MOM: We were worried sick!
BING BONG: I love that one!
SADNESS: Ooh, it was awful.
GIRL: Pass! Shoot it! Shoot it!
GIRL: Did you see her? Hello!
BING BONG: You can't do this!
JOY: Oh, I love Honesty Island.
GIRL 1: That's crazy. It really is.
JOY: It's the quickest way back.
FEAR: Ah! The Core Memories!
BING BONG: Ow, I hurt all over.
ANGER: Get out the rubber ball,
FEAR: Wait, wait, hang on, guys.
JOY: Oh, good. Family is running.
DAD: (LAUGHING) Oh, you're silly.
FEAR: Hey, I'm liking this new view.
SADNESS: We lost Goofball Island.
JOY: Sadness, stop! It was working!
ANGER: They can pay to get us out.
MOM: Have a great day, sweetheart!
BING BONG: Two-time world champ.
JOY: And that was just the beginning.
ANGER: You want Riley to be happy?
DIRECTOR: Today's memories are in!
SADNESS: That's Long Term Memory.
DISGUST: Emotions can't quit, genius!
TEACHER: And how about Minnesota?
SADNESS: Oh, no, we're Nonfigurative.
FEAR: Are you sure we want to do this?
Riley's Islands of Personality.
I know people in Headquarters!
MOM: The car!
JOY: Whoo!
JOY: Oh, no.
MOM: Be right there!
FEAR: Okay! Going in! Yes!
BING BONG: Ow!
ANGER: It's gonna be great!
COACH: Let's pick it up out there!
DISGUST: It's absolutely the worst.
JOY: Who put broccoli on pizza?
DISGUST: I'm gonna be sick.
FEAR: What are we going to do?
SADNESS: Do we have to?
Story: Peter Sohn (1977-), Erik Benson, Meg LeFauve, Kelsey Mann and Bob Peterson (1961-)
Screenplay: Meg LeFauve
Producer: Denise Ream
Composer: Mychael Danna (1958-) and Jeff Danna (1964-)
Box office: $331.9 million
Critic Score: 76% Certified Fresh
Average Rating: 6.6/10
Consensus: The Good Dinosaur delivers thrillingly beautiful animation in service of a worthy story that, even if it doesn't quite live up to the lofty standards set by Pixar, still adds up to charming, family-friendly entertainment.
LIBBY: Ooh!
ARLO: Wow.
LIBBY: Ha-ha!
MOMMA: Arlo!
POPPA: Hmm?
SPOT: Whoo-hoo!
ARLO: Help! Help!
ARLO: Uh, tracks?
NASH: Who does that?
ARLO: Good boy, Spot.
POPPA: We're losing it!
MOMMA: Henry, it's time.
ARLO: Hey. Hey. No. Stop!
ARLO: I'm never getting home.
ARLO: You're gonna love it, Spot.
VOICE: We've been watching you.
POPPA: Go on, Buck. You earned it.
ARLO: Where am I? Where's home?
DOWNPOUR: No, I didn't say you were.
Come back with that critter!
Story: Andrew Stanton (1965-)
Screenplay: Andrew Stanton (1965-) and Victoria Strouse
Producer: Lindsey Collins
Composer: Thomas Newman (1955-)
Box office: $1,028.1 billion
Critic Score: 94% Certified Fresh
Average Rating: 7.6/10
Consensus: Funny, poignant, and thought-provoking, Finding Dory delivers a beautifully animated adventure that adds another entertaining chapter to its predecessor's classic story.
HANK: Sorry.
MARLIN: Becky.
JENNY: A whale?
NEMO: Whoo-hoo!
DORY: Mmm, got it.
MR. RAY: Dory! Dory!
BABY DORY: Really?
DORY: Marlin? Nemo?
DAISY: We are so fired.
BAILEY: Zzz... (GASPS)
DESTINY: Dory! I'm sorry!
BABY DORY: Hi, I'm Dory.
FLUKE: Just pick one, mate.
CRUSH: Go! Go! Go, go, go.
NEMO: Uh, excuse us. Hello!
PEACH: I'm right behind you.
MAN: Oh, come on. It's funny.
DORY: One, two, three, four...
HANK: Where's everybody else?
MAN: Looks like we're done here.
MARLIN: What? Jenny and what?
SIGOURNEY: What lies before you
GURGLE: I am truly going to vomit!
MARLIN: Becky! Ooo-roo. Ooo-roo.
SIGOURNEY ON SPEAKER: Hello.
MARLIN: No. Dory! Dory! Wait! Wait.
NEMO: (GASPS) Dad, look! It's Dory.
SIGOURNEY ON SPEAKERS:
Come with us as we explore
SIGOURNEY ON SPEAKER:
Hello. I'm Sigourney Weaver.
SIGOURNEY ON SPEAKERS:
Welcome to the Open Ocean.
MARLIN: Dory.
NEMO: Dory!
BOTH: Open Ocean.
DORY: Exactly.
ALL: The undertow!
MR. RAY: That's right.
MARLIN: Dory, no! Wait!
DESTINY: Dory!
DORY: Are we there yet?
HANK: Sh. Keep it down!
DORY: Watch the turn.
MARLIN: Watch what? Ow!
NEMO: Just go, Dad.
MARLIN: Don't push me, Nemo.
NEMO: Too late.
DORY: Okay, I think we're close. Whee!
JENNY: Oh no! They're going away!
NEMO: Oh no! Dory! What do we do?
_________________________________
Story: Ron Clements (1953-), John Musker (1953-), Jared Bush, Aaron Kandell and Jordan Kandell
Screenplay: Ron Clements (1953-), John Musker (1953-), Pamela Ribon (1975-) and Taika Waititi
Inspired by: "Maui" Mangarevan mythology
Producer: Osnat Shurer
Voices: Jemaine Clement (1974-), Auli'i Cravalho (2000-), Rachel House (1971-), Dwayne Johnson (1972-), Oscar Kightley (1969-), Temuera Morrison (1960-), Troy Polamalu (1981-), Nicole Scherzinger (1978-), Alan Tudyk (1971-)
Composers: Mark Mancina (1957-), Opetaia Foa'i, Lin-Manuel Miranda (1980-)
Premiere: November 14, 2016; Wide release: November 23, 2016
Theatrical short: Inner Workings
Box office: $642.5 million
Critic Score: 95% Certified Fresh
Average Rating: 7.8/10
Consensus: With a title character as three-dimensional as its lush animation and a story that adds fresh depth to Disney's time-tested formula, Moana is truly a family-friendly adventure for the ages.
Have you tried using a different bait?
_________________________________
Story/Screenplay: Larry Clemmons (1956-), Ralph Wright (1958-), Vance Gerry (1979-), Xavier Atencio (1969-), Ken Anderson (1959-), Julius Svendsen, Ted Berman (1969-), Eric Cleworth and Winston Hibler (1960-)
Based on: Winnie-the-Pooh and The House at Pooh Corner (British storybooks, 1926–28) by A. A. Milne
Producers: Wolfgang Reitherman (1959-), Walt Disney V (1951–2016)
Critic Score: 100%.
Average Rating: 7.9/10
Consensus: Perhaps the most faithful of Disney's literary adaptations, this cute, charming collection of episodes captures the spirit of A.A. Milne's classic stories.
TIGGER: Hello!
NARRATOR: Wherever they go,
GOPHER: Quick! Turn the page!
NARRATOR: As a matter of fact,
RABBIT: Here we come. Don't worry.
Everyone followed Eeyore.
GHOSTLY VOICE:
Heffalumps and woozles.
POOH AND CHRISTOPHER:
Everyone knows that a rain cloud
- "Walt Disney Home Video is proud to present this special commemorative edition of The Many Adventures of Winnie the Pooh. Given the popularity of the Winnie the Pooh characters today, it may seem hard to believe that they started out as bedtime stories, for one little boy. This original Pooh Bear was a first birthday gift for A.A. Milne's son Christopher Robin in 1921. Edwin Bear was renamed Winnie the Pooh, based on a Canadian black bear at the London Zoo named Winnipeg, and a swan named Pooh. Mr. Milne was a successful author and playwright, who used the friendship between Christopher Robin and Pooh, as his inspiration for the bedtime stories he told his son. These stories also featured other characters from Christopher Robin's nursery, including the timid Piglet, the ever-gloomy donkey named Eeyore, and the constantly bouncing tiger called Tigger. The tales of Christopher Robin, and his menagerie of stuff nursery companions, were the basis for a set of children's verses that became the Winnie the Pooh books. These stories had been favorites of Walt Disney's daughters. Remembering how much they enjoyed these characters, he was inspired to share them with children around the world. He brought together the many creative talents at the studio, to develop and create this film masterpiece."
- "Walt Disney's inspiration, guidance and supervision, made the film a classic. The inspired artistry is apparent throughout, from the concept art to the storyboards, to the animation, music and voices. Actors Sterling Holloway provided the voice for Pooh. Sebastian Cabot was the narrator. Character actor John Fiedler was Piglet. And the talented Paul Winchell was the voice of Tigger."
- "The original concept was to develop Pooh as a full-length animated feature, but Walt decided to break the film up into short featurettes. These charming stories were not as familiar to Americans as they were to the British, and Walt believed that Pooh would be much more popular if he was allowed to build up an American following."
- "Composers Richard and Robert Sherman remembered Walt's decision to make featurettes."
- "Walt Disney's prediction did come true. The first featurette (Winnie the Pooh and the Honey Tree) was released in 1966 to wide-popular acclaim. The second film (Winnie the Pooh and the Blustery Day) was even more popular than the first, winning an Academy Award. By the time the third featurette (Winnie the Pooh and Tigger Too!) was released, Winnie the Pooh had become a household name. Walt's original vision was finally realized in 1977, when The Many Adventures of Winnie the Pooh was released as Disney's 22nd feature-length animated film."
- "Marking the 50th anniversary of Pooh's theatrical debut, we are proud to present this special commemorative edition. Not only because it reflects Disney's original vision for Winnie the Pooh as a feature, but because it also embodies this spirit of youth and childhood, as seen through the eyes of Christopher Robin and his animal friends, and shared by generations of the young, and young at heart. Sit back, and join the celebration of The Many Adventures of Winnie the Pooh."
Story: Brian Fee, Ben Queen, Eyal Podell, Jonathan E. Stewart
Screenplay: Kiel Murray, Bob Peterson (1961-), Mike Rich
Producer: Kevin Reher
Composer: Randy Newman (1943-)
Box office: $382.2 million
Critic Score: 69%.
Average Rating: 6/10
Consensus: Cars 3 has an unexpectedly poignant story to go with its dazzling animation, suggesting Pixar's most middle-of-the-road franchise may have a surprising amount of tread left.
CRUZ: Yeah!
McQUEEN: Huh.
McQUEEN: Nope.
McQUEEN: Whoo!
McQUEEN: Whoa!
McQUEEN: I don't.
CRUZ: I knew that!
McQUEEN: All right!
RIVER: He used to say
MALE FAN 1: Ramirez!
CRUZ: Whoo-hoo! Yes!
STERLING: Sacred dirt.
MATER: Oh, well, good.
NASH: Whoo-hoo! Yeah!
McQUEEN: To the future.
CUTLASS: The flag is out.
MALE CAR: Whipplefilter?
ANNOUNCER: Race fans!
SMOKEY: I'll tell you what,
RACER: Ha-ha! Watch out.
STERLING: Hey, Lightning.
STERLING: Hey, Lightning!
CRUZ: It's not easy for him.
STERLING: So? You like it?
CUTLASS: I'm Bob Cutlass,
RUSTY: Please no pictures.
DARRELL: I am speechless!
RIVER: Lou won't admit this,
CUTLASS: Oh, what a finish!
FEMALE CAR: All right! Next!
REPORTER 3: Wait a minute.
McQUEEN: Okay, here we go.
HAMILTON: 54 miles per hour.
MACK: Hey, boss, they're, uh...
DUSTY: Looks good, doesn't it?
McQUEEN: We don't know that.
SMOKEY: Anticipate your turns.
ANNOUNCER: Hello racing fans.
SIMULATOR: You have hit a wall.
McQUEEN: Wait. Mack, pull over!
SMOKEY: Took Hud all of no time
McQUEEN: Why are we in a field?
McQUEEN: Good to see you, Doc.
CUTLASS: I'll tell you what, Darrell,
CABBIE TAXI: Hey, buddy! Move it!
JACKSON STORM: You look good!
CUTLASS: But can he hold on to it?
MIKE: The yellow flag still out, folks.
REPORTER 1: McQueen, over here!
DUSTY: Besides, this Sterling fellow?
MISS FRITTER: Nobody touches him.
REPORTER 3: Is he prepared to retire?
KURT: Hit him with the bugs! (LAUGHS)
5% increase downforce.
We ran moonshine, dummy!
Hamilton here.
2% lower drag coefficient.
It's an electronic suit.
More changes ahead, Chick.
Storm's in a class of his own.
What about the car from Everett?
LUIGI: Favoloso.
CUTLASS: Whoa!
STERLING: Cruz, just relax.
McQUEEN: Whoa.
STERLING: I know he's your project.
Story/Screenplay: Larry Clemmons (1956-), Ralph Wright (1958-), Ken Anderson (1959-) and Vance Gerry (1979-)
Based on: The Jungle Book (British stories, 1894–95) by Rudyard Kipling
Producer: Walt Disney V (1951–2016)
Voices: John Abbott (1955-), Sebastian Cabot (1968-), Darleen Carr (2000-), Verna Felton (1940–2016), Phil Harris (1954-), Sterling Holloway (1955-), Clint Howard (2009-), Lord Tim Hudson (1990-), J. Pat O'Malley (1954-), Louis Prima (1960-), Bruce Reitherman (2005-), George Sanders (1956–2022), Hal Smith (1966-), Bill Skiles (1981-), Chad Stuart (1991-), Digby Wolfe (1979-), Ben Wright (1965-)
Box office: $205.8 million
Critic Score: 87%.
Average Rating: 7.2/10
Consensus: With expressive animation, fun characters, and catchy songs, The Jungle Book endures as a crowd-pleasing Disney classic.
HATHI: Our son, alone?
But it's an emergency, Colonel.
- "It swings. It sings. The jungle is jumpin', with the behind-the-scenes story of Walt Disney's masterpiece, The Jungle Book."
- "Rudyard Kipling's 1894 (1944) classic first caught Walt's attention in the late 1930s (1980s), but Disney didn't acquire the film rights until 1962 (2012). The Jungle Book was the last animated feature that Walt Disney personally supervised. As was often the case with his animated features, Walt's first approach to the story was through music."
- "The music that we know today wasn't the first score written for the film. For an early version of The Jungle Book, composer Terry Gilkyson created a dark and mysterious song score."
- "At the same time, veteran story man Bill Peet created a lush and moody visual approach to the classic story, firmly based in Kipling, but it seemed that this literal approach to the story wasn't what Walt had in mind. All the initial development was abandoned, except for one song..."
- "Walt called on staff songwriters Robert and Richard Sherman for a fresh musical start."
- "With The Jungle Book, what most interested Walt were the memorable characters and exotic settings. In re-approaching the story development, Walt gave an unusual instruction to his staff."
- "Since it was Walt's idea to disregard the original Kipling story, he became personally involved in solving story problems for the Disney version of The Jungle Book."
- "Following these instructions from the boss, director Wolfgang Reitherman began developing the characters."
- "But selecting a credible voice for a character wasn't as easy as simply casting the latest popular actor."
- "While discussing voice casting with his team, Walt had an inspiration."
- "Another inspiration came in the casting of King Louie."
- "In this rare film footage shot during the recording session for I Wanna Be Like You, Louie Prima and his band display their trademark eccentricity. Director Woolie Reitherman recalled the spark of an idea."
- "Inspired by Prima's band, the animators took over."
- "The unconventional approach to voice casting continued with the villainous tiger, Shere Khan."
- "The voice of Kaa was provided by veteran Disney voice actor Sterling Holloway, who had played Mr. Stork in Dumbo...the Cheshire Cat in Alice in Wonderland...and the beloved Winnie the Pooh."
- "Filling out the voice cast were Sebastian Cabot as Bagheera...J. Pat O'Malley as Colonel Hathi...Verna Felton as Mrs. Hathi...and director Woolie Reitherman's son Bruce Reitherman was cast as the voice of Mowgli."
- "Bringing friendship to the screen seemed natural for two of Walt's top animators and lifelong best friends, Frank Thomas and Ollie Johnston."
- "When his team was stumped for an ending to the film, Walt again stepped in, suggesting the final sequence."
- "Sadly, Walt Disney would not live to see this happy ending. He passed away shortly after making this final story suggestion."
- "Disney executives took notice when The Jungle Book premiered and was an immediate blockbuster hit."
- "Though it was the end of an era at the Disney studio, in many ways, it was a new beginning. Because of the success of The Jungle Book, the Disney studio began its first formal recruiting and training programs for a new generation of Disney animators, and a triumphant future lay ahead."
Screenplay: Jac Schaeffer
Producer: Roy Conli (1971-)
Composers: Christophe Beck (1969-), Jeff Morrow, Kate Anderson, Elyssa Samsel
Premiere: November 22, 2017
Box office: $289.5 million
Critic Score: 57%.
Average Rating: 5.1/10
TEENAGER: Olaf!
OLAF: Okay, Sven,
ELSA: It's you, Olaf.
ELSA: I'm sorry, Anna.
Story: Lee Unkrich (1967-)
Screenplay: Adrian Molina
Producer: Darla K. Anderson (1968-)
Composer: Michael Giacchino (1967-), Germaine Franco, Kristen Anderson-Lopez (1972-), Robert Lopez (1975-)
Box office: $804.2 million
Critic Score: 97% Certified Fresh
Average Rating: 8.1/10
Consensus: Coco's rich visual pleasures are matched by a thoughtful narrative that takes a family-friendly – and deeply affecting – approach to questions of culture, family, life, and death.
HÉCTOR: Hola, Ceci.
MIGUEL: Not all of us.
CHELO: Eh, in the bungalow.
PAPÁ: What's gotten into you?
MIGUEL: Abuelita runs our house
TOUR GUIDE: And right over here,
MIGUEL: Like Mamá Coco's papá?
ABUELITA ELENA: What is all this?
MIGUEL: I don't want your blessing!
WOMAN: The window's broken. Look!
OSCAR: Real alebrijes. Spirit creatures.
MIGUEL: Sometimes, I think I'm cursed.
How wonderful. Next.
In the courtyard, mijos.
Next family, please.
DE LA CRUZ: Poison!
_________________________________
Story: Brad Bird (1957-)
Screenplay: Brad Bird (1957-)
Producers: John Walker (1956-), Nicole Paradis Grindle
Composer: Michael Giacchino (1967-)
Box office: $1,243.7 billion
Critic Score: 93% Certified Fresh
Average Rating: 7.8/10
Consensus: Incredibles 2 reunites Pixar's family crimefighting team for a long-awaited follow up that may not quite live up to the original, but comes close enough to earn its name.
BOB: All done.
BOB: No, no, no.
WINSTON: I can't.
BOB: I don't know.
VIOLET: Oh. Tony!
BOB: We'll be sitting
OFFICER 2: Stand by.
BOB: Ah! Ooh! Ah! Oh!
BOB: Look at this place.
DASH: It's got a big yard!
EVELYN: About 25 miles.
EVELYN: About 25 miles.
VIOLET: You're not good.
REPORTER 4: Elastigirl...
MAN: Marry me, Elastigirl!
VIOLET: Did you dry them?
LUCIUS: I checked him out.
WOMAN: Oh, but if anybody
BOB: Do not call your mother!
LUCIUS: No lifeguard on duty!
EVELYN: They've tried. No-go.
WINSTON: I love superheroes!
WINSTON: Attention. Attention.
TOMMY: Which seems wrong...
TOMMY: Excuse me, Mr. Zone?
EVELYN: You know what's sad?
TONY: Good evening, everyone.
UNDERMINER: Ooh. (LAUGHS)
WOMAN: What's wrong with him?
SCREENSLAVER: Find anything?
ELASTIGIRL: How do we do that?
BOB: (STAMMERING) Yes. Good.
VIOLET: I don't wanna talk about it.
TOMMY:
Well, in support of you
HELEN:
That was tonight, right?
EVELYN:
Less than two minutes!
WINSTON:
Here comes, Elastigirl
ROBBER 1:
You think I'm kiddin'?
OFFICER 1:
All right. All locations,
ROBBER 2:
You wanna get killed?
ELASTIGIRL:
It must've been hard.
HELEN:
One thing leads to another
REPORTER 3:
Superhero Elastigirl...
TONY:
They looked like superheroes.
ELASTIGIRL:
How you feeling, Chad?
MR. INCREDIBLE:
You two, stay here.
REPORTER 5:
...specialized motorbike,
WINSTON:
My father called Gazerbeam.
REPORTER 1:
Elastigirl pursued the train
UNDERMINER:
Behold! The Underminer!
SCREENSLAVER:
I control this broadcast...
BOB: No!
DR. QUEST: Now.
LUCIUS: Wants to talk...
DISPATCHER: Both.
Story: Chris Buck (1960-), Jennifer Lee (1971-), Marc E. Smith, Kristen Anderson-Lopez (1972-), Robert Lopez (1975-)
Screenplay: Jennifer Lee (1971-), Allison Schroeder
Inspired by: "The Snow Queen" (Danish fairy tale, 1845) by Hans Christian Andersen
Producers: Peter Del Vecho (1958-), Walt Disney V (1951–2016)
WOMAN: There she is!
KRISTOFF: So, uh, tell me,
FAIRY 2: Look out!
MICHAEL: Take that!
MICHAEL: Wendy! Wendy!
PETER: They've captured Tiger Lily.
Story: Rich Moore (1963-), Phil Johnston (1971-), Jim Reardon (1965-), Pamela Ribon (1975-), and Josie Trinidad
Screenplay: Phil Johnston (1971-) and Pamela Ribon (1975-)
Producer: Clark Spencer (1963-)
Voices: Tim Allen (1953-), Jesse Averna, Colleen Ballinger (1986-), Billy Barty (1924–2000), Irene Bedard (1967-), Kristen Bell (1980-), Olivier Bénard (1973-), Jodi Benson (1961-), Hamish Blake (1981-), Flura Borg (1982-), Corey Burton (1955-), John Candy (1950–1994), Ann Colgin, Auli'i Cravalho (2000-), Brian Curless, Anthony Daniels (1946-), Kevin Deters (1970-), Vin Diesel (1967-), John DiMaggio (1968-), Jamie Elman (1976-), Dani Fernandez, Peter Firth (1953-), Bernard Fox (1927–2016), Fuchsia!, Eva Gabor (1919–1995), Gal Gadot (1985-), Brad Garrett (1960-), Michael Giacchino (1967-), Sean Giambrone (1999-), Ed Gilbert (1931–1999), GloZell Green (1972-), Bill Hader (1978-), Jennifer Hale (1972-), Taraji P. Henson (1970-), Tiffany Herrera (1988-), Jason Hightower, Phil Johnston (1971-), Brittany Kikuchi, Maurice LaMarche (1958-), Linda Larkin (1970-), Katie Lowes (1981-), Jane Lynch (1960-), Kelly Macdonald (1976-), Jason Mantzoukas (1972-), Jack McBrayer (1973-), Ben McKee (1985-), Idina Menzel (1971-), Carla Meyer, Jeremy Milton, Alex Moffat (1982-), Alfred Molina (1953-), Mandy Moore (1984-), Rich Moore (1963-), Bob Newhart (1929–2024), Paige O'Hara (1956-), Ed O'Neill (1946-), Ana Ortiz (1971-), Viveca Paulin (1969-), Raymond S. Persi (1975-), Daniel Platzman (1986-), John C. Reilly (1965-), Dan Reynolds (1987-), Pamela Ribon (1975-), Sam Richardson (1984-), Wayne Robson (1946–2011), Tristan Rogers (1946-), Anika Noni Rose (1972-), Adam Ryen (1980-), Della Saba (1989-), Horatio Sanz (1969-), Nicole Scherzinger (1978-), George C. Scott (1927–1999), Douglas Seale (1913–1999), Wayne Sermon (1984-), Sarah Silverman (1970-), Timothy Simons (1978-), Roger Craig Smith (1975-), June Squibb (1929-), Russi Taylor (1944–2019), Alan Tudyk (1971-), Melissa Villaseñor (1987-), Frank Welker (1946-), Ming-Na Wen (1963-), Rebecca Wisocky (1971-), Ali Wong (1982-), Jaboukie Young-White (1994-), Michaela Zee (2000-)
Average Rating: 6.7/10
SWATI: Whoa!
RALPH: Yeah?
RALPH: Uh-oh.
RALPH: Kid! Kid!
RALPH: $43,000!
RALPH: Uh... No.
RALPH: Beats me.
RALPH: Aw, sugar.
RALPH: There it is.
SHANK: Of course.
JOSEY: Oh, not yet.
VANELLOPE: Ralph.
VANELLOPE: Whoa.
VANELLOPE: Ralph!
DOUBLE DAN: Hmm.
FELIX: All right, now...
AURORA: Mmm-hmm.
ANNOUNCER: Drivers,
RALPH: No, that's not...
SHANK: Well, well, well.
BALLET MOM: ...tights?
VANELLOPE: Whoo-hoo!
VANELLOPE: Whoo-hoo!
VANELLOPE: Whoo-hoo!
RALPH: Only one person.
RALPH: Move! Move! Hey!
VANELLOPE: Oh, my gosh.
VANELLOPE: Do you realize
SPAMLEY: Oh, there you are.
RACER KID: Come and get it.
ARTHUR: Insecurity detected.
RALPH: Go, run, run, run, run!
RALPH: I'm keeping busy, too.
RALPH: (SIGHS) I'll be honest,
STORMTROOPER 3: This way.
ANNOUNCER: End of the road!
VANELLOPE: Ooh, Ralph, look.
STORMTROOPER 3: Roger that.
VANELLOPE: Ooh, here it comes.
ANNOUNCER: "Precious Car-go."
RALPH:
You're totally right, kid.
JIMMY:
You're going down, Shank.
VANELLOPE:
Are you really saying
VANELLOPE:
That car is gorgeous.
ANNOUNCER:
Three, two, one, go!
ARTHUR:
Scanning for insecurities.
ARTHUR:
Scanning for insecurities.
RALPH:
What's going on, Spamley?
SPAMLEY:
Now, this area down here
RAPUNZEL:
(GASPS) Look up there!
CANDLEHEAD:
Get your own candle.
EBAY ELAYNE:
So, we are set to ship
VANELLOPE:
I know it sounds crazy...
Any sign of her?
Great, but can you make it
STORMTROOPER 2:
She's getting away.
VANELLOPE:
This is a shockingly sound,
POP-UP BLOCKER:
Right this way, miss.
ANNOUNCER:
And for your final question.
ANNOUNCER:
Vanellope takes a huge lead.
ANNOUNCER ON PA:
That old, tired laptop
STORMTROOPER 2:
No, maybe she went down
AUTOMATED VOICE:
IP address 415-1037-483.
AUTOMATED VOICE:
IP address 415-1037-483.
STORMTROOPER 3:
Come on. Let's check it out.
SUGAR RUSH CANDY:
I don't want to be gameless.
CODY: We did it!
NAFISA: Good idea.
RAPUNZEL: For sure.
RALPH: Oh, yeah!
VANELLOPE: Flying so fast
Story: John Lasseter (1957-), Pete Docter (1968-), Andrew Stanton (1965-) and Lee Unkrich (1967-)
Screenplay: Stephany Folsom, Andrew Stanton (1965-)
Producers: Jonas Rivera (1971-), Mark Nielsen
TOY: Whoa!
FORKY: Bo.
FORKY: Bo?
BUZZ: Hmm.
BUNNY: Hey.
WOODY: Ow.
WOODY: Bo?
WOODY: Bo?
BONNIE: Yay!
FORKY: Got it.
FORKY: Scary.
FORKY: Trash!
WOODY: Wow.
FORKY: Whoo!
WOODY: Right!
FORKY: Trash?
WOODY: Forky!
WOODY: Forky!
WOODY: There!
WOODY: Whoa!
BONNIE: Forky?
BO PEEP: Okay.
WOMAN: Skunk!
MAN: Thank you.
LISA: Wait for me!
FORKY: Hey, hey!
FORKY: Ah, trash.
FORKY: Come on.
WOODY: Yee-haw!
MARGARET: Sure.
ANDY: Okay, Mom!
FORKY: No, no, no!
GABBY GABBY: Oh.
DUCKY: Mmm-hmm.
BO PEEP: Flashlight.
JESSIE: Guys, listen!
LOST GIRL: Mommy!
BONNIE'S DAD: Uh...
TRIXIE: Another right!
DOLLY: Jessie's back!
BONNIE'S DAD: Huh?
TOY 1: Bo came back!
HAMM: Is it really her?
MAN: Oh, it's beautiful.
VOICE BOX: Yee-haw!
FORKY: Wait a second...
BONNIE'S DAD: Bonnie?
ANDY: Oh, there you are.
AXEL: Hey! Step right up!
TRIXIE: Right turn ahead.
ANDY: I can't find Woody!
HAMM: You're on my foot!
VOICE BOX: Time for tea.
HAMM: Nice work, Jessie!
TRIXIE: Should we all go?
GABBY GABBY: Harmony.
WOODY: How'd you get it?
GIGGLE: Three. Two. One!
BO PEEP: Easiest way in is
BO PEEP: All right, all right.
GIGGLE: That was amazing.
BONNIE: He's not anywhere.
BUNNY: Psst. Hey, Lightyear.
WENDY: Hi! Are you Bonnie?
FORKY: (LAUGHS) Oh, yeah!
ANDY: Mom, where's Woody?
TOY 2: Magic 8-Ball was right!
LOST GIRL: Are you lost, too?
ROBOT TOY: Bo, help me out.
BONNIE'S MOM: Here we are.
VOICE BOX: I'm Gabby Gabby
VOICE BOX: Full speed ahead!
VOICE BOX: Reach for the sky!
GIGGLE: Where Dragon roams.
ANNOUNCER ON TV: Caboom!
DUCKY: How you like that, huh?
MR. PRICKLEPANTS: Important?
DUCKY: Gonna have nightmares.
BONNIE'S MOM: (SIGHS) Finally.
TRIXIE:
It's getting hot in here!
FORKY:
But what about Gabby?
VOICE BOX:
This planet is toxic.
BONNIE'S MOM:
Oh, there he is!
VOICE BOX:
It's a secret mission
VOICE BOX:
Scanning perimeter.
BONNIE'S MOM:
I'm sorry, Bonnie.
VOICE BOX:
Buzz... Buzz... Buzz...
BONNIE'S DAD:
Have a good night.
VOICE BOX:
To infinity and beyond!
ANDY'S MOM:
Andy, time for dinner.
VOICE BOX:
You are my best friend.
GIGGLE:
And he treats you like that?
VOICE BOX:
You make me so happy!
MR. POTATO HEAD:
Where's my ear?
Meteor shower! Look out!
VOICE BOX:
You're my favorite deputy.
VOICE BOX:
You're my favorite deputy!
LOST GIRL'S MOM:
She was right here!
VOICE BOX:
There's a snake in my boot.
VOICE BOX:
There's a snake in my boot!
MELEPHANT BROOKS:
He's a cowboy,
HARMONY'S MOM:
You're kidding me!
CHAIROL BURNETT:
Aw, how adorable.
BONNIE'S DAD:
Just toss it in the drawer.
BONNIE'S DAD:
Since school doesn't start
BONNIE'S MOM:
Oh, Bonnie, check it out.
MARGARET:
Can I help you with anything?
BONNIE'S DAD:
Great. Let's get out of here.
BONNIE'S MOM:
Honey, it's fine. Just drive.
LOST GIRL'S DAD:
She was right next to us.
FEMALE GPS VOICE:
Left turn in 0.5 miles.
ANNOUNCER ON TV:
That's Duke Caboom,
BUZZ'S VOICE BOX:
To infinity and beyond!
WOODY'S VOICE BOX:
You're my favorite...
CARL REINEROCEROS:
When's the last time
HARMONY'S MOM:
Harmony, sweetie, I'm leaving.
HAMM: Buzz!
JESSIE: Buzz!
HAMM: Oh, boy.
BUNNY: Oh, no, no!
WOODY: No.
FORKY: No! No!
REX: That was genius!
HAMM: They can't do that!
DOLLY: Where's Woody?
HAMM: And Forky?
BONNIE'S DAD: Huh?
TRIXIE: Recalculating.
SLINKY: Could you move over
COMBAT CARL: Playtime, baby!
GIGGLE: I'm totally staring.
DUCKY: Eat my plush!
GIGGLE: It's not worth it.
GIGGLE: That's our objective.
SLINKY: There's the carousel!
MR. POTATO HEAD: Look at that!
BONNIE'S MOM: 'Course you can!
CHAIROL BURNETT: Harry!
MELEPHANT BROOKS: Fuzzball!
No comments:
Post a Comment