Thursday, October 3, 2019

Disney's NeverEnding Chronicles/Gallery

_________________________________
The Black Cauldron (July 24, 1985) (dark fantasy, adventure) (PG)
Directors: Ted Berman (1919–2001) and Richard Rich
Story/Screenplay: David Jonas, Al Wilson, Vance Gerry (1929–2005), Roy Morita, Ted Berman (1919–2001), Peter Young, Richard Rich, Art Stevens (1915–2007) and Joe Hale
Based on: The Chronicles of Prydain (American novels, 1964–68) by Lloyd Alexander
Producer: Joe Hale
Voices: Wayne Allwine (1947–2009), John Byner (1938-), Grant Bardsley, Phil Fondacaro (1958-), Nigel Hawthorne (1929–2001), Billie Hayes (1924–2021), John Hurt (1940–2017), John Huston (1906–1987), Freddie Jones (1927–2019), Arthur Malet (1927–2013), Adele Malis-Morey (1927–2000), Eda Reiss Merin (1913–1998), Peter Renaday (1935-), Susan Sheridan (1947–2015)
Composer: Elmer Bernstein (1922–2004)
Critic Score: 57%.
Average Rating: 5.7/10
Consensus: Ambitious but flawed, The Black Cauldron is technically brilliant as usual, but lacks the compelling characters of other Disney animated classics.
_________________________________
DOLI: Pig?
BOY: Uh-oh.
DOLI: Really?
TARAN: Friend?
DALLBEN: I see.
TARAN: You do?
TARAN: I mean...
TARAN: No! Don't!
TARAN: Fflewddur!
EILONWY: Oh, Taran.
HORNED KING: Good.
EILONWY: It's horrible!
GURGI: Please, Master!
TARAN: Gosh, Hen Wen.
HORNED KING: Oh, yes.
EILONWY: Oh, no! Taran!
FFLEWDDUR: Wait! Wait!
FFLEWDDUR: He is alive!
FFLEWDDUR: Great Belin!
HORNED KING: It can't be!
TARAN: Hen Wen, look out!
GURGI: Oh, no, Great Lord.
MAN: Taran of Caer Dallben,
ORDDU: Goodbye, goslings!
EILONWY: Taran, watch out!
EILONWY: I don't understand!
TARAN: I'll try to open the gate.
DALLBEN: You must make sure
EILONWY: Such a dreary place.
DALLBEN: Ah, the Horned King!
TARAN: I won't fail you, Dallben.
FFLEWDDUR: Aah! Great Belin!
ORDDU: We have made a bargain!
MALE VOICE: Here's to everybody!
TARAN: They're only frogs, Eilonwy.
MAN: Shut up, you thick skulled dolt!
DALLBEN: There's something wrong.
HORNED KING: The Black Cauldron!
ORDDU: Someone stole all our frogs!
EILONWY: Come on, Fflewddur! Hurry!

DALLBEN:
An awesome weapon, Taran.
FFLEWDDUR:
The world will applaud me
MALE VOICE 3:
Going somewhere, Creeper?
MALE VOICE 2:
What about a kiss, eh, princess?

DOLI: Watch it!
TARAN: Oh, Hen!
TARAN: But I would trade...
ALL: Yes?
EIDELLIG: Uh, Doli.
DOLI: What now?
TARAN: That's Hen Wen.
DALLBEN: He knows.
_________________________________
The Great Mouse Detective (July 2, 1986) (mystery, comedy) (G)
Directors: Ron Clements (1953-), John Musker (1953-), David Michener and Burny Mattinson (1935–2023)
Story/Screenplay: Peter Young, Vance Gerry (1929–2005), Steve Hulett, Ron Clements (1953-), John Musker (1953-), Bruce M. Morris, Matthew O'Callaghan, Burny Mattinson (1935–2023), David Michener and Melvin Shaw (1914–2012)
Based on: Basil of Baker Street (American children's books, 1958–82) by Eve Titus
Producer: Burny Mattinson (1935–2023)
Voices: Wayne Allwine (1947–2009), Tony Anselmo (1960-), Val Bettin (1923–2021), Eve Brenner, Candy Candido (1913–1999), Diana Chesney (1916–2004), Walker Edmiston (1926–2007), Barrie Ingham (1932–2015), Laurie Main (1922–2012), Melissa Manchester (1951-), Susanne Pollatschek (1977-), Vincent Price (1911–1993), Basil Rathbone (1892–1967), Shani Wallis (1933-), Alan Young (1919–2016)
Composer: Henry Mancini (1924–1994)
Critic Score: 81%.
Average Rating: 6.9/10
Consensus: The Great Mouse Detective may not rank with Disney's classics, but it's an amiable, entertaining picture with some stylishly dark visuals.
MAN: Boo!
BASIL: Toby!
DAWSON: Basil?
HOLMES: Come on.
FIDGET: Open wide.
DOLL: Mama. Mama.
BASIL: On the contrary!
RATIGAN: Goodbye so soon
BASIL: But of course. Left turn.
FIDGET: Let me out! Let me out!
BASIL: This case is most intriguing
FLAVERSHAM: Of truly noble stature.

ROBOTIC VOICE OF QUEEN:
On this most august occasion,

FIDGET: Move along, honey!
QUEEN: You fiends!
FIDGET: I got you, toy maker!
FLAVERSHAM: Oh, no! Olivia!
_________________________________
Snow White and the Seven Dwarfs (December 21, 1987) (musical, fantasy) (G)
Directors: David Hand (Supervising Director) (1950-), Perce Pearce (1950–2005), William Cottrell, Larry Morey (1955–2021), Wilfred Jackson (1956-) and Ben Sharpsteen (1945-)
Written by: Ted Sears (1950–2008), Richard Creedon, Otto Englander, Dick Rickard, Earl Hurd (1930–1990), Merrill De Maris (1948–1998), Dorothy Ann Blank and Webb Smith
Based on: "Snow White" (German fairy tale, 1812) by Brothers Grimm
Producer: Walt Disney V (1951–2016)
Voices: Roy Atwell (1928–2012), Stuart Buchanan (1944–2024), Adriana Caselotti (1966-), Eddie Collins (1933–1990), Pinto Colvig (1942–2017), Billy Gilbert (1944–2021), Otis Harlan (1915–1990), Lucille La Verne (1922–1995), Scotty Mattraw (1930–1996), Moroni Olsen (1939–2004), Harry Stockwell (1952-)
Nine Old Men animators (6): Les Clark (1957-), Milt Kahl (1959-), Ward Kimball (1964-), Eric Larson (1955-), Wolfgang Reitherman (1959-), Frank Thomas (1962-)
Composers: Frank Churchill (1951–1992), Paul Smith (1956-), Leigh Harline (1957–2019)
Release: January 1988 (Limited); February 4, 1988 (Wide release)
Box office: $416.0 million
Critic Score: 98% Certified Fresh
Average Rating: 8.8/10
Consensus: With its involving story and characters, vibrant art, and memorable songs, Snow White and the Seven Dwarfs set the animation standard for decades to come.
PRINCE: One heart
GRUMPY: You don't...
BASHFUL: Ain't he sweet?
PRINCE: I have but one song
SNOW WHITE: Uh-uh, uh-uh!
PRINCE: (SINGING) On song
DOC: Courage, men, courage.
PRINCE: That has possessed me
DOC: Now don't you worry about us.
HAPPY: Never say die. Never say die.

SNOW WHITE:
You mean he can't talk?
SNOW WHITE:
And you, you're Sleepy.
SNOW WHITE:
And you're, you're Bashful.

HAPPY: Who will?
DOC: Yes, who?
DOC: Snow White?
ALL: The Princess?
DOC: The door is open.
HAPPY: The chimney's smoking.
HAPPY: We'll be all right, ma'am.
DOC: Go right on up now, my dear.
_________________________________
_________________________________
Oliver & Company (November 18, 1988) (musical, buddy, comedy, drama) (G)
Director: George Scribner
Story: Vance Gerry (1929–2005), Mike Gabriel (1954-), Roger Allers, Joe Ranft (1960–2005), Gary Trousdale (1960-), Jim Mitchell, Kevin Lima (1962-), Chris Bailey, Michael Cedeno, Kirk Wise (1963-), Peter Young, David Michener and Leon Joosen
Screenplay: Jim Cox, Timothy J. Disney and James Mangold
Inspired by: Oliver Twist (British novel, 1838) by Charles Dickens
Production Manager: Kathleen Gavin
Premiere: November 13, 1988
Voices: Taurean Blacque (1940–2022), Roscoe Lee Browne (1922–2007), Dom DeLuise (1933–2009), William Glover (1926-), Natalie Gregory (1975-), Billy Joel (1949-), Robert Loggia (1930–2015), Cheech Marin (1946-), Bette Midler (1945-), Richard Mulligan (1932–2000), Joey Lawrence (1976-), Sheryl Lee Ralph (1956-), Carl Weintraub (1946-)
Composer: J.A.C. Redford (1953-)
Critic Score: 51%.
Average Rating: 5.4/10
Consensus: Oliver & Company is a decidedly lesser effort in the Disney canon, with lackluster songs, stiff animation, and a thoroughly predictable plot.
JENNY: No.
DODGER: Go!
JENNY: Oliver?
FRANCIS: Goodness!
SYKES: Yeah, who is it?
DODGER: You help Tito.
FAGIN: Oh, it's hopeless.
RITA: Run along, Roscoe.
RITA: Oh, that poor little kid.
LOUIE: I said get outta here.
MAN ON TV: Now for $200...
ROSCOE: Come on, DeSoto.
ROSCOE: You guys miss us?
WOMAN: Harming that poor...
JENNY: Wait till you taste this.
GIRL: Hi, Jenny. Sit over here.
JENNY: Winston, listen to this.
SYKES: I don't think you grasp
BOY: Let me have one. Please.
LOUIE: Hey! Hey, get off of me!
WINSTON: I'm sure he's just fine.
TITO: Go, go, go, go, go, go, go, go!
EINSTEIN: Yeah. And you're okay, too.
WINSTON: Why me? Today of all days.

WINSTON:
Probably just a little stunned.
DODGER:
Looks like Louie's got a visitor.

FRANCIS: You were very good.
OLIVER: What?
MAN 1: Forty seconds.
MAN 2: All right. Here we go.
RITA: What're we gonna do, Dodge?
DODGER: Yo, Tito, hot-wire.
_________________________________
The Little Mermaid (November 17, 1989) (musical, fantasy) (G)
Directors: Ron Clements (1953-), John Musker (1953-)
Story/Screenplay: Ron Clements (1953-), John Musker (1953-)
Based on: "The Little Mermaid" (Danish fairy tale, 1837) by Hans Christian Andersen
Producers: Howard Ashman (1950–1991), John Musker (1953-), Walt Disney V (1951–2016)
Executive Producer: John Lasseter (1957-) (2013 3D re-release)
Home entertainment short: The Little Matchgirl (2006 DVD release)
Premiere: November 14, 1989
Voices: Rene Auberjonois (1940–2019), Christopher Daniel Barnes (1972-), Jodi Benson (1961-), Pat Carroll (1927–2022), Paddi Edwards (1931–1999), Buddy Hackett (1924–2003), Jason Marin (1974-), Kenneth Mars (1935–2011), Edie McClurg (1945-), Will Ryan (1949–2021), Ben Wright (1915–1989), Samuel E. Wright (1946–2021)
Composer: Alan Menken (1949-)
Box office: $211.3 million
Critic Score: 92% Certified Fresh
Average Rating: 8.1/10
Consensus: The Little Mermaid ushered in a new golden era for Disney animation with warm and charming hand-drawn characters and catchy musical sequences.
ERIC: Max!
TRITON: Yes.
FLUKE: Yeah.
ARIEL: Scuttle!
GRIMSBY: Eric!
GRIMSBY: Eric?
URSULA: Eric, no!
SEBASTIAN: Ariel?
SEBASTIAN: Oh, no!
CHEF LOUIS: Ah-ha!
FLOUNDER: I am not.
ARIEL: Isn't it fantastic?
SEAHORSE: Sebastian!
PUPPETEER: Oh, Judy!
MAN: Hurricane a-comin'!
ERIC: Are you okay, miss?
URSULA: Nice work, boys.
GRIMSBY: Well, now, Eric.
SCUTTLE: Wa, wa, wa, wa!
GRIMSBY: And she is lovely.
SCUTTLE: Any time, sweetie!
FLOUNDER: Ariel, wait for me.
ATTINA: What is with her lately?
GRIMSBY: Happy birthday, Eric.
SCUTTLE: Nothing is happening.
SEBASTIAN: Ariel, grab onto that.
ERIC: Whoa! Hang on, I've got ya.
GRIMSBY: Oh, yes, of course, Eric,
URSULA: Yes, hurry home, Princess.
URSULA: Come in. Come in, my child.
ANDRINA: Ariel, dear, time to come out.
ARIEL: Flounder, don't be such a guppy.

WOMAN 1: No!
WOMAN 2: Gertrude says...
_________________________________
Pinocchio (February 7, 1990) (musical, fantasy, drama) (G)
Directors: Ben Sharpsteen (Supervising Director) (1945-), Hamilton Luske (Supervising Director) (1953–2018), William "Bill" Roberts, Norman Ferguson (1952–2007), Jack Kinney (1959-), Wilfred Jackson (1956-) and T. Hee (1961-)
Written by: Ted Sears (1950–2008), Otto Englander, Webb Smith, William Cottrell, Joseph Sabo, Erdman Penner and Aurelius Battaglia (1910–1984)
Based on: The Adventures of Pinocchio (Italian novel, 1883) by Carlo Collodi
Producer: Walt Disney V (1951–2016)
Voices: Mel Blanc (1958-), Don Brodie (1949-), Walter Catlett (1939–2010), Frankie Darro (1967-), Cliff Edwards (1945–2021), Dickie Jones (1977-), Charles Judels (1932–2019), Christian Rub (1936–2006), Evelyn Venable (1963-)
Nine Old Men animation directors (5): Milt Kahl (1959-), Ward Kimball (1964-), Eric Larson (1955-), Wolfgang Reitherman (1959-), Frank Thomas (1962-)
Nine Old Men animators (3): Les Clark (1957-), Ollie Johnston (1962-), John Lounsbery (1961-)
Composers: Leigh Harline (1957–2019), Paul Smith (1956-)
Release: February 9, 1990 (Wide release)
Critic Score: 100% Certified Fresh
Average Rating: 9.1/10
Consensus: Ambitious, adventurous, and sometimes frightening, Pinocchio arguably represents the pinnacle of Disney's collected works – it's beautifully crafted and emotionally resonant.
GEPPETTO: Oh!
PINOCCHIO: Oh.
JIMINY: Pinocchio!
JIMINY: Pinocchio!
PINOCCHIO: Why?
LAMPWICK: Mama?
FAIRY: You don't say!
FAIRY: No, Pinocchio.
JIMINY: Mr. Geppetto?
GEPPETTO: Well, now,
GEPPETTO: Pinocchio!
STROMBOLI: Giddy up!
JIMINY: Look out below!
JIMINY: Hey! What the...
HONEST JOHN: Yes, yes.
JIMINY: Yeah, and Figaro.
GEPPETTO: Ah. Because.
PINOCCHIO: And Cleo too.
WOMAN: You have no strings
PINOCCHIO: He... He's gone.
STROMBOLI: Get along there.
PINOCCHIO: Bye, Jiminy! Bye!
GEPPETTO: Oh, to learn things
GEPPETTO: See? (CHUCKLES)
GEPPETTO: Boo! (CHUCKLING)
HONEST JOHN: Hi-diddle-dee-dee
GEPPETTO: A real live boy. Ha-ha!
GEPPETTO: Cleo, meet Pinocchio.
HONEST JOHN: (SIGHS) Splendid!
PINOCCHIO: Father? Father, it's me.
GEPPETTO: Professor, lots of music!
LAMPWICK: Heh, some fun, huh, kid?
GEPPETTO: Oh, Cleo! I almost forgot.
GEPPETTO: (CHUCKLING) Wait, wait.
BARKER: Right here, boys! Right here.
JIMINY: I gotta get in! My pal's in there.
BARKER: Tobacco Row! Tobacco Row!
GEPPETTO: It's no use. We're done for!

GEPPETTO:
Oh, everybody has to sleep.
GEPPETTO:
Huh? Oh, yeah, yeah. Here.
HONEST JOHN:
You stop and buy out a candy store
HONEST JOHN:
You wear your hair in a pompadour
HONEST JOHN:
You ride around in a coach and four
HONEST JOHN:
A waxed moustache and a beaver coat
_________________________________
_________________________________
_________________________________ 
_________________________________
  • "75 years ago, the incredible film Pinocchio taught us all that when you wish upon a star, dreams really can come true. And the man who dreamed it up was Walt Disney."
  • "In 1937, Walt had created something no one had ever seen before: The first full-length animated feature, Snow White and the Seven Dwarfs. It dazzled audiences worldwide, but now they had a problem: What to do next? People in the movie business begged him to repeat the formula. 'Give us more dwarfs,' they said. But Walt Disney was too original for that. Instead, he found a serialized magazine story: The tale of a wooden puppet who wants to become a real boy."
  • "The blue fairy gave life with one stroke of a wand...but giving life to an imaginary world was much more difficult."
  • "Actual production of Pinocchio lasted more than two years and required over 750 artists and technicians. Many new techniques were developed in the making of Pinocchio, as animators faced an array of new challenges. For instance, how do you create the effect of being underwater? Their answer was to put a piece of corrugated glass across the animation cels, giving the effect of ripples underwater. In fact, the underwater sequences in Pinocchio established a new standard that paved the way for many Disney masterpieces to come, including The Little Mermaid."
  • "In Walt's imagination, the world of make-believe was very real. He insisted that the animation must imitate life, above all else, the illusion have to be believable. He had three-dimensional models built of many of the cuckoo-clocks and Pinocchio, so that the artists could study their movements. The model of the Coachman's carriage was even fitted with shock absorbers, to make sure that Jiminy bounced over every bump in the road."
  • "In addition to the use of models, they went one step further when drawing their characters. They studied their own faces reflected in mirrors so they could capture a full range of expressions. One of the key animators was Ward Kimball, the animation director for Jiminy Cricket."
  • "Walt was the ultimate perfectionist. It took 12 animators eighteen months to create a Pinocchio that met his approval. But Walt knew that Pinocchio needed something more: A loyal friend and adviser."
  • "Jiminy became the first in the long tradition of helpful Disney sidekicks, like Timothy (Dumbo), Sebastian (The Little Mermaid), Olaf (Frozen), and another famous cricket, Cri-Kee from Mulan."
  • "Over the years, many fine actors have brought their gifts to the classic Disney films. For the part of Pinocchio, Walt cast child actor Dickie Jones."
  • "After 75 years, Pinocchio still remains one of the most beloved family films of all time. Through its endearing characters, innovative animation, and wonderful storytelling, Pinocchio continues to remind all of us to dream, and then, to wish upon a star."
_________________________________
Fantasia (November 13, 1990) (classical musical) (G)
Directors/Written by: See full credits
Based on: The Sorcerer's Apprentice segment based on "The Sorcerer's Apprentice" (German poem, 1797) by Johann Wolfgang von Goethe
Producer: Walt Disney V (1951–2016)
Nine Old Men (6): Les Clark (1957-), Ollie Johnston (1962-), Ward Kimball (1964-), Eric Larson (1955-), John Lounsbery (1961-), Wolfgang Reitherman (1959-)
Release: January 29, 1991 (Roadshow); January 8, 1992 (Wide release)
Critic Score: 96% Certified Fresh
Average Rating: 8.6/10
Consensus: A landmark in animation (and a huge influence on the medium of music video), Disney's Fantasia is a relentlessly inventive blend of the classics with phantasmagorical images.
_________________________________
Dumbo (October 23, 1991) (G)
Directors: Ben Sharpsteen (Supervising Director) (1945-), Norman Ferguson (1952–2007), Wilfred Jackson (1956-), William "Bill" Roberts, Jack Kinney (1959-) and Samuel Armstrong
Written by: Joe Grant (1958-), Dick Huemer and Otto Englander
Based on: Dumbo, the Flying Elephant (American Roll-A-Book, 1939) by Helen Aberson
Producer: Walt Disney V (1951–2016)
Voices: Billy Bletcher (1944-), Herman Bing (1939–1997), Edward Brophy (1945–2010), Cliff Edwards (1945–2021), Verna Felton (1940–2016), Noreen Gammill (1948-), Sterling Holloway (1955-), Sarah Selby (1955-), Margaret Wright (1967-)
Nine Old Men animation directors (3): Ward Kimball (1964-), John Lounsbery (1961-), Wolfgang Reitherman (1959-)
Nine Old Men animator: Les Clark (1957-)
Composers: Frank Churchill (1951–1992), Oliver Wallace (1937–2013)
Critic Score: 98%.
Average Rating: 8.3/10
Consensus: Dumbo packs plenty of story into its brief runtime, along with all the warm animation and wonderful music you'd expect from a Disney classic.
_________________________________
ELEPHANT 2: Nor I.
FEMALE: Over here!
STORK: Oh, of course.
CROW: Look at him go!
TIMOTHY: I think they're cute.
CROW 1: So long, glamour boy!
ELEPHANT 4: Girls, girls! Listen!
ELEPHANT 1: How awful for her.
CROW 2: Man, I got his autograph.
CROW: Then, right after that, you...
ELEPHANT 4: Here he comes now.
CLOWN: There's plaster in his eyes.
RINGMASTER: Ladies and gentlemen,
CROW: Why, he flies just like an eagle.

ELEPHANT 1: You sweet little thing.
ELEPHANT 2: He is cute, isn't he?
_________________________________
_________________________________
_________________________________
Beauty and the Beast (November 22, 1991) (musical, romantic, fantasy) (G)
Directors: Gary Trousdale (1960-) and Kirk Wise (1963-)
Story: Roger Allers (story supervisor), Brenda Chapman (1962-), Chris Sanders (1962-), Burny Mattinson (1935–2023), Kevin Harkey, Brian Pimental, Bruce Woodside, Joe Ranft (1960–2005), Tom Ellery, Kelly Asbury and Robert Lence
Screenplay: Linda Woolverton
Based on: "Beauty and the Beast" (French fairy tale, 1756) by Jeanne-Marie Le Prince de Beaumont
Producers: Don Hahn (1955-), Walt Disney V (1951–2016)
Executive Producer: John Lasseter (1957-) (2012 3D re-release)
Voices: Robby Benson (1956-), Mary Kay Bergman (1961–1999), Jesse Corti (1955-), Brian Cummings (1948-), Alvin Epstein (1925–2018), Rex Everhart (1920–2000), Tony Jay (1933–2006), Angela Lansbury (1925–2022), Alec Murphy (1955-), Paige O'Hara (1956-), Jerry Orbach (1935–2004), Bradley Pierce (1982-), Kimmy Robertson (1954-), Hal Smith (1916–1994), Kath Soucie (1967-), David Ogden Stiers (1942–2018), Frank Welker (1946-), Richard White (1953-), Jo Anne Worley (1937-)
Composer: Alan Menken (1949-)
Theatrical short: Tangled Ever After (2012 3D re-release)
Premiere: November 13, 1991
Box office: $425.0 million
Critic Score: 94% Certified Fresh
Average Rating: 8.4/10
Consensus: Enchanting, sweepingly romantic, and featuring plenty of wonderful musical numbers, Beauty and the Beast is one of Disney's most elegant animated offerings.
BELLE: No!
BELLE: Papa?
BEAST: What?
MAURICE: Run, Belle!
BELLE: I'm not hungry.
LUMIERE: Here she is!
BELLE: I can't believe it.
LUMIERE: Life is so unnerving
BELLE: New and a bit alarming
COGSWORTH: Now it's too late.
GASTON: Who does she think she is?
MAURICE: We should be there by now.

FEATHERDUSTER: Oh, no.
LUMIERE: Oh, yes.
MAURICE: Thank you.
COGSWORTH: No, no, no!
COGSWORTH: Encroachers.
MRS. POTTS: And they have the mirror.
_________________________________
Bambi (August 13, 1992) (drama) (G)
Directors: David Hand (Supervising Director) (1950-), James Algar (1962-), William "Bill" Roberts, Norman Wright, Samuel Armstrong, Paul Satterfield and Graham Heid
Written by: Perce Pearce (1950–2005), Larry Morey (1955–2021), Vernon Stallings (1941–2013), Melvin Shaw (1964-), Carl Fallberg (1965-), Chuck Couch and Ralph Wright (1958-)
Based on: Bambi, A Life in the Woods (Austrian novel, 1923) by Felix Salten
Producer: Walt Disney V (1951–2016)
Voices: Peter Behn (1984-), Thelma Boardman (1959-), Donnie Dunagan (1984-), Sam Edwards (1965-), Ann Gillis (1977-), Otis Harlan (1915–1990), Sterling Holloway (1955-), Cammie King (1984-), Mary Lansing (1961-), Margaret Lee (1959-), Donald Novis (1956–2016), Fred Shields (1954–2024), John Sutherland (1960-), Paula Winslowe (1960-), Will Wright (1944–2012)
Nine Old Men supervising animators (4): Ollie Johnston (1962-), Milt Kahl (1959-), Eric Larson (1955-), Frank Thomas (1962-)
Nine Old Men animator: Marc Davis (1963-)
Composers: Frank Churchill (1951–1992), Edward H. Plumb (1957–2008)
Release: August 21, 1992 (Wide release)
Box office: $267.4 million
Critic Score: 90% Certified Fresh
Average Rating: 8.2/10
Consensus: Elegantly animated and deeply touching, Bambi is an enduring, endearing, and moving Disney classic.
FALINE: Bambi.
ANIMAL 1: Oh. Well.
ANIMAL 1: Well, look.
THUMPER: Wake up.
MRS. HARE: Thumper.
MRS. HARE: Thumper.
THUMPER: Hiya, Bambi.
THUMPER: Hello, Bambi.
GREAT PRINCE: It is Man.
ANIMAL 3: Hello. Hello, there.
GREAT PRINCE: Get up, Bambi.
FRIEND OWL: Come on. (SHOOING)
RABBITS: Good morning, Prince Bambi.

MRS. HARE:
Thumper. Come on.
MRS. HARE:
Good morning, young prince.
MRS. POSSUM:
Good morning, young prince.

ANIMAL 2: Well.
ANIMAL 3: Isn't he cute?
ANIMAL 1: Yes, congratulations.
ANIMAL 2: Congratulations.
_________________________________
_________________________________
_________________________________
_________________________________
  • "Of all Walt Disney's animated classics, the heartfelt story and natural wonders of Bambi seem to touch more people more deeply than any of the fantasy worlds created in his fairy tales. Now, through music, footage and artwork, never before seen by the public, we will celebrate the making of this Disney masterpiece."
  • "Walt Disney started planning Bambi in 1936 (1986), while still in production on his first full-length animated feature, Snow White and the Seven Dwarfs. In the following rare excerpt from the original Disneyland television series, Walt explains how his artists finally achieved Bambi's breathtaking realism."
  • "At first, animals were brought into studio art classes for close-up study by the Disney artists."
  • "A pair of baby deer, appropriately named Bambi and Faline, were imported from Maine and happily housed behind the studio where the animators could have access to real moving inspiration."
  • "To create a realistic look, nature photographers documented the hidden textures of the forest environment. Disney artists created hundreds of paintings and drawings that capture the many moods required to bring the forest to life. What makes many of these drawings even more remarkable is that despite their incredible detail, they're actually extremely small. Pastels and watercolors capture the seasonal colors and emotions of life in the forest."
  • "If you ever wondered how the artists perfected such realistic details as a single drop of rain, here's the secret: Animators studied slow motion photography of drops of milk that reveal the elaborate splash patterns that usually disappear in the blink of an eye. Strange shapes begin appearing on the animator's drawing boards. Drawing by drawing, drop by drop, a rainstorm was created."
  • "While the images for this rain drop sequence always remain the same, an early concept considered a different song to be sung from the point of view of the falling rain drops. Even here, the technique of using vocals is a scoring tool as evident. Presented here for the first time is the original test demo of the Rain Song from June of 1938 (1988), illustrated with concept and storyboard art."
  • "Once the animators were comfortable with drawing real animals, they had to adapt them into characters that could supply the range of expression and emotion needed to tell the story."
  • "A cute baby rabbit character was developed to give the story much-needed comedy relief."
  • "Here in rare newsreel footage, we see a group of studio visitors watch as Frank Thomas animates a sequence with Thumper. Characters were animated using pencil drawings on paper that were then photographed to test the flow of movement and expression."
  • "Disney Studios' ink and paint department created all their own paints. For Bambi, nearly 250,000 cels were drawn and painted. When you combine that figure with the animation drawings, concept art, layouts, character designs and backgrounds, over a million drawings went in to making a little fawn come to life. Pretty amazing, isn't it, Bambi?"
  • "To heighten the realism of Bambi, the multi-plane camera was used extensively. By painting different layers of a scene on separate sheets of glass and moving them independently as they're photographed one frame at a time, flat art could create the illusion of depth. This opening sequence is an excellent example of the magic of the multi-plane camera."
  • "When Bambi was first released in 1942 (1992), it was an immediate triumph, and was recognized as one of animation's all-time greatest achievements. Even now, over half a century later, Bambi continues to delight audiences. Perhaps because of its stark realism, it also lives on as one of childhood's most vividly memorable family classics."
  • "Bambi stands out as one of the first environmentally conscious films ever made. It shows that without responsible thinking, man can easily become the enemy of nature."
  • "The careless hunter's campfire almost destroys everything we've come to care about, and serves as a valuable lesson for everyone to respect all of nature's creatures and habitats. Despite the inherent traumas and heartbreaks of the struggle for survival in the wild, Bambi and his friends give us a life-affirming example of the resilience of the spirit."
_________________________________
Saludos Amigos (August 24, 1992–February 6, 1993)
Directors: William "Bill" Roberts, Jack Kinney (1959-), Hamilton Luske (1953–2018) and Wilfred Jackson (1956-)
Written by: Homer Brightman, Ralph Wright (1958-), Roy Williams (1957-), Harold Reeves, Richard Huemer and Joe Grant (1958-)
Producer: Walt Disney V (1951–2016)
Voices: Pinto Colvig (1942–2017), Clarence Nash (1954-), Jose Oliveira (1954-), Fred Shields (1954–2024)
Nine Old Men animators (4): Les Clark (1957-), Milt Kahl (1959-), Ward Kimball (1964-), Wolfgang Reitherman (1959-)
Composers: Paul Smith (1956-), Edward H. Plumb (1957–2008)
Release: August 24, 1992 (Premiere)
Critic Score: 80%.
Average Rating: 6.4/10
Consensus: One of Disney's lesser-known animated films, Saludos Amigos may be slight stuff, but it's still a spirited, energetic travelogue.
_________________________________
_________________________________
_________________________________
Aladdin (November 25, 1992) (musical, romantic, fantasy, comedy, adventure) (G)
Directors: Ron Clements (1953-) and John Musker (1953-)
Story: Ed Gombert (story supervisor), Burny Mattinson (1935–2023), Roger Allers, Daan Jippes, Kevin Harkey, Sue C. Nichols, Francis Glebas, Darrell Rooney, Larry Leker, James Fujii, Kirk Hanson, Kevin Lima (1962-), Rebecca Rees, David S. Smith, Chris Sanders (1962-), Brian Pimental and Patrick A. Ventura
Screenplay: Ron Clements (1953-), John Musker (1953-), Ted Elliott and Terry Rossio
Based on: "Aladdin and the Wonderful Lamp" (Arabian fairy tale)
Producers: Ron Clements (1953-), John Musker (1953-), Walt Disney V (1951–2016)
Co-Producers: Donald W. Ernst (1934–2023) and Amy Pell
Voices: Jonathan Freeman (1950-), Gilbert Gottfried (1955–2022), Linda Larkin (1970-), Douglas Seale (1913–1999), Scott Weinger (1975-), Frank Welker (1946-), Robin Williams (1951–2014)
Composer: Alan Menken (1949-)
Premiere: November 11, 1992
Box office: $504.1 million
Critic Score: 94% Certified Fresh
Average Rating: 8.1/10
Consensus: A highly entertaining entry in Disney's renaissance era, Aladdin is beautifully drawn, with near-classic songs and a cast of scene-stealing characters.
JASMINE: Jafar.
JAFAR: Shut up!
ABU: Yum, yum!
MAN: Stop! Thief!
SULTAN: Jasmine.
JASMINE: Aladdin.
SULTAN: Oh, dearest.
MAIN GUARD: Get him!
ALADDIN: Look, I... I'm sorry.
ABU: Yoo-hoo! Aladdin! Hello!
JASMINE: Unbelievable sights
SULTAN: Jafar, this is an outrage.
SULTAN: Jasmine will like this one.
JASMINE: Just go jump off a balcony!
SULTAN: Find him! Search everywhere!

ALADDIN:
Phenomenal cosmic powers...

GUARD: Scoundrel
MAN: Take that
_________________________________
The Lion King (June 24, 1994) (epic, musical, drama) (G)
Directors: Roger Allers and Rob Minkoff
Story: Brenda Chapman (story supervisor) (1962-), Burny Mattinson (1935–2023), Barry Johnson, Lorna Cook, Thom Enriquez, Andy Gaskill, Gary Trousdale (1960-), Jim Capobianco, Kevin Harkey, Jorgen Klubien, Chris Sanders (1962-), Tom Sito, Larry Leker, Joe Ranft (1960–2005), Rick Maki, Ed Gombert, Francis Glebas, and Mark Kausler
Screenplay: Irene Mecchi, Jonathan Roberts, and Linda Woolverton
Inspired by: Hamlet (British play, 1601) by William Shakespeare
Producers: Don Hahn (1955-), Walt Disney V (1951–2016)
Executive Producer: John Lasseter (1957-) (2011 3D re-release)
Voices: Rowan Atkinson (1955-), Matthew Broderick (1962-), Niketa Calame (1980-), Jim Cummings (1952-), Whoopi Goldberg (1955-), Robert Guillaume (1927–2017), Jeremy Irons (1948-), James Earl Jones (1931-), Moira Kelly (1968-), Nathan Lane (1956-), Zoe Leader (1949–2015), Cheech Marin (1946-), Ernie Sabella (1949-), Madge Sinclair (1938–1995), Jonathan Taylor Thomas (1981-)
Composer: Hans Zimmer (1957-)
Premiere: June 15, 1994
Box office: $968.5 million
Critic Score: 93% Certified Fresh
Average Rating: 8.3/10
Consensus: Emotionally stirring, richly drawn, and beautifully animated, The Lion King stands tall within Disney's pantheon of classic family films.
NALA: Simba!
MUFASA: Scar!
MUFASA: Zazu.
MUFASA: Simba.
ZAZU: Step lively.
SIMBA: Come here!
MUFASA: Remember.
MUFASA: Remember.
NALA: Simba, wait up!
MUFASA: Look, Simba.
NALA: It's really creepy.
SHENZI: Ooh, it tingles me.
ZAZU: Oh, Scar, this is awful!
SARABI: And it's time for yours.
_________________________________
The Three Caballeros (December 21, 1994–February 3, 1995) (musical) (G)
Supervising Director: Norman Ferguson (1952–2007)
Sequence Directors: Clyde Geronimi (1951-), Jack Kinney (1959-) and William "Bill" Roberts
Story/Screenplay: Homer Brightman, Ernest Terrazas, Ted Sears (1950–2008), Bill Peet (1965-), Ralph Wright (1958-), Elmer Plummer, Roy Williams, William Cottrell, Del Connell and James Bodrero
Producer: Walt Disney V (1951–2016)
Voices: Joaquin Garay (1961-), Frank Graham (1964–2000), Sterling Holloway (1955-), Dora Luz (1968-), Aurora Miranda (1965-), Clarence Nash (1954-), Jose Oliveira (1954-), Fred Shields (1954–2024)
Nine Old Men animators (7): Les Clark (1957-), Ollie Johnston (1962-), Milt Kahl (1959-), Ward Kimball (1964-), Eric Larson (1955-), John Lounsbery (1961-), Frank Thomas (1962-)
Composers: Edward H. Plumb (1957–2008), Paul Smith (1956-), Charles Wolcott (1956-)
Premiere: December 21, 1994
Critic Score: 88%.
Average Rating: 6.8/10
Consensus: One of Disney's more abstract creations, The Three Caballeros is a dazzling, colorful picture that shows the company at an artistic acme.
JOE: Ah, Baía.
JOE: Ah, Baía.
JOE: Sim, senhor.
JOE: (SINGS) Oh,
JOE: Hurry, Donald, hurry!
DONALD: Say, what's this?
JOE: (LAUGHS) Uh, uh, uh.
PANCHITO: You see, Donald?
JOE: Watch your step, Donald.
PEDDLER: (SINGS) Oh, oh, oh
NARRATOR: By the way, amigo,
PANCHITO: Ah, Jalisco no te rajes
DONALD: Well, what do you know?
DONALD: Adios, so long. Good-bye!
GAUCHO: Caramba! The jig was up.
PANCHITO: This custom takes place
HOLLOWAY: Four bells and all's well.
DONALD: Am I going to like this place!
HOLLOWAY: Must be near Cape Horn.
NARRATOR: (LAUGHS) Never satisfied!

NARRATOR:
Now he's called the Aracuan

HOLLOWAY: El fin, the end.
NARRATOR: ...yes, thank you.
_________________________________
_________________________________
_________________________________
Pocahontas (June 23, 1995) (epic, musical, romantic, drama) (G)
Directors: Mike Gabriel (1954-) and Eric Goldberg (1955-)
Story: Tom Sito (story supervisor), Glen Keane (1954-), Joe Grant (1908–2005), Ralph Zondag, Burny Mattinson (1935–2023), Ed Gombert, Kaan Kalyon, Francis Glebas, Rob Gibbs, Bruce Morris, Todd Kurosawa, Duncan Marjoribanks and Chris Buck (1960-)
Screenplay: Carl Binder, Susannah Grant and Philip LaZebnik
Based on: life and legend of Pocahontas (1595–1617)
Producers: James Pentecost, Walt Disney V (1951–2016)
Voices: Joe Baker (1928–2001), Christian Bale (1974-), Irene Bedard (1967-), Billy Connolly (1942-), James Apaumut Fall, Mel Gibson (1956-), Linda Hunt (1945-), Michelle St. John, John Kassir (1957-), Danny Mann (1951-), Russell Means (1939–2012), David Ogden Stiers (1942–2018), Gordon Tootoosis (1941–2011), Frank Welker (1946-)
Composer: Alan Menken (1949-)
Premiere: June 16, 1995
Box office: $346.1 million
Critic Score: 57%.
Average Rating: 6/10
Consensus: Pocahontas means well, and has moments of startling beauty, but it's largely a bland, uninspired effort, with uneven plotting and an unfortunate lack of fun.
MAN: Smith!
MAN 2: Watch out!
JOHN: See ya, Percy.
MAN 2: If you ask me,
NAKOMA: Pocahontas!
NAKOMA: Pocahontas.
POCAHONTAS: Helmet.
MAN 2: Two on each side.
POWHATAN: Pocahontas!
JOHN: It's called a helmet.
MAN 3: Ready now? Push!
JOHN: Percy, get back here!
MAN: Wake up! Shake a leg!
RATCLIFFE: Riches for cheap
JOHN: This place is incredible.
BEN: Smith was right all along.
POWHATAN: Killers at the core
RATCLIFFE: Look at it, Wiggins,
MAN 2: Let go of the topgallants!
MAN 3: Be careful, it will happen!
MAN: Stay your course, he's lost!
MAN: Give me a hand, someone!
MAN 1: But what if Smith is right?
KEKATA: They're different from us
RATCLIFFE: There'll be heaps of it
MAN 2: Hold up! That's far enough!
RATCLIFFE: Keep on working, lads
SOLDIER: Either too hot or too cold.
MAN: Filthy beasts, Ratcliffe was right!
NAKOMA: Help me turn this thing over.
POWHATAN: First we deal with this one
POCAHONTAS: Is the death of all I love

POWHATAN:
...faced a determined enemy.
GRANDMOTHER WILLOW:
Listen with your heart
GRANDMOTHER WILLOW:
Is that my Pocahontas?

MAN: The crew a-ready?
MAN 2: Aye, sir!
MAN 1: Ready to hoist the cannon?
MAN 2: Aye!
_________________________________
Toy Story (November 22, 1995) (buddy, comedy, adventure) (G)
Director: John Lasseter (1957-)
Story: John Lasseter (1957-), Pete Docter (1968-), Andrew Stanton (1965-) and Joe Ranft (1960–2005)
Screenplay: Joss Wheldon (1964-), Andrew Stanton (1965-), Joel Cohen and Alec Sokolow
Producers: Ralph Guggenheim (1951-), Bonnie Arnold (1955-)
Voices: Tim Allen (1953-), R. Lee Ermey (1944–2018), Sarah Freeman (1986-), Tom Hanks (1956-), Penn Jillette (1955-), Laurie Metcalf (1955-), John Morris (1984-), Annie Potts (1952-), John Ratzenberger (1947-), Don Rickles (1926–2017), Wallace Shawn (1943-), Jim Varney (1949–2000), Erik von Detten (1982-)
Composer: Randy Newman (1943-)
Box office: $362.0 million
Critic Score: 100% Certified Fresh
Average Rating: 9/10
Consensus: Entertaining as it is innovative, Toy Story reinvigorated animation while heralding the arrival of Pixar as a family-friendly force to be reckoned with.
CHILD: Hi!
BUZZ: Now!
BO PEEP: Ha!
ALIENS: The claw!
HANNAH: I'll get it!
WOODY: Ha-ha-ha!
SERGEANT: Retreat!
BO PEEP: Oh, Woody.
REX: Aah! Take cover!
REX: (GASPS) I need air!
ANDY: (LAUGHING) Whoa!
WOODY: Come back! Slink!
ANDY: To infinity and beyond!
ROBOT: You are clear to enter.
SLINKY: Hey, Woody, come on.
VOICE BOX: Reach for the sky!
WOODY: Hey, no, no, wait, hey!
WOODY: You want a piece of me?
ANDY'S MOM: Okay, who's hungry?
ANDY'S MOM: Okay, come on, kids.
SERGEANT: A large box... It's-It's-It's...
ELECTRONIC VOICE: You're welcome.

SLINKY:
Whoa, whoa, whoa, whoa!
HAMM:
All right, gangway, gangway.
MAN ON PA:
...nine, eight, seven, six,
MOTHER:
Everybody say, "Bye, house!"
TIMON AND PUMBAA:
Hakuna Matata
SERGEANT:
Frankincense, this is Myrrh.
VOICE BOX:
There's a snake in my boots.
SID'S MOM:
Sid, your Pop Tarts are ready!
VOICE BOX:
Buzz Lightyear to the rescue!
ANDY'S MOM:
Okay, everybody, come on.
WOODY'S VOICE BOX:
Reach for the sky!
SPORTSCASTER:
And welcome back to the
ANDY ON MONITOR:
Oh, what is it? What is it?
WOMAN ON PA:
The white zone is for immediate pizza...

HANNAH: Mom! Mom!
SID: She's lying!
CHILD: Mine!
SERGEANT: There they are.
WOMAN: Get outta that car!
MAN: Move it!
BOY: On the way!
CHORUS: Buzz Lightyear!
MR. SPELL: Spell, trash can.
REX: We're doomed!
DRIVER: Hey, gas dude!
ATTENDANT: You talkin' to me?
HAMM: I got dibs on his hat!
BO PEEP: Would you boys stop it!
_________________________________
Make Mine Music (April 20, 1996)
Directors: Jack Kinney (1959-), Clyde Geronimi (1951-), Hamilton Luske (1953–2018), Robert Cormack and Joshua Meador
Story/Screenplay: Homer Brightman, Dick Huemer, Dick Kinney, John Walbridge, Tom Oreb, Dick Shaw, Eric Gurney, Sylvia Holland, T. Hee (1961-), Erdman Penner, Dick Kelsey (1955-), James Bodrero, Roy Williams, Cap Palmer, Jesse Marsh and Erwin Graham
Based on: Peter and the Wolf segment based on "Peter and the Wolf" (Russian fairy tale, 1936) by Sergei Prokofiev
Producer: Walt Disney V (1951–2016)
Voices: Jerry Colonna (1954-), Ken Darby (1959-), Nelson Eddy (1951–2017), Benny Goodman (1959-), Sterling Holloway (1955-), David Lichine (1960–2022), Andy Russell (1969-), Dinah Shore (1966-)
Nine Old Men animators (6): Les Clark (1957-), Ollie Johnston (1962-), Milt Kahl (1959-), Ward Kimball (1964-), Eric Larson (1955-), John Lounsbery (1961-)
Composers: Eliot Daniel (1958-), Ken Darby (1959-), Charles Wolcott (1956-), Oliver Wallace (1937–2013), Edward H. Plumb (1957–2008)
Wide release: August 15, 1996
Box office: $2.25 million
Critic Score: 67%.
Average Rating: 6.3/10
Consensus: This collection of musical-themed shorts doesn't reach the artistic heights of Fantasia, but it's well animated and mostly good fun.
_________________________________
The Hunchback of Notre Dame (June 21, 1996) (musical, drama) (G)
Directors: Gary Trousdale (1960-) and Kirk Wise (1963-)
Story: Will Finn (story supervisor), Tab Murphy, Kevin Harkey, Gaftan Brizzi, Paul Brizzi, Edward Gombert, Brenda Chapman (1962-), Jeff Snow, Jim Capobianco, Denis Rich, Burny Mattinson (1935–2023), John Sanford, Kelly Wightman, James Funi, Geefwee Boedoe, Floyd Norman, Francis Glebas, Kirk Hanson, Christine Blum and Sue C. Nichols
Screenplay: Tab Murphy, Irene Mecchi, Bob Tzudiker, Noni White and Jonathan Roberts
Based on: Notre Dame de Paris (French novel, 1831) by Victor Hugo
Producers: Don Hahn (1955-), Walt Disney V (1951–2016)
Co-Producer: Roy Conli (1971-)
Voices: Jason Alexander (1959-), Mary Kay Bergman (1961–1999), Corey Burton (1955-), Jim Cummings (1952-), Bill Fagerbakke (1957-), Tom Hulce (1953-), Tony Jay (1933–2006), Paul Kandel (1951-), Charles Kimbrough (1936–2023), Kevin Kline (1947-), Demi Moore (1962-), Patrick Pinney (1952-), David Ogden Stiers (1942–2018), Gary Trousdale (1960-), Frank Welker (1946-), Mary Wickes (1910–1995), Jane Withers (1926–2021)
Composer: Alan Menken (1949-)
Premiere: June 19, 1996
Box office: $325.3 million
Critic Score: 74%.
Average Rating: 7.1/10
Consensus: Disney's take on the Victor Hugo classic is dramatically uneven, but its strong visuals, dark themes, and message of tolerance make for a more-sophisticated-than-average children's film.
_________________________________
ESMERALDA: Oh!
QUASIMODO: No.
SOLDIER: Charge!
ESMERALDA: Stop!
PHOEBUS: 'Tention!
CLOPIN: Everybody!
QUASIMODO: Whoa!
ESMERALDA: Quasi?
FROLLO: Nor would I.
LAVERNE: Impossible.
SOLDIER: Bon appétit!
WOMAN: He's hideous!
ESMERALDA: Hold on.
SOLDIER 1: Make way!
MAN: Frollo's gone mad.
HUGO: Those other guys
VICTOR: Ready, aim, fire!
CLOPIN: Girls, give a kiss.
PHOEBUS: No, you're not.
WOMAN: Oh, he's hideous.
QUASIMODO: Most of them.
SOLDIER 1: Check the alley!
HUGO: Hey, hey, there he is.
SOLDIER: Whoa! Whoo-hoo!
SOLDIER 3: No one here, sir.
CLOPIN: Whatever their pitch
SOLDIER 1: Check the street.
FROLLO: For justice, for Paris,
CLOPIN: And he saw corruption
HUGO: And since you're shaped
CLOPIN: Everyone is acting crazy
FROLLO: The prisoner, Esmeralda,
LAVERNE: Don't you ever migrate?
CLOPIN: And for one time in his life
ESMERALDA: Oh, boys. Over here.
SOLDIER 2: Yes, sir. No one here, sir.
CLOPIN: Ugly folks forget your shyness
MAN: Where are you goin', hunchback?
ESMERALDA: You've done this before?

QUASIMODO:
Is this the court of miracles?

SOLDIER 1: There she is!
SOLDIER 2: Get her!
GARGOYLES: Oh.
VICTOR: Yeah. Oh, dear, yes.
SOLDIER 1: Check the alley!
SOLDIER 2: This way!
SOLDIER 1: Make way!
SOLDIER 2: Make way, now!
_________________________________
Hercules (June 27, 1997) (musical, fantasy, comedy) (G)
Directors: Ron Clements (1953-) and John Musker (1953-)
Story: Barry Johnson (story supervisor), Kaan Kalyon, Kelly Wightman, Randy Cartwright (1951-), John Ramirez, Jeff Snow, Vance Gerry (1929–2005), Kirk Hanson, Tamara Lusher, Francis Glebas, Mark Kennedy, Bruce Morris, Don Dougherty and Thom Enriquez
Screenplay: Ron Clements (1953-), John Musker (1953-), Donald McEnery, Bob Shaw and Irene Mecchi
Based on: "Hercules" (Greek myth)
Producers: Alice Dewey, Ron Clements (1953-), John Musker (1953-), Walt Disney V (1951–2016)
Voices: Barbara Barrie (1931-), Mary Kay Bergman (1961–1999), Corey Burton (1955-), LaChanze (1961-), Jim Cummings (1952-), Keith David (1956-), Danny DeVito (1944-), Tate Donovan (1963-), Paddi Edwards (1931–1999), Samantha Eggar (1939-), Susan Egan (1970-), Cheryl Freeman, Kathleen Freeman (1919–2001), Matt Frewer (1958-), Bobcat Goldthwait (1962-), Bug Hall (1985-), Kellen Hathaway (1986-), Charlton Heston (1923–2008), Hal Holbrook (1925–2021), Josh Keaton (1979-), Wayne Knight (1955-), Aaron Michael Metchik (1980-), Patrick Pinney (1952-), Amanda Plummer (1957-), Roz Ryan (1951-), Paul Shaffer (1949-), Carole Shelley (1939–2018), Vanessa Y. Thomas, Rip Torn (1931–2019), Lillias White (1951-), James Woods (1947-)
Composer: Alan Menken (1949-)
Premiere: June 14, 1997
Box office: $252.7 million
Critic Score: 83% Certified Fresh
Average Rating: 7/10
Consensus: Fast-paced and packed with dozens of pop culture references, Hercules might not measure up with the true classics of the Disney pantheon, but it's still plenty of fun.
ZEUS: Ha ha!
HADES: Meg?
BOY: Heads up!
PHIL: Two words.
MUSE: It was tragic.
CYCLOPS: Hercules!
HERCULES: Excuse me.
NARRATOR: You go, girl.
MEG: (PANTING) Please.
HADES: How sentimental.
OLD MAN: Tell me about it.
AMPHITRYON: Who's there?
HERCULES: Wow. What a day.
HERCULES: Yeah. Yeah. I know.
HADES: A stirring performance, boys.

HERCULES:
Don't get too comfortable, Hades!

BOY 1: Help! I can't breathe!
BOY 2: (COUGHING) Hurry!
_________________________________
Fun and Fancy Free (September 27, 1997) (musical, fantasy) (G)
Directors: Jack Kinney (1959-), William "Bill" Roberts and Hamilton Luske (1953–2018)
Story/Screenplay: Homer Brightman, Harry Reeves, Ted Sears (1950–2008), Lance Nolley, Eldon Dedini and Tom Oreb
Based on: Bongo segment based on Little Bear Bongo (American short story, 1936) by Sinclair Lewis; Mickey and the Beanstalk segment based on Jack and the Beanstalk (British fairy tale)
Producer: Walt Disney V (1951–2016)
Voices: Edgar Bergen (1953-), Pinto Colvig (1942–2017), Walt Disney V (1951–2016), Cliff Edwards (1945–2021), Billy Gilbert (1944–2021), James MacDonald (1956-), Clarence Nash (1954-), Luana Patten (1988-), Dinah Shore (1966-)
Nine Old Men directing animators (4): Les Clark (1957-), Ward Kimball (1964-), John Lounsbery (1961-), Wolfgang Reitherman (1959-)
Nine Old Men character animator: Marc Davis (1963-)
Composers: Oliver Wallace (1937–2013), Paul Smith (1956-), Eliot Daniel (1958-), Charles Wolcott (1956-)
Box office: $2.4 million
Critic Score: 75%.
Average Rating: 6/10
Consensus: Though it doesn't quite live up to its title, Fun and Fancy Free has its moments, and it's a rare opportunity to see Mickey, Donald, and Goofy together.
_________________________________
LUANA: Oh!
DINAH: Ohh.
BERGEN: No, no.
LUANA: What is it?
CHARLIE: Kerplop.
MICKEY: But Donald!
BERGEN: Poor Mickey,
LUANA: Oh, Mr. Bergen!
DINAH: But if you're only
DINAH: But if you're only
CHARLIE: The hard way.
LUANA: What happened?
MORTIMER: Trees. Yeah.
DINAH: At last he was free.
DINAH: He was crackin' up!
CHARLIE: I pass. New deal.
DONALD: Food! Let me at it!
GOOFY: Easy, Donald. Easy!
DINAH: Then came the dawn.
BERGEN: And there they are,
MORTIMER: Well, search me.
DINAH: "I love you, Lulubelle."
CHARLIE: Well, somebody did.
MORTIMER: Landscape. Yeah.
DINAH: Just kind of play around
BERGEN: Yes, I agree with you.
MORTIMER: Well, don't tell him!
CHARLIE: She's an udder failure.
CHARLIE: Caught with his pants...
DINAH: With nature's gang around
BERGEN: Days pass, weeks pass.
JIMINY: Everyone keeps askin' me
CHARLIE: Ahem. Bean, you mean.
BERGEN: And there goes the giant!
CHARLIE: Well, it wasn't Cinderella.
LUANA: Well, at least they had milk.
BERGEN: No, thank you. I mean no.
CHARLIE: Just like the eighth grade.
CHARLIE: Now it's Gruesome Gulch.
CHARLIE: Uh, just tell it. Don't ham it.
MORTIMER: Mmm. Yeah, yeah, yeah.
BERGEN: But are their spirits broken?
GIANT: Pot roast! Chocolate pot roast!
CHARLIE: If she can't, I know who can.
BERGEN: What's the matter, Mortimer?
DINAH: He couldn't ignore it any longer.

DINAH SHORE ON RECORDING:
This is the story of three bears.

BERGEN: Charlie.
CHARLIE: Yes, sir.
MORTIMER: Dry rot.
CHARLIE: Yes, isn't it?
MICKEY: That's the harp!
DONALD: Boy, oh, boy!
CHARLIE: Behind the jar, stupid.
LUANA: Charlie!
BERGEN: What?
LUANA: There's something moving.
CHORUS: Grab your girl
DINAH: Give her your cheek
BERGEN: Charlie!
CHARLIE: Caught with his pants...
BERGEN: Charlie!
CHARLIE: Well, his slip was showing.
BERGEN: You're quite right.
OPHELIA: Oh, yes, I am. Yes.
BERGEN: For one day...
CHARLIE: They built a schoolhouse.
MORTIMER: Is that a peasant?
CHARLIE: That's a cow, stupid.
_________________________________
_________________________________
_________________________________
_________________________________
  • "Leave your worries behind and join us for a special behind-the-scenes story of the making of Walt Disney's merry masterpiece, Fun and Fancy Free."
  • "Walt Disney's 1947 (1997) feature, Fun and Fancy Free is composed of multiple segments, a format called a package feature. The two stories, Mickey and the Beanstalk and Bongo, were originally developed as full-length feature films. Here's the behind-the-scenes story of how they were paired up to create a Fun and Fancy Free feature."
  • "To keep his successful film series going, Walt Disney was constantly on the lookout for stories to bring to the screen."
  • "Disney was certainly familiar with the classic fairy tale of Jack and the Beanstalk. He had used the well-known story as the basis for a 1922 (1972) silent cartoon produced by his Laugh-O-Gram film company in Kansas City. Unfortunately, no prints of this film are known to exist. In 1933 (1983), he revisited the tale in Giant Land, a short with Mickey Mouse assuming the role of Jack. In 1938 (1988), Walt pitted Mickey against the giant again, this time as The Brave Little Tailor."
  • "With his experience as an adversary to giants, Mickey was a natural for the lead in this giant new feature-length film. His co-stars would be Donald Duck and Goofy."
  • "Development of Mickey and the Beanstalk as a full-length feature began on May 2, 1940 (1990). During that year, Walt Disney and several of his key story men developed many of the ideas that would be contained in the finished film: The growth of the beanstalk while Mickey, Donald and Goofy are asleep, the gags at the Giant's dinner table, and the role of the singing harp."
  • "At the same meeting, the suggestion was also made to use Foulfellow and Gideon from Pinocchio as the phonies who swindle Mickey out of his cow. Since they don't appear in the final version, just who does Mickey trade his cow to in exchange for magic beans?"
  • "Here is the answer, in a never-before-seen sequence developed in 1940 (1990), but dropped when the story was tightened for Fun and Fancy Free."
  • "Archival evidence of the early development of the feature version of Mickey and the Beanstalk ends in the summer of 1941 (1991)."
  • "At the same time, work on Bongo was begun. The story was written in 1934 (1984) for Cosmopolitan Magazine by novelist Sinclair Lewis. Bongo was an unusually light-hearted story to come from Lewis, who was the first American to win the Nobel Prize for Literature."
  • "Since Bongo was a circus bear, there were early story notes suggesting that Bongo might even be a follow-up to Dumbo, using the same circus settings and some of the supporting cast, including the gossipy elephants."
  • "Early story sketches show a character design for Bongo that differs radically from the final one. The female bear who catches Bongo's eye went through similar revisions, as well as a couple of name changes, from Suzie to Silver-ear to her final name, Lulubelle. Bongo's nemesis, Lumpjaw, was always a big hulking brute, but in some early designs, he wore street clothes. In these early sketches, a few extra characters were present. Bongo had a chimpanzee for a valet, first named Beverly, then Chimpy. In addition, Bongo and Chimpy had a series of comic encounters with a pair of mischievous country cousin bear cubs."
  • "A partially completed script of Bongo was delivered on Monday, December 8, 1941 (1991), the day after the attack on Pearl Harbor. Just as Bongo and Mickey and the Beanstalk were at the height of their development, the world changed."
  • "Walt looked back to Fantasia, and the idea of combining unrelated music and story segments into a feature-length film."
  • "In 1946 (1996), Make Mine Music was released. It consisted of several animated segments featuring popular music of that era, provided by Nelson Eddy, Dinah Shore, Benny Goodman, and The Andrews Sisters."
  • "With the end of the war, Walt revived Mickey and the Beanstalk for his first and most famous star, and decided to pair it with Bongo. The introduction of the lovable little circus bear would make Mickey's return to the silver screen an even more sensational event."
  • "Since his debut, Mickey Mouse's voice had been provided by his creator, Walt Disney."
  • "Here in a recently discovered rare film clip, Walt Disney performs as Mickey Mouse, with Billy Blecher in a recording session for Mr. Mouse Takes a Trip."
  • "Walt had recorded Mickey's voice for Mickey and the Beanstalk in the spring and summer of 1941 (1991). This film would be the last time that Walt would regularly provide Mickey's voice."
  • "Jiminy Cricket, the popular supporting character from Pinocchio, was recruited to set the light-hearted tone for Fun and Fancy Free."
  • "Giving voice to Jiminy was his original voice, Cliff Edwards."
  • "This spritely song I'm a Happy-Go-Lucky Fellow, which opens Fun and Fancy Free, had actually been written for, but dropped from Pinocchio nearly a decade earlier."
  • "What follows, presented publicly for the first time, is Billy Gilbert's original test recording for the role of Willie the Giant."
  • "A human host was chosen to tell the story of Mickey and the Beanstalk: Ventriloquist Edgar Bergen."
  • "Bergen and Walt Disney were longtime friends. Walt had even featured Bergen's Charlie McCarthy in several short cartoons. In 1950 (2000), Bergen would also be a guest on Disney's very first television program."
  • "Co-starring in the live action segments was child actor Luana Patten."
  • "Telling the story of Bongo was Dinah Shore."
  • "Fun and Fancy Free premiered on September 27, 1947 (1997). Package films like Fun and Fancy Free kept the Disney magic alive in the eyes of movie audiences. And with these films, the Disney studio built up its creative strength to produce a whole new series of feature animation successes."
  • "For war-weary audiences, Fun and Fancy Free was a refreshing tonic, a tuneful and carefree jaunt with friendly and familiar characters, under the guiding hand of favorite storyteller Walt Disney. The same holds true today... (Leonard Maltin: To just an entertaining film that's really well done.)"
_________________________________
Melody Time (May 27, 1998) (G)
Directors: Clyde Geronimi (1951-), Wilfred Jackson (1956-), Hamilton Luske (1953–2018) and Jack Kinney (1959-)
Story/Screenplay: Winston Hibler (1960-), Erdman Penner, Harry Reeves, Homer Brightman, Ken Anderson (1959-), Ted Sears (1950–2008), Joe Rinaldi, William Cottrell, Art Scott, Jesse Marsh, Bob Moore and John Walbridge
Based on: The Legend of Johnny Appleseed segment based on the life of John Chapman (1774–1845); Little Toot segment based on Little Toot (American children's story, 1939) by Hardie Gramatky; Trees segment based on Trees by Alfred Joyce Kilmer with the music master Oscar Rasbach; Pecos Bill segment based on "Pecos Bill" (American fakelore) by folklore consultant Carl Carmer
Producer: Walt Disney V (1951–2016)
Voices: Dennis Day (1966-), Bobby Driscoll (1987–2018), Frances Langford (1963-), Freddy Martin (1956-), Bob Nolan (1958-), Luana Patten (1988-), Roy Rogers (1961-), Ethel Smith (1952-), Fred Waring (1950-)
Nine Old Men directing animators (6): Les Clark (1957-), Ollie Johnston (1962-), Milt Kahl (1959-), Ward Kimball (1964-), Eric Larson (1955-), John Lounsbery (1961-)
Composers: Eliot Daniel (1958-), Paul Smith (1956-), Ken Darby (1959-)
Box office: $1.8 million
Critic Score: 88%.
Average Rating: 7.3/10
Consensus: Melody Time is a charming musical anthology film that's expertly crafted and filled with high-spirited numbers.
_________________________________
Mulan (June 19, 1998) (musical, action, comedy, drama) (G)
Directors: Barry Cook (1958-) and Tony Bancroft
Story: Chris Sanders (story supervisor) (1962-), Dean DeBlois (co-head of story) (1962-), John Sanford, Chris Williams (1968-), Tim Hodge, Julius Aguimatang, Burny Mattinson (1935–2023), Lorna Cook, Barry Johnson, Thom Enriquez, Ed Gombert, Joe Grant (1908–2005) and Floyd Norman
Screenplay: Rita Hsiao, Chris Sanders (1962-), Philip LaZebnik, Raymond Singer and Eugenia Bostwick-Singer
Based on: "Hua Mulan" (Chinese legend)
Producers: Pam Coats, Walt Disney V (1951–2016)
Voices: Miguel Ferrer (1955–2017), Harvey Fierstein (1952-), June Foray (1917–2017), James Hong (1929-), Miriam Margolyes (1941-), Pat Morita (1932–2005), Eddie Murphy (1961-), Ming-Na (1963-), Marni Nixon (1930–2016), Soon-Tek Oh (1932–2018), Freda Foh Shen (1948-), James Shigeta (1929–2014), George Takei (1937-), Jerry Tondo (1950-), Gedde Watanabe (1955-), Frank Welker (1946-), B.D. Wong (1960-)
Composer: Jerry Goldsmith (1929–2004)
Premiere: June 5, 1998
Box office: $304.3 million
Critic Score: 86% Certified Fresh
Average Rating: 7.5/10
Consensus: Exploring themes of family duty and honor, Mulan breaks new ground as a Disney film, while still bringing vibrant animation and sprightly characters to the screen.
YAO: Hey!
MUSHU: Hey!
MULAN: Guys.
MUSHU: Mulan!
MULAN: Shang!
YAO: Oh, snake! Snake!
MULAN: "Quiet and demure.
GREAT ANCESTOR: Mushu!
SHAN-YU: What do you see?
MUSHU: Call out for egg rolls!
LING: Some king of the rock. Aah!
MUSHU: Uh, uh... Yes, I just woke up.
YAO: Does this dress make me look fat?

GREAT ANCESTOR:
Great Stone Dragon,
MUSHU:
This guys got 'em scared to death
SHANG:
We must be swift as a coursing river
MULAN:
Hope he doesn't see right through me
GRANDMOTHER:
Would you like to stay forever?
_________________________________
A Bug's Life (November 25, 1998) (comedy) (G)
Director: John Lasseter (1957-), Andrew Stanton (1965-)
Story: John Lasseter (1957-), Andrew Stanton (1965-) and Joe Ranft (1960–2005)
Screenplay: Andrew Stanton (1965-), Donald McEnery and Bob Shaw
Producers: Darla K. Anderson (1968-), Kevin Reher
Voices: Phyllis Diller (1917–2012), Julia Louis-Dreyfus (1961-), Dave Foley (1963-), Brad Garrett (1960-), Jonathan Harris (1914–2002), Bonnie Hunt (1961-), Madeline Kahn (1942–1999), Richard Kind (1956-), Denis Leary (1957-), Edie McClurg (1945-), Roddy McDowall (1928–1998), Michael McShane (1955-), David Ossman (1936-), Hayden Panettiere (1989-), David Hyde Pierce (1959-), Joe Ranft (1960–2005), John Ratzenberger (1947-), Alex Rocco (1936–2015), Kevin Spacey (1959-)
Composer: Randy Newman (1943-)
Box office: $363.4 million
Critic Score: 92% Certified Fresh
Average Rating: 7.9/10
Consensus: A Bug's Life is a rousing adventure that blends animated thrills with witty dialogue and memorable characters – and another smashing early success for Pixar.
FLIK: Hey!
DOT: Wow!
FLIK: Ohh...
FLIK: No! No!
FLIK: Let's go!
ANT: Look out!
SLIM: Be quiet!
GYPSY: Whoa!
P.T. FLEA: Rosie!
FLIK: That's right.
FRANCIS: My leg!
BUG 1: Hey, buggy!
ATTA: Oh, yes. Yes.
ANT: Go, go, go, go!
FLIK: You're perfect!
HOPPER: Uh-uh-uh.
DOT: Good luck, Flik!
ATTA: Where were we?
BUG 5: Hey, tough guy!
SLIM: Are they all right?
HOPPER: So where is it?
FLIK: The bird won't work.
MANNY: And now, insectus
FLIK: (MUFFLED) I'm okay!
FLIK: Hey! Hey, wait for me!
DOT: Mom! Where are you?
HOPPER: You little termites!
DOT: Hey, Flik! Flik! Wait up!
BUG 2: What do you expect?
FRANCIS: I gotcha! I gotcha!
P.T. FLEA: Get me out of here!
THORNY: Okay, lower, lower...
DOT: Flik! Over here! Flik! Flik!
FLIK: Leave her alone, Hopper.
FLIK: Oh. I'm really, really sorry.
DOT: Come on, come on. Hurry!
SOIL: Do not panic. Do not panic!
ATTA: Good job, guys! Nice work!
MOLT: Look at me! I'm barefooting!
FLIK: They're rounding everyone up.
DOT: Well, I think he's gonna make it.
HARRY: I can't help it! It's so beautiful!
THUD: (GROWLING) Where are they?
FLIK: (WEAKLY) You're wrong, Hopper.

P.T. FLEA:
I'm gonna be rich, rich, rich
GRASSHOPPER 1:
Hey, what's going on?
GRASSHOPPER 2:
Yeah, where's the food?
GRASSHOPPER:
We have more than enough food.

ATTA: Oh!
ANT 1: Hey!
ANT 3: What?
ANT 4: Yeah.
ANT 1: Flik?
ANT 2: It's Flik!
ANT 2: Sure.
ANT 1: Thank you.
ANT: To the bird!
ALL: The bird!
ANT 3: No, it's not Flik.
ANT 5: Flik?
ANT 1: Princess Atta!
ANT 2: Princess Atta!
ROSIE: I can't see!
SLIM: What is happening?
HEIMLICH: Oh, thank you!
MANNY: Thank you.
MALE ANT: They're coming!
FEMALE ANT: Run!
KIDS: Ooh! Wow!
ROSIE: Kids, he's kind of ticklish.
HEIMLICH: Oh, stop. You're too kind.
ALL: Thank you.
SLIM: We got the water!
HEIMLICH: Here we come, P.T.!
ANT 1: Stop that!
ANT 2: What do you think you're doing?
_________________________________
Tarzan (June 18, 1999) (comedy, drama, adventure) (G)
Directors: Chris Buck (1960-) and Kevin Lima (1962-)
Story: Brian Pimental (story supervisor), Stephen J. Anderson (1969-), Mark Kennedy, Carole Holliday, Gaëtan Brizzi, Paul Brizzi, Don Dougherty, Ed Gombert, Randy Haycock, Don Hall (1969-), Kevin Harkey, Glen Keane (1954-), Burny Mattinson (1935–2023), Frank Nissen, John Norton, Jeff Snow, Michael Surrey, Chris Ure, Mark Walton (1968-), Stevie Wermers, Kelly Wightman and John Ramirez
Screenplay: Tab Murphy, Bob Tzudiker and Noni White
Based on: Tarzan of the Apes (American novel, 1914) by Edgar Rice Burroughs
Producers: Bonnie Arnold (1955-), Walt Disney V (1951–2016)
Voices: Brian Blessed (1936-), Glenn Close (1947-), Minnie Driver (1970-), Tony Goldwyn (1960-), Nigel Hawthorne (1929–2001), Lance Henriksen (1940-), Wayne Knight (1955-), Alex D. Linz (1989-), Rosie O'Donnell (1962-)
Composer: Mark Mancina (1957-)
Premiere: June 12, 1999
Box office: $448.2 million
Critic Score: 88% Certified Fresh
Average Rating: 7.6/10
Consensus: Disney's Tarzan takes the well-known story to a new level with spirited animation, a brisk pace, and some thrilling action set-pieces.
JANE: Help!
TERK: Yeah!
TERK: Yeah!
TARZAN: Oh!
TERK: Oh, no.
KALA: Always.
KALA: Tarzan?
MOM: Oh, boy.
KALA: Kerchak!
TERK: Look out!
TARZAN: Clayton.
TERK: Oh, I love it.
JANE: Oh, I'm flying!
JANE: Why, you little...
APE 2: Maybe he's lost.
MAN 4: Heave ho, lads.
TARZAN: Can't we talk?
PROFESSOR: Clayton?
JANE: It serves you right.
KALA: Close your mouth.
JANE: Do you understand?
CLAYTON: Hiding, are we?
KALA: Oh! Oh, no. Shh. Shh.
ELEPHANT: It burns calories.
KERCHAK: I said he could stay.
CLAYTON: Excellent, Professor.
MAN 7: Here we go. Here we go.
TERK: Can you believe that guy?
JANE: I've never seen such eyes.
TERK: Oh! Watch it! Oh! Ow! Ow!
PROFESSOR: Look at him, Jane.
TARZAN: They mean us no harm.
CLAYTON: Professor, don't move!
CLAYTON: Women. (CHUCKLES)
PROFESSOR: Jane, where are you?
PROFESSOR AND CLAYTON: Jane!
MAN 6: Pick your barrel up. Pick it up.
CHIMP: You're standing on my spleen.
MAN 3: All right, move it, ya bilge rats!
CLAYTON: Now, be careful, Professor.
APE 3: We looked everywhere for you.
PROFESSOR: Mustn't, mustn't frighten.
PROFESSOR: Where? Yes, more nests!

JANE: Tarzan!
TARZAN: Jane!
APE 1: Kala!
APE 2: She's back.
KALA: Tarzan?
APE MOTHER: Terkina?
TANTOR: It's alway me.
TERK: Cramp in the calf.
ELEPHANT 1: Get outta here.
ELEPHANT 2: It's true.
TANTOR: Okay, maybe it was.
KERCHAK: Everyone,
ELEPHANT 1: No way.
ELEPHANT 2: Come on, now.
MAN 1: Aye, cut her loose!
MAN 2: Come on, pull it down.
_________________________________
The Adventures of Ichabod and Mr. Toad (October 5, 1999) (G)
Directors: Jack Kinney (1959-), Clyde Geronimi (1951-) and James Algar (1962-)
Story/Screenplay: Erdman Penner, Winston Hibler (1960-), Joe Rinaldi, Ted Sears (1950–2008), Homer Brightman and Harry Reeves
Based on: Adventures of Mr. Toad segment based on parts of The Wind in the Willows (British novel, 1908) by Kenneth Grahame; Ichabod Crane segment based on "The Legend of Sleepy Hollow" (American story, 1820) by Washington Irving
Producer: Walt Disney V (1951–2016)
Voices: Claud Allister (1938–2020), Eric Blore (1937–2009), Colin Campbell (1933–2016), Bing Crosby (1953-), Campbell Grant (1959-), J. Pat O'Malley (1954-), Basil Rathbone (1942–2017), Oliver Wallace (1937–2013)
Nine Old Men directing animators (6): Ollie Johnston (1962-), Milt Kahl (1959-), Ward Kimball (1964-), John Lounsbery (1961-), Wolfgang Reitherman (1959-), Frank Thomas (1962-)
Nine Old Men character animator: Marc Davis (1963-)
Composer: Oliver Wallace (1937–2013)
Critic Score: 93%.
Average Rating: 7.2/10
Consensus: This Disney two-fer may not be the most reverent literary adaptation, but it's remarkably crafted and emotionally resonant.
_________________________________
MAN: Halt!
RAT: Moley.
TOAD: Ahem!
CYRIL: Ahem!
BROM: Yahoo!
TOAD: Tally-ho!
WINKY: After it.
RAT: MacBadger.
MAN: Toad guilty!
KATRINA: Yoo-hoo!
WEASEL: Hip, hip...
MAN: Toad arrested!
MAN: There he goes.
TOAD: Hello, you fellows.
CLERK: Cyril Proudbottom.
CLERK: Mr. Winky. Mr. Winky.
MOLE: Oh, look. They're all asleep.
NARRATOR: It was an excellent plan,
NARRATOR: Truth to say, every portal

NARRATOR:
In the very witching hour of night,
COUNSEL FOR CROWN:
Gentlemen of the jury, the Crown rests.

JUDGE: Next witness.
CLERK: Mr. Angus MacBadger!
_________________________________
_________________________________
_________________________________
Toy Story 2 (November 24, 1999) (comedy) (G)
Director: John Lasseter (1957-), Lee Unkrich (1967-) and Ash Brannon (1969-)
Story: John Lasseter (1957-), Pete Docter (1968-), Ash Brannon (1969-) and Andrew Stanton (1965-)
Screenplay: Andrew Stanton (1965-), Rita Hsiao, Doug Chamberlin and Chris Webb
Producers: Helene Plotkin, Karen Robert Jackson
Voices: Tim Allen (1953-), Jodi Benson (1961-), Joan Cusack (1962-), R. Lee Ermey (1944–2018), Kelsey Grammer (1955-), Tom Hanks (1956-), Estelle Harris (1928–2022), Jonathan Harris (1914–2002), Wayne Knight (1955-), Laurie Metcalf (1955-), John Morris (1984-), Jeff Pidgeon (1965-), Annie Potts (1952-), Joe Ranft (1960–2005), John Ratzenberger (1947-), Don Rickles (1926–2017), Wallace Shawn (1943-), Andrew Stanton (1965-), Jim Varney (1949–2000)
Composer: Randy Newman (1943-)
Box office: $485.0 million
Critic Score: 100% Certified Fresh
Average Rating: 8.6/10
Consensus: The rare sequel that arguably improves on its predecessor, Toy Story 2 uses inventive storytelling, gorgeous animation, and a talented cast to deliver another rich moviegoing experience for all ages.
BUZZ: Go.
BUZZ: Go!
BUZZ: Go!
BUZZ: Drop.
BO PEEP: Buzz!
SLINKY: Woody?
RABBIT: Mmm-hmm.
BUZZ: That's our guy.
JESSIE: (GASPS) Oh.
REX: Hey, Buzz! Stop!
REX: What is it, Buzz?
REX: Someone's coming!
WOODY: Not that casual.
MOTHER: Come on, hon!
BUZZ: Drop! I said "drop"!
MR. SPELL: Lazy toy brain.
SLINKY: Oh, no. It's closed.
REX: He's getting in the box!
ANDY: (EVIL VOICE) Never!
WOODY: Please, please, no!
TV JESSIE: They don't call this
BUZZ: Come on, Bullseye! Yah!
TV WOODY: Good job, Bullseye.
REX: But the sign says it's closed.
MAN OVER PA: Passenger Twitch,
PETE: Woody, don't be mad at Jessie.
SLINKY: That's the kidnapper, all right.
SLINKY: Oh, no. Which way do we go?

VOICE BOX:
There's a snake in my boot.
ANDY'S MOM:
Andy, you got all your stuff?
MR. POTATO HEAD:
What makes you so sure?
MR. POTATO HEAD:
Will you leave me alone?
MR. POTATO HEAD:
What's goin' on? He's nuts.
MR.  POTATO HEAD:
Yeah. Go home, Mr. Fancy Car.

HAMM: What?
SLINKY: Huh?
BUZZ: Hold on.
HAMM: What's up?
REX: Is he out there?
BUZZ: There he is.
JESSIE: Take that!
MR. POTATO HEAD: To the left.
TV WOODY: Is everybody okay?
TV JESSIE: Sheriff Woody!
BUZZ: He's stealin' Woody!
REX: What? He can't take Woody.
ANDY: (AS WOODY) Thanks, Buzz.
ANDY: (AS BUZZ) No problem, buddy.
_________________________________
Fantasia 2000 (December 17, 1999) (G)
Directors/Story/Screenplay: See full credits
Based on: The Steadfast Tin Soldier segment based on "The Steadfast Tin Soldier" (Danish fairy tale, 1838) by Hans Christian Andersen
Producers: Donald W. Ernst (1934–2023), Walt Disney V (1951–2016)
IMAX release: January 1, 2000; Wide release: June 16, 2000
Premiere: December 17, 1999
Box office: $90.9 million
Average Rating: 7.1/10
Critic Score: 82% Certified Fresh
Consensus: It provides an entertaining experience for adults and children alike.
_________________________________
The film begins with the sound of an orchestra tuning and Deems Taylor's introduction from Fantasia. Panels showing various segments from Fantasia fly in outer space and form the set and stage for an orchestra. Musicians take their seats and tune up and animators draw at their desks before James Levine approaches the conductor's podium and signals the beginning of the first piece.
_________________________________
Cinderella (February 15, 2000) (musical, fantasy) (G)
Directors: Wilfred Jackson (1956-), Hamilton Luske (1953–2018) and Clyde Geronimi (1951-)
Story/Screenplay: William Peed, Erdman Penner, Ted Sears (1950–2008), Winston Hibler (1960-), Homer Brightman, Harry Reeves, Ken Anderson (1959-) and Joe Rinaldi
Based on: "Cinderella" (French fairy tale, 1697) by Charles Perrault
Producer: Walt Disney V (1951–2016)
Voices: Eleanor Audley (1955-), Don Barclay (1942-), Lucille Bliss (1966-), Verna Felton (1940–2016), June Foray (1967-), Betty Lou Gerson (1964-), James MacDonald (1956-), Marni Nixon (1980-), William Phipps (1972-), Luis Van Rooten (1956–2023), Rhoda Williams (1980-), Ilene Woods (1979-)
Nine Old Men directing animators: Les Clark (1957-), Marc Davis (1963-), Ollie Johnston (1962-), Milt Kahl (1959-), Ward Kimball (1964-), Eric Larson (1955-), John Lounsbery (1961-), Wolfgang Reitherman (1959-), Frank Thomas (1962-)
Composers: Oliver Wallace (1937–2013), Paul Smith (1956-)
Box office: $263.6 million
Critic Score: 97%.
Average Rating: 7.7/10
Consensus: The rich colors, sweet songs, adorable mice and endearing (if suffering) heroine make Cinderella a nostalgically lovely charmer.
DRIZELLA: Ohhh
MOUSE: Oh, looky.
KING: Well, come in.
DUKE: Guard! Guard!
KING: And remember,
STEPMOTHER: Nor I.
DRIZELLA: Cinderella!
JAQ: Isn't it wonderful?
CINDERELLA: I'm sorry.
ANASTASIA: Cinderella!
ANASTASIA: Cinderella!
STEPMOTHER: Cinderella!
DRIZELLA: Huh. As if you care.
CINDERELLA: (SINGING) High
CINDERELLA: Oh, poor Lucifer.
DUKE: What? Tea? (YAWNING)
CINDERELLA: Oh, there you are.
ANASTASIA: Well, it's about time.
STEPMOTHER: You clumsy little fool.

ANASTASIA:
Oh, it's the right foot, but...
CINDERELLA:
Good morning, Anastasia.
STEPMOTHER:
Close the door, Cinderella.
FAIRY GODMOTHER:
Oh, this really is nice.
STEPMOTHER:
Well, come in, child, come in.
FAIRY GODMOTHER:
But tonight, for a change,

DRIZELLA: Cinderella!
CINDERELLA: I'm coming.
STEPMOTHER: Pay no attention.
DRIZELLA: It's Cinderella.
_________________________________
_________________________________
_________________________________
The Emperor's New Groove (December 15, 2000) (buddy, slapstick, comedy) (G)
Director: Mark Dindal (1960-)
Story: Chris Williams (1968-) and Mark Dindal (1960-)
Screenplay: David Reynolds
Producers: Randy Fullmer (1950–2023), Walt Disney V (1951–2016)
Voices: John Goodman (1952-), Kellyann Kelso, Eartha Kitt (1927–2008), Eli Russell Linnetz (1990-), Wendie Malick (1950-), David Spade (1964-), Patrick Warburton (1964-)
Composer: John Debney (1956-)
Premiere: December 10, 2000
Box office: $169.3 million
Critic Score: 85% Certified Fresh
Average Rating: 7.1/10
Consensus: The Emperor's New Groove isn't the most ambitious animated film, but its brisk pace, fresh characters, and big laughs make for a great time of the whole family.
PACHA: Aw!
PACHA: Aah!
PACHA: Ohh.
YZMA: Whee!
YZMA: Kronk!
KUZCO: Huh?
YZMA: Oh, my.
KUZCO: Whoa!
KUZCO: Uh, hey.
PACHA: The vial!
KUZCO: Aah! Ow!
YZMA: No, no, no!
YZMA: Wrong lever!
PACHA: Come here.
CHICHA: I heard that.
KRONK: Faster, faster!
KUZCO: Whoo-hoo-hoo!
KRONK: You got a point.
YZMA: Finally! (LAUGHS)
KRONK: Meat pie. Check.
KRONK: I'm okay. I'm fine.
KUZCO: Yep, that's Kronk.
KUZCO: So, you lied to me.
SKULL: Please remain seated
SKULL: Please remain seated
KUZCO: You see what I mean?
KUZCO: That's gonna be tough.
YZMA: Which one? Which one?
KRONK: Whoo-hoo! Whoo-hoo!
KRONK: Back! Elbow! Shoulder!
KUZCO: What are we gonna do?
PACHA: Well, we better get going.
YZMA: There is no handle in here.
RUDY: Uh, pardon me. That's mine.
KUZCO: What is he babbling about?
KUZCO: Will you take a look at that?
YZMA: (SQUEAKY) Looking for this?
KUZCO: Guess where I am right now.
KUZCO: So this is where you came in.
YZMA: And so, it is with great sadness

KRONK'S DEVIL:
Don't listen to that guy.
_________________________________
Atlantis: The Lost Empire (June 15, 2001) (science fantasy, action, adventure) (PG)
Directors: Gary Trousdale (1960-) and Kirk Wise (1963-)
Story: Kirk Wise (1963-), Gary Trousdale (1960-), Joss Whedon, Bryce Zabel, Jackie Zabel and Tab Murphy
Screenplay: Tab Murphy
Producers: Don Hahn (1955-), Walt Disney V (1951–2016)
Voices: Corey Burton (1955-), Claudia Christian (1965-), Michael J. Fox (1961-), James Garner (1928–2014), John Mahoney (1940–2018), Phil Morris (1959-), Leonard Nimoy (1931–2015), Don Novello (1943-), Jacqueline Obradors (1966-), Florence Stanley (1924–2003), David Ogden Stiers (1942–2018), Cree Summer (1969-), Jim Varney (1949–2000)
Composer: James Newton Howard (1951-)
Premiere: June 3, 2001
Box office: 186.1 million
Critic Score: 49%.
Average Rating: 5.5/10
Consensus: Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot.
_________________________________
ROURKE: Fire!
OFFICER: Yes, sir!
ROURKE: No time!
AUDREY: Milo, no!
VINNY: Hey, Junior.
SWEET: We're on it.
SAILOR: Aye, aye, sir.
MILO: How's he doing?
MILO: All right, this is it!
ENSIGN: Fire torpedos!
ENSIGN: Battle stations!
ROURKE: Your Majesty?
MILO: What a nightmare.
ENSIGN: Subpods away!
KING: In times of danger,
MILO: Dear Mr. Whitmore,
KING: And to prevent Kida
MRS. PACKARD: Attention.
HELGA: It just keeps going.
COOKIE: Ya-ha! Gertie, pull!
SWEET: (CHUCKLES) Yeah.
SERGEANT: I'm warning you.
ROURKE: We're losing altitude.
MRS. PACKARD: Commander?
SERGEANT: All right, step back.
MILO: Good afternoon, gentlemen.
ROURKE: Okay, people. Saddle up.
DIVING OFFICER: Rig ship for dive!
ROURKE: Speak English, professor.
SWEET: Milo, you better get up here.
MILO: Sorry about... Sorry about that.
OFFICER: Let's move it. You heard him.

MRS. PACKARD:
Commander? Commander?
AUDREY:
Rourke! We took a big hit down here,
CHIEF OF THE WATCH:
Aye, sir! Rig ship for dive.
DIVING OFFICER:
Make the depth one-five-zero feet.
MAN ON INTERCOM:
Dive, dive! Five degrees down bubble.

DIVING OFFICER: Take us down.
CREW MEMBER: Take us down.
_________________________________
Alice in Wonderland (July 26, 2001) (musical, fantasy, adventure) (G)
Directors: Clyde Geronimi (1951-), Hamilton Luske (1953–2018) and Wilfred Jackson (1956-)
Story/Screenplay: Winston Hibler (1960-), Ted Sears (1950–2008), Bill Peet (1965-), Erdman Penner, Joe Rinaldi, Milt Banta, William Cottrell, Dick Kelsey (1955-), Joe Grant (1958-), Dick Huemer, Del Connell, Tom Oreb and John Walbridge
Based on: Alice's Adventures in Wonderland and Through the Looking-Glass (British novels, 1865–71) by Lewis Carroll
Producer: Walt Disney V (1951–2016)
Voices: Heather Angel (1959-), Don Barclay (1942-), Kathryn Beaumont (1988-), Lucille Bliss (1966-), Jerry Colonna (1954-), Pinto Colvig (1942–2017), Verna Felton (1940–2016), Richard Haydn (1955-), Sterling Holloway (1955-), Joseph Kearns (1957–2012), Bill Lee (1966-), Queenie Leonard (1955-), Doris Lloyd (1941–2018), Tommy Luske (1997-), James MacDonald (1956-), Marni Nixon (1980-), J. Pat O'Malley (1954-), Thurl Ravenscroft (1964-), Max Smith (1963-), Bill Thompson (1963–2021), Dink Trout (1948–2000), Ed Wynn (1936–2016), Norma Zimmer (1973-)
Nine Old Men directing animators: Les Clark (1957-), Marc Davis (1963-), Ollie Johnston (1962-), Milt Kahl (1959-), Ward Kimball (1964-), Eric Larson (1955-), John Lounsbery (1961-), Wolfgang Reitherman (1959-), Frank Thomas (1962-)
Composer: Oliver Wallace (1937–2013)
Premiere: July 26, 2001
Critic Score: 81%.
Average Rating: 6.4/10
Consensus: A good introduction to Lewis Carroll's classic, Alice in Wonderland boasts some of the Disney canon's most surreal and twisted images.
ALICE: Oh, dear.
DODO: Look lively.
CATERPILLAR: Stop!
RABBIT: The Mad Hatter.
ALICE: Yoo-hoo! Yoo-hoo!
RABBIT: The March Hare.
COMMANDER: Cards, halt!
COMMANDER: Shuffle deck!
DOORKNOB: This won't do at all.

RABBIT:
A monster, Dodo, in my house.
TWEEDLEDEE:
But answer there came none
TWEEDLEDEE:
Mr. Walrus, said the carpenter

HATTER: A very merry unbirthday
HARE: A very merry unbirthday
_________________________________
_________________________________
_________________________________
Monsters, Inc. (November 2, 2001) (comedy) (G)
Director: Pete Docter (1968-), Lee Unkrich (1967-) and David Silverman (1957-)
Story: Pete Docter (1968-), Jill Culton, Jeff Pidgeon (1965-) and Ralph Eggleston (1965–2022)
Screenplay: Andrew Stanton (1965-) and Dan Gerson (1966–2016)
Producer: Darla K. Anderson (1968-)
Executive Producer: John Lasseter (1957-)
Voices: Sam Black (1962-), Steve Buscemi (1957-), James Coburn (1928–2002), Billy Crystal (1948-), Dan Gerson (1966–2016), Mary Gibbs (1996-), John Goodman (1952-), Bonnie Hunt (1961-), Frank Oz (1944-), Bob Peterson (1961-), Jeff Pidgeon (1965-), John Ratzenberger (1947-), Steve Susskind (1942–2005), Jennifer Tilly (1958-)
Composer: Randy Newman (1943-)
Box office: $562.8 million
Critic Score: 96% Certified Fresh
Average Rating: 8/10
Consensus: Clever, funny, and delightful to look at, Monsters, Inc. delivers another resounding example of how Pixar elevated the bar for modern all-ages animation.
_________________________________
BOO: Ew.
BOO: Kitty!
MIKE: Oh, no.
MIKE: There it is.
MIKE: Bada-bing.
FUNGUS: I'm not here.
MAN: Sleep tight, kiddo.
MOTHER: Another gator?
CELIA ON PA: Never mind.
CDA AGENT 1: Go, go, go.
CDA AGENT 4: A little lower.
WATERNOOSE: Not the CDA.
MIKE: This is bad, so very bad.
WATERNOOSE: Finish him off!
COMPUTER VOICE: Red alert.
JERRY: Duck and cover, people!
MIKE: No. Can't think. Can't think.
PHOTOGRAPHER: Hold it, hold it.
CELIA: Monsters, Inc. Please hold.
CDA AGENT 1: A 2319 in progress.
CDA AGENT 1: Stand back. Careful.
FUNGUS: Randall, did you have to...
MIKE: What a plan. Simple, yet insane.
ANNOUNCER: We know the challenge.
SULLEY: (WHISPERING) They're gone.

CDA AGENT:
That could be contaminated.
WORKERS:
We're Monsters, Incorporated.
COMPUTER VOICE:
Simulation terminated.
COMPUTER VOICE:
Simulation terminated.
CDA AGENT 2:
Coming through. Stand aside.
CDA AGENT:
7835 in progress, please advice.
CDA HELICOPTER PILOT:
Please remain calm. This is not a drill.

RANDALL: Yes! I got the kid.
FUNGUS: Oh, huzzah!
MOTHER: Good night, sweetheart.
BOY: 'Night, Mom.
MIKE: You know why I bought the car?
SULLEY: Not really.
CDA AGENT 2: Careful with that.
CDA AGENT 3: I got a good view.
ANIMATRONIC BOY: Night, Mom.
MOTHER: Good night, sweetheart.
_________________________________
Lilo & Stitch (June 21, 2002) (science fiction, comedy, drama) (PG)
Directors: Chris Sanders (1962-) and Dean DeBlois (1970-)
Story/Screenplay: Chris Sanders (1962-) and Dean DeBlois (1970-)
Producers: Clark Spencer (1963-), Walt Disney V (1951–2016)
Voices: Zoe Caldwell (1933–2020), Tia Carrere (1967-), Daveigh Chase (1990-), Susan Hegarty, Amy Hill (1953-), Jason Scott Lee (1966-), Kevin McDonald (1961-), Ving Rhames (1959-), Kevin Michael Richardson (1964-), Chris Sanders (1962-), David Ogden Stiers (1942–2018)
Composer: Alan Silvestri (1950-)
Premiere: June 16, 2002
Box office: $273.1 million
Critic Score: 86% Certified Fresh
Average Rating: 7.3/10
Consensus: Edgier than traditional Disney fare, Lilo & Stitch explores issues of family while providing a fun and charming story.
LILO: Hey!
NANI: Lilo!
NANI: Lilo!
LILO: Nani.
LILO: Hello!
LILO: David!
LILO: David!
LILO: He did.
DAVID: Nani!
JUMBA: Oh...
LILO: Go away.
BUBBLES: Lilo!
MAN: Hey, Nani!
LILO: Don't worry.
PLEAKLEY: Help!
NANI: He's creepy, Lilo.
JUMBA: You're all mine.
LILO: That's us before...
INSTRUCTOR: Stop, stop.
NANI: (IN DISTANCE) Lilo!
HASAGAWA: Whoa, whoa!
COMPUTER: 6-2-6 located.
LILO: Hello? Cobra Bubbles?
DAVID OVER PHONE: Hello?
BUBBLES: (IN DISTANCE) Lilo!
NANI: Okay, I got to get to work.
LILO: Want to listen to the King?
JUMBA: He is bulletproof, fireproof
PLEAKLEY: Well, what's he doing?
PILOT: That's it! We got it. We got it!
FEMALE OFFICER: Captain on deck.
BUBBLES: You know I have no choice.

GRAND COUNCILWOMAN:
Yes, Captain?
COMPUTER VOICE:
Stand by for clearance.
GRAND COUNCILWOMAN:
How do you plead?
GRAND COUNCILWOMAN:
Gantu, what's going on?
COMPUTER VOICE:
Clearance is granted on vector C-12.
COMPUTER VOICE:
Hyperdrive activated. System charging.
GANTU OVER INTERCOM:
Deadly force authorized. Fire on sight!

JUMBA: Now, this is interesting.
PLEAKLEY: What?
_________________________________
Treasure Planet (November 27, 2002) (science fiction, adventure) (PG)
Directors: Ron Clements (1953-) and John Musker (1953-)
Story: Ron Clements (1953-), John Musker (1953-), Ted Elliott and Terry Rossio
Screenplay: Ron Clements (1953-), John Musker (1953-) and Rob Edwards (1963-)
Based on: Treasure Island (Scottish novel, 1883) by Robert Louis Stevenson and Treasure Island in Outer Space (Italian TV mini-series, 1987) by Renato Castellani
Producers: Ron Clements (1953-), John Musker (1953-), Roy Conli (1971-), Walt Disney V (1951–2016)
Voices: Roscoe Lee Browne (1922–2007), Corey Burton (1955-), Dane A. Davis (1957-), Joseph Gordon-Levitt (1981-), Tony Jay (1933–2006), Austin Majors (1995–2023), Laurie Metcalf (1955-), Patrick McGoohan (1928–2009), Michael McShane (1955-), Brian Murray (1937–2018), David Hyde Pierce (1959-), Martin Short (1950-), Emma Thompson (1959-), Michael Wincott (1958-)
Composer: James Newton Howard (1951-)
Premiere: November 17, 2002
Box office: $109.6 million
Critic Score: 69%.
Average Rating: 6.5/10
Consensus: Though its characterizations are weaker than usual, Treasure Planet offers a fast-paced, beautifully rendered vision of outer space.
JIM: Aah!
SILVER: Well,
B.E.N.: Seven,
JIM: A big door,
JIM: Mom, look,
SILVER: Morph!
SILVER: Morph!
ONUS: Land ho!
ARROW: Mr. Silver?
PIRATE: Where is it?
B.E.N.: Aloha, Jimmy!
SILVER: He's a morph.
DOPPLER: Flint's trove?
JIM: Morph, here! Morph!
JIM: The Lagoon Nebula?
SILVER: Old family recipe.
B.E.N.: Fifty-eight seconds!
SILVER: I'd suggest you get
JIM: You never quit, do you?
SCROOP: What was it now?
SILVER: You done it, Jimmy!
JIM: B.E.N.? B.E.N.? B.E.N.!
DOPPLER: Well, uh, ahem...
JIM: Come here, boy. Morph!
SILVER: Stop wastin' your fire!
ARROW: What's all this, then?
DOPPLER: Don't worry, Sarah.
ARROW: Heave up the braces.
DOPPLER: Aah, aah, aah. Oof!
CAPTAIN AMELIA: Mr. Hawkins,
JIM: Whoa. What is all this stuff?
MORPH: "Nothing but me heart."
SILVER: We're gettin' close, lads.
B.E.N.: Pardon the mess, people.
SILVER: Well done, Mr. Arrow, sir!
SARAH: James Pleiades Hawkins.
DOPPLER: Captain, the last wave!
DOPPLER: Um, ahem, pardon me.
B.E.N.: Whoops. Okay, don't panic.
ARROW: Stow those casks forward!
B.E.N.: Laser cannons disconnected,
DOPPLER: Jim! Oh, Jim! Wait for me!
NARRATOR: On the clearest of nights,

NARRATOR:
...like a Candarian zaftwing
SILVER:
You got something to say, Scroop?
DOPPLER:
I just spoke with the constabulary.
_________________________________
Peter Pan (February 5, 2003) (musical, fantasy, adventure) (G)
Directors: Hamilton Luske (1953–2018), Clyde Geronimi (1951-) and Wilfred Jackson (1956-)
Story/Screenplay: Ted Sears (1950–2008), Erdman Penner, Bill Peet (1965-), Winston Hibler (1960-), Joe Rinaldi, Milt Banta, Ralph Wright (1958-) and William Cottrell
Based on: Peter Pan (British play, 1904) and Peter and Wendy (British novel, 1911) by J. M. Barrie
Producer: Walt Disney V (1951–2016)
Voices: Heather Angel (1959-), Don Barclay (1942-), Kathryn Beaumont (1988-), Candy Candido (1963-), Paul Collins (1987-), Hans Conried (1967-), Tom Conway (1954–2017), Bobby Driscoll (1987–2018), June Foray (1967-), Margaret Kerry (1979-), Tommy Luske (1997-), Bill Thompson (1963–2021)
Nine Old Men directing animators: Les Clark (1957-), Marc Davis (1963-), Ollie Johnston (1962-), Milt Kahl (1959-), Ward Kimball (1964-), Eric Larson (1955-), John Lounsbery (1961-), Wolfgang Reitherman (1959-), Frank Thomas (1962-)
Composer: Oliver Wallace (1937–2013)
Box office: $145.0 million
Critic Score: 80%.
Average Rating: 7/10
Consensus: Though it doesn't delve deeply into the darkness of J.M. Barrie's tale, Peter Pan is a heartwarming, exuberant film with some great tunes.
PETER: Yep.
MARY: Wendy!
WENDY: Oh, dear.
HOOK: Remember,
JOHN: Aha, I got ya.
MICHAEL: Take that!
PETER: Hoist anchor!
PETER: To Never Land.
PETER: Tink said what?
PETER: Tinker Bell. Tink!
PETER: Twelve seconds.
WENDY: Tinker Bell! Wait!
PETER: Stop! Stop it, Tink!
MICHAEL: Wendy! Wendy!
JOHN: Blast you, Peter Pan!
WENDY: Mmm. Nana had it.
HOOK: But time grows short.
MICHAEL: Oh, no, you won't.
PIRATE: After the brats, men!
SMEE: Oh, captain, you did it.
SLIGHTLY: Yea for Bear Killer!
PETER: (AS HOOK) Mr. Smee!
WENDY: (SINGING) You mother
PIRATE 3: Did you hear a splash?
MICHAEL: And I'll cut you to pieces.
PETER: They've captured Tiger Lily.
MERMAID 1: I'm so glad to see you.
WENDY: Oh, Michael, do be careful.
PETER: I came to listen to the stories.
WENDY: Bu... But where are we going?
HOOK: Don't stand there, you bilge rats!

NARRATOR:
All this has happened before.
WENDY:
Well, what were you doing there?

HOOK: Elevation 65.
SMEE: Elevation 65.
WENDY AND JOHN: Dust?
MICHAEL: Dust?
MAN: No splash.
MAN 2: No sign of the wrench.
_________________________________
_________________________________
_________________________________
_________________________________
  • "Fly away with us, second star to the right and straight on till morning, and discover the behind-the-scenes story of how the timeless tale of Peter Pan was transformed into a soaring Disney classic."
  • "The story of Peter Pan began its life on the London stage in 1904 (1954). It was written by Scottish novelist and playwright James Matthew Barrie."
  • "In 1913 (1963), a touring company of Peter Pan was seen by this youngster in the small town of Marceline, Missouri. The boy was Walt Disney. He never forgot this epic of boyhood and its unique combination of fantasy and swashbuckling adventure. In 1924 (1974), Walt also saw a silent film version of Peter Pan, starring Betty Bronson as Peter. The film contained many innovations, such as a live actress playing Tinker Bell, and special effects that were the state of the art for their day. The silent film, however, adhered to many of the conventions of the stage version of Peter Pan, including the stars rather obviously flying on wires, a performer in a dog suit as Nana, and a costumed actor as the crocodile."
  • "Walt Disney's efforts to make Peter Pan as an animated feature actually began in the late 1930s (1980s), during the production of Snow White and the Seven Dwarfs, in an era when Disney's filmmaking imagination was at its peak."
  • "Walt Disney himself noted, 'The cartoon method gave us many advantages over the stage craft of Barrie's day, which no amount of pixie dust could cure.'"
  • "In 1939 (1989), Disney acquired the screen rights, and by early 1940 (1990), storyboards were begun. These never-before-seen watercolor illustrations by renowned British artist David Hall were part of Disney's initial work. Hall had also done extensive visual development of Alice in Wonderland for Disney in 1938 (1988)."
  • "In this early version of the story, Nana traveled with Peter and the children to Neverland, as seen in these rare original story sketches."
  • "Much of the art created at this time was also darker than the original play, and far more sinister than a typical Disney effort."
  • "Another part of this early work was an elaborate musical number for Captain Hook's pirate crew, which was ultimately replaced by a different song, The Elegant Captain Hook. An attempt to persuade the Lost Boys to join the pirates' reigns, this earlier song, written by studio music director Frank Churchill along with Ray Kelly, is reconstructed here, using a rare song demo recording coupled with never-before-seen storyboard drawings of the original sequence."
  • "By 1941 (1991), a basic story structure was completed. However, the onset of World War II stopped the development. After the war, Walt Disney brought Peter Pan back into development. Progress continued throughout the 1940s (1990s), including extensive concept art by renowned color stylist Mary Blair."
  • "Walt assigned the character of Peter Pan to animator Milt Kahl."
  • "Young Bobby Driscoll was assigned to the role of Peter."
  • "Driscoll had debuted in Song of the South, after which Disney cast him in several projects, including So Dear to My Heart, and as Jim Hawkins in Treasure Island."
  • "Walt also didn't have to look far for the voice of Wendy. He found what he called 'the gentle and gracefully feminine voice', in the same actress who had played Alice in Wonderland: Kathryn Beaumont."
  • "Hans Conried, seen here as the face in the Magic Mirror, was cast in the tradition of the stage play as both Captain Hook...and Mr. Darling."
  • "To bring the villainous Captain Hook to animated life, Walt assigned veteran animator Frank Thomas."
  • "Walt knew that for his version of Peter Pan, Tinker Bell would have to be developed as a fully realized character. From the late 1930s (1980s) on, character sketches traced Tinker Bell's development, and each reveals the then-current conception of feminine beauty."
  • "The use of Margaret Kerry as a live model for Tinker Bell was only part of the considerable reference used by Disney animators to bring Peter Pan to the screen."
  • "After nearly two decades of work, dozens of story treatments and thousands of drawings, Walt Disney's Peter Pan was finally finished. It was first released on February 3, 1953 (2003), and was an immediate audience favorite. It has remained one of Disney's greatest animated achievements, and a beloved classic."
_________________________________
Finding Nemo (May 30, 2003) (comedy, drama, adventure) (G)
Director: Andrew Stanton (1965-), Lee Unkrich (1968-)
Story: Andrew Stanton (1965-)
Screenplay: Andrew Stanton (1965-), Bob Peterson (1961-) and David Reynolds
Producer: Graham Walters
Executive Producer: John Lasseter (1957-)
Voices: Eric Bana (1968-), Erica Beck (1992-), Nicholas Bird (1994-), Albert Brooks (1947-), Willem Dafoe (1955-), Ellen DeGeneres (1958-), LuLu Ebeling, Brad Garrett (1960-), Alexander Gould (1994-), Barry Humphries (1934–2023), Bill Hunter (1940–2011), Allison Janney (1959-), Vicki Lewis (1960-), Austin Pendleton (1940-), Elizabeth Perkins (1960-), Bob Peterson (1961-), Joe Ranft (1960–2005), Jordy Ranft (1991-), John Ratzenberger (1947-), Stephen Root (1951-), Geoffrey Rush (1951-), Bruce Spence (1945-), Andrew Stanton (1965-), Erik Per Sullivan (1991-)
Composer: Thomas Newman (1955-)
Box office: $936.7 million
Critic Score: 99% Certified Fresh
Average Rating: 8.7/10
Consensus: Breathtakingly lovely and grounded by the stellar efforts of a well-chosen cast, Finding Nemo adds another beautifully crafted gem to Pixar's crown.
DORY: No!
DORY: Sorry.
DORY: Whoo!
MARLIN: Okay.
CRUSH: Dude?
MARLIN: Dory...
MARLIN: Nemo...
NEMO: Bye, Dad.
NEMO: Bye, Dad!
MARLIN: That's it!
DORY: Whoo-hoo!
CRUSH: 150, dude!
BRUCE: Pardon me.
DORY: Light, please.
SHERMAN: Barbara.
MARLIN: I'm sure he is.
DORY: Is the party over?
GILL: That's it, Sharkbait.
DORY: Am I disqualified?
BRUCE: It's all right, Chum.
MARLIN: Great! That's great!
DARLA: (SCREAMS) Get it out!
DORY: Look. Balloons. It is a party.
MARLIN: Boy, this is taking a while.
MARLIN: Yeah. I'm your conscience.
MARLIN: (PANTS) I'm dead. I'm dead.
DORY: Are... Are you my conscience?
SHERMAN: Out with you. And stay out!
MARLIN: Almost there. Keep swimming!

MARLIN:
What do these markings mean?
BARBARA:
Darla, your uncle will see you now.

MARLIN: Wow.
CORAL: Mmm.
NEMO: Dad!
DORY: Nemo's alive!
SHERMAN: Barbara.
BARBARA: Mmm-hmm?
DORY: Hey there!
BRUCE: How about you, Chum?
MARLIN: See anything?
DORY: Something's got me!
_________________________________
Brother Bear (November 1, 2003) (comedy, drama) (G)
Directors: Aaron Blaise and Robert Walker (1961–2015)
Story/Screenplay: Tab Murphy, Lorne Cameron, David Hoselton, Steve Bencich and Ron J. Friedman
Producers: Igor Khait, Chuck Williams, Walt Disney V (1951–2016)
Voices: Paul Christie (1951-), Joan Copeland (1922–2022), Michael Clarke Duncan (1957–2012), Harold Gould (1923–2010), Estelle Harris (1928–2022), Angayuqaq Oscar Kawagley (1934–2011), Danny Mastrogiorgio (1964-), Rick Moranis (1953-), Pauley Perrette (1969-), Joaquin Phoenix (1974-), Greg Proops (1959-), Jason Raize (1975–2004), Bumper Robinson (1974-), D.B. Sweeney (1961-), Jeremy Suarez (1990-), Dave Thomas (1949-)
Composers: Phil Collins (1951-), Mark Mancina (1957-)
Premiere: October 24, 2003
Box office: 250.4 million
Critic Score: 37%.
Average Rating: 5.5/10
Consensus: Brother Bear is gentle and pleasant if unremarkable Disney fare, with so-so animation and generic plotting.
_________________________________
GIRL: Nana.
TANANA: Oh.
KENAI: Koda?
KODA: Wait up.
RUTT: Beauty, eh?
SITKA: Knock it off.
MALE 2: I don't know.
RUTT: Hey, hold on, eh?
CHILD: Are we there yet?
KODA: Hello. I can't breathe.
RUTT: (GROANING) Cramp!
MALE 2: Yeah, that's pretty weird.
RUTT: So, you want to play "I spy"?
DENAHI: I don't blame the bear, Kenai.
EDGAR: Quit telling everyone I'm dead!

OLD DENAHI:
This is a story from long ago,

TUKE: You brought it up.
RUTT: I'm trying to...
DENAHI: Sitka wouldn't want it.
KENAI: Sitka's not here
FEMALE: What happened next?
FEMALE 2: was she okay?
_________________________________
Home on the Range (April 2, 2004) (musical, western, comedy) (PG)
Directors: Will Finn and John Sanford
Story/Screenplay: Will Finn and John Sanford
Producers: Alice Dewey, Walt Disney V (1951–2016)
Voices: G.W. Bailey (1944-), Roseanne Barr (1952-), Bobby Block, Steve Buscemi (1957-), Carole Cook (1924–2023), Charlie Dell (1943-), Judi Dench (1934-), Charles Dennis (1946-), Marshall Efron (1938–2019), Joe Flaherty (1941–2024), Cuba Gooding, Jr. (1968-), Charles Haid (1943-), Estelle Harris (1928–2022), Lance LeGault (1935–2012), Sam J. Levine (1973-), Randy Quaid (1950-), Ann Richards (1933–2006), Richard Riehle (1948-), Keaton Savage, Ross Simanteris, Jennifer Tilly (1958-), Mark Walton (1968-), Patrick Warburton (1964-), Dennis Weaver (1924–2006)
Composer: Alan Menken (1949-)
Home entertainment short: A Dairy Tale
Premiere: March 21, 2004
Box office: $104.0 million
Critic Score: 54%.
Average Rating: 5.7/10
Consensus: Though Home on the Range is likeable and may keep young children diverted, it's one of Disney's more middling titles, with garish visuals and a dull plot.
_________________________________
SLIM: Ow!
MAN: Sold!
MAN: Forget it!
GRACE: Oops!
GRACE: Mrs. C.
ANN: That does it!
PHIL: Pick a color.
BUCK: Look at me!
GRACE: There it is!
MAN: Come on, girl!
JEB: Don't yell at me.
CALOWAY: It's Buck!
CALOWAY: Look out!
CLEM: Roger dodger.
MORRIS: Hey, Sheriff!
RUSTY: Earth to Buck!
GRACE: What do we do?
PIGS: Can hog! Can hog!
GRACE: Oh, no, the tracks!
GRACE: We're on your trail.
MAGGIE: Hey! A dairy farm!
MAGGIE: I'll get you for this.
SLIM: Much obliged, Sheriff.
BUCK: Hasta la vista, heifers.
MAGGIE: Home on the range.
WESLEY: All right, move it, Bessie,
CALOWAY: I take my hat off to you.
MAGGIE: Stallion of the Sim-moron.
JACK: "So it was that Alameda Slim,
PEARL: Now don't you worry, Abner.
CALOWAY: There's a star on that door.
BUCK: Make a break for it, ladies. Run!

SLIM: 1,420.
NEPHEW: 4,334.
BUCK: Let's get it on.
MAGGIE: Cows rule.
MAGGIE: We made it!
GRACE: Hip-hip-hurrah!
MAGGIE: Hit the dirt.
CALOWAY: Who lives like this?
_________________________________
The Incredibles (November 5, 2004) (superhero) (PG)
Director: Brad Bird (1957-)
Story: Brad Bird (1957-)
Screenplay: Brad Bird (1957-)
Producer: John Walker (1956-)
Executive Producers: John Lasseter (1957-), Stan Lee (1922–2018)
Voices: Maeve Andrews, Brad Bird (1957-), Michael Bird (1987-), Wayne Canney, Kimberly Adair Clark, Spencer Fox (1993-), Eli Fucile, Holly Hunter (1958-), Samuel L. Jackson (1948-), Jason Lee (1970-), Dominique Louis, Bud Luckey (1934–2018), Craig T. Nelson (1944-), Teddy Newton (1964-), Bret Parker, Elizabeth Peña (1959–2014), John Ratzenberger (1947-), Lou Romano (1972-), Wallace Shawn (1943-), Jean Sincere (1919–2013), Sarah Vowell (1969-)
Composer: Michael Giacchino (1967-)
Box office: $631.4 million
Critic Score: 97% Certified Fresh
Average Rating: 8.3/10
Consensus: Bringing loads of wit and tons of fun to the animated superhero genre, The Incredibles easily lives up to its name.
BOB: Yeah.
DASH: Lucky.
DASH: Uh-oh.
DASH: Ha, ha!
VIOLET: Mom!
LUCIUS: Whoa!
BOB: Fire! Yeah!
PA: Intruder alert.
EDNA: No capes!
RUSTY: Oh, man.
HELEN: Sit down!
BOB: Get the door.
MIRAGE: I'm sorry.
ELASTIGIRL: Kids.
JACK-JACK: Hello?
FROZONE: Gotcha!
ELASTIGIRL: Violet!
BOB: That's my boy!
VOYAGE: IncrediBoy?
DASH: Come on, Violet!
BUDDY: Hey! Hey, wait!
SYNDROME: It's bigger!
BUDDY: And IncrediBoy!
MR. INCREDIBLE: Yeah!
WOMAN: He's gonna jump!
MR. INCREDIBLE: Kronos?
MR. INCREDIBLE: I'm sorry.
KARI: I'm not fine, Mrs. Parr!
MR. INCREDIBLE: You know,
HELEN: Is someone in there?
ROBOT: Identification, please.
GUARD: Think they're supers?
BOB: What are you waiting for?
VIOLET: Pretty loud discussion.
KARI: I'm gonna call the police...
LUCIUS: That was way too close.
FROZONE: It's not doing anything.
ELASTIGIRL: Do I have to answer?
COMPUTER: Match, Mr. Incredible.
BOY: Rydinger, where you headed?
BOB: Don't answer it, honey, I got it!
HUPH: You know, Bob, a company...
LUCIUS: So now I'm in deep trouble.
LAWYER: My client has no comment.
BOB: Come on, run! Pick up the pace.
MR. INCREDIBLE: Here we go, honey.
SYNDROME: I knew you couldn't do it.
EDNA: All was well, another day saved
RADIO: Municiberg, we have a 23-56...
BOB: Pace it. Slow down just a little bit.
BOB AND HELEN: Close second, yeah!

MR. INCREDIBLE:
I take it our host is...
INTERVIEWER:
I could get to that point.
ELASTIGIRL:
There are children aboard!
UNDERMINER:
I am always beneath you,
MR. INCREDIBLE:
How you doing, honey?
MR. INCREDIBLE:
Don't mind if I do. Thanks.
SHIP'S COMPUTER:
This is your automated Captain.

LUCIUS: Ha, ha.
DASH: Oh!
DASH: Wow.
VIOLET: Whoa.
LUCIUS: Is that everybody?
BOB: Yeah.
GUARD 3: Hold it! Freeze!
VIOLET: Dash, run!
DASH: You're gonna be toast!
HELEN: Stop running in the house.
GUARD: Hey, hey. We got a man down!
GUARD 2: Come on, let's go.
MIRAGE: How soon can you get here?
BOB: I'll leave tomorrow morning.
_________________________________
Lady and the Tramp (June 22, 2005) (musical, romantic, comedy, drama) (G)
Directors: Hamilton Luske (1953–2018), Clyde Geronimi (1951-) and Wilfred Jackson (1956-)
Story/Screenplay: Erdman Penner, Joe Rinaldi, Ralph Wright (1958-) and Don DaGradi (1961-)
Based on: "Happy Dan, the Whistling Dog" (American story, 1924) by Ward Greene
Producer: Walt Disney V (1951–2016)
Voices: Bill Baucom (1960-), Verna Felton (1940–2016), Stan Freberg (1976-), George Givot (1953-), Bill Lee (1966-), Peggy Lee (1970-), Barbara Luddy (1958-), Dallas McKennon (1969-), Lee Millar (1974-), Donald Novis (1956–2016), Thurl Ravenscroft (1964-), Alan Reed (1957-), Larry Roberts (1976-), Max Smith (1963-), Bill Thompson (1963–2021)
Nine Old Men directing animators (7): Les Clark (1957-), Ollie Johnston (1962-), Milt Kahl (1959-), Eric Larson (1955-), John Lounsbery (1961-), Wolfgang Reitherman (1959-), Frank Thomas (1962-)
Composer: Oliver Wallace (1937–2013)
Premiere: June 16, 2005
Critic Score: 93%.
Average Rating: 7.6/10
Consensus: A nostalgic charmer, Lady and the Tramp's token sweetness is mighty but the songs and richly colored animation are technically superb and make for a memorable experience.
_________________________________
JIM: Lady.
JIM: A boy.
JIM: What?
LADY: Jock.
JIM: Uh-huh.
JIM: All right.
JIM: Darling?
JOCK: Lassie.
JIM: Nonsense.
BEAVER: Timber.
JIM: Darling, look.
DARLING: Oh, Jim.
TONY: What's this?
DARLING: Visitors?
DARLING: No, Lady.
JIM: He'll be all right.
DARLING: Jim, dear.
DARLING: Yes, dear.
SARAH: Hello? Hello.
DARLING: Hope it fits.
LADY: The sign says...
JIM: Hello, there, Lady.
DARLING: Mmm-hmm.
LADY: What is a baby?
JIM: Down, Lady, down.
JIM: Well, it has a ribbon.
MAN: Don't worry, ma'am.
DARLING: What is it, Jim?
JIM: Well, that should do it.
MAN 2: Absolutely horrible.
JIM: Well, Merry Christmas.
DOCTOR: Yes, yes, I know.
JOCK: Good morning, lassie.
MAN: Easy. Go on, get away.
MAN 1: Jim, you look terrible.
JIM: I just can't help worrying.
TRAMP: The hauling. Exactly.
SARAH: Coochie-coochie-coo.
TRAMP: What's wrong, Pidge?
JOE: Okay, Tony, you the boss.
LADY: Where is he taking him?
JIM: Yes, Aunt Sarah, it's a boy.
JIM: Come on, Lady. Over here.
DARLING: Look, she's lonesome.
JIM: All right, boy. We'll let them in.
DARLING: In the kitchen, Jim Dear.
BULL: Let's see. There's been Lulu.
TRUSTY: But I'd say a mite smaller.
MAN 1: I never saw you look worse.
DARLING: No, Lady. No walk today.
MAN: Just picking up a stray, mister.
JOCK: Well, they resemble humans.
WOMAN 3: Don't you love showers?
JIM: Lady. Quiet, now. You hear me?
DARLING: Jim, I just can't leave him.
WOMAN 2: What darling little booties.
SARAH: What's going on down there?
JOCK: Aye, and they walk on all fours.
DARLING: No, no, not you, young man.
WOMAN 5: Isn't she absolutely radiant?
DARLING: And Aunt Sarah will be here.
TRAMP: Alligators. Now there's an idea.

JIM: Goodbye.
DARLING: Goodbye.
JIM: Aunt Sarah.
DARLING: Aunt Sarah.
JIM: Let me take your things.
SARAH: No.
JIM: Aunt Sarah.
DARLING: Aunt Sarah. Aunt Sarah!
WOMAN 3: That bonnet.
WOMAN 4: Isn't it just too adorable?
DARLING: What do you suppose...
JIM: Say, what's going on here?
_________________________________
Chicken Little (November 4, 2005) (science fiction, comedy) (G)
Director: Mark Dindal (1960-)
Story: Mark Dindal (1960-) and Mark Kennedy
Screenplay: Steve Bencich, Ron J. Friedman and Ron Anderson
Inspired by: "Henny Penny" (traditional folk tale)
Producers: Randy Fullmer (1950–2023), Walt Disney V (1951–2016)
Voices: Zach Braff (1975-), Joan Cusack (1962-), Mark Dindal (1960-), Evan Dunn, Sean Elmore, Will Finn, Kelly Hoover, Matthew Josten (1997-), Mark Kennedy, Don Knotts (1924–2006), Garry Marshall (1934–2016), Dara McGarry (1964-), Dan Molina, Catherine O'Hara (1954-), Amy Sedaris (1961-), Wallace Shawn (1943-), Harry Shearer (1943-), Patrick Stewart (1940-), Mark Walton (1968-), Patrick Warburton (1964-), Adam West (1928–2017), Joe Whyte (1961-), Fred Willard (1933–2020), Steve Zahn (1967-)
Composer: John Debney (1956-)
Premiere: October 30, 2005
Box office: $314.4 million
Critic Score: 36%.
Average Rating: 5.5/10
Consensus: In its first non-Pixar CGI venture, Disney expends more effort in the technical presentation than in crafting an original storyline.
_________________________________
ACE: Runt!
ABBY: Fish.
LITTLE: No!
BUCK: Huh?
ABBY: Yeah!
BUCK: Okay.
LITTLE: Run!
ABBY: Go! Go!
RUNT: I'll survive
LITTLE: Look out!
COACH: Time out!
MELVIN: Um... Uh...
ABBY: Ring the bell!
UMPIRE: You're out!
LITTLE: Hurry! Hurry!
CHEETAH: Why him?
RUNT: Oh, poor Fish!
LITTLE: We'll survive!
CITIZEN: Gesundheit!
LITTLE: Run for cover!
LITTLE: Run for cover!
LITTLE: All right, guys.
COACH: Chicken Little!
RUNT: Push! Push! No!
WOOLENSWORTH: Hmm.
ANNOUNCER: It's all over, folks!
COMPUTER: You have hate mail.
RUNT: Don't go breaking my heart
ACE: Stay on target. Stay on target!
COACH: Okay, everyone. Listen up!
FOXY: I won't go breaking your heart
COMPUTER: You have more hate mail.
REPORTER 1: What are we lookin' for?
LITTLE: He's all right! Stop the invasion!

ANNOUNCER:
Clearly a long shot, folks.
ANNOUNCER:
It's the old tip-the-cow play.
CITIZEN ON TV:
Now the weather with Riz.
ANNOUNCER:
He's trying to lighten his load!
REPORTER 3:
It was an ape throwing coleslaw?
ANNOUNCER:
Yes, Chicken Little, it's all yours!

ABBY: Ace!
ACE: Abby.
ABBY: Yeah!
RUNT: Yeah!
BUCK: Plan D.
KIRBY: Plan D!
ABBY: Uh-huh.
RUNT: Uh-huh.
UMPIRE: Wait!
ANNOUNCER: Wait!
ABBY: Now breathe.
LITTLE: Breathe.
_________________________________
Cars (June 9, 2006) (comedy, adventure) (G)
Director: John Lasseter (1957-), Joe Ranft (1960–2005)
Story: John Lasseter (1957-), Joe Ranft (1960–2005)
Screenplay: Dan Fogelman, John Lasseter (1957-), Joe Ranft (1960–2005)
Producer: Darla K. Anderson (1968-)
Voices: Tim Allen (1953-), Mario Andretti (1940-), Larry the Cable Guy (1963-), George Carlin (1937–2008), Sarah Clark, Lindsey Collins, Bob Costas (1952-), Billy Crystal (1948-), Paul Dooley (1928-), Dale Earnhardt Jr. (1974-), Dave Foley (1963-), John Goodman (1952-), Tom Hanks (1956-), Katherine Helmond (1929–2019), E.J. Holowicki, Bonnie Hunt (1961-), Michael Keaton (1951-), Douglas Keever, Richard Kind (1956-), Elissa Knight (1975-), Jay Leno (1950-), Jenifer Lewis (1957-), Ray Magliozzi (1949-), Tom Magliozzi (1937–2014), Cheech Marin (1946-), Edie McClurg (1945-), Mike Nelson (1964-), Paul Newman (1925–2008), Adrian Ochoa, Lynda Petty (1942–2014), Richard Petty (1937-), Jeremy Piven (1965-), Guido Quaroni (1967-), Joe Ranft (1960–2005), John Ratzenberger (1947-), Jonas Rivera (1971-), Lou Romano (1972-), Michael Schumacher (1969-), Tony Shalhoub (1953-), Andrew Stanton (1965-), Michael Wallis (1945-), Darrell Waltrip (1947-), Humpy Wheeler (1938-), Owen Wilson (1968-)
Composer: Randy Newman (1943-)
Box office: $462.0 million
Critic Score: 74% Certified Fresh
Average Rating: 6.9/10
Consensus: Cars offers visual treats that more than compensate for its somewhat thinly written story, adding up to a satisfying diversion for younger viewers.
MIA: He's hot!
MALE: Free Bird!
FLO: Mmm-hmm!
McQUEEN: Right.
McQUEEN: What?
MATER: He's done.
SALLY: Customers.
GUARD: Sorry, pal.
MATER: Holy shoot!
RAMONE: Ah, yeah.
McQUEEN: Ka-chow.
McQUEEN: Freedom!
SHERIFF: Gentlemen,
SCHUMACHER: Ciao.
MATER: Mornin', Sally!
FILLMORE: Nice ruling.
DARRELL: He's back in!
SALLY: Yeah. Back then,
VAN: Okay! Yes. You bet.
HARV: Kid, I'm over here!
HICKS: Oh! (GRUNTING)
SALLY: Yes! Uh, amazing!
HUDSON: Oh, just in case.
MALE: Yep! All right! Got it!
FLO: What's he up to, Doc?
DARRELL: I don't believe it!
DARRELL: I don't believe it!
CUTLASS: This is it, Darrell.
SALLY: It's newly refurbished.
SALLY: (GASPS) Customers?
McQUEEN: What? A minivan?
McQUEEN: I can't wait, Mater.
DARRELL: Trouble, turn three!
MALE 2: What's your strategy?
FEMALE: I love you, Lightning!
CUTLASS: It's gonna be close.
DARRELL: He lost momentum,
MATER: Oh, yeah, I'm tellin' ya!
McQUEEN: Turn right to go left.
McQUEEN: (SCREAMING) Ow!
McQUEEN: Three Piston Cups?
CUTLASS: Right. No tires again.
DARRELL: He's lost another tire!
FLO: Oh, would you look at that?
HARV: Okay, I get it, Mr. Popular.
McQUEEN: Oh, great. Just great!
McQUEEN: It's just an empty cup.
SALLY: (SIGHING) Yeah, imagine.
MACK: Hey, Lightning! You ready?
DUSTY: Get your rear end in here.
DARRELL: He's nearly a lap down.
HUDSON: Not all my tricks, rookie!
McQUEEN: (WHISPERING) Mater!
CUTLASS: McQueen's going inside!
HARV: That's it. That's right, let's go!
McQUEEN: Wow. What is this place?
McQUEEN: No, no, no, no! Oh, great.
CUTLASS: ...we have a three-way tie.
HARV: No, wait. Where are you goin'?
McQUEEN: I'm gonna stick with them.
HUDSON: You drive like you fix roads.
McQUEEN: There's one goin' this way.
SHERIFF: Hope you enjoyed the show!
FILLMORE: Respect the classics, man.
McQUEEN: Okay... Here we go. Focus.
DARRELL: No! McQueen's blown a tire!
McQUEEN: Look, they're drivin' right by.
MALE: Just get in there. Go! Go, go, go!
McQUEEN: Oh, yeah. Lightning's ready.
CUTLASS: Says he likes working alone.

CUTLASS:
Huge crash behind the leaders!
CUTLASS:
McQueen passes on the inside!
CUTLASS:
The most spectacular, amazing...
CUTLASS:
Welcome back to the Dinoco 400.
PETERBILT:
Turn on your lights, you moron!

FILLMORE: Fascist!
SARGE: Commie!
MATER: Yes, you do.
McQUEEN: No way.
MALE 1: Mornin'!
MALE 2: Nice day, huh?
McQUEEN: Harv?
REPORTER 3: Come on!
McQUEEN: Whoo! Whoo!
HUDSON: Yeah!
SHERIFF: Mater!
MATER: I wasn't tractor-tippin'!
REPORTER 2: Your tires balding?
SALLY: McQueen!
MATER: Tractor-tippin's fun.
McQUEEN: This is ridiculous.
DARRELL: McQueen saved it!
CUTLASS: He's back on the track!
MALE 1: That's very close to call.
MALE 2: Can we play that again?
HARV: Come on, get in the trailer.
MALE: Where's the old McQueen?
_________________________________
_________________________________
Flushed Away (2006) (comedy, adventure) (PG)
_________________________________
Meet the Robinsons (March 30, 2007) (science fiction, comedy) (G)
Director: Stephen J. Anderson (1969-)
Story: Don Hall (1969-) (head of story)
Screenplay: Jon A. Bernstein, Michelle Spritz and Nathan Greno (1975-)
Based on: A Day with Wilbur Robinson (American picture book, 1990) by William Joyce
Producers: Dorothy McKim (1961-), Walt Disney V (1951–2016)
Executive Producer: John Lasseter (1957-)
Voices: Stephen J. Anderson (1969-), Angela Bassett (1958-), Paul Butcher (1994-), Jessie Flower (1994-), John H. H. Ford, Jordan Fry (1993-), Nathan Greno (1975-), Don Hall (1969-), Daniel Hansen, Kelly Hoover, Matthew Josten (1997-), Tom Kenny (1962-), Joe Mateo, Dara McGarry (1964-), Laurie Metcalf (1955-), Tracey Miller-Zarneke, Aurian Redson, Ethan Sandler (1972-), Tom Selleck (1945-), Wesley Singerman (1990-), Nicole Sullivan (1970-), Adam West (1928–2017), Joe Whyte (1961-), Harland Williams (1962-)
Composer: Danny Elfman (1953-)
Theatrical shorts: Working for Peanuts (in 3D) and Boat Builders (in 2D)
Box office: $169.3 million
Critic Score: 67%.
Average Rating: 6.3/10
Consensus: Meet the Robinsons is a visually impressive children's animated film marked by a story of considerable depth.
_________________________________
GOOB: Sorry.
LASZLO: Yeah!
WILBUR: Lewis!
FRANNY: Wilbur!
MILDRED: Lewis!
FRANKIE: Master?
CORNELIUS: Okay.
SPIKE: You know what?
YOUNG GOOB: So tired.
GOOB: What's going on?
CARL: Everybody ready?
YOUNG FRANNY: Whoa!
CARL: Why is it an acorn?
GOOB: They all hated me.
GASTON: Ready, aim, fire!
LEWIS: That's a prototype?
FRANNY: Now, don't be shy.
TALLULAH: Oh! He ate Carl!
AUNT BILLIE: One of a kind.
WILBUR: Look, I messed up.
MR. WILLERSTEIN: Coach...
TALLULAH: Is it gonna work?
WILBUR: Robinson Industries,
PETUNIA: Where's my sloppy joe?
MILDRED: Hi, folks. Everything all...
GOOB: Oh, yes, Doris, it is a shame.
BUD: That's Uncle Joe. He works out.

FRANNY ON INTERCOM:
Boys! Dinner time!

LEWIS: 3.7 seconds.
GASTON: I win!
_________________________________
Ratatouille (June 29, 2007) (comedy) (G)
Director: Brad Bird (1957-), Jan Pinkava (1963-)
Story: Jan Pinkava (1963-), Jim Capobianco and Brad Bird (1957-)
Screenplay: Brad Bird (1957-)
Producer: Brad Lewis (1958-)
Executive Producer: John Lasseter (1957-)
Voices: Will Arnett (1970-), Brad Bird (1957-), Julius Callahan, Brian Dennehy (1938–2020), Tony Fucile (1964-), Janeane Garofalo (1964-), Brad Garrett (1960-), Ian Holm (1931–2020), Teddy Newton (1964-), Peter O'Toole (1932–2013), Patton Oswalt (1969-), James Remar (1953-), John Ratzenberger (1947-), Lou Romano (1972-), Stéphane Roux, Peter Sohn (1977-), Jake Steinfeld (1958-)
Composer: Michael Giacchino (1967-)
Box office: $623.7 million
Critic Score: 96% Certified Fresh
Average Rating: 8.4/10
Consensus: Fast-paced and stunningly animated, Ratatouille adds another delightfully entertaining entry – and a rather unlikely hero – to the Pixar canon.
EMILE: Remy!
REMY: I waited
REMY: This is me.
WAITER: Oui, chef.
HORST: Cheers, ja.
LINGUINI: What for?
WOMAN: Champagne!
EMILE: I'm sorry, Remy.
HORST: Coming around.
REPORTER: Is that Ego?
REMY: It was a great night.
COLETTE: Hot! Open oven!
MAN: I'm getting buried here.
LAROUSSE: Open down low.
REMY: Oh, Gusteau was right.
REPORTER: But it was not to last.
WOMAN: Disgusting little creatures.
REMY: At first, Ego thinks it's a joke.
COLETTE: Don't mess with my mise!
LAROUSSE: Drink now, there's plenty.
LINGUINI: Secret? You want the truth?

FEMALE RAT:
Hey, Johnny! Hurry!
GUSTEAU ON TV:
How can I describe it?

LALO: Coming down the line.
COLETTE: Set.
HORST: Fire seven.
MAN: Three salade composée up.
LALO: One order of steamed pike up.
MAN: Coming up.
HORST: Bonjour, chef.
LAROUSSE: Hello, Chef Skinner.
REPORTER 1: Chef! Chef!
REPORTER 2: Chef Linguini!
HORST: Ready to go on table seven.
COLETTE: Coming around.
_________________________________
Enchanted (November 21, 2007) (musical, romantic, fantasy, comedy) (PG)
_________________________________
WALL-E (June 27, 2008) (science fiction) (G)
Director: Andrew Stanton (1965-)
Story: Andrew Stanton (1965-) and Pete Docter (1968-)
Screenplay: Andrew Stanton (1965-) and Jim Reardon (1965-)
Producer: Jim Morris
Executive Producer: John Lasseter (1957-)
Voices: Ben Burtt (1948-), Jeff Garlin (1962-), MacInTalk (1984-), Elissa Knight (1975-), Kathy Najimy (1957-), John Ratzenberger (1947-), Sigourney Weaver (1949-), Fred Willard (1933–2020)
Composer: Thomas Newman (1955-)
Box office: $521.3 million
Critic Score: 95% Certified Fresh
Average Rating: 8.6/10
Consensus: WALL-E's stellar visuals testify once again to Pixar's ingenuity, while its charming star will captivate younger viewers – and its timely story offers thought-provoking subtext.
EVE: Ah!
EVE: Ah!
EVE: Ooh!
EVE: Ooh!
EVE: Ooh!
EVE: Ooh!
EVE: Ooh!
EVE: Ooh!
M-O: EVE!
M-O: EVE!
M-O: Huh?
M-O: Huh?
EVE: Huh?
AUTO: No.
AUTO: No.
EVE: Plant!
EVE: Ahhh!
EVE: Whoa.
EVE: Home.
EVE: "EVE."
EVE: Name?
D-FIB: Clear.
D-FIB: Clear.
D-FIB: Clear.
WALL-E: Oh!
AUTO: Let go.
EVE: Whoops.
EVE: WALL-E!
WALL-E: EVE.
AUTO: Get off.
MAN: I gotcha!
WALL-E: Huh?
WALL-E: Look.
EVE: WALL-E?
EVE: Directive?
EVE: Directive?
AUTO: Enough.
WALL-E: Ta-da!
WALL-E: EVE...
WALL-E: Whoa.
WOMAN: Date?
WALL-E: Whee!
WALL-E: Whoa!
WALL-E: Whoa!
WALL-E: Yoo-hoo!
EVE: Who are you?
CAPTAIN: Let's see.
WOMAN: Love blue.
CAPTAIN: Auto! Auto!
STEWARD-BOT: Halt.
STEWARD-BOT: Halt.
STEWARD-BOT: Halt!
WALL-E: Uh-huh. Uh...
WALL-E: (IN AWE) Oh!
WALL-E: Whoa! Uh-oh!
COMPUTER: Accepted.
STEWARD-BOT: Wrong.
AUTO: Give me the plant.
MARY: Hey. What? John?
M-O: Foreign contaminant.
STEWARD-BOT: Halt, halt.
STEWARD-BOT: Halt! Halt!
BEAUTICIAN-BOT: Oh, my.
BEAUTICIAN-BOT: Oh, my.
AUTO: Good night, Captain.
BEAUTICIAN-BOT: Uh-huh.
BEAUTICAN-BOT: Morning.
CAPTAIN: Define "hoedown."
COMPUTER: Cruising speed.
CAPTAIN: Prepare for landing.
BEAUTICIAN-BOT: Just a trim?
COMPUTER: Clear, clear, clear.
APPROACHING ROBOT: Whoa!
CAPTAIN: Well, let's open her up.
COMPUTER: Plant origin verified.
COMPUTER: Course set for Earth.
COMPUTER: Caution. Rogue robots.
COMPUTER: Caution. Rogue robots.
COMPUTER: Caution. Rogue robots.
COMPUTER: Caution. Rogue robots.
COMPUTER: Caution. Rogue robots.
BEAUTICIAN-BOT: That style suits you.

STEWARD-BOT:
Please remain stationary.
AUTO:
All communications are terminated.
NANNY-BOT:
Remain calm. Remain calm.
FEMALE LOUDSPEAKER VOICE:
Mmm!
LIFEGUARD-BOT:
No splashing. No diving.
AUTO:
Captain, you are needed on the bridge.
FEMALE LOUDSPEAKER VOICE:
Buy N Large.
FEMALE LOUDSPEAKER VOICE:
Attention, Axiom shoppers. Try blue.

EVE: Plant!
M-O: EVE!
MARY: Look out!
EVE: Ah!
M-O: Foreign contaminant.
WALL-E: Whoa!
M-O: Whee!
BEAUTICIAN-BOT: You're kidding!
COMPUTER: Confirm acquisition.
CAPTAIN: Ooh!
MAN: I'm in a tunnel. I can't hear you.
WOMAN: There you are.
_________________________________
The Princess and the Frog & Tinker Bell (October 28, 2008–December 11, 2009) (musical, romantic, fantasy) (G)
Directors: Ron Clements (1953-) and John Musker (1953-)
Story: Ron Clements (1953-), John Musker (1953-), Greg Erb and Jason Oremland
Screenplay: Ron Clements (1953-), John Musker (1953-) and Rob Edwards (1963-)
Inspired by: The Frog Princess (American children's novel, 2002) by E. D. Baker
Producers: Peter Del Vecho (1958-), Walt Disney V (1951–2016)
Executive Producer: John Lasseter (1957-)
Voices: Pamela Adlon (1966-), Jeff Bennett (1962-), Bob Bergen (1964-), Gail Borges, Paul Briggs (1974-), Breanna Brooks, Corey Burton (1955-), Bruno Campos (1973-), Kristin Chenoweth (1968-), Jennifer Cody (1969-), Michael Colyar (1957-), Kathryn Cressida (1970-), Jim Cummings (1952-), Elizabeth Dampier, Keith David (1956-), America Ferrera (1984-), John Goodman (1952-), Don Hall (1969-), Jane Horrocks (1964-), Terrence Howard (1969-), Anjelica Huston (1951-), Jerry Kernion, Emeril Lagasse (1959-), Jenifer Lewis (1957-), Lucy Liu (1968-), Jesse McCartney (1987-), Loreena McKennitt (1957-), Ritchie Montgomery, Kathy Najimy (1957-), Randy Newman (1943-), Rob Paulsen (1956-), Richard Portnow (1947-), Kevin Michael Richardson (1964-), Anika Noni Rose (1972-), Raven-Symoné (1985-), Danielle Moné Truitt, Steve Valentine (1966-), Mae Whitman (1988-), Oprah Winfrey (1954-), Michael-Leon Wooley (1971-), America Young (1984-)
Composers: Randy Newman (1943-), Joel McNeely (1959-)
Premiere: November 25, 2009; Wide release: December 11, 2009
Box office: $267.0 million
Critic Score: 85% Certified Fresh
Average Rating: 7.4/10
Consensus: The warmth of traditional Disney animation makes this occasionally lightweight fairy-tale update a lively and captivating confection for the holidays.
Consensus: Tinker Bell is a sweet, simple story which offers the warmth of traditional Disney animation and to make this occasionally lightweight fairy-tale, cartoon, and fantasy update a lively and captivating confection for the holidays.
NAVEEN: Psst!
RAY: No, no, no!
TIANA: Voodoo?
CLANK: Goodbye.
LAWRENCE: Sire!
FAIRY 1: So scary.
FAIRY 2: Look out!
LOUIS: How's that?
SILVERMIST: Whoa!
LOUIS: Tiana! Naveen!
MAN: He's a real gator!
TIANA: Those aren't logs.
RAY: I ain't touched it yet.
SILVERMIST: Tinker Bell!
GARDEN FAIRY: Look out!
LAWRENCE: Give it to me!
TINKER FAIRY: Let her go.
SPARROWMAN 1: Just did.
FAWN: We'll save you, Tink!
MAN: Ladies and gentlemen!
ROSETTA: Cover your tushy!
BOBBLE: Right! Here we are.
TIANA: Where you taking me?
BUTTERFLY: Congratulations.
BOBBLE: Gather round, ladies.
ALLIGATOR 3: We got all night.
BOBBLE: Watch out for falling...
EUDORA: "Just in that moment,
WOMAN: Ooh, that smells good!
ALLIGATOR 1: Where'd they go?
TINKER BELL: Let me show you!
FAIRY MARY: Not here, you don't!
FLOWER FAIRY 1: It's the Queen!
CLANK: Like me. I can be a wheel.
TINKER BELL: Just tie this off here.
FACILIER: Shame on that hard work
CLANK: Sorry! Make way for tinkers!
CHARLOTTE: Cheese and crackers!
BEAUDREAUX: Will do, Cousin Ray!
RAY: Will you hold still, you big baby?
REVEREND: ...as you both shall live?
RAY: I'll take them the rest of the way.
CHARLOTTE: I do! I do! He's so cute!
NAVEEN: Ray! Get me out of this box!
VIOLET: I told y'all she wouldn't come.
CLANK: Well, spring won't spring itself.
BOBBLE: Like a wittle, wee baby, there.

ALLIGATOR 3:
That's my tail, pea brain!
CHARLOTTE:
Anything you want, sugar.
SUMMER:
But we can't! We can't do that!
BOBBLE:
And the fairies of Summer Glade
FLOWER FAIRY 1:
Get your pixie dust yet?
TINKER BELL:
The mouse's name is Cheese?
BOBBLE:
Glad we had a bath today, eh, Clank?
MR. FENNER 2:
You drive a hard bargain, Tiana!

FAIRY 1: Hello.
FAIRY 2: Hello.
NAVEEN: No, no...
TIANA: Don't...
FAIRY 1: What?
FAIRY 2: You all right?
FAWN: You fixed it!
SILVERMIST: Wow!
IRIDESSA: Beautiful!
ROSETTA: Amazing!
ROSETTA: Tinker Bell?
FAWN: Tinker Bell?
CLANK: Excuse us!
BOBBLE: Coming through!
TIANA: I can't see a thing!
NAVEEN: Neither can I!
IRIDESSA: I knew you'd get to go!
FAWN: Oh, Tink!
NAVEEN: Look out! Out of the way!
TIANA: Oh, no!
ALLIGATOR 2: Where'd they go?
ALLIGATOR 3: I saw him first!
FAWN: You, too! Fly with you later!
ROSETTA: Fly with you later!
FAWN: Don't get your wings in a bunch.
ROSETTA: Don't be like that.
_________________________________
Bolt (November 21, 2008) (road, comedy, adventure) (PG)
Directors: Chris Williams (1968-) and Byron Howard (1968-)
Story: Nathan Greno (head of story) (1975-)
Screenplay: Dan Fogelman and Chris Williams (1968-)
Producers: Clark Spencer (1963-), Walt Disney V (1951–2016)
Executive Producer: John Lasseter (1957-)
Voices: Diedrich Bader (1966-), Jeff Bennett (1962-), Todd Cummings, Miley Cyrus (1992-), Grey DeLisle (1973-), John DiMaggio (1968-), Lino DiSalvo, Sean Donnellan, Susie Essman (1955-), Dan Fogelman, Greg Germann (1958-), Kelly Hoover, Jenny Lewis (1976-), James Lipton (1926–2020), J.P. Manoux (1969-), Malcolm McDowell (1943-), Tim Mertens, Chloe Grace Moretz (1997-), Ross Moss (1952-), Daran Norris (1964-), Randy Savage (1952–2011), Brian Stepanek (1971-), Nick Swardson (1976-), John Travolta (1954-), Kari Wahlgren (1977-), Mark Walton (1968-)
Composer: John Powell (1963-)
Theatrical short: Pixar's Tokyo Mater
Home entertainment short: Super Rhino
Premiere: November 17, 2008
Box office: $310.0 million
Critic Score: 89% Certified Fresh
Average Rating: 7.2/10
Consensus: Bolt is a pleasant animated comedy that overcomes the story's familiarity with strong visuals and likable characters.
_________________________________
MAN: Oh!
MAN: Ow!
BOLT: Ow!
BOLT: Ow!
MAN: Whoa!
BOLT: Hmm.
BOLT: Hmm.
BOLT: Ohhh!
BOLT: Whoa!
BOLT: Penny.
WOMAN: Aw!
PENNY: Bolt?
RHINO: You go!
MAN: Here, boy.
MAN: Spicy eyes!
BOY: What's this?
PENNY: Come on.
MAN 2: You got it?
PENNY: Good boy.
PENNY: Bolt! Help!
VINNIE: Oh, buddy.
MITTENS: Hey, Wags.
WOMAN: Here you go!
MAN: Bolt! Come back!
DIRECTOR: And action.
RHINO: Would you relax?
BLAKE: He's so on board!
CREW: What? Who's that?
PENNY: What's happening?
MAN: First positions, please.
RHINO: What are you doing?
BROOKE: What, so you can...
DIRECTOR: Guards, stop her!
MITTENS: This is complicated.
RHINO: Superbark. Superbark!
MAN 1: Hey, did you hear that?
ANNOUNCER: Come on down!
BROOKE: Because I'm involved!
TAYLOR ON TV: Why do you care?
MAN 1: Yeah. I got... No, I got mine.
PENNY: The Calico supercomputer.
MAN 1: Oh, boy. This thing is heavy.
VINNIE: Right, that's what'll happen.
PENNY: Bolt! It's okay, Bolt. I'm fine.
MAN 1: All right, who wants burgers?
MITTENS: So, if you got superpowers,
WOMAN: Hi. I'm here to see Joe Mateo.

ROSIE O'DONNELL:
It really does help,
DIRECTOR ON RADIO:
All right, Scooter.
MAN 4 ON MEGAPHONE:
For your own safety,

WOMAN: Yeah.
MAN 1: What is that?
MAN 1: Easy, watch.
MAN 2: I'm good.
WOMAN: I'll take one.
MAN 2: Me, too!
MAN: I need her in hair.
PENNY: I just...
TAYLOR: With Ridge?
BROOKE: With James!
MAN 1: Watch it, though. Ow!
MAN 2: You got it?
MAN 1: Okay. Up on your end.
MAN 2: All right, just a little bit.
_________________________________
Sleeping Beauty (January 29, 2009) (musical, fantasy) (G)
Supervising Director: Clyde Geronimi (1951-)
Sequence Directors: Les Clark (1957-), Eric Larson (1955-), Wolfgang Reitherman (1959-)
Story/Screenplay: Erdman Penner, Joe Rinaldi, Winston Hibler (1960-), Bill Peet (1965-), Ted Sears (1950–2008), Ralph Wright (1958-) and Milt Banta
Based on: "Sleeping Beauty" (French fairy tale, 1697) by Charles Perrault and "Little Briar Rose" (German fairy tale, 1812) by Brothers Grimm
Producer: Walt Disney V (1951–2016)
Voices: Barbara Jo Allen (1956–2024), Eleanor Audley (1955-), Candy Candido (1963-), Pinto Colvig (1942–2017), Mary Costa (1980-), Verna Felton (1940–2016), Taylor Holmes (1928–2009), Barbara Luddy (1958-), Dallas McKennon (1969-), Marvin Miller (1963-), Bill Shirley (1971-), Bill Thompson (1963–2021)
Nine Old Men directing animators (5): Marc Davis (1963-), Ollie Johnston (1962-), Milt Kahl (1959-), John Lounsbery (1961-), Frank Thomas (1962-)
Composers: George Bruns (1964-), Jack Lawrence (1962-)
Theatrical short: Grand Canyon
Critic Score: 90%.
Average Rating: 8.2/10
Consensus: This Disney dreamscape contains moments of grandeur, with its lush colors, magical air, one of the most menacing villains in the Disney canon.
FAUNA: Rose!
PHILLIP: Whoa!
FLORA: Uh-huh.
PHILLIP: Never?
AURORA: Hmm?
FLORA: Why not?
FLORA: No magic!
STEFAN: Yes, but...
FLORA: Yes, go on.
FAUNA: That's right.
AURORA: Mmm-hmm.
FAUNA: Goodbye, dear.
FAUNA: Lots, lots more.
FAUNA: Oh, I'd like that.
MALEFICENT: Come in.
FLORA: (GIGGLES) Yes.
FAUNA: Watch out, Phillip!
MERRYWEATHER: Flora?
HERALD: The sun has set!
FAUNA: Why, it's Maleficent.
PHILLIP: You know, Samson,
NARRATOR: But King Stefan,
FLORA: She'll be perfectly safe.
FAUNA: Just do your best, dear.
FLORA: Oh, we need more, dear.
MALEFICENT: Touch the spindle.
FAUNA: Don't forget a pretty bow.
STEFAN: Well, I suppose in time...
HUBERT: Of course! To the home!
FLORA: Oh, I'll think of something.
FLORA: Bolt the door, Merryweather.
AURORA: Why, it's my dream prince.
STEFAN: Right, Hubert. To the future.
HUBERT: Tonight, we toast the future,
FAUNA: (CRYING) We're all to blame.
STEFAN: Now, be reasonable, Hubert.
MAN: His royal highness Prince Phillip!
NARRATOR: And so, for 16 long years,

FAUNA:
That's for the feet to go through.
NARRATOR:
In a faraway land long ago,
FAUNA:
Oh, why did we leave her alone?
NARRATOR:
Fondly had these monarchs dreamed

MERRYWEATHER: Rose.
FAUNA: Oh, Rose.
MERRYWEATHER: Goodbye.
FLORA: Goodbye.
_________________________________
_________________________________
_________________________________
_________________________________
  • "A long time ago, in a faraway kingdom, there lived a storyteller. He used his experience as a teller of fairy tales, combined with his love of new technology, to tell a classic story of the triumph of good over evil, with memorable characters, told with stunning art and animation; a classic film that has been beloved by generations. Join the celebration, as we explore the magic behind-the-scenes story of Walt Disney's dazzling masterpiece: Sleeping Beauty."
  • "Disney began the ambitious plans for his third feature-length animated fairy tale in the early 1950s (2000s). Walt assigned a small team to begin adapting the classic fairy tale to the style of a Disney feature."
  • "This early work resulted in a completed storyboard presentation in June of 1952 (2002). Walt concluded, however, that this story approach was too similar to past Disney efforts. If the Disney staff returned to the fairy tale, they could not simply duplicate Snow White or Cinderella."
  • "This fresh approach to Sleeping Beauty would push the boundaries of animation, with its distinctive and exquisite art."
  • "Eyvind Earle's unique and modern graphic style perfectly realized Walt's desire to create what he called a 'moving illustration'."
  • "Walt's team of experienced animators faced a particular challenge: Making their characters live believably within this highly stylized world."
  • "The climactic battle between Prince Phillip and the dragon was also intricately choreographed in live action, for use as a reference by the animators. It is shown here for the first time, in footage reconstructed from the only surviving still photos of the live action."
  • "Marc Davis commanded the forces of both good and evil in Sleeping Beauty. He also supervised the design and animation of the cruel and elegant Maleficent."
  • "To give Maleficent a powerful voice to match her evil character, Walt Disney personally suggested actress Eleanor Audley, who had brought Cinderella's wicked stepmother Lady Tremaine to chilling vocal life."
  • "Veteran animators Frank Thomas and Ollie Johnston were given a happy task of bringing three good fairies to life."
  • "During the production of Sleeping Beauty, voice recordings and live action reference films were made by many of Hollywood's best known character actresses, including Spring Byington, Madge Blake, and even Mayberry's Aunt Bee, Frances Bavier. As animation progressed, another gift was being given to the production of Sleeping Beauty."
  • "Bringing much of this music to life was a lovely young singer, whose performance as both the singing and speaking voice of Sleeping Beauty was the beginning of her career as a star of the international opera stage."
  • "Because of its strong reliance on classical music, Sleeping Beauty was recorded in state-of-the-art stereophonic sound. Similarly, its magnificent art and epic scope led to the decision to film Sleeping Beauty in the widescreen 70mm format."
  • "All of these special processes and meticulous attention to detail had a cost, not just in money, but in the time it took to produce Sleeping Beauty. In addition to the complexity of Sleeping Beauty's production, Walt Disney and his staff were stretched thin, hard at work on Disneyland, three television series, and numerous live action films."
  • "Sleeping Beauty premiered in the era of epic movies like Ben-Hur. But as was the case with many other epics, Sleeping Beauty was a gamble. Since it first opened however, Sleeping Beauty has become one of the most financially successful films released in 1959 (2009), second only to Ben-Hur, and Sleeping Beauty has influenced a whole new generation of young people, who have become the leaders of today's Walt Disney Feature Animation."
_________________________________
Up (May 29, 2009) (comedy, drama, adventure) (PG)
Director: Pete Docter (1968-), Bob Peterson (1961-)
Story: Pete Docter (1968-), Bob Peterson (1961-) and Tom McCarthy (1966-)
Screenplay: Bob Peterson (1961-) and Pete Docter (1968-)
Producer: Jonas Rivera (1971-)
Executive Producer: John Lasseter (1957-)
Voices: Edward Asner (1929–2021), Josh Cooley (1980-), Elie Docter, Pete Docter (1968-), Don Fullilove (1958-), Jess Harnell (1963-), David Kaye (1964-), Jeremy Leary, Delroy Lindo (1952-), Danny Mann (1951-), Mickie McGowan (1938–2022), Jordan Nagai (2000-), Bob Peterson (1961-), Christopher Plummer (1929–2021), Jerome Ranft (1966-), John Ratzenberger (1947-)
Composer: Michael Giacchino (1967-)
Box office: $731.3 million
Critic Score: 98% Certified Fresh
Average Rating: 8.7/10
Consensus: An exciting, funny, and poignant adventure, Up offers an impeccably crafted story told with wit and arranged with depth, as well as yet another visual Pixar treat.
DUG: Hi.
CARL: No.
CARL: Oh!
DUG: Point!
DUG: Point!
CARL: Whoa!
DUG: Master!
MUNTZ: Stay!
DUG: Oh, yes.
RUSSELL: No!
RUSSELL: Ow.
GAMMA: I got it!
DUG: I can bark.
DUG: Here, bird.
ALPHA: Master?
RUSSELL: Help!
DUG: Hi, Master.
CARL: Get down!
RUSSELL: Kevin.
RUSSELL: Snipe!
RUSSELL: There.
RUSSELL: Whoa!
DOG 1: He's here!
CARL: Go on, Kevin!
GAMMA: Yeah, right!
BETA: Target sighted.
DUG: I can smell you.
DUG: I can smell you.
CARL: It's red, isn't it?
BETA: No, it was Dug.
CARL: Yeah? How so?
DUG: I use that collar...
DUG: Hey, would you...
BETA: Where are they?
DUG: Oh, yes. Oh, yes.
CARL: Careful, Russell.
DOG 5: It's the old man!
DUG: Master, over here.
DUG: You're my master?
GAMMA: I hate squirrels.
RUSSELL: Whoa! Whoa!
DUG: Hey, I know a joke.
DUG: Master, it's all right.
DOG 2: I will not bite you.
GAMMA: Getting the ball!
DUG: I am a great tracker.
MAN: Steve, you all right?
DUG: Hey, that is the bird.
DUG: Listen, you dog. Sit!
RUSSELL: That was cool!
RUSSELL: Oh. It's before!
DUG: Yeah, get off of his...
CARL: Wait up, Mr. Muntz.
CARL: Come on. Come on.
RUSSELL: Mr. Fredricksen,
ELLIE: My Adventure Book.
BETA: Where's the squirrel?
RUSSELL: Let her go! Stop!
RUSSELL: Uh-huh. Uh-huh.
CARL: I am not your master!
CARL: No, I'm not. Red one.
DUG: Please be my prisoner.
DUG: I am here with the bird,
RUSSELL: Another blue one.
CARL: Hey, let's play a game.
MUNTZ: Nice talking with you.
RUSSELL: Wow! This is great!
ALPHA: There he is. Come on!
RUSSELL: What are we doing?
RUSSELL: That's a fire hydrant.
ALPHA: Master, dinner is ready.
GAMMA: Gray Two, checking in.
MUNTZ: Get away from my bird!
BETA: Gray Leader, checking in.
RUSSELL: You gave away Kevin.
MUNTZ: I'm sorry about the dogs.
GAMMA: I'm gonna get there first!
DUG: Go toward the light, Master!
CARL: Maybe I need new glasses.
CARL: Get out of here! Go on! Get!
ALPHA: (IN SQUEAKY VOICE) No.
DUG: Hey, are you okay over there?
DUG: Alpha? I am not Alpha. He is...
ALPHA: Impossible! Where are you?
MUNTZ: Oh, yes, the Arsinoitherium.
RUSSELL: This is fun already, isn't it?
DUG: The bird is calling to her babies.
RUSSELL: Dug, stop bothering Kevin!
DOG 1: He wears the Cone of Shame!
DUG: I do not like the Cone of Shame.
MUNTZ: In a house? A floating house?
RUSSELL: Can we keep him? Please?
DUG: Oh, I am ready to not be up high.
CARL: I'm getting Kevin. You stay here.
GRAY THREE: Gray Three, checking in.

NEWSREEL ANNOUNCER:
Here's Charles Muntz
NEWSREEL ANNOUNCER:
The organization strips Muntz
NEWSREEL ANNOUNCER:
And, golly, what a swell monster this is!

CARL: Watch it!
RUSSELL: Sorry.
DOG 1: Me! I want it!
DOG 2: Me! I do!
ALPHA: Where is it?
DUG: Uh... Tomorrow.
DOG 3: I want the ball!
DOG 4: Give it to me!
DOG 1: Treat! Where's the treat!
DOG 2: Treat!
DOG 3: He's in Hall D!
DOG 4: He's in Hall C!
ALPHA: No, wait, wait!
BETA: What's Dug doing?
BETA: Not you.
GAMMA: What do we do with Dug?
GAMMA: He's got the bird!
DOG 2: The bird's gone...
_________________________________
Tangled & Muppets & Fairies' Autumn Treasure (October 27, 2009–November 24, 2010) (musical, fantasy) (PG)
Directors: Nathan Greno (1975-) and Byron Howard (1968-)
Story: Mark Kennedy (head of story)
Screenplay: Dan Fogelman
Based on: "Rapunzel" (German fairy tale, 1812) by Brothers Grimm
Producers: Roy Conli (1971-), Walt Disney V (1951–2016)
Executive Producer: John Lasseter (1957-)
Voices: Thom Adcox (1972-), Angela Bartys (1984-), Jeff Bennett (1962-), Kristin Chenoweth (1968-), Grey DeLisle (1973-), John DiMaggio (1968-), M.C. Gainey (1948-), Brad Garrett (1960-), Nathan Greno (1975-), Jane Horrocks (1964-), Byron Howard (1968-), Anjelica Huston (1951-), Richard Kiel (1939–2014), Zachary Levi (1980-), Lucy Liu (1968-), Jesse McCartney (1987-), Tim Mertens, Mandy Moore (1984-), Donna Murphy (1958-), Rob Paulsen (1956-), Ron Perlman (1950-), Allison Roth, Roger Craig Smith (1975-), Delaney Rose Stein, Raven-Symoné (1985-), Jeffrey Tambor (1944-), Mae Whitman (1988-), Eliza Pollack Zebert
Composers: Alan Menken (1949-), Joel McNeely (1959-)
Premiere: November 14, 2010; Wide release: November 24, 2010
Box office: $591.8 million
Critic Score: 89% Certified Fresh
Average Rating: 7.5/10
Consensus: While far from Disney's greatest film, Tangled is a visually stunning, thoroughly entertaining addition to the studio's classic animated canon.
Consensus: Visual stunning and throughly entertaining addition to the studio's classic animated canon, Muppets & Fairies' Autumn Treasure delivers Jim Henson's lovable creations a welcome party, with its lush colors and magical air – while possessing a passable plot and far from Disney's greatest film.
OWL: Who?
GOTHEL: Or...
TERENCE: Run!
TERENCE: Tink!
TERENCE: Tink?
CLANK: For Tink!
RAPUNZEL: Hey.
FLYNN: Rapunzel!
BOBBLE: I'm okay.
MAN: To the boats!
BOBBLE: Still okay.
FLYNN: Is this hair?
TINKER BELL: Clip.
GRIMSLEY: Really?
TERENCE: Hold on!
GOTHEL: Rapunzel!
FLYNN: Yes, we are.
TINKER BELL: Wow.
WOMAN: Tinker Bell!
TERENCE: Looks good.
TINKER BELL: Hammer.
TERENCE: Knock-knock.
GOTHEL: And as for us...
GOTHEL: I love you most.
FLYNN: Ah! There you are!
CLARION: Thank you, Viola.
RAPUNZEL: I love you more.
CLARION: Minister, Fairy Mary?
TERENCE: Knock-knickity-knock!
CLARION: Fairies of Pixie Hollow,
LEECH: Well, you're ugly and stinky.
RAPUNZEL: What did you do to him?
FLYNN: So, can I ask you something?
FLYNN: This is the story of how I died.
SPARROWMAN: Whoa! Look up there!

LEECH: You're the best.
GRIMSLEY: No, you.
GRIMSLEY: Fuzz face.
LEECH: Thimble head.
GRIMSLEY: Weasel toes!
LEECH: Badger brain!
RAPUNZEL: (SCOLDING) Eugene!
FLYNN: All right, I asked her.
_________________________________
Toy Story 3 (June 18, 2010) (comedy, drama) (G)
Director: Lee Unkrich (1967-)
Story: John Lasseter (1957-), Andrew Stanton (1965-) and Lee Unkrich (1967-)
Screenplay: Michael Arndt (1970-)
Producer: Darla K. Anderson (1968-)
Executive Producer: John Lasseter (1957-)
Voices: Lori Alan (1966-), Tim Allen (1953-), Jack Angel (1930–2021), Ned Beatty (1937–2021), Jodi Benson (1961-), Charlie Bright (2001-), Blake Clark (1946-), Joan Cusack (1962-), John Cygan (1954–2017), Timothy Dalton (1946-), R. Lee Ermey (1944–2018), Jeff Garlin (1962-), Whoopi Goldberg (1955-), Emily Hahn (2000-), Bonnie Hunt (1961-), Tom Hanks (1956-), Estelle Harris (1928–2022), Michael Keaton (1951-), Richard Kind (1956-), Amber Kroner, Bud Luckey (1934–2018), Brianna Maiwand, Laurie Metcalf (1955-), Beatrice Miller (1999-), John Morris (1984-), Teddy Newton (1964-), Javier Fernandez Pena (1960-), Jeff Pidgeon (1965), Jan Rabson (1954–2022), John Ratzenberger (1947-), Don Rickles (1926–2017), Kristen Schaal (1978-), Wallace Shawn (1943-), Erik von Detten (1982-), Jack Willis
Composer: Randy Newman (1943-)
Box office: $1,063.2 billion
Critic Score: 98% Certified Fresh
Average Rating: 8.9/10
Consensus: Deftly blending comedy, adventure, and honest emotion, Toy Story 3 is a rare second sequel that really works.
BUZZ: No!
KEN: Horse.
BUZZ: Wow!
HAMM: Hey!
REX: Hooray!
ALIENS: Ooh!
JESSIE: Buzz!
LOTSO: Not him.
HAMM: Look out!
JESSIE: Yoo-hoo!
WOODY: Hang on!
BARBIE: Ken! Ken?
WOODY: Psst! Psst!
MOLLY: It wasn't me.
JESSIE: Poor Barbie.
TWITCH: Get in there!
LOTSO: Let's see here.
LOTSO: Listen up, folks.
BUZZ: Stop! No! No! No!
WOODY: Get up. Buster!
ANDY: You will be, Mom.
KEN: What do you want?
MOLLY: Come on, Buster.
HAMM: I get the Corvette.
BONNIE'S MOM: Bonnie?
WOODY: Come on. Hurry!
HAMM: Oh, boy. Incoming!
HAMM: Oh, this is just sad.
WOODY: Got it. What else?
BARBIE: This is so exciting!
BOOKWORM: Ah! Here it is.
JESSIE: Woody! Down here!
BUZZ: Target is on approach.
MOLLY: I wasn't in your room.
HAMM: Holy moly guacamole.
HAMM: Sounds like kids to me.
HAMM: Yeah, but now it's here.
VOICE BOX: Reach for the sky!
MOLLY: Then, yes, I'll miss you.
ANDY'S MOM: I know. It's just...
LOTSO: Well, stop your worryin'.
CHUCKLES: Yeah, I knew Lotso.
WOODY: For infinity and beyond.
MR. POTATO HEAD: That's right.
HAMM: Shush! Will you be quiet?
WOODY: Hold on, we're going in!
SPARKS: Neither are you, Chunk.
BUZZ: What are ya... Unhand me!
LOTSO: Well, thank you, Big Baby.
CHATTER TELEPHONE: Hallways.
HAMM: I think he said, "All at once."
VOICE BOX: To infinity and beyond!
BONNIE'S MOM: Wow. Look at you.
ANDY: I'll get something on the way.
JESSIE: What do you see? Anything?
BONNIE'S MOM: Bonnie, you in here?
MR. POTATO HEAD: What did he say?
VOICE BOX: You're my favorite deputy.
REX: At last! I'm gonna get played with!
DOLLY: Yeah, she really got your smile.

MRS. POTATO HEAD:
Thank goodness!
VOICE BOX:
There's a snake in my boot.
VOICE BOX:
There's a snake in my boot.
MRS. POTATO HEAD:
With the big kids!
MR. POTATO HEAD:
How do you know?
CHATTER TELEPHONE:
Eight-feet high.
MR. POTATO HEAD:
Well, that went well.
VOICE BOX:
Buzz Lightyear to the rescue!
MR. POTATO HEAD:
Hey, hey, hey, buddy!
CHATTER TELEPHONE:
I'm sorry, cowboy.
ANDY'S MOM:
Look how tall you're getting.
MRS. POTATO HEAD:
They sound so sweet.
CHATTER TELEPHONE:
Good luck, cowboy.
BONNIE'S MOM:
Ooh. You hear that, Bonnie?
CHATTER TELEPHONE:
Even the playground.
VOICE BOX:
Somebody's poisoned the water hole.

BARBIE: Love...
KEN: You.
KEN: Cowgirl.
JESSIE: Here.
KEN: Barbie.
BARBIE: Here.
KEN: Ready?
BARBIE: Ready.
REX: He did it!
HAMM: Yes, sir!
KEN: Tyrannosaurus.
REX: Here.
REX: Geronimo!
HAMM: Look out!
MAN 1: Hey!
MAN 2: What you got?
KEN: Springy dog.
SLINKY: Present.
CHUNK: All right.
KEN: Here we go.
MOLLY: Mom.
ANDY'S MOM: No buts.
BARBIE: I'll wait up for you.
KEN: Kisses!
JESSIE: Look!
MR. POTATO HEAD: Wow!
JESSIE: Woody? You okay?
WOODY: Yeah.
MOLLY: Can I have your stereo?
ANDY: No.
WOODY: Just push it! Push it!
BUZZ: Push it!
JESSIE: He did it!
HAMM: All right, Slinkykins.
BUZZ: How many?
HAMM: There must be dozens.
JESSIE: Look at this place.
MR. POTATO HEAD: Wow!
MOLLY: Why not?
ANDY: 'Cause I'm taking it with me.
ANDY: I'm gonna miss you.
ANDY'S MOM: Don't, Andy.
HAMM: So now what do we do?
WOODY: We go back to Andy's.
MRS. POTATO HEAD: My babies!
WOODY: Hey, guys! No! No!
_________________________________
Winnie the Pooh & Tinker Bell's Midsummer Rescue (September 21, 2010–July 15, 2011) (musical, fantasy, comedy, adventure) (G)
Directors: Stephen J. Anderson (1969-) and Don Hall (1969-)
Story/Screenplay: Stephen J. Anderson (1969-), Don Hall (1969-), Clio Chiang, Don Dougherty, Kendelle Hoyer, Brian Kesinger, Nicole Mitchell and Jeremy Spears
Based on: Winnie-the-Pooh and The House at Pooh Corner (British storybooks, 1926–28) by A. A. Milne
Producers: Peter Del Vecho (1958-), Clark Spencer (1963-), Walt Disney V (1951–2016)
Executive Producer: John Lasseter (1957-)
Voices: Pamela Adlon (1966-), Angela Bartys (1984-), Jeff Bennett (1962-), Jack Boulter, Kristin Chenoweth (1968-), John Cleese (1939-), Jim Cummings (1952-), Cara Dillion (1975-), Craig Ferguson (1962-), Wyatt Hall, Huell Howser (1945–2013), Tom Kenny (1962-), Lucy Liu (1968-), Kristen Anderson-Lopez (1972-), Bud Luckey (1934–2018), Jesse McCartney (1987-), Lauren Mote (1997-), Travis Oates (1978-), Rob Paulsen (1956-), Faith Prince (1957-), Michael Sheen (1969-), Raven-Symoné (1985-), Mae Whitman (1988-)
Composers: Henry Jackman (1974-), Joel McNeely (1959-), Kristen Anderson-Lopez (1972-), Robert Lopez (1975-)
Theatrical short: The Ballad of Nessie
Premiere: July 10, 2011; Wide release: July 15, 2011
Box office: $45.7 million
Critic Score: 91% Certified Fresh
Average Rating: 7.2/10
Consensus: Short, nostalgic, and gently whimsical, Winnie the Pooh offers young audiences – and their parents – a sweetly traditional family treat.
Consensus: Endearingly lovely, short, nostalgic, and gently whimsical, Tinker Bell's Midsummer Rescue uses a sweetly traditional family treat, inventive storytelling, gorgeous animation, and a talented cast to deliver another rich moviegoing experience to friendship tale.
POOH: Oh!
TIGGER: Oh.
LIZZY: Whoa!
PIGLET: Okay.
ROSETTA: Pull!
PIGLET: And six.
TIGGER: Hooray!
TINKER BELL: Oh!
BOBBLE: Get back!
BOBBLE: Get back!
CLANK: It's working!
PIGLET: Excuse me.
TINKER BELL: Vidia!
TINKER BELL: Wow!
DR. GRIFFITHS: Lizzy?
POOH: Excuse me, Owl,
LIZZY: Oh! Sorry, fairies.
EEYORE: It's me, it's me
CLANK: Righty-o, Bobble.
ROO: So, can you read it?
FAWN: Road? What road?
NARRATOR: Chapter one,
BOBBLE: Give me the sap.
POOH: Well, I was moving.
LIZZY: (LAUGHS) Oh, father!
BOBBLE: We're almost there.
CLANK: Gear it down, Bobble!
ROSETTA: Our wings are wet.
IRIDESSA: That's a good point.
SILVERMIST: Brace yourselves!
DR. GRIFFITHS: Yes, of course.
CHRISTOPHER: Wait, everyone.
LIZZY: Aren't her wings beautiful?
NARRATOR: And so they all used
PIGLET: I found something. Here.
OWL: You're on a roll go on, go on
BOBBLE: Can you reach it, Clanky?
OWL: Yes, yes, that's good, that's great
CHRISTOPHER: Okay. Open your eyes.

DR. GRIFFITHS:
The wings are so fresh.
TINKER BELL:
This isn't a human house.
NARRATOR:
While Rabbit and the others
NARRATOR:
Christopher Robin explained
NARRATOR:
Just then, Pooh spotted a note.
DR. GRIFFITHS:
Well, of course, my darling.
BOBBLE:
And who knows when they'll be dry.
CHRISTOPHER:
No, silly. Put your arms down.
SILVERMIST:
Well, I'm gonna remain optimistic.
MALE GARDEN FAIRY:
No, thanks. She's running fine.

PIGLET: Whoa!
POOH: Ooh!
KANGA: Yes.
RABBIT: Honey.
OWL: Honey.
RABBIT: Ooh, honey!
CLANK: I'm sorry.
BOBBLE: I can't feel my legs.
DR. GRIFFITHS: Lizzy?
LIZZY: Coming, Father!
CLANK: What've we got?
BOBBLE: House! Get off.
DR. GRIFFITHS: The butterfly. It's gone!
LIZZY: What?
LIZZY: Father, look!
DR. GRIFFITHS: Not just now, Lizzy.
_________________________________
101 Dalmatians (January 25, 2011) (adventure) (G)
Directors: Wolfgang Reitherman (1959-), Hamilton Luske (1953–2018) and Clyde Geronimi (1951-)
Story/Screenplay: Bill Peet (1965-)
Based on: The Hundred and One Dalmatians (British novel, 1956) by Dodie Smith
Producer: Walt Disney V (1951–2016)
Voices: Sandra Abbott, Barbara Beaird (1998-), Cate Bauer (1972-), Marjorie Bennett (1946-), Lucille Bliss (1966-), Tom Conway (1954–2017), Lisa Davis (1986-), David Frankham (1976-), Paul Frees (1970-), Betty Lou Gerson (1964-), Mimi Gibson (1998-), Ramsay Hill (1940-), Bill Lee (1966-), Queenie Leonard (1955-), Barbara Luddy (1958-), Micky Maga (2000-), J. Pat O'Malley (1954-), Tudor Owen (1948-), George Pelling (1964-), Thurl Ravenscroft (1964-), Rod Taylor (1980-), Martha Wentworth (1939–2024), Frederick Worlock (1936–2023), Ben Wright (1965-)
Nine Old Men directing animators (6): Marc Davis (1963-), Ollie Johnston (1962-), Milt Kahl (1959-), Eric Larson (1955-), John Lounsbery (1961-), Frank Thomas (1962-)
Nine Old Men character animator: Les Clark (1957-)
Composer: George Bruns (1964-)
Box office: $215.0 million
Critic Score: 98% Certified Fresh.
Average Rating: 8.1/10
Consensus: With plenty of pooches and a memorable villain (Cruella De Vil), this is one of Disney's most enduring, entertaining animated films.
_________________________________
ROGER: I will.
ROGER: Never.
COLLIE: Pongo!
MAN: Ah, shut up!
PUPPY: Oh, Daddy.
LUCKY: Mother, Dad,
PUPPY: Dad! Mother!
LABRADOR: Run for it!
ROGER: She's a sly one.
PUPPY: Lucky, get down.
ROGER: I'm terribly sorry.
ROGER: Fifteen puppies?
ANITA: There must be 100!
CRUELLA: Jasper! Horace!
ROGER: They're Labradors!
PONGO: I don't know, Perdy.
ANITA: Roger, what on earth...
PONGO: One, two, three, four,
ANITA: Roger, you are an idiot!
NANNY: The puppies are here!
ROGER: Maybe Scotland Yard.
PONGO: But I wasn't giving up.
PERDY: Pongo, there's Cruella.
ANITA: Never mind. Never mind.
JASPER: They're hiding in the hay.
JASPER: Ain't that always the way!
HORACE: But they ain't big enough.
PONGO: My story begins in London.
MAN: Wilt thou love her, comfort her,
PERDY: Shh, children. Children, shh.
MAN: (SHOUTING) Will you be quiet!
JASPER: Aw, please, miss. Have pity.
PUPPY: There he is, behind that rock.
PONGO: For the first six months or so,
PUPPY 2: Mother, make him get down.
ANITA: We're doing everything possible.
PONGO: For a while, it seemed to work.
PUPPY: Look at him run, the old coward.

INSPECTOR:
Very confusing, I must say.

CRUELLA: Have you called the police?
ANITA: Yes, Scotland Yard.
_________________________________
_________________________________
_________________________________
Cars 2 (June 24, 2011) (computer-animated action, comedy, adventure) (G)
Director: John Lasseter (1957-), Brad Lewis (1958-)
Story: John Lasseter (1957-), Brad Lewis (1958-) and Dan Fogelman
Screenplay: Ben Queen
Producer: Denise Ream
Voices: Larry the Cable Guy (1963-), Michael Caine (1933-), Bruce Campbell (1958-), Paul Dooley (1928-), Teresa Gallagher (1971-), Jeff Garlin (1962-), Jeff Gordon (1971-), Lewis Hamilton (1985-), Sig Hansen (1966-), Katherine Helmond (1929–2019), David Hobbs (1939-), Bonnie Hunt (1961-), Jason Issacs (1963-), Eddie Izzard (1962-), Peter Jacobson (1965-), Richard Kind (1956-), Thomas Kretschmann (1962-), Brad Lewis (1958-), Jenifer Lewis (1957-), John Mainieri, Joe Mantegna (1947-), Cheech Marin (1946-), Edie McClurg (1945-), Michel Michelis, Emily Mortimer (1971-), Brent Musburger (1939-), Franco Nero (1941-), Guido Quaroni (1967-), John Ratzenberger (1947-), Vanessa Redgrave (1937-), Tony Shalhoub (1953-), Lloyd Sherr (1959-), Velibor Topic (1970-), Stanley Townsend, John Turturro (1957-), Patrick Walker, Michael Wallis (1945-), Darrell Waltrip (1947-), Owen Wilson (1968-)
Composer: Michael Giacchino (1967-)
Box office: $559.9 million
Critic Score: 40%.
Average Rating: 5.5/10
Consensus: Cars 2 is as visually appealing as any other Pixar production, but all that dazzle can't disguise the rusty storytelling under the hood.
_________________________________
MATER: No.
MATER: Wow.
HOLLEY: Mater!
HOLLEY: Oh, no!
FINN: Roger that.
FINN: Impossible.
McQUEEN: Mater!
MATER: Why is that?
DARRELL: Whoo-hoo!
DARRELL: Whoo, boy!
MATER: Hi-hi-tah! Huh!
ZÜNDAPP: Wunderbar!
DARRELL: After today?
MATER: Hey, excuse me!
SALLY: Ah, this is so nice.
TOPOLINO: Hey, race car.
McQUEEN: No, wait! Wait!
ZÜNDAPP: Go 50% power.
REPORTER: Hey, there he is!
COMPUTER: Deploying chute.
McQUEEN: Speed. I am speed.
ZÜNDAPP: Agent Leland Turbo.
BRENT: You aren't kidding, David.
FINN: This seems like a dead end.
FINN: Get him out of the pits. Now!
ANNOUNCER: In secondo position,
SHIP: What are you doing out here?
FINN: Once we're inside, stay close.
HOLLEY: So, we'll be okay? Really?
ZÜNDAPP: Down! Everybody, down!
BRENT: Japan, land of the rising sun,
FINN: That's how I like to start the day.
DARRELL: I cannot believe what I saw.
HOLLEY: No! Don't go down that street.
BRENT: French rally car Raoul ÇaRoule

AUTOMATED VOICE:
Voice denied.
AUTOMATED VOICE:
Voice denied.
FRANCESCO:
He is afraid of Francesco.
GREM OVER RADIO:
He's dead, Professor.
LEMON KINGPIN:
And they will finally respect us!

MATER: Don't come any closer!
McQUEEN: Are you okay?
_________________________________
_________________________________
Brave (June 22, 2012) (fantasy, drama, adventure) (PG)
Director: Mark Andrews and Brenda Chapman (1962-)
Story: Brenda Chapman (1962-)
Screenplay: Mark Andrews, Steve Purcell (1961-), Brenda Chapman (1962-), Irene Mecchi
Producer: Katherine Sarafian (1969-)
Executive Producers: John Lasseter (1957-), Walt Disney V (1951–2016)
Voices: Peigi Barker, Robbie Coltrane (1950–2022), Billy Connolly (1942-), Steven Cree, Patrick Doyle (1953-), Craig Ferguson (1962-), Eilidh Fraser, Sally Kinghorn, Kelly Macdonald (1976-), Kevin McKidd (1973-), Callum O'Neill, Steve Purcell (1961-), John Ratzenberger (1947-), Emma Thompson (1959-), Julie Walters (1950-)
Composer: Patrick Doyle (1953-)
Box office: $539.0 million
Critic Score: 78% Certified Fresh
Average Rating: 7/10
Consensus: Brave offers young audiences and fairy tale fans a rousing, funny fantasy adventure with a distaff twist and surprising depth.
ELINOR: Aha.
PRINCE: Ooh!
ELINOR: Merida!
GUARD: My lord!
MERIDA: Mum, look.
FERGUS: Leave her be.
FERGUS: There he goes.
MERIDA: I'm the example.
FERGUS: Try shutting yours!
FERGUS: We've got his track!
MERIDA: And, Lord Macintosh,
FERGUS: Crivens, you're fierce.
FERGUS: You want a fresh one?
LORD MACINTOSH: ...my liege?
MERIDA: Where are these wisps?
FERGUS: I'm sure it went this way.
MERIDA: But every once in a while,
MERIDA: Mum, you can't go out there.

ELINOR:
Merida, come along, sweetheart.
LORD MACGUFFIN:
Bah, it's just a legend.
LORD MACGUFFIN:
Think we should lay a trap?
LORD DINGWALL:
I'm doing all the pulling here.
LORD DINGWALL:
I propped it open with a stick.
LORD MACGUFFIN:
Down you go, you scoundrel.
LORD MACGUFFIN:
You can see my house from here.
LORD MACINTOSH:
Oh, and what exactly are we after...
_________________________________
Frozen & Muppets & Fairies' Wintry Secret (October 23, 2012–November 27, 2013) (musical, fantasy, drama) (PG)
Directors: Chris Buck (1960-) and Jennifer Lee (1971-)
Story: Chris Buck (1960-), Jennifer Lee (1971-) and Shane Morris
Screenplay: Jennifer Lee (1971-)
Inspired by: "The Snow Queen" (Danish fairy tale, 1845) by Hans Christian Andersen
Producers: Peter Del Vecho (1958-), Walt Disney V (1951–2016)
Executive Producer: John Lasseter (1957-)
Voices: Pamela Adlon (1966-), Stephen J. Anderson (1969-), Angela Bartys (1984-), Kristen Bell (1980-), Eva Bella (2002-), Jeff Bennett (1962-), Jodi Benson (1961-), Jesse Corti (1955-), Timothy Dalton (1946-), Grey DeLisle (1973-), John DiMaggio (1968-), Benjamin Diskin (1982-), Santino Fontana (1982-), Josh Gad (1981-), Spencer Lacey Ganus (1999-), Tucker Gilmore, Jonathan Groff (1985-), Lucy Hale (1989-), Megan Hilty (1981-), Ciarán Hinds (1953-), Jane Horrocks (1964-), Anjelica Huston (1951-), Maurice LaMarche (1958-), Matt Lanter (1983-), Thomas Lennon (1970-), Lucy Liu (1968-), Jeffrey Marcus (1960-), Jesse McCartney (1987-), Edie McClurg (1945-), Idina Menzel (1971-), Kathy Najimy (1957-), Rob Paulsen (1956-), Robert Pine (1941-), Debby Ryan (1993-), Livvy Stubenrauch (2005-), Raven-Symoné (1985-), Alan Tudyk (1971-), Steve Valentine (1966-), Kari Wahlgren (1977-), Mae Whitman (1988-), Chris Williams (1968-), Maia Wilson
Composers: Christophe Beck (1969-), Joel McNeely (1959-), Kristen Anderson-Lopez (1972-), Robert Lopez (1975-)
Theatrical short: Get a Horse!
Premiere: November 19, 2013; Wide release: November 27, 2013
Box office: $1,276.5 billion
Critic Score: 90% Certified Fresh
Average Rating: 7.7/10
Consensus: Beautifully animated, smartly written, and stocked with singalong songs, Frozen adds another worthy entry to the Disney canon.
Consensus: Joyful, beautifully animated, fast-paced, and smartly written, Muppets & Fairies' Wintry Secret adds another worthy entry to the Disney canon that is stocked with singalong songs to look as iridescently gorgeous as the winter wonderland.
OLAF: I will!
CLANK: Ho!
ANNA: Elsa!
FAWN: Tink!
ANNA: Tree!
OLAF: Yeah.
CLANK: Tink!
MILORI: Peri?
AGNARR: No!
ELSA: Conceal
ANNA: Grab on!
OLAF: Look out!
ANNA: The gate
FAWN: Look out!
KRISTOFF: Hey!
BOBBLE: Heave!
KRISTOFF: Anna!
KAI: Your Majesty.
OLAF: Hey, Sven?
CLANK: Tink! Wait!
SOLDIER 2: Whoa!
MILORI: Ambitious.
BOBBLE: We did it!
KRISTOFF: Mmm...
KRISTOFF: It's 200.
ANNA: It's this way?
KRISTOFF: Carrots.
PERIWINKLE: Wow.
SILVERMIST: Hurry!
KAI: Princess Anna?
MAN 1: Yes! It is her!
TINKER BELL: Wow.
ANNA: Do the magic!
CAPTAIN: All ashore!
KRISTOFF: Look out!
CLARION: Tinker Bell.
KRISTOFF: Run! Run!
SLED: Welcome back.
FAWN: Is she all right?
ELSA: Go away, Anna.
TINKER BELL: Oh, no.
WOMAN: There she is!
RECEPTIONIST: Next!
ROSETTA: All together.
SLED: Sorry about that.
DUKE'S THUG 2: Aim...
ANNA: I owe you a sled.
DUKE'S THUG 2: There!
SOLDIER: Grab his arm.
KRISTOFF: Whoa! Stop!
IRIDESSA: Got you, Tink.
ANNA: Stop! Put us down!
TROLL KID: He's napping.
ANNA: It's a 100-foot drop.
GERDA: Ooh! Whoo-hoo...
PERIWINKLE: Second star
SLED: Ha! They're serious.
ROSETTA: I feel so tinkery.
KRISTOFF: So, uh, tell me,
GUARD 4: Come on! Push!
TINKER BELL: Okay, push!
DUKE'S THUG 1: Up there!
DUKE'S THUG 1: Look out!
CLARION: But never again.
DUKE'S THUG 2: Fire! Fire!
SAILOR: Setting course, sir.
KRISTOFF: Come on, Sven.
MAN 2: Our beautiful queen!
GUARD 2: She's dangerous.
CLANK: Come on, everyone!
CLARION: Oh, my goodness.
DUKE'S THUG 2: We got her.
ANNA: I think, actually, it's up.
IRIDESSA: This is so exciting.
FAIRY MARY: Start the pulley!
FAIRY MARY: That's it, fairies.
AGNARR: The gloves will help.
FAIRY MARY: The snowy owls!
PERIWINKLE: You're welcome.
CLANK: Oh, yes, I'm right here.
GUARD 2: Put your back into it!
SOLDIER 1: This way, this way!
KRISTOFF: Okay, okay. I'm out.
CLANK: Welcome, Miss Winkle.
MILORI: Keeper? Are you here?
MAN: It's Princess Anna's horse.
SPRING: But if the temperatures
KRISTOFF: The North Mountain.
TINKER BELL: Not much further.
FAIRY MARY: Oh, my goodness.
KRISTOFF: What are you doing?
CLANK: All together. All together.
KRISTOFF: Whoa! (CHUCKLING)
TINKER BELL: It's getting warmer.
KRISTOFF: Stay out of sight, Olaf.
ANNA: You mean, the love experts?
DUKE'S THUG 2: Go, go! Come on!
TROLL 3: She's like a little cupcake.
TROLL 2: His thing with the reindeer
SILVERMIST: You guys are so alike.
BOBBLE: Hurry! It's nearly out of ice!
FAIRY MARY: Look sharp, everyone!
DUKE'S THUG 2: Go around. Toss it.
FAWN: That lost thing really is handy.
TROLL 1: Like his peculiar brain, dear
CLANK: (LAUGHING) Sneaky glacier.
WOMAN 1: So, where is the princess?
DUKE: Let me know when you're ready
DEWEY: That's the end of that chapter.
DUKE: It's getting colder by the minute.
NARRATOR: If you had wings to lift you
ANNA: All right. I'm just blocking you out
OLAF: All right. We got off to a bad start.

TINKER BELL:
Um... I know. Favorite star?
PERIWINKLE:
I've never felt anything like it!

MAN 2: Bark down!
BOY: Papa!
ANNA: Okay.
KRISTOFF: One...
ANNA: Pardon. Sorry.
WOMAN: Oh!
SILVERMIST: Amazing!
FAWN: It's fantastic!
ANNA: Coming through.
HANS: Excuse me. Oh..
YOUNG ANNA: Catch me!
YOUNG ELSA: Slow down!
IRIDESSA: This way!
ROSETTA: Come on, girls. Hurry.
TROLL 1: Something's wrong.
TROLL 2: Are you all right?
WOMAN 2: Where could she be?
WOMAN 3: Where is she?
_________________________________
_________________________________
OLAF: I will!
ANNA: Elsa!
ANNA: Tree!
OLAF: Yeah.
LIZZY: Whoa!
AGNARR: No!
ELSA: Conceal
ROSETTA: Pull!
ANNA: Grab on!
OLAF: Look out!
ANNA: The gate
KRISTOFF: Hey!
KRISTOFF: Anna!
KAI: Your Majesty.
OLAF: Hey, Sven?
TINKER BELL: Oh!
SOLDIER 2: Whoa!
KRISTOFF: Mmm...
BOBBLE: Get back!
BOBBLE: Get back!
KRISTOFF: It's 200.
ANNA: It's this way?
KRISTOFF: Carrots.
CLANK: It's working!
KAI: Princess Anna?
MAN 1: Yes! It is her!
PERIWINKLE: Hmm.
TINKER BELL: Wow!
ANNA: Do the magic!
CAPTAIN: All ashore!
KRISTOFF: Look out!
KRISTOFF: Run! Run!
ELSA: Go away, Anna.
WOMAN: There she is!
DR. GRIFFITHS: Lizzy?
DUKE'S THUG 2: Aim...
ANNA: I owe you a sled.
DUKE'S THUG 2: There!
SOLDIER: Grab his arm.
KRISTOFF: Whoa! Stop!
LIZZY: Oh! Sorry, fairies.
CLANK: Righty-o, Bobble.
ANNA: Stop! Put us down!
TROLL KID: He's napping.
FAWN: Road? What road?
TINKER BELL: Periwinkle!
ANNA: It's a 100-foot drop.
GERDA: Ooh! Whoo-hoo...
BOBBLE: Give me the sap.
KRISTOFF: So, uh, tell me,
GUARD 4: Come on! Push!
DUKE'S THUG 1: Up there!
DUKE'S THUG 1: Look out!
DUKE'S THUG 2: Fire! Fire!
SAILOR: Setting course, sir.
KRISTOFF: Come on, Sven.
MAN 2: Our beautiful queen!
GUARD 2: She's dangerous.
LIZZY: (LAUGHS) Oh, father!
BOBBLE: We're almost there.
DUKE'S THUG 2: We got her.
ANNA: I think, actually, it's up.
CLANK: Gear it down, Bobble!
ROSETTA: Our wings are wet.
AGNARR: The gloves will help.
IRIDESSA: That's a good point.
GUARD 2: Put your back into it!
SOLDIER 1: This way, this way!
KRISTOFF: Okay, okay. I'm out.
DR. GRIFFITHS: Yes, of course.
SILVERMIST: Brace yourselves!
MAN: It's Princess Anna's horse.
KRISTOFF: The North Mountain.
KRISTOFF: What are you doing?
LIZZY: Aren't her wings beautiful?
KRISTOFF: Whoa! (CHUCKLING)
KRISTOFF: Stay out of sight, Olaf.
BOBBLE: Can you reach it, Clanky?
ANNA: You mean, the love experts?
DUKE'S THUG 2: Go, go! Come on!
TROLL 3: She's like a little cupcake.
TROLL 2: His thing with the reindeer
DUKE'S THUG 2: Go around. Toss it.
TROLL 1: Like his peculiar brain, dear
WOMAN 1: So, where is the princess?
DUKE: Let me know when you're ready
DUKE: It's getting colder by the minute.
ANNA: All right. I'm just blocking you out
OLAF: All right. We got off to a bad start.

DR. GRIFFITHS:
The wings are so fresh.
TINKER BELL:
This isn't a human house.
DR. GRIFFITHS:
Well, of course, my darling.
BOBBLE:
And who knows when they'll be dry.
SILVERMIST:
Well, I'm gonna remain optimistic.
MALE GARDEN FAIRY:
No, thanks. She's running fine.

MAN 2: Bark down!
BOY: Papa!
ANNA: Okay.
KRISTOFF: One...
ANNA: Pardon. Sorry.
WOMAN: Oh!
CLANK: I'm sorry.
BOBBLE: I can't feel my legs.
DR. GRIFFITHS: Lizzy?
LIZZY: Coming, Father!
ANNA: Coming through.
HANS: Excuse me. Oh...
CLANK: What've we got?
BOBBLE: House! Get off.
YOUNG ANNA: Catch me!
YOUNG ELSA: Slow down!
DR. GRIFFITHS: The butterfly. It's gone!
LIZZY: What?
LIZZY: Father, look!
DR. GRIFFITHS: Not just now, Lizzy.
TROLL 1: Something's wrong.
TROLL 2: Are you all right?
WOMAN 2: Where could she be?
WOMAN 3: Where is she?
_________________________________
Wreck-It Ralph (November 2, 2012) (comedy) (PG)
_________________________________
Director: Rich Moore (1963-)
Story: Rich Moore (1963-), Phil Johnston (1971-) and Jim Reardon (1965-)
Screenplay: Phil Johnston (1971-) and Jennifer Lee (1971-)
Producer: Clark Spencer (1963-)
Executive Producer: John Lasseter (1957-)
Voices: Skylar Astin (1987-), Adam Carolla (1964-), Kevin Deters (1970-), John DiMaggio (1968-), Jamie Elman (1976-), Tucker Gilmore, Jess Harnell (1963-), Rachael Harris (1968-), Dennis Haysbert (1954-), Kyle Hebert (1969-), Martin Jarvis (1941-), Phil Johnston (1971-), Mindy Kaling (1979-), Brian Kesinger, Maurice LaMarche (1958-), Reuben Langdon (1975-), Katie Lowes (1981-), Jane Lynch (1960-), Tim Mertens, Jack McBrayer (1973-), Edie McClurg (1945-), Rich Moore (1963-), Ed O'Neill (1946-), Raymond S. Persi (1975-), John C. Reilly (1965-), Gerald C. Rivers, Jamie Sparer Roberts, Horatio Sanz (1969-), Brandon Scott, Stefanie Scott (1996-), Sarah Silverman (1970-), Roger Craig Smith (1975-), Josie Trinidad, Joe Lo Truglio (1970-), Alan Tudyk (1971-), Cymbre Walk
Composers: Henry Jackman (1974-)
Theatrical short: Paperman
Premiere: October 29, 2012; Wide release: November 2, 2012
Box office: $471.2 million
Critic Score: 86% Certified Fresh
Average Rating: 7.5/10
Consensus: Equally entertaining for both kids and parents old enough to catch the references, Wreck-It Ralph is a clever, colorful adventure built on familiar themes and joyful nostalgia.
_________________________________
2.39:1 Widescreen, White Subtitles
_________________________________
KOHUT: Incoming!
NORWOOD: Guilty!
CALHOUN: All right.
FELIX: Quitting time!
RALPH: I don't know.
FELIX: Ralph! Ralph!
PLAYER 2: Mr. Litwak!
MR. LITWAK: Oh, boy.
ANNOUNCER: Batter up!
RALPH: No, no! Wait, wait!
CLYDE: Nice share, Ralph.
RALPH: So, yeah, naturally,
ANNOUNCER: King Candy!
SONIC: If you leave your game,
KING CANDY: Okay, calm down.
WYNNCHEL: Come on! Go! Roll!
RALPH: Felix and the Nicelanders
RALPH: Yeah, I got that. Thank you.
ANNOUNCER: Taffyta Muttonfudge!
RALPH: What is this, another game?
KING CANDY: Now, now! (LAUGHS)
FELIX: The vines. They're Laffy Taffy.
SOUR BILL: Citizens of Sugar Rush...
VANELLOPE: Okay, good. Little more.
NARRATOR: On a planet with no name
RALPH: No, no, no! Wait a second! Aah!

ANNOUNCER:
Vanellope von Schweetz!
ANNOUNCER:
Quarter alert! Quarter alert!
FEMALE ANNOUNCER ON PA:
Attention!
MALE CUSTOMER:
Tapper, I need a root beer.
ANNOUNCER OVER PA:
Quarter alert! Quarter alert!
_________________________________
Rise of the Guardians (November 21, 2012) (action, fantasy, comedy) (PG)
_________________________________
JACK: No!
JACK: No!
PITCH: No.
NORTH: Ha!
JAMIE: Cool!
NORTH: Yes.
NORTH: Yah!
NORTH: Yah!
TOOTH: Jack.
JACK: Ah! Ah!
BUNNY: Ahhh!
BUNNY: Whoa!
JACK: Whoops.
NORTH: Sandy!
FELICITY: Jack!
BUNNY: Oh, no!
JAMIE: Stop! Sit!
JACK: Darkness.
BOY: It's beautiful.
BUNNY: No, mate.
NORTH: He's here.
JACK: North! North!
NORTH: Whoo-hoo!
BUNNY: Hello, mate.
JACK: It's over, Pitch.
JACK: I know, I know.
MAN: Hey, slow down!
MAN: Oh! It's freezing!
JAMIE: The Sandman!
BOY: Wow, look at that!
CALEB: You guys, look!
NORTH: And Sandman.
JACK: (LAUGHS) Whoo!
JAMIE: (GROANS) Mom.
CLAUDE: They're all real!
PITCH: Aw! (LAUGHING)
JAMIE: ...it was awesome!
CALEB: Yeah! Free candy.
PIPPA: You guys see that?
FELICITY: (LAUGHS) Jack!
FELICITY: Jack. I'm scared.
BOY: There aren't any eggs.
TOOTH: Don't forget to floss!
NORTH: Ha! On naughty list?
CALEB: My ears are freezing!
PIPPA: Jamie, you were right!
NORTH: A child who believes.
NORTH: My fellow Guardians,
CUPCAKE: Yeah, Tooth Fairy!
JACK: My name is Jack Frost.
MRS. FROST: Come on, Jack,
JAMIE: What happened to him?
WOMAN: Is that Jamie Bennett?
NORTH: Still waiting for cookies!
BUNNY: Slow down! Slow down!
JAMIE'S MOM: You okay, Soph?
BUNNY: Okay, all right, I admit it.
CALEB: The Easter Bunny's real!
NORTH: Keep up, Jack, keep up!
TOOTH: Eighteen central incisors.
BUNNY: Jack Frost is many things,
PITCH: I thought this might happen.
BUNNY: This better be good, North.
JAMIE'S MOM: Sophie? Is that you?
PIPPA: Come on, guys, we can do it!
NORTH: (GRUNTING) Here you are!
PITCH: Don't fight the fear, little man!
NORTH: Cookies? Eggnog? Anyone?

TOOTH:
Look how fast they're going out.
MALE DRIVER:
There was a patch of ice.
JAMIE'S MOM:
Jamie, who are you talking to?

CALEB: All right!
CLAUDE: Yeah!
FELICITY: Jack!
BOY: You're funny, Jack.
GIRL 1: There's nothing here.
BOY: I give up.
PIPPA: The Tooth Fairy!
MONTY: And Santa!
GIRL: That's Santa's sleigh.
BOY: Wow, it's real!
GIRL 2: He didn't come.
BOY: I don't understand.
NORTH: Merry Christmas!
BUNNY: Happy Easter!
CLAUDE: Dude, that means cash!
CALEB: Tooth fairy cash!
_________________________________
Monsters University (June 21, 2013) (buddy, comedy) (G)
Director: Dan Scanlon (1976-)
Story: Dan Scanlon (1976-), Dan Gerson (1966–2016) and Robert L. Baird
Screenplay: Dan Scanlon (1976-), Dan Gerson (1966–2016) and Robert L. Baird
Producer: Kori Rae
Executive Producer: John Lasseter (1957-)
Voices: Beth Behrs (1985-), Steve Buscemi (1957-), Billy Crystal (1948-), Charlie Day (1976-), Nathan Fillion (1971-), Dave Foley (1963-), John Goodman (1952-), Bill Hader (1978-), Sean P. Hayes (1970-), Bonnie Hunt (1961-), Noah Johnston, John Krasinski (1979-), Tyler Labine (1978-), Helen Mirren (1945-), Alfred Molina (1953-), Bobby Moynihan (1977-), Joel Murray (1963-), Bob Peterson (1961-), Aubrey Plaza (1984-), John Ratzenberger (1947-), Peter Sohn (1977-), Julia Sweeney (1959-)
Composer: Randy Newman (1943-)
Box office: $743.6 million
Critic Score: 80% Certified Fresh
Average Rating: 6.8/10
Consensus: Offering Monsters, Inc. fans a return visit with beloved characters, Monsters University delivers funny and thoughtful family entertainment for viewers of any age.
_________________________________
MIKE: Wait!
MIKE: Cool.
MIKE: Okay!
DON: Mike...
MIKE: Sulley!
KNIGHT: Sullivan.
BROCK: ...get set...
BROCK: Sorry, chief.
CLAIRE: Eta Hiss Hiss!
CHET: Hey, there he is!
MONSTER: Whoo-hoo!
COACH: Stroke! Stroke!
BROCK: In a real Scare,
CLAIRE: But be warned.
SQUISHY: Look at them.
KNIGHT: Ready position.
DON: (CHUCKLES) Hey!
HARDSCRABBLE: How?
BROCK: And in last place,
KNIGHT: All right. All right.
TERRI: We never get mail.
BROCK: Third place, HSS.
RANGER 5: He's cornered!
BROCK: And it's all tied up!
BROCK: Python Nu Kappa!
TERRI: We were awesome!
BROCK: Third place, EEKs!
BROCK: Roar Omega Roar!
MIKE: Give me another one.
CLAIRE: Only two teams left.
CHET: Thank you very much.
LITTLE MONSTER 2: I know!
DON: They're right behind us!
RANGER 6: I saw movement!
SULLEY: Come on! Dig deep!
SQUISHY: Mom! Start the car!
MIKE: It's been tampered with.
GIRL 3: A little funny green guy.
TERRY: My tentacle fell asleep.
MONSTER: That was awesome!
MIKE: Okay! Listen up, Oozmas.
MALE RANGER: Call for backup.
BROCK: Roar Omega Roar wins!
SQUISHY: I've never felt so alive!
GIRL 2: It's the middle of the night.
MALE TEENAGER 3: You're lame.
MIKE: Carla "Killer Claws" Benitez!
BROCK: Thanks for coming, Dean.
DON: Do young people still dance?
SHERRIE: Boys! It's a school night!
HARDSCRABBLE: You're not scary.
MONSTER 3: Hey, guys! Over here!
MOTHER: See? I told you. He's fine.
MIKE: Why are my settings different?
RANGER 2: Down this way. All right?
JOHNNY: No one will remember you.
GIRL 4: I want to touch it! It's so cute!
BROCK: It's time to see how terrifying
GIRL 1: I'm so tired. What's going on?
TOUR GUIDE: Oops. Stop right there.
BROCK: Next up, Sullivan and Boggs!
DON: That's a pretty good one, Squish.
CLAIRE: Next group to the starting line.
RANDY: Come on, Mike. It's a fraternity
BROCK: First place, Roar Omega Roar!
CLAIRE: Ah! Tough break for the RORs.
BROCK: Second place, Jaws Theta Chi!
BROCK: We don't have any human toys,

TOUR GUIDE:
Now, stay close together.
FEMALE MONSTER:
Come on! Let's go!
LITTLE MONSTER 3:
Look, he's going to
FEMALE TEENAGER 1:
I'm on the phone!
SCREAM-CAN PROFESSOR:
Welcome back.
MALE TEENAGER 1:
No one understands me!
FOREST RANGER:
Assistance on the north side.
LITTLE MONSTER 1:
Look at that! It's amazing!
FEMALE TEENAGER 2:
But, Daddy, I love him!
JTC PRESIDENT:
Did you see him catch that pig?
MALE DORM PROCTOR:
Wazowski, Room 319.
FEMALE MONSTER:
You could have gotten hurt!
MALE SCARER SUPERVISOR:
Let's go, everybody!
LITTLE MONSTER:
You don't belong on a Scare Floor.
MALE CAMP COUNSELOR:
Bear! A bear in the camp!
FEMALE MONSTER ON PA:
West coast coming online.
FEMALE MONSTER ON PA:
All Scare Floors now active.
MALE DOOR TECHNICIAN:
So your calculations were a little off.

ALL: Wow!
MIKE: Excuse me. Fellas.
MONSTER 1: Where did he go?
MONSTER 2: He's dead meat.
_________________________________
Planes (August 9, 2013) (sports, comedy) (PG)
_________________________________
DUSTY: Yes!
DUSTY: Uh...
CHUG: What?
DUSTY: Wow.
DUSTY: Yeah!
ISHANI: Hello.
SKIPPER: Yeah!
PLANE: I'm okay.
BRAVO: Roger that.
SKIPPER: Bad idea.
ROPER: Whoo-wee!
DUSTY: Wha... Uh...
DUSTY: Mmm-hmm.
CHUG: We're going...
CAR: Who's that guy?
DUSTY: Two seconds?
CHUG: Buenas noches!
BRENT: It's our third leg
COLIN: From last to first.
DUSTY: And what's that?
PHOTOGRAPHER: Dusty.
DUSTY: Hey, what is that?
BRENT: That's right, Colin.
SKIPPER: Here he comes.
BRENT: All the preparation.
SKIPPER: Begin your climb!
DUSTY: Never mind. I got it.
SKIPPER: Ha-ha! You're on!
SKIPPER: The good news is
BRENT: Flying low and quick,
DUSTY: Compadre. I like that.
DUSTY: Watch this! Oh, yeah.
CHUG: Let's try the back door.
DUSTY: Oh, man! A Sea Fury!
BULLDOG: Are you still there?
CHUG: How does that happen?
SKIPPER: The Battle of Airway.
SKIPPER: Quick, to the hangar.
BRENT: Ooh! That's got to hurt.
DUSTY: Uh, he's pretty high up.
BRENT: And we are under way!
DUSTY: This is reversible, right?
ROCHELLE: Oh, my little burrito.
CHUG: All the way up and down.
RIPSLINGER: Yeah! You know it.
SKIPPER: Let's go, Dusty. Faster.
BRENT: He's done it! He's done it.
SKIPPER: It was too late to pull up.
DUSTY: Wait. "A radial" what pass?
DUSTY: Mmm... Skipper... Skipper...
BRENT: Our first stage is a whopper.
SKIPPER: Once you get to the trees,
FORKLIFT: Cornfield is over that way.
CHUG: Come on, buddy, keep it going!
CHUG: Go on, he's warming up to you.
DOTTIE: Dusty, that vertical wind shear
DUSTY: Somebody cut off my antenna.

ROPER:
Any sign of them?
EL CHUPACABRA:
Yes, look at you.
ROPER:
Ow! Dagnabbit! Let me drive!
TOWER CONTROLLER:
Break, break.
EL CHUPACABRA:
Be gentle with me!
SKIPPER:
What just happened up there?
EL CHUPACABRA:
Yes, Dusty! Ha-ha!
SKIPPER:
All right, Dusty, remember this.
MALE REPORTER:
Dusty! Why do you fly so low?
FEMALE REPORTER:
Senor Ripslinger, any comment

CHUG: Whoa! Oh.
DUSTY: Not good.
DUSTY: Whoa!
CHUG: Oh, that's cool.
BRENT: What a move.
COLIN: Incredible.
DOTTIE: Dusty!
EL CHUPACABRA: Mi amigo!
JIGSAW THREE: Let's do it, Skipper.
JIGSAW FOUR: Yeah, come on!
_________________________________
The Sword in the Stone (December 25, 2013) (musical, fantasy, comedy) (G)
Director: Wolfgang Reitherman (1959-)
Story/Screenplay: Bill Peet (1965-)
Based on: The Sword in the Stone (British novel, 1938) by T. H. White
Producer: Walt Disney V (1951–2016)
Voices: Norman Alden (1974-), Barbara Jo Allen (1956–2024), Sebastian Cabot (1968-), James MacDonald (1956-), Junius Matthews (1940-), Alan Napier (1953-), Tudor Owen (1948-), Thurl Ravenscroft (1964-), Richard Reitherman (1997-), Robert Reitherman (2000-), Rickie Sorensen (1996-), Karl Swenson (1958-), Ginny Tyler (1975-), Martha Wentworth (1939–2024)
Nine Old Men directing animators (4): Ollie Johnston (1962-), Milt Kahl (1959-), John Lounsbery (1961-), Frank Thomas (1962-)
Nine Old Men character animator: Eric Larson (1955-)
Composers: George Bruns (1964-), Richard M. Sherman (1978-), Robert B. Sherman (1975-)
Theatrical short: Lonesome Ghosts
Critic Score: 65%.
Average Rating: 6/10
Consensus: A decent take on the legend of King Arthur, The Sword in the Stone suffers from relatively indifferent animation, but its characters are still memorable and appealing.
_________________________________
MERLIN: Wart!
ARTHUR: Yes, sir.
MAN: Yes, prove it.
ECTOR: Heads up!
ECTOR: Wart! Wart!
MERLIN: Archimedes.
ARTHUR: All of them?
MAN: Hail, King Arthur!
MERLIN: What a mess.
MERLIN: Yes, of course.
MAN 2: Come on! Prove it!
ARCHIMEDES: Wart! Wart!
ECTOR: Oh, the devil take it.
MERLIN: Now, first of all, lad,
KAY: Why, you clumsy little fool!
ARTHUR: He's alive, and he talks!
MAN: For the crown of all England,
ECTOR: Tiger, Talbert, off with you.
ARTHUR: Kay, Kay, here's a sword.
MERLIN: You merely look like a fish.

ARTHUR:
Change to something else, Merlin.
ARCHIMEDES:
You're gonna have a time pulling it out.
_________________________________
_________________________________
_________________________________
Frozen Fever & Muppetational & Winged Pirate (April 1, 2014–March 13, 2015) (musical, fantasy, comedy, adventure) (G)
Directors: Chris Buck (1960-) and Jennifer Lee (1971-)
Story: Chris Buck (1960-), Jennifer Lee (1971-) and Marc E. Smith
Screenplay: Jennifer Lee (1971-)
Inspired by: Treasure Island (Scottish novel, 1883) by Robert Louis Stevenson
Producers: Peter Del Vecho (1958-), Aimee Scribner, Walt Disney V (1951–2016)
Executive Producer: John Lasseter (1957-)
Voices: Pamela Adlon (1966-), Angela Bartys (1984-), Kristen Bell (1980-), Jeff Bennett (1962-), Paul Briggs (1974-), Jim Cummings (1952-), Grey DeLisle (1973-), Santino Fontana (1982-), Josh Gad (1981-), Jonathan Groff (1985-), Christina Hendricks (1975-), Tom Hiddleston (1981-), Megan Hilty (1981-), Jane Horrocks (1964-), Anjelica Huston (1951-), Lucy Liu (1968-), Jesse McCartney (1987-), Idina Menzel (1971-), Rob Paulsen (1956-), Carlos Ponce (1972-), Kevin Michael Richardson (1964-), Raven-Symoné (1985-), Kari Wahlgren (1977-), Mae Whitman (1988-), Chris Williams (1968-), Mick Wingert (1974-)
Composers: Christophe Beck (1969-), Joel McNeely (1959-), Kristen Anderson-Lopez (1972-), Robert Lopez (1975-)
Premiere: March 4, 2015; Wide release: March 13, 2015
Theatrical short: Feast
Box office: $80.4 million
Critic Score: 80% Certified Fresh
Average Rating: 7/10
Consensus: Wonderfully animated, packed with exciting energy, and full of fun references to the world of Peter Pan, Muppetational & Winged Pirate is a lively swashbuckling pirate-themed adventure of the canon with another example of how new ideas can help keep a saga fresh.
VIDIA: Uh-oh.
ZARINA: Huh.
CLARION: Oh!
FAWN: Go, go!
BOBBLE: Ooh!
OLAF: All fixed.
OLAF: Summer!
PORT: Beautiful!
FAWN: Oh, sorry!
KRISTOFF: Relax!
JAMES: That's right.
JAMES: We're flying!
FAWN: I can't dance!
OPPENHEIMER: No!
TINKER BELL: You...
BONITO: That's right!
YANG: Weigh anchor!
TINKER BELL: Clank!
VIDIA: Hang on, guys!
ROSETTA: Wasn't me.
STARBOARD: Encore!
TINKER BELL: Oh, no.
JAMES: Hey, shoo, rat!
SILVERMIST: Big pole.
YANG: Two, three, four!
BONITO: You tiny thing.
SMEE: Man in the water!
IRIDESSA: It looks like...
PORT: Still smart enough
SILVERMIST: We're free!
ROSETTA: It's a do-si-do.
IRIDESSA: Will these do?
TINKER BELL: Uh, Zarina,
JAMES: Curse you, fairies!
IRIDESSA: Anchor's away!
OPPENHEIMER: Right, 21.
PORT: It is theirs no longer.
JAMES: Make ready to sail!
OPPENHEIMER: And, right.
STARBOARD: Move it, Port.
OPPENHEIMER: It's perfect.
FAIRY GARY: Good morning,
TINKER BELL: Wait a minute.
PORT: We got their blue dust!
JAMES: Return that blue dust!
BONITO: Fly like a happy bird!
TINKER BELL: No. No, no, no.
YANG: That's it, hold it in place.
STARBOARD: The lad is flying!
TINKER BELL: Oh, you're okay.
JAMES: To our cunning captain.
TINKER BELL: Push the button!
ROSETTA: Oh, thank goodness.
BONITO: A beautiful suggestion.
JAMES: They took the blue dust!
STARBOARD: Aye aye, Captain!
STARBOARD: Aye aye, Captain!
VIDIA: Forward, forward, forward.
VIDIA: Sil, Fast Flyer, check it out.
ROSETTA: They're in a deep sleep.
STARBOARD: Oh, that golden dust.
YANG: (LAUGHS) Work faster, now!
ROSETTA: At least a couple of days.
IRIDESSA: I'm going as fast as I can!
IRIDESSA: Yeah, let's talk about that.
YANG: All righty, mates, you heard him.
JAMES: Captain says, restock the ship.
PORT: I'll move it in me own good time.

ELSA:
Okay, okay, here we go.
KRISTOFF:
"Dry Banana Hippy Hat"?
JAMES:
Make sure the seams are sealed.
PORT:
What if we tie her wings together?
STARBOARD:
He's a smart one, isn't he?
TINKER BELL:
Silvermist, are you okay?
STARBOARD:
You're not going anywhere.
ROSETTA:
Well, at least our wings are dry.
TINKER BELL:
(GASPS) We're losing her!
STARBOARD:
Well, it's not theirs anymore.
JAMES:
Right, watch the angle of the flume.
OPPENHEIMER:
Oh, my! Up, up and away!
SILVERMIST:
That was what I was thinking.
OLAF:
I'm probably gonna walk around a little.
STARBOARD:
All right, just give me the strap.
JAMES:
You know, I remember when I couldn't
STARBOARD:
Shiver me timbers, we're flying!
FAIRY ANNOUNCER:
Welcome one, welcome all
STARBOARD:
I just said that, you daft potato muncher.

ALL: Oh!
YANG: You know, he's right.
IRIDESSA: Garden Fairy!
ROSETTA: Oh.
BONITO: Nice boom!
PORT: Oh, yes! Nice!
STARBOARD: Yes, tiny!
PORT: A tiny plank!
STARBOARD: Come on, get moving.
PORT: Are you talking to me?
_________________________________
Planes: Fire & Rescue (July 18, 2014) (comedy, adventure) (PG)
Director: Bob Peterson (1961-), Bobs Gannaway (1965-)
Written by: Bob Peterson (1961-), Andrew Stanton (1965-), Bobs Gannaway (1965-), Jeffrey M. Howard
Producer: Darla K. Anderson (1968-), Ferrell Barron, Kevin Reher
Executive Producer: John Lasseter (1957-)
Voices: Curtis Armstrong (1953-), Rene Auberjonois (1940–2019), Julie Bowen (1970-), Bryan Callen (1967-), Dane Cook (1972-), Barry Corbin (1940-), Dale Dye (1944-), Corri English (1978-), Cedric the Entertainer (1964-), Erik Estrada (1949-), Brad Garrett (1960-), Ed Harris (1950-), Teri Hatcher (1964-), John Michael Higgins (1963-), Hal Holbrook (1925–2021), Matt Jones (1981-), Stacy Keach (1941-), Regina King (1971-), Danny Mann (1951-), Anna Meara (1929–2015), Brent Musburger (1939-), Danny Pardo (1971-), John Ratzenberger (1947-), Kevin Michael Richardson (1964-), Steve Schirripa (1958-), Jerry Stiller (1927–2020), Wes Studi (1947-), Kari Wahlgren (1977-), Patrick Warburton (1964-), Fred Willard (1933–2020)
Composer: Mark Mancina (1957-)
Box office: $151.4 million
Critic Score: 45%.
Average Rating: 5.2/10
Consensus: Although it's too flat and formulaic to measure up against the best family-friendly fare, Planes: Fire & Rescue is a passable diversion for much younger viewers.
_________________________________
DUSTY: Oh.
DUSTY: Huh.
SPARKY: So...
BLADE: Dusty.
DUSTY: Maru?
BLADE: Champ,
CHUG: "TMST"?
SKIPPER: Dusty.
BLADE: Too high!
CHUG: California!
MAYDAY: Well, I...
DUSTY: A "SEAT"?
BLADE: Copy that?
DUSTY: How is he?
MAYDAY: Now, pull!
MARU: Blade insists.
PULASKI: Watch out!
DYNAMITE: Pull back!
SKIPPER: The Fill 'n Fly!
AVALANCHE: Go, Dusty!
DIPPER: It's so beautiful.
MARU: Hey, Crophopper.
BLADE: All right, Cabbie...
SECRETARY: That's right.
PATCH ON PA: All aircraft,
DUSTY: This was my fault.
HARVEY: You know, Dusty...
DUSTY: I'll restart my engine.
DRIP: Did you guys see that?
HARVEY AND WINNIE: Help!
DUSTY: I see them. I've got it.
CAD: Hello! Welcome, guests,
CAD: Honk, honk! Beep-beep!
DUSTY: I'll get out on my own.
DUSTY: What? What's wrong?
BRODI: Oh, for crying out loud.
SKIPPER: Leadbottom, please!
SKIPPER: You can do it, Dusty.
CHUG: We're proud of you, pal!
CABBIE: That's why we're here.
DIPPER: That's my Dust Muffin!
BLACKOUT: Go, go, go, go, go!
PULASKI: Move along. That's it.
CAD: What's going on up there?
DOTTIE: Yeah, I haven't actually
PATCH: All aircraft, be advised...
LEADBOTTOM: I'll tell you what,
MARU: Cabbie, how's it looking?
SKIPPER: Snap into those turns.
BLADE: Champ, load and return.
DYNAMITE: Let's clear this road.
DYNAMITE: All right. We're clear.
DYNAMITE: Looks good, Cabbie.
BAR TRUCK: Can you believe it?
DUSTY: Whoa! Look at this place.
PATCH: Dynamite just reported in.
CHUG: Nobody has your gearbox.
BLADE: Dipper, move into position.
LEADBOTTOM: Come on, Skipper.
SECRETARY: Both roads are open.
DYNAMITE: Let's keep up the pace!
BLADE: Not under these conditions.
MARU: You got less than four hours.
MARU: Okay, that's good. Slow, slow.
ANDRÉ: Move along. Quickly, please.
DIPPER: (MUFFLED) Hold on, Dusty!
BLADE: If we're gonna save the lodge,
PATCH: All aircraft, we've got two fires.
SKIPPER: Propwash Junction to Dusty.
SKIPPER: Propwash Junction to Dusty.
PATCH: I read you, Crophopper Seven.

CHUG ON PA:
Ladies and gentleplanes,
PULASKI:
Remember to avoid the smoke
BLADE:
Airway Meadow should be clear.
BLADE:
How you planning on doing that?
MARU:
It was just a routine day on the set.
DUSTY:
We're headed straight into the fire.
DUSTY:
This is what you trained me to do!
BLADE:
Fighting wildfire means flying low.
CHUG:
One, two, three, lil' jon-jon, and five.
MAYDAY:
You see, instead of dusting crops,
BLADE:
Windlifter, you're clear to maneuver.
PATCH:
Fire is due to an unattended campfire.
OL' JAMMER:
All right, everybody, stay calm.
OL' JAMMER:
This is a mandatory evacuation,
MAYDAY:
Yeah. A "Single Engine Air Tanker."
ANNOUNCER:
All units, we have a code 904-S.
OL' JAMMER:
That's the problem, Mr. Secretary.
PATCH ON PA:
Listen up, y'all, we got big trouble.
LEADBOTTOM:
I'll tell you how much. Too much!
LEADBOTTOM:
And, hey, if you don't, it's all right.
PROPWASH TOWER:
Roger. Proceed direct to the numbers.

BRODI: Calm down?
SKIPPER: Calm down.
DRIP: He's alive!
CABBIE: Looking good, Dusty.
_________________________________
Mary Poppins (August 27, 2014) (musical, fantasy) (G)
_________________________________
In Edwardian London, 1910, George Banks returns home, at 17 Cherry Tree Lane, to learn from his wife, Winifred, that Katie Nanna has left their service after their children, Jane and Michael, have run away, "For the fourth time this week," ("Life I Lead"). They are returned shortly after by Constable Jones, who reveals the children were chasing after a lost kite. The children ask their father to help them build a better kite, but he dismisses them. Taking it upon himself to hire a new nanny, Mr. Banks advertises for a stern, no-nonsense nanny. To contrast, Jane and Michael present their own advertisement for a kinder, sweeter nanny. ("Perfect Nanny") Winifred tries to keep the peace. Mr. Banks rips up the letter and throws the scraps in the fireplace, but a strong wind draws the fragments up through the chimney and into the air.

The next day, a number of elderly, sour-faced nannies wait outside the Banks' home, but a strong gust of wind blows them away. Jane and Michael then witness a young nanny descending from the sky using her umbrella. Presenting herself to Mr. Banks, Mary Poppins calmly produces the children's restored advertisement and agrees with its requests but promises the astonished banker she will be firm with his children. As Mr. Banks puzzles over the advertisement's return, Mary Poppins hires herself, and she convinces him it was originally his idea. She meets the children and helps them magically tidy their nursery by snapping her fingers, before heading out for a walk in the park ("Spoonful of Sugar").

Outside, they meet Mary's old friend, Bert, working as a screever; Mary Poppins uses her magic to transport the group into one of his drawings. While the children ride on a carousel, Mary Poppins and Bert go on a leisurely stroll. Together, they sing ("Jolly Holiday"), and Bert flirts with Mary Poppins. After the duo meets up with the children, Mary Poppins enchants the carousel horses; Bert rescues a fox from a fox hunt; they take part in a horse race which Mary wins. Describing her victory, Mary Poppins uses the nonsense word ("Supercalifragilisticexpialidocious"). The outing is ended when a thunderstorm dissolves Bert's drawings, returning the group to London.

The next day, the three meet Bert's odd Uncle Albert, who has floated up in the air because of his uncontrollable laughter and they join him for a tea party on the ceiling with lots of jokes ("I Love to Laugh"). Afterward, Mr. Banks becomes annoyed by the household's cheery atmosphere, and he threatens to fire Mary Poppins, but she manipulates him into taking the children to his workplace, the bank, the next day. That evening, Mary tells the children of the woman who sits by St. Paul's cathedral selling bird feed (“Feed The Birds”). The next day at the bank, the children meet Mr. Dawes. Mr. Dawes aggressively urges Michael to invest his tuppence in the bank, ultimately snatching the coins from Michael. ("Fidelity Fiduciary Bank") Michael demands them back; other customers overhear the conflict, and they all begin demanding their own money back, causing a bank run.

Jane and Michael flee the bank, getting lost in the East End until they again meet up with Bert, now working as a chimney sweep, who escorts them home ("Chim Chim Cheree"). The three and Mary Poppins venture onto the rooftops, where they have a song-and-dance number with other chimney sweeps, which spills out into the Banks' home ("Step in Time") after their neighbor Admiral Boom shoots fireworks at them, mistaking them for robbers. Mr. and Mrs. Banks return to home to find Bert's friends dancing in their home and sends them away. Mr. Banks then gets a phone call from the bank requesting a meeting with him about what the children did. The children overhear the phone call and realize that their father is in trouble. Bert tells Mr. Banks that he needs to spend more time with his children before they grow up ("A Man Has Dreams"). Michael gives his father the tuppence in the hope to make amends.

Mr. Banks walks through London to the bank, where he is given a humiliating cashiering and is dismissed. Looking to the tuppence for words, he blurts out "Supercalifragilisticexpialidocious", tells a joke, and happily heads home. Mr. Dawes mulls over the joke and, finally understanding it, floats up into the air, laughing.

The next day, the wind changes, meaning Mary Poppins must leave. A happier Mr. Banks is found at home, having fixed his children's kite, and takes the family out to fly it. In the park, the Banks family meets Mr. Dawes' son, Mr. Dawes Jr., who reveals his father died laughing from the joke. ("Let's Go Fly a Kite"). Although initially sorry, Mr. Banks soon becomes happy for him since Mr. Dawes Jr. had never seen his father happier in his life and re-employs Mr. Banks as a junior partner. With her work done, Mary Poppins ends the movie by flying away with Bert telling her not to stay away too long.
_________________________________
_________________________________
_________________________________
_________________________________
  • "That's her name. And here's the behind-the-scenes story of the making of Walt Disney's supercalifragilisticexpialidocious masterpiece...(Mary Poppins, practically perfect in every way.)"
  • "What many people don't realize is that Walt Disney's interest in Mary Poppins dated back to 1939 (1989). Mary Poppins had been published in 1934 (1984) and was wildly popular in England. Walt's brother Roy Disney began negotiations with the author P.L. Travers in 1944 (1994) while Travers was living in New York to escape the Nazi bombings of London. Many years went by, but the tenacious Mrs. Travers finally released the film rights to the equally determined Mr. Disney in 1961 (2011)."
  • "Instead of giving the book to a screenwriter or animation director, Walt first called upon songwriters to look at Mary Poppins."
  • "The Sherman brothers set to work with story man Don DaGradi, who developed their story ideas through drawings."
  • "In casting the pivotal role of the magical nanny, a bright young musical star caught Walt's eye."
  • "In a casting choice that many critics thought odd, Walt chose all-American Dick Van Dyke as Mary Poppins' cockney companion Bert."
  • "Child actors Karen Dotrice and Matthew Garber, who had starred in Disney's Three Lives of Thomasina, were cast as the Banks children, Jane and Michael."
  • "Film and stage star Glynis Johns was cast as the suffragette Mrs. Banks. Prim British actor David Tomlinson joined Mary Poppins as Mr. Banks. Disney favorite Ed Wynn made a cameo appearance as Uncle Albert, and the role of the bird woman was played by Jane Darwell, best known for her role as Ma Joad in The Grapes of Wrath; Mary Poppins was her last film. But because establishing a distinguished human cast for Mary Poppins was only half the job, there was an animated cast of co-stars too, and all of these actors had to perform together in a fantasy world."
  • "The warm and nostalgic London settings for Mary Poppins were also created by movie magic, entirely at the Disney studio."
  • "Even Walt's newest technology, Audio-Animatronics, had a featured role in Mary Poppins."
  • "Mark Breaux and Dee Dee Wood, who had assisted legendary choreographer Michael Kidd, were brought on to direct the dancing, not only of the principal cast, but of chimney sweeps, bank executives, and even penguins. In this rare never-before-seen footage, the chimney sweeps rehearse the lively Step in Time number in the summer heat on the Disney backlot. Choreographer Dee Dee Wood stands in for Julie Andrews."
  • "This ruckus routine was suggested by Englishman Peter Ellenshaw and based on a traditional British pub dance, Knees Up Mother Brown."
  • "All through 1964 (2014), every sound stage of the Disney studio bustled with the production of Mary Poppins."
  • "This rare outtake exemplifies the happy mood of the Mary Poppins production."
  • "While Mary Poppins was in production, Disney geared up one of the largest and most enthusiastic promotional campaigns in the history of the studio."
  • "In grand Hollywood style, Mary Poppins met the world. Critics greeted the film with raves unlike any scene at Disney since Snow White and the Seven Dwarfs. In 1965 (2015), Mary Poppins was honored with 13 Academy Award nominations and went on to win five Oscars, including Best Actress, for the woman who wasn't considered 'movie material', Julie Andrews. In 1991, Julie Andrews was honored at the Disney studio as a Disney Legend."
  • "Mary Poppins also won an Oscar for its fantastic visual effects. The Sherman brothers' musical score won an Academy Award, as did their popular song Chim Cim Cher-ee. Awards and accolades aside, in Mary Poppins, Walt Disney found a special meaning that moved him deeply."
  • "In the end, the film that touched him personally was also Walt Disney's greatest professional triumph."
_________________________________
_________________________________
Big Hero 6 (November 7, 2014) (superhero) (PG)
Directors: Don Hall (1969-) and Chris Williams (1968-)
Story: Joe Mateo and Paul Briggs (heads of story) (1974-)
Screenplay: Robert L. Baird, Dan Gerson (1966–2016) and Jordan Roberts
Based on: the characters of "Big Hero 6" (American comic book, 1998–present) by Man of Action
Producers: Roy Conli (1971-), Kristina Reed
Executive Producers: John Lasseter (1957-), Stan Lee (1922–2018)
Voices: Scott Adsit (1965-), Abraham Benrubi (1969-), Paul Briggs (1974-), Billy Bush (1971-), Jamie Chung (1983-), James Cromwell (1940-), Dan Gerson (1966–2016), Charlotte Gulezian, Daniel Henney (1979-), Stan Lee (1922–2018), Katie Lowes (1981-), T.J. Miller (1981-), Ryan Potter (1995-), Genesis Rodriguez (1987-), Maya Rudolph (1972-), David Shaughnessey, Alan Tudyk (1971-), Damon Wayans Jr. (1982-)
Composer: Henry Jackman (1974-)
Theatrical short: Feast
Premiere: October 23, 2014; Wide release: November 7, 2014
Box office: $657.8 million
Critic Score: 89% Certified Fresh
Average Rating: 7.3/10
Consensus: Agreeably entertaining and brilliantly animated, Big Hero 6 is briskly-paced, action-packed, and often touching.
MAN: Oh.
KREI: Yes.
HIRO: Ow?
HIRO: Fred.
HIRO: Wow!
GO GO: Hiro.
WASABI: Ah...
WASABI: Hey!
GO GO: Mmm.
HIRO: Tadashi!
HIRO: Nothing!
FRED: No way!
HIRO: Arms up.
MAN 2: Watch it!
HIRO: Hey, guys!
HIRO: Whoo-hoo!
BAYMAX: Oh, no.
BAYMAX: Oh, no.
KREI: That's right.
BAYMAX: Tadashi.
OFFICER: Move it!
BAYMAX: Hello, I...
FRED: Super Jump!
HIRO: With the pilot.
CASS: Hey, sweetie.
CASS: Hey, sweetie!
MAN: Get back here.
MAN: Get up! Get up!
YAMA: There they are!
HONEY LEMON: Hiro.
FRED: That was a bird.
OFFICER: Get in there.
MAN: (ON TV) It's alive.
BAYMAX: I am Baymax,
FRED: Whoa! Magic hat!
KREI: That's just not true.
CASS: That's my nephew!
REFEREE: Fighters ready?
HIRO: I've got more money.
TADASHI: Oh, hey, Professor.
WASABI: "Dr. Slaughter, MD"?
CALLAGHAN: Mr. Krei is right.
FRED: (GASPS) He's glorious.
BAYMAX: Seatbelts save lives.
CALLAGHAN: You must be Hiro.
BAYMAX: I have some concerns.
HIRO: Callaghan? He was there?
HIRO: If we're gonna catch that guy,
WASABI: Whoa, whoa, whoa, whoa.
HIRO: I know what you're going to say.

GO GO:
You gotta be kidding me.
AUTOMATED VOICE:
3... 2... 1...
WASABI:
We're not gonna make it!
WASABI:
We're not gonna make it!
BAYMAX:
Functionality improved.
TADASHI:
This is Tadashi Hamada.
TECHNICIAN:
Field breach! Abort!
AUTOMATED VOICE:
Pod engaged.
WASABI:
That's what I'm talking about.
HONEY LEMON:
He's trying to kill us!
HONEY LEMON:
We're gonna make it!
BAYMAX:
His blood type is AB-negative.
CALLAGHAN:
This is your decision, Hiro.
ANNOUNCER:
Next presenter, Hiro Hamada.
WOMAN OVER RADIO:
Cabin pressure is go.
AUTOMATED VOICE:
Data transfer complete.
AUTOMATED VOICE:
T-minus 30 seconds to launch.

FRED: Laser eyes?
HONEY LEMON: What?
HONEY LEMON: You did it!
GO GO: Not bad!
MAN 1: It's breaking up!
MAN 2: The pilot is gone.
FRED: Tingly fingers?
WASABI: Never gonna happen.
AUTOMATED VOICE: 29... 28...
MAN OVER RADIO: This is Argo.
_________________________________
Zootopia & Tinker Bell's NeverZootropolis Legend (March 3, 2015–March 4, 2016) (fantasy, comedy, adventure) (PG)
Directors: Byron Howard (1968-) and Rich Moore (1963-)
Co-Director: Jared Bush
Story: Byron Howard (1968-), Rich Moore (1963-), Jared Bush, Phil Johnston (1971-), Jennifer Lee (1971-), Josie Trinidad (head of story) and Jim Reardon (head of story) (1965-)
Screenplay: Jared Bush and Phil Johnston (1971-)
Producers: Clark Spencer (1963-), Walt Disney V (1951–2016)
Executive Producer: John Lasseter (1957-)
Voices: Pamela Adlon (1966-), Jason Bateman (1969-), Kristen Bell (1980-), Chloe Bennet (1992-), Jared Bush, Tommy Chong (1938-), Jesse Corti (1955-), Jeff Corwin (1967-), Josh Dallas (1978-), Rosario Dawson (1979-), Grey DeLisle (1973-), John DiMaggio (1968-), Idris Elba (1972-), Fuchsia!, Ginnifer Goodwin (1978-), Danai Gurira (1978-), Megan Hilty (1981-), Olivia Holt (1997-), Byron Howard (1968-), Bonnie Hunt (1961-), Anjelica Huston (1951-), Phil Johnston (1971-), Don Lake (1956-), Maurice LaMarche (1958-), Leah Latham, John Lavelle (1981-), Thomas Lennon (1970-), Tom Lister (1958–2020), Lucy Liu (1968-), Katie Lowes (1981-), Peter Mansbridge (1948-), Rich Moore (1963-), Raymond S. Persi (1975-), Gita Reddy (1968-), Della Saba (1989-), Shakira (1977-), J.K. Simmons (1955-), Jenny Slate (1982-), Mark Rhino Smith (1969-), Kath Soucie (1967-), Octavia Spencer (1970-), Raven-Symoné (1985-), Nate Torrence (1977-), Josie Trinidad, Alan Tudyk (1971-), Kari Wahlgren (1977-), Mae Whitman (1988-)
Composers: Michael Giacchino (1967-), Joel McNeely (1959-)
Premiere: February 17, 2016; Wide release: March 4, 2016
Box office: $1,024.0 billion
Critic Score: 98% Certified Fresh
Average Rating: 8.1/10
Consensus: The brilliantly well-rounded Zootopia offers a thoughtful, inclusive message that's as rich and timely as its sumptuously state-of-the-art animation – all while remaining fast and funny enough to keep younger viewers entertained.
Consensus: Whimsical, heartwarming and uproariously powerful enough, the brilliantly well-rounded NeverZootropolis Legend offers a thoughtful, inclusive message that's as rich and timely as its sumptuously state-of-the-art animation – while remain fast and funny enough to keep younger viewers entertained.
NICK: No.
JUDY: You!
JUDY: Huh.
FURY: Nyx.
FAWN: Nyx!
FAWN: Tink!
FAWN: Help!
NICK: Yeah...
JUDY: Boom!
FAWN: Gruff?
FAWN: Gruff?
NICK: Uh, no.
FAIRY: Ahem.
JUDY: Oh, no!
NICK: Carrots.
JUDY: It's him!
MR. BIG: Meh.
NICK: Oh, boy.
JUDY: That's it?
WOLF: Come on!
NICK: No, no, no!
NICK: No, no, no!
MANCHAS: You...
ROSETTA: Fawn?
FLASH: ...Priscilla!
JUDY: Clawhauser!
CHASE: Over here!
BOGO: Yes. I know.
ORYX: You shut up!
FAIRY 2: Yay, Gruff!
FAWN: Listen to me.
ORYX: Hey, shut up!
JUDY: I will find him.
BOGO: Number two.
FAWN: Gruff? Gruff?
FAIRY: Is that Fawn?
LIONHEART: Really?
BELLWETHER: Judy!
BUCK: Thanks, Gruff!
TINKER BELL: Fawn!
TINKER BELL: Fawn!
JESSE: Hey! Open up!
BONNIE: Glorious day!
YAX: (CHANTING) Om!
JUDY: What about him?
ORYX: I said, "Shut up!"
CLAWHAUSER: Chief...
FAWN: What happened?
ORYX: Will you shut up?
TINKER BELL: On three!
TINKER BELL: No, Fawn.
JUDY: When I was a kid...
ROSETTA: There you are!
FINNICK: She hustled you.
MEAN KID ANIMAL: Okay.
LIONHEART: Swell-wether!
NYX: Just like the other two.
NICK: Uh, no, no. There are.
FAWN: Nyx got it backwards.
NICK: Mission accomplished.
SCRIBBLE: Bup-bup! Please.
CLAWHAUSER: Here you go.
FAWN: No, Gruff! Wrong way!
STU: Oh, she's not a real cop.
SCRIBBLE: Hmm. Interesting.
JUDY: Um, I don't understand.
BOGO: Abandoning your post.
JUDY: (WHISPERS) Come on.
ROSETTA: Speaking of smells,
RAYMOND: Oh... (LAUGHING)
FAWN: (SHOUTING) Incoming!
TINKER BELL: Fawn, you can't!
ROSETTA: You can do it, sugar!
GAZELLE: Wow! I'm impressed.
MRS. OTTERTON: (SIGHS) Oh!
MEAN KID ANIMAL: Okay, Nick.
ANGRY DRIVER: Uncool, rabbit.
YAX: Yeah, some mammals say...
IRIDESSA: (WHIMPERS) Oh, no.
ROSETTA: What's with the berries?
BELLWETHER: Come on out, Judy.
MALE PRESS BEAVER: Over here!
FAIRY 1: Do you need anything else?
NYX: Get away from the hawk, Fawn.
FAIRY 2: Bring some extra bandages.

DRILL INSTRUCTOR:
Filthy toilet!
BOGO:
At twenty-two hundred hours...
JUNIOR RANGER SCOUT 1:
Cry baby.
DRILL INSTRUCTOR:
Listen up, cadets.
YOUNG FEMALE BUNNY 1:
Bye, Judy!
YOUNG FEMALE BUNNY 2:
Bye, Judy!
IRIDESSA:
Yeah, you're doing really good.
YOUNG FEMALE HOPPS FAN:
Yay, Judy!
MALE PHOTOGRAPHER:
Hold still. Smile!
MALE PRESS ANIMAL:
Of course they did.
DRILL INSTRUCTOR:
You're dead, Farm Girl!
DRILL INSTRUCTOR:
You're dead, Carrot Face!
JUNIOR RANGER SCOUT:
Aw, is he gonna cry?
FEMALE PRESS ANIMAL:
Have you considered
JUNIOR RANGER SCOUT 2:
Aw, is he gonna cry?
DRILL INSTRUCTOR:
You're dead, Bunny Bumpkin!
MALE STATIONMASTER:
Arriving, Zootopia Express.
FEMALE PRESS ANIMAL:
Will more mammals go savage?

BONNIE: Never.
STU: Never.
JUDY: Oh.
BELLWETHER: Hmm.
ORYX: Oh, shut up!
KUDU: You shut up!
IRIDESSA: Oh, no!
SILVERMIST: Fawn.
ORYX: You shut up!
KUDU: You shut up!
IRIDESSA: Hey, Gruff.
SILVERMIST: Hi, Gruffy.
TINKER BELL: Fawn, wake up!
VIDIA: Is she okay?
TINKER BELL: Good luck!
SILVERMIST: Be brave!
FAIRY 2: Fly away!
SPARROWMAN 1: Get out of here!
TINKER BELL: Back home.
ROSETTA: Come on, Gruff.
SPARROWMAN 1: Get inside!
FAIRY 1: Scribble, get inside!
_________________________________
Inside Out (June 19, 2015) (comedy, drama) (PG)
Director: Pete Docter (1968-), Ronnie del Carmen (1959-)
Story: Pete Docter (1968-) and Ronnie del Carmen (1959-)
Screenplay: Pete Docter (1968-), Meg LeFauve and Josh Cooley (1980-)
Producer: Jonas Rivera (1971-)
Executive Producer: John Lasseter (1957-)
Voices: Carlos Alazraqui (1962-), Lewis Black (1948-), Josh Cooley (1980-), Kaitlyn Dias (1999-), Flea (1962-), Dave Goelz (1946-), Bill Hader (1978-), Rashida Jones (1976-), Mindy Kaling (1979-), Richard Kind (1956-), Diane Lane (1965-), Kyle MacLachlan (1959-), Bobby Moynihan (1977-), Frank Oz (1944-), Paula Pell (1963-), Amy Poehler (1971-), Paula Poundstone (1959-), John Ratzenberger (1947-), Peter Sagal, Phyllis Smith (1951-)
Composer: Michael Giacchino (1967-)
Box office: $857.4 million
Critic Score: 98% Certified Fresh
Average Rating: 8.9/10
Consensus: Inventive, gorgeously animated, and powerfully moving, Inside Out is another outstanding addition to the Pixar library of modern animated classics.
JOY: Well.
JOY: Huh?
JOY: Okay.
JORDAN: Uh...
DAD: Come on!
JOY: Stop! Stop!
MOM: Very cute!
JOY: Come back!
SADNESS: Right.
BING BONG: Ow.
GIRL 1: Go, Riley!
DAD: Say cheese!
SADNESS: Whoa!
JOY: That's Anger.
BING BONG: Huh!
BING BONG: Sure!
SADNESS: We are!
GIRL 1: You got this!
DAD: You're kidding.
JOY: No, no. No, no!
FEAR: Yes, yes, yes.
ANGER: Stand back!
ANGER: Not for long!
SADNESS: I'm ready.
JOY: Honestly Island?
FEAR: Easy, easy. Ah!
ALARM: Girl! Girl! Girl!
FEAR: Dad just left us.
ENGINEER: Come on!
GUARD 1: Let me see.
FEAR: Stars! I like that!
JOY: Which way? Left?
JOY: You're not so bad.
DAD: Hey! Look at that!
JOY: Now we're talking!
GUARD 1: No escaping!
DAD: Oh, no, you're not!
DAD: All right. Goodbye.
JOY: What is this place?
JOY: And there she was.
JOY: Ha-ha! We made it!
JOY: Er, for 33 seconds?
SADNESS: Well, I guess.
JOY: The train, of course!
DAD: Coming behind you.
BING BONG: You made it!
GIRL 2: That was so funny.
WOMAN: Move it, will you?
BING BONG: Almost there!
JOY: Great day today, guys!
GUARD 1: Yeah, it's my hat.
COACH: Nice hustle, ladies!
RILEY: That was disgusting.
MOM: We were worried sick!
BING BONG: I love that one!
GUARD 1: Get back in there!
TEACHER: Thank you, Riley.
JOY: And each Core Memory
SADNESS: Ooh, it was awful.
GIRL: Pass! Shoot it! Shoot it!
GIRL: Did you see her? Hello!
FEAR: On our left. On our left!
JOY: And the desk over there.
JOY: That was our way home.
SADNESS: It's too dangerous!
JOY: Yep, Goofball is the best.
BING BONG: You can't do this!
SADNESS: The Subconscious.
JOY: Oh, I love Honesty Island.
GIRL 1: That's crazy. It really is.
FEAR: Oh, Joy, where are you?
JOY: It's the quickest way back.
BING BONG: Ooh! Look at you!
FEAR: Ah! The Core Memories!
BING BONG: Ow, I hurt all over.
ANGER: Uh, put the chair there.
ANGER: Get out the rubber ball,
COACH: Remember, just hustle.
JOY: Glitterstorm, Honeypants...
FEAR: Wait, wait, hang on, guys.
MOM: But I just don't understand.
JOY: Oh, no, no, no, no, this one!
JOY: Grandma's vacuum cleaner!
JOY: Oh, good. Family is running.
JOY: How about we wake her up?
RILEY: Dad's got a steel stomach.
DAD: We've got to land this, okay?
JOY: That's what I'm talking about!
JOY: And that's it. We love our girl.
DAD: (LAUGHING) Oh, you're silly.
FEAR: Hey, I'm liking this new view.
COACH: Line change! Line change!
SADNESS: Yeah, just another right.
SADNESS: We lost Goofball Island.
BING BONG: Who the heck is that?
JOY: Sadness, stop! It was working!
FORGETTER BOBBY: Forget them!
FEAR: The hockey lamp goes there.
COACH: Okay, Anderson, you're up!
ANGER: They can pay to get us out.
MOM: Have a great day, sweetheart.
MOM: Have a great day, sweetheart!
FEAR: (GASPS) It's a Core Memory!
MOM: Hey, Riley. I've got good news!
BING BONG: Two-time world champ.
JOY: And that was just the beginning.
MOM: Oh, your dad's a little stressed,
RILEY: We used to play tag and stuff.
ANGER: You want Riley to be happy?
DAD: All right, just a few more blocks.
DISGUST: We have a major problem.
DIRECTOR: Today's memories are in!
JOY: The trophy collection goes there.
DIRECTOR: Set up the classroom set!
SADNESS: That's Long Term Memory.
JOY: Oh, I am so glad we ran into you!
DISGUST: Emotions can't quit, genius!
FEAR: Mom and Dad are stressed out!
JOY: Oh! And remember your rockets?
SADNESS: The stairs to the basement!
TEACHER: And how about Minnesota?
DISGUST: That figures. The van is lost.
SADNESS: Oh, no, we're Nonfigurative.
MOM: You're not going to finish tryouts?
FEAR: Are you sure we want to do this?
FEAR: Oh, thank goodness you're back!
SADNESS: I was thinking more like rain.
BING BONG: Yeah, I blew a mean nose.
BING BONG: We're not going to make it!

SADNESS:
Riley's Islands of Personality.
BING BONG:
I know people in Headquarters!

DAD: Now hold still.
MOM: The car!
BING BONG: Whoo-hoo!
JOY: Whoo!
FEAR: Did you see that look?
JOY: Oh, no.
DAD: I know. I know.
MOM: Be right there!
JOY: In we go!
FEAR: Okay! Going in! Yes!
GIRL 1: What did you get?
GIRL 2: I don't know.
SECURITY: Stop right there!
BING BONG: Ow!
DISGUST: Let's go!
ANGER: It's gonna be great!
RILEY: Come on!
COACH: Let's pick it up out there!
FEAR: Really bad.
DISGUST: It's absolutely the worst.
FEAR: What the heck is that?
JOY: Who put broccoli on pizza?
ANGER: Great. This is just great.
DISGUST: I'm gonna be sick.
ANGER: They're stressed out?
FEAR: What are we going to do?
ANGER: We're supposed to live here?
SADNESS: Do we have to?
_________________________________
The Good Dinosaur (November 25, 2015) (drama, adventure) (PG)
Director: Peter Sohn (1977-)
Story: Peter Sohn (1977-), Erik Benson, Meg LeFauve, Kelsey Mann and Bob Peterson (1961-)
Screenplay: Meg LeFauve
Producer: Denise Ream
Executive Producer: John Lasseter (1957-)
Voices: David Boat (1971-), Jack Bright, A.J. Buckley (1978-), Sam Elliott (1944-), Mandy Freund, Calum Grant, Steven Clay Hunter, Frances McDormand (1957-), Jack McGraw, Maleah Nipay-Padilla, Raymond Ochoa (2001-), Carrie Paff (1971-), Anna Paquin (1982-), John Ratzenberger (1947-), Marcus Scribner (2000-), Peter Sohn (1977-), Ryan Teeple, Jeffrey Wright (1965-), Steve Zahn (1967-)
Composer: Mychael Danna (1958-) and Jeff Danna (1964-)
Box office: $331.9 million
Critic Score: 76% Certified Fresh
Average Rating: 6.6/10
Consensus: The Good Dinosaur delivers thrillingly beautiful animation in service of a worthy story that, even if it doesn't quite live up to the lofty standards set by Pixar, still adds up to charming, family-friendly entertainment.
_________________________________
ARLO: Oh!
LIBBY: Ooh!
ARLO: Wow.
LIBBY: Ha-ha!
MOMMA: Arlo!
POPPA: Hmm?
ARLO: Momma!
ARLO: Momma!
SPOT: Whoo-hoo!
ARLO: Help! Help!
ARLO: Uh, tracks?
NASH: Who does that?
ARLO: Good boy, Spot.
POPPA: We're losing it!
MOMMA: Henry, it's time.
ARLO: Hey. Hey. No. Stop!
ARLO: I'm never getting home.
ARLO: You're gonna love it, Spot.
VOICE: We've been watching you.
POPPA: Go on, Buck. You earned it.
ARLO: Where am I? Where's home?
DOWNPOUR: No, I didn't say you were.

DOWNPOUR:
Come back with that critter!
_________________________________
Finding Dory (June 17, 2016) (comedy, drama, adventure) (PG)
Director: Andrew Stanton (1965-), Angus MacLane
Story: Andrew Stanton (1965-)
Screenplay: Andrew Stanton (1965-) and Victoria Strouse
Producer: Lindsey Collins
Executive Producer: John Lasseter (1957-)
Voices: Albert Brooks (1947-), Torbin Xan Bullock (1971-), Ty Burrell (1967-), Willem Dafoe (1955-), Bennett Dammann, Ellen DeGeneres (1958-), Idris Elba (1972-), Lucia Geddes, Brad Garrett (1960-), Alexander Gould (1994-), Bill Hader (1978-), Allison Janney (1959-), Diane Keaton (1946-), Eugene Levy (1946-), Vicki Lewis (1960-), Angus MacLane, Kate McKinnon (1984-), Sloane Murray, Ed O'Neill (1946-), Kaitlin Olson (1975-), Austin Pendleton (1940-), Bob Peterson (1961-), Jerome Ranft (1966-), John Ratzenberger (1947-), Katherine Ringgold, Hayden Rolence (2004-), Stephen Root (1951-), Andrew Stanton (1965-), Sigourney Weaver (1949-), Dominic West (1969-)
Composer: Thomas Newman (1955-)
Box office: $1,028.1 billion
Critic Score: 94% Certified Fresh
Average Rating: 7.6/10
Consensus: Funny, poignant, and thought-provoking, Finding Dory delivers a beautifully animated adventure that adds another entertaining chapter to its predecessor's classic story.
_________________________________
HANK: Sh!
HANK: Sorry.
MARLIN: Becky.
JENNY: A whale?
DORY: Mom! Dad!
HANK: Time to go!
NEMO: Whoo-hoo!
NEMO: Dory! Dory!
BLOAT: Now what?
DORY: Mmm, got it.
CARL: What is that?
BABY DORY: Hello?
MR. RAY: Dory! Dory!
BABY DORY: Really?
DORY: Marlin? Nemo?
DAISY: We are so fired.
BAILEY: Zzz... (GASPS)
DESTINY: Dory! I'm sorry!
BABY DORY: Hi, I'm Dory.
FLUKE: Just pick one, mate.
CRUSH: Go! Go! Go, go, go.
NEMO: Uh, excuse us. Hello!
PEACH: I'm right behind you.
MAN: Oh, come on. It's funny.
DORY: One, two, three, four...
WOMAN: Uh, just this last row.
DORY: Oh, boy. Okay. This is...
 HANK: Where's everybody else?
MAN: Looks like we're done here.
MARLIN: What? Jenny and what?
SIGOURNEY: What lies before you
GURGLE: I am truly going to vomit!
MARLIN: Becky! Ooo-roo. Ooo-roo.
SIGOURNEY ON SPEAKER: Hello.
MARLIN: No. Dory! Dory! Wait! Wait.
NEMO: (GASPS) Dad, look! It's Dory.

SIGOURNEY ON SPEAKERS:
Come with us as we explore
SIGOURNEY ON SPEAKER:
Hello. I'm Sigourney Weaver.
SIGOURNEY ON SPEAKERS:
Welcome to the Open Ocean.

MARLIN: Dory.
NEMO: Dory!
BOTH: Open Ocean.
DORY: Exactly.
ALL: The undertow!
MR. RAY: That's right.
MARLIN: Dory, no! Wait!
DESTINY: Dory!
DORY: Are we there yet?
HANK: Sh. Keep it down!
DORY: Watch the turn.
MARLIN: Watch what? Ow!
NEMO: Just go, Dad.
MARLIN: Don't push me, Nemo.
NEMO: Too late.
DORY: Okay, I think we're close. Whee!
JENNY: Oh no! They're going away!
NEMO: Oh no! Dory! What do we do?
_________________________________
Moana (November 23, 2016) (musical, fantasy, adventure) (PG)
Directors: Ron Clements (1953-) and John Musker (1953-)
Story: Ron Clements (1953-), John Musker (1953-), Jared Bush, Aaron Kandell and Jordan Kandell
Screenplay: Ron Clements (1953-), John Musker (1953-), Pamela Ribon (1975-) and Taika Waititi
Inspired by: "Maui" Mangarevan mythology
Producer: Osnat Shurer
Executive Producer: John Lasseter (1957-)
Voices: Jemaine Clement (1974-), Auli'i Cravalho (2000-), Rachel House (1971-), Dwayne Johnson (1972-), Oscar Kightley (1969-), Temuera Morrison (1960-), Troy Polamalu (1981-), Nicole Scherzinger (1978-), Alan Tudyk (1971-)
Composers: Mark Mancina (1957-), Opetaia Foa'i, Lin-Manuel Miranda (1980-)
Premiere: November 14, 2016; Wide release: November 23, 2016
Theatrical short: Inner Workings
Box office: $642.5 million
Critic Score: 95% Certified Fresh
Average Rating: 7.8/10
Consensus: With a title character as three-dimensional as its lush animation and a story that adds fresh depth to Disney's time-tested formula, Moana is truly a family-friendly adventure for the ages.
_________________________________
TUI: Moana!
MAUI: Te Kā!
SINA: Moana!
MOANA: Pua!
MOANA: Yeah!
MOANA: Fixed!
MOANA: No, no!
FISHERMAN: Chief?
MAUI: Hey, crab cake!
GRAMMA: When I die...
TUI: What can be done?
VILLAGER: Ow! Ow! Ow!
MOANA: What's in there?
GRAMMA: In the beginning...
MAUI: Enjoy your beauty rest?
MALE VILLAGER: She's back!
MAUI: I wasn't born a demigod.
GRAMMA: The legends are true.
TUI: Mother, Motunui is paradise.
VILLAGER 2: What about the fish?
FISHERMAN: I don't think it's the bait.

TUI:
Have you tried using a different bait?
VILLAGER 3:
This is happening all over the island.
_________________________________
The Many Adventures of Winnie the Pooh (March 11, 2017) (musical) (G)
Directors: Wolfgang Reitherman (1959-) and John Lounsbery (1961-)
Story/Screenplay: Larry Clemmons (1956-), Ralph Wright (1958-), Vance Gerry (1979-), Xavier Atencio (1969-), Ken Anderson (1959-), Julius Svendsen, Ted Berman (1969-), Eric Cleworth and Winston Hibler (1960-)
Based on: Winnie-the-Pooh and The House at Pooh Corner (British storybooks, 1926–28) by A. A. Milne
Producers: Wolfgang Reitherman (1959-), Walt Disney V (1951–2016)
Voices: Sebastian Cabot (1968-), John Fiedler (1975-), Sterling Holloway (1955-), Clint Howard (2009-), Barbara Luddy (1958-), Junius Matthews (1940-), Howard Morris (1969-), Bruce Reitherman (2005-), Hal Smith (1966-), Jon Walmsley (2006-), Dori Whitaker (2017-), Paul Winchell (1972-), Ralph Wright (1958-)
Nine Old Men (6): Ollie Johnston (1962-), Milt Kahl (1959-), Eric Larson (1955-), John Lounsbery (1961-), Frank Thomas (1962-)
Composers: Richard M. Sherman (1978-), Robert B. Sherman (1975-), Buddy Baker (1968-)
Critic Score: 100%.
Average Rating: 7.9/10
Consensus: Perhaps the most faithful of Disney's literary adaptations, this cute, charming collection of episodes captures the spirit of A.A. Milne's classic stories.
RABBIT: No!
TIGGER: Hello!
EEYORE: There's one.
RABBIT: Order, please.
TIGGER: S-T-O-P. Stop!
TIGGER: Come on, bounce.
NARRATOR: Wherever they go,
NARRATOR: They started back.
NARRATOR: There goes Tigger,
GOPHER: Quick! Turn the page!
NARRATOR: As a matter of fact,
POOH: But I haven't finished yet.
POOH: Oh, not for honey, I hope.
PIGLET: Oh, dear. Oh, dear, dear.
RABBIT: Oh, my heavens to Betsy.
NARRATOR: Trespassers William?
RABBIT: Here we come. Don't worry.
NARRATOR: And so it seemed to be.
CHRISTOPHER: You can let go, Tigger.

NARRATOR:
Everyone followed Eeyore.
GHOSTLY VOICE:
Heffalumps and woozles.
POOH AND CHRISTOPHER:
Everyone knows that a rain cloud
_________________________________
  • "Walt Disney Home Video is proud to present this special commemorative edition of The Many Adventures of Winnie the Pooh. Given the popularity of the Winnie the Pooh characters today, it may seem hard to believe that they started out as bedtime stories, for one little boy. This original Pooh Bear was a first birthday gift for A.A. Milne's son Christopher Robin in 1921. Edwin Bear was renamed Winnie the Pooh, based on a Canadian black bear at the London Zoo named Winnipeg, and a swan named Pooh. Mr. Milne was a successful author and playwright, who used the friendship between Christopher Robin and Pooh, as his inspiration for the bedtime stories he told his son. These stories also featured other characters from Christopher Robin's nursery, including the timid Piglet, the ever-gloomy donkey named Eeyore, and the constantly bouncing tiger called Tigger. The tales of Christopher Robin, and his menagerie of stuff nursery companions, were the basis for a set of children's verses that became the Winnie the Pooh books. These stories had been favorites of Walt Disney's daughters. Remembering how much they enjoyed these characters, he was inspired to share them with children around the world. He brought together the many creative talents at the studio, to develop and create this film masterpiece."
  • "Walt Disney's inspiration, guidance and supervision, made the film a classic. The inspired artistry is apparent throughout, from the concept art to the storyboards, to the animation, music and voices. Actors Sterling Holloway provided the voice for Pooh. Sebastian Cabot was the narrator. Character actor John Fiedler was Piglet. And the talented Paul Winchell was the voice of Tigger."
  • "The original concept was to develop Pooh as a full-length animated feature, but Walt decided to break the film up into short featurettes. These charming stories were not as familiar to Americans as they were to the British, and Walt believed that Pooh would be much more popular if he was allowed to build up an American following."
  • "Composers Richard and Robert Sherman remembered Walt's decision to make featurettes."
  • "Walt Disney's prediction did come true. The first featurette (Winnie the Pooh and the Honey Tree) was released in 1966 to wide-popular acclaim. The second film (Winnie the Pooh and the Blustery Day) was even more popular than the first, winning an Academy Award. By the time the third featurette (Winnie the Pooh and Tigger Too!) was released, Winnie the Pooh had become a household name. Walt's original vision was finally realized in 1977, when The Many Adventures of Winnie the Pooh was released as Disney's 22nd feature-length animated film."
  • "Marking the 50th anniversary of Pooh's theatrical debut, we are proud to present this special commemorative edition. Not only because it reflects Disney's original vision for Winnie the Pooh as a feature, but because it also embodies this spirit of youth and childhood, as seen through the eyes of Christopher Robin and his animal friends, and shared by generations of the young, and young at heart. Sit back, and join the celebration of The Many Adventures of Winnie the Pooh."
_________________________________
Cars 3 (June 16, 2017) (comedy, drama, adventure) (G)
Director: Brian Fee
Story: Brian Fee, Ben Queen, Eyal Podell, Jonathan E. Stewart
Screenplay: Kiel Murray, Bob Peterson (1961-), Mike Rich
Producer: Kevin Reher
Executive Producer: John Lasseter (1957-)
Voices: Cristela Alonzo (1979-), Ryan Blaney (1993-), Larry the Cable Guy (1963-), Chris Cooper (1951-), Bob Costas (1952-), Lea DeLaria (1958-), Paul Dooley (1928-), Chase Elliott (1995-), Ray Evernham (1957-), Nathan Fillion (1971-), Jeff Gordon (1971-), Lewis Hamilton (1985-), Armie Hammer (1986-), Katherine Helmond (1929–2019), Bonnie Hunt (1961-), Junior Johnson (1931–2019), Mike Joy (1949-), Jenifer Lewis (1957-), Ray Magliozzi (1949-), Tom Magliozzi (1937–2014), Cheech Marin (1946-), Margo Martindale (1951-), Madeleine McGraw (2008-), Paul Newman (1925–2008), Bob Peterson (1961-), Kyle Petty (1960-), Richard Petty (1937-), Guido Quaroni (1967-), John Ratzenberger (1947-), Tony Shalhoub (1953-), Lloyd Sherr (1959-), Shannon Spake (1976-), Daniel Suárez (1992-), Darrell Wallace Jr. (1993-), Michael Wallis (1945-), Darrell Waltrip (1947-), Kerry Washington (1977-), Humpy Wheeler (1938-), Isiah Whitlock Jr. (1954-), Owen Wilson (1968-)
Composer: Randy Newman (1943-)
Box office: $382.2 million
Critic Score: 69%.
Average Rating: 6/10
Consensus: Cars 3 has an unexpectedly poignant story to go with its dazzling animation, suggesting Pixar's most middle-of-the-road franchise may have a surprising amount of tread left.
_________________________________
CRUZ: Okay.
CRUZ: Yeah!
HICKS: Wow!
RIVER: Yeah!
GUIDO: Okay.
CRUZ: Oh-oh!
McQUEEN: Huh.
McQUEEN: Nope.
McQUEEN: Whoo!
McQUEEN: Whoa!
McQUEEN: I don't.
CRUZ: I knew that!
McQUEEN: All right!
STERLING: Oh, yes.
CRUZ: There you go!
RIVER: He used to say
MALE FAN 1: Ramirez!
CRUZ: Whoo-hoo! Yes!
STERLING: Sacred dirt.
MATER: Oh, well, good.
NASH: Whoo-hoo! Yeah!
McQUEEN: To the future.
CUTLASS: The flag is out.
MALE CAR: Whipplefilter?
ANNOUNCER: Race fans!
SMOKEY: Not too shabby!
SMOKEY: I'll tell you what,
CUTLASS: Amazing! Nine!
RACER: Ha-ha! Watch out.
STERLING: Hey, Lightning.
STERLING: Hey, Lightning!
CRUZ: It's not easy for him.
STERLING: So? You like it?
CUTLASS: I'm Bob Cutlass,
RUSTY: Please no pictures.
DARRELL: I am speechless!
RIVER: Lou won't admit this,
CUTLASS: Oh, what a finish!
FEMALE CAR: All right! Next!
REPORTER 3: Wait a minute.
McQUEEN: Okay, here we go.
HAMILTON: 54 miles per hour.
MALE FAN 2: Way to go, Cruz!
MACK: Hey, boss, they're, uh...
McQUEEN: If you were a racer,
CRUZ: Not cool, man. Not cool!
HAMILTON: 122 miles per hour.
DUSTY: Looks good, doesn't it?
McQUEEN: We don't know that.
SMOKEY: Anticipate your turns.
ANNOUNCER: Hello racing fans.
SIMULATOR: You have hit a wall.
McQUEEN: Wait. Mack, pull over!
SMOKEY: Took Hud all of no time
CREW CHIEF: Ramirez is in third.
MACK: Hey, Lightning, you ready?
McQUEEN: Why are we in a field?
McQUEEN: Good to see you, Doc.
KURT: How's it hanging, Drip Pan?
BOBBY: Congratulations, cupcake.
CUTLASS: I'll tell you what, Darrell,
CABBIE TAXI: Hey, buddy! Move it!
JACKSON STORM: You look good!
JACKSON STORM: Oh, green flag.
HUDSON: You got a lot of stuff, kid.
CUTLASS: But can he hold on to it?
MIKE: The yellow flag still out, folks.
SMOKEY: You got the first part right.
REPORTER 1: McQueen, over here!
SMOKEY: Now, go make Hud proud.
DUSTY: Besides, this Sterling fellow?
MISS FRITTER: Nobody touches him.
McQUEEN: Hey, Bobby? Who is that?
CUTLASS: Storm takes back the lead!
SMOKEY: Cruz? What are you doing?
McQUEEN: All right, Cruz. The beach.
REPORTER 3: Is he prepared to retire?
MALE CAR 2: Now look here, Warden...
KURT: Hit him with the bugs! (LAUGHS)

COMMENTATOR:
For the checkered flag.
REPORTER 2:
McQueen, how you feeling?
MAN ON RADIO:
(SING-SONG) W-H-L-Z
NATALIE CERTAIN:
5% increase downforce.
JUNIOR MOON:
We ran moonshine, dummy!
ELECTRONIC MALE VOICE:
Hamilton here.
NATALIE CERTAIN:
2% lower drag coefficient.
ANNOUNCER ON PA:
It's one thing to start fast,
STERLING ON SPEAKER:
It's an electronic suit.
NATALIE CERTAIN:
More changes ahead, Chick.
NATALIE CERTAIN:
Storm's in a class of his own.
FEMALE CAR ON TV:
And earn your physics degree
RUSTY ON SPEAKERS:
What about the car from Everett?

CAR 1: Oh!
CAR 2: He looks so good!
FLO: Looking fabulous.
LUIGI: Favoloso.
DARRELL: Holy cow!
CUTLASS: Whoa!
CAR: Get up. Get up!
CROWD: Fritter! Fritter!
CAR 1: That was amazing.
CAR 2: Awesome. Yeah!
CRUZ: It's not easy for him.
STERLING: Cruz, just relax.
STERLING: Look, I'm trying to help you.
McQUEEN: Whoa.
CRUZ: I can still work with him.
STERLING: I know he's your project.
_________________________________
The Jungle Book (October 18, 2017) (musical, comedy, adventure) (G)
Director: Wolfgang Reitherman (1959-)
Story/Screenplay: Larry Clemmons (1956-), Ralph Wright (1958-), Ken Anderson (1959-) and Vance Gerry (1979-)
Based on: The Jungle Book (British stories, 1894–95) by Rudyard Kipling
Producer: Walt Disney V (1951–2016)
Voices: John Abbott (1955-), Sebastian Cabot (1968-), Darleen Carr (2000-), Verna Felton (1940–2016), Phil Harris (1954-), Sterling Holloway (1955-), Clint Howard (2009-), Lord Tim Hudson (1990-), J. Pat O'Malley (1954-), Louis Prima (1960-), Bruce Reitherman (2005-), George Sanders (1956–2022), Hal Smith (1966-), Bill Skiles (1981-), Chad Stuart (1991-), Digby Wolfe (1979-), Ben Wright (1965-)
Nine Old Men directing animators (4): Ollie Johnston (1962-), Milt Kahl (1959-), John Lounsbery (1961-), Frank Thomas (1962-)
Nine Old Men character animator: Eric Larson (1955-)
Composers: George Bruns (1964-), Richard M. Sherman (1978-), Robert B. Sherman (1975-)
Theatrical short: Scrooge McDuck and Money
Box office: $205.8 million
Critic Score: 87%.
Average Rating: 7.2/10
Consensus: With expressive animation, fun characters, and catchy songs, The Jungle Book endures as a crowd-pleasing Disney classic.
_________________________________
KAA: ...mistake.
BAGHEERA: Baloo.
LIEUTENANT: Yes, sir.
HATHI: Our son, alone?
HATHI: With a military air
HATHI: To the rear, march!
HATHI: Hup, two, three, four
HATHI: Oh, absolutely impossible.
SHANTI: (SINGING) My own home
BALOO: (LAUGHS) You're gettin' it, kid.

BAGHEERA:
But it's an emergency, Colonel.
_________________________________
_________________________________
_________________________________
_________________________________
  • "It swings. It sings. The jungle is jumpin', with the behind-the-scenes story of Walt Disney's masterpiece, The Jungle Book."
  • "Rudyard Kipling's 1894 (1944) classic first caught Walt's attention in the late 1930s (1980s), but Disney didn't acquire the film rights until 1962 (2012). The Jungle Book was the last animated feature that Walt Disney personally supervised. As was often the case with his animated features, Walt's first approach to the story was through music."
  • "The music that we know today wasn't the first score written for the film. For an early version of The Jungle Book, composer Terry Gilkyson created a dark and mysterious song score."
  • "At the same time, veteran story man Bill Peet created a lush and moody visual approach to the classic story, firmly based in Kipling, but it seemed that this literal approach to the story wasn't what Walt had in mind. All the initial development was abandoned, except for one song..."
  • "Walt called on staff songwriters Robert and Richard Sherman for a fresh musical start."
  • "With The Jungle Book, what most interested Walt were the memorable characters and exotic settings. In re-approaching the story development, Walt gave an unusual instruction to his staff."
  • "Since it was Walt's idea to disregard the original Kipling story, he became personally involved in solving story problems for the Disney version of The Jungle Book."
  • "Following these instructions from the boss, director Wolfgang Reitherman began developing the characters."
  • "But selecting a credible voice for a character wasn't as easy as simply casting the latest popular actor."
  • "While discussing voice casting with his team, Walt had an inspiration."
  • "Another inspiration came in the casting of King Louie."
  • "In this rare film footage shot during the recording session for I Wanna Be Like You, Louie Prima and his band display their trademark eccentricity. Director Woolie Reitherman recalled the spark of an idea."
  • "Inspired by Prima's band, the animators took over."
  • "The unconventional approach to voice casting continued with the villainous tiger, Shere Khan."
  • "The voice of Kaa was provided by veteran Disney voice actor Sterling Holloway, who had played Mr. Stork in Dumbo...the Cheshire Cat in Alice in Wonderland...and the beloved Winnie the Pooh."
  • "Filling out the voice cast were Sebastian Cabot as Bagheera...J. Pat O'Malley as Colonel Hathi...Verna Felton as Mrs. Hathi...and director Woolie Reitherman's son Bruce Reitherman was cast as the voice of Mowgli."
  • "Bringing friendship to the screen seemed natural for two of Walt's top animators and lifelong best friends, Frank Thomas and Ollie Johnston."
  • "When his team was stumped for an ending to the film, Walt again stepped in, suggesting the final sequence."
  • "Sadly, Walt Disney would not live to see this happy ending. He passed away shortly after making this final story suggestion."
  • "Disney executives took notice when The Jungle Book premiered and was an immediate blockbuster hit."
  • "Though it was the end of an era at the Disney studio, in many ways, it was a new beginning. Because of the success of The Jungle Book, the Disney studio began its first formal recruiting and training programs for a new generation of Disney animators, and a triumphant future lay ahead."
_________________________________
Olaf's Frozen Adventure (November 22, 2017) (holiday, musical, fantasy) (G)
Directors: Kevin Deters (1970-) and Stevie Wermers-Skelton (1966-)
Screenplay: Jac Schaeffer
Producer: Roy Conli (1971-)
Executive Producer: John Lasseter (1957-)
Voices: Kristen Bell (1980-), Eva Bella (2002-), Benjamin Deters, Lauri Fisher, Josh Gad (1981-), Jonathan Groff (1985-), John de Lancie (1948-), Idina Menzel (1971-), Chris Williams (1968-)
Composers: Christophe Beck (1969-), Jeff Morrow, Kate Anderson, Elyssa Samsel
Premiere: November 22, 2017
Box office: $289.5 million
Critic Score: 57%.
Average Rating: 5.1/10
_________________________________
BELLE: Oh!
BEAST: Hot.
CHIP: Whoa!
OLAF: Whoa!
OLAF: He did,
BEAST: Forte!
OLAF: Still warm.
WOMAN: Open it!
WOMAN: Coming!
TEENAGER: Olaf!
OLAF: Okay, Sven,
ELSA: Anna's right.
OLAF: Oh, puppies!
ELSA: It's you, Olaf.
CHIP: Yeah, let's go!
OLAF: He's not here.
LUMIERE: Ah-ah-ah.
ELSA: For what, Olaf?
ELSA: I'm sorry, Anna.
ANNA: Every Christmas...
MAN: Olaf, where are you?
LUMIERE: Careful, careful.
BELLE: It looks dangerous.
FORTE: So, Beast gets girl,
MRS. POTTS: There she is.
LUMIERE: Oh, no, the bell jar!
OLAF: (GASPS) The fruitcake!
FORTE: Mademoiselle, please.
CHIP: Mama, I found one for me!
BELLE: What's the matter, Sultan?
ELSA: All those long years alone...
ELSA: Anna made these years ago.
COGSWORTH: The setting is perfect.
LUMIERE: Let's go! Love will not wait.

COGSWORTH:
What are you yammering about?

MAN: Whoa!
WOMAN: No!
BELLE: Sultan?
FIFE: Back off, doggy.
CHIP: Come on!
COGSWORTH: Not so fast.
LUMIERE: Mince pies.
MRS. POTTS: Potatoes.
CHIP: Where could he be?
MRS. POTTS: Goodness knows.
MRS. POTTS: Merry Christmas.
LUMIERE: Merry Christmas, everyone.
_________________________________
Coco (November 22, 2017) (fantasy) (PG)
Director: Lee Unkrich (1967-), Adrian Molina
Story: Lee Unkrich (1967-)
Screenplay: Adrian Molina
Producer: Darla K. Anderson (1968-)
Executive Producer: John Lasseter (1957-)
Voices: Blanca Araceli, Alfonso Arau (1932-), Gael Garcia Bernal (1978-), Lombardo Boyar (1973-), Benjamin Bratt (1963-), Natalia Cordova-Buckley (1982-), Jaime Camil (1973-), Sofía Espinosa (1989-), Anthony Gonzalez (2004-), Gabriel Iglesias (1976-), Selene Luna (1971-), Cheech Marin (1946-), Carla Medina, Ana Ofelia Murguia (1933–2023), Edward James Olmos (1947-), Dyana Ortelli (1961-), John Ratzenberger (1947-), Salvador Reyes, Herbert Siguenza (1959-), Octavio Solis (1958-), Luis Valdez (1940-), Alanna Ubach (1975-), Renée Victor (1953-)
Composer: Michael Giacchino (1967-), Germaine Franco, Kristen Anderson-Lopez (1972-), Robert Lopez (1975-)
Box office: $804.2 million
Critic Score: 97% Certified Fresh
Average Rating: 8.1/10
Consensus: Coco's rich visual pleasures are matched by a thoughtful narrative that takes a family-friendly – and deeply affecting – approach to questions of culture, family, life, and death.
MIGUEL: Whoa!
HÉCTOR: Hola, Ceci.
MIGUEL: This is you?
MIGUEL: Not all of us.
MIGUEL: Tía Victoria?
MIGUEL: I'm sorry, Papá.
MIGUEL: Hurry! Come on!
MIGUEL: Uh, you're all dead.
CHELO: Eh, in the bungalow.
PAPÁ: Miguel, open this door!
PAPÁ: What's gotten into you?
HÉCTOR: Or something I drank.
EMCEE: Ladies and gentlemen...
MIGUEL: Abuelita runs our house
INTERVIEWER: Señor de la Cruz,
MIGUEL: ...and make it come true.
TOUR GUIDE: And right over here,
MIGUEL: Like Mamá Coco's papá?
ABUELITA ELENA: What is all this?
MIGUEL: I don't want your blessing!
DE LA CRUZ: Stay back! Stay back!
HÉCTOR: We had a deal, chamaco.
NUN: But Padre, he will never listen.
HÉCTOR: He's a living child, Ernesto.
WOMAN: The window's broken. Look!
MAMÁ IMELDA AND OSCAR: Miguel!
WOMAN: Bring back the singing dogs!
PAPÁ: You want it down by the kitchen?
OSCAR: Real alebrijes. Spirit creatures.
MIGUEL: Sometimes, I think I'm cursed.

ARRIVALS AGENT:
How wonderful. Next.
ABUELITA ELENA:
In the courtyard, mijos.
DEPARTURES AGENT:
Next family, please.
MALE ANNOUNCER:
Paging Marta Gonzales-Ramos.

DON: Salud!
DE LA CRUZ: Poison!
SKELETON 1: He's alive!
SKELETON 2: The boy is alive!
_________________________________
Incredibles 2 (June 15, 2018) (superhero) (PG)
Director: Brad Bird (1957-)
Story: Brad Bird (1957-)
Screenplay: Brad Bird (1957-)
Producers: John Walker (1956-), Nicole Paradis Grindle
Executive Producers: John Lasseter (1957-), Stan Lee (1922–2018)
Voices: Jonathan Banks (1947-), Brad Bird (1957-), Michael Bird (1987-), Nick Bird, Barry Bostwick (1945-), Jere Burns (1954-), Sophia Bush (1982-), Kimberly Adair Clark, Paul Eiding (1957-), Eli Fucile, Adam Gates, Holly Hunter (1958-), Samuel L. Jackson (1948-), Michael B. Johnson, Catherine Keener (1959-), Phil LaMarr (1967-), Huck Milner (2008-), Craig T. Nelson (1944-), Bob Odenkirk (1962-), John Ratzenberger (1947-), Adam Rodriguez (1975-), Isabella Rossellini (1952-), Sarah Vowell (1969-), Bill Wise (1964-)
Composer: Michael Giacchino (1967-)
Box office: $1,243.7 billion
Critic Score: 93% Certified Fresh
Average Rating: 7.8/10
Consensus: Incredibles 2 reunites Pixar's family crimefighting team for a long-awaited follow up that may not quite live up to the original, but comes close enough to earn its name.
_________________________________
BOB: All done.
BOB: No, no, no.
WINSTON: I can't.
BOB: I don't know.
VIOLET: Oh. Tony!
BOB: We'll be sitting
OFFICER 2: Stand by.
BOB: Ah! Ooh! Ah! Oh!
BOB: Look at this place.
VIOLET: Wait, what? No.
DASH: It's got a big yard!
EVELYN: About 25 miles.
EVELYN: About 25 miles.
VIOLET: You're not good.
REPORTER 4: Elastigirl...
MAN: Marry me, Elastigirl!
VIOLET: Did you dry them?
LUCIUS: I checked him out.
WOMAN: Oh, but if anybody
BOB: Do not call your mother!
LUCIUS: No lifeguard on duty!
EVELYN: They've tried. No-go.
WINSTON: I love superheroes!
WINSTON: Attention. Attention.
EVELYN: Especially for Mother.
TOMMY: Which seems wrong...
TOMMY: Excuse me, Mr. Zone?
EVELYN: You know what's sad?
TONY: Good evening, everyone.
HELEN: What are we gonna do?
UNDERMINER: Ooh. (LAUGHS)
WOMAN: What's wrong with him?
SCREENSLAVER: Find anything?
ELASTIGIRL: How do we do that?
BOB: (STAMMERING) Yes. Good.
VIOLET: I don't wanna talk about it.

TOMMY:
Well, in support of you
HELEN:
That was tonight, right?
EVELYN:
Less than two minutes!
WINSTON:
Here comes, Elastigirl
ROBBER 1:
You think I'm kiddin'?
OFFICER 1:
All right. All locations,
ROBBER 2:
You wanna get killed?
ELASTIGIRL:
It must've been hard.
HELEN:
One thing leads to another
REPORTER 3:
Superhero Elastigirl...
TONY:
They looked like superheroes.
ELASTIGIRL:
How you feeling, Chad?
MR. INCREDIBLE:
You two, stay here.
REPORTER 5:
...specialized motorbike,
WINSTON:
My father called Gazerbeam.
REPORTER 1:
Elastigirl pursued the train
UNDERMINER:
Behold! The Underminer!
SCREENSLAVER:
I control this broadcast...

HELEN: Dash!
BOB: No!
RACE: Press "fire"?
DR. QUEST: Now.
BOB: Winston Deavor.
LUCIUS: Wants to talk...
OFFICER: Disruption or threat?
DISPATCHER: Both.
_________________________________
Frozen II & Tinker Bell Ever After (November 21, 2018–November 22, 2019) (musical, fantasy, drama) (PG)
Directors: Chris Buck (1960-) and Jennifer Lee (1971-)
Story: Chris Buck (1960-), Jennifer Lee (1971-), Marc E. Smith, Kristen Anderson-Lopez (1972-), Robert Lopez (1975-)
Screenplay: Jennifer Lee (1971-), Allison Schroeder
Inspired by: "The Snow Queen" (Danish fairy tale, 1845) by Hans Christian Andersen
Producers: Peter Del Vecho (1958-), Walt Disney V (1951–2016)
Voices: Pamela Adlon (1966-, archive footage), Stephen J. Anderson (1969-), Aurora (1996-), Kristen Bell (1980-), Eva Bella (2002-, archive recording), Jeff Bennett (1962-, archive footage), Paul Briggs (1974-), Sterling K. Brown (1976-), Mattea Conforti (2006-), Timothy Dalton (1946-, archive footage), Grey DeLisle (1973-, archive footage), Benjamin Diskin (1982-, archive footage), Santino Fontana (1982-, archive recording), Josh Gad (1981-), Hadley Gannaway (2007-), Ginnifer Goodwin (1978-), Jonathan Groff (1985-), Lucy Hale (1989-, archive footage), Megan Hilty (1981-, archive footage), Ciarán Hinds (1953-), Halima V. Hudson, Anjelica Huston (1951-, archive footage), Lucy Liu (1968-, archive footage), Rachel Matthews (1993-), Idina Menzel (1971-), Alfred Molina (1953-), Rob Paulsen (1956-, archive footage), Martha Plimpton (1970-), Jason Ritter (1980-), Debby Ryan (1993-, archive footage), Jeremy Sisto (1974-), Delaney Rose Stein (2005-), Jackson Stein, Livvy Stubenrauch (2005-, archive recording), Raven-Symoné (1985-, archive footage), Alan Tudyk (1971-), Mae Whitman (1988-, archive footage), Maia Wilson, Evan Rachel Wood (1987-)
Composer: Christophe Beck (1969-), Kristen Anderson-Lopez (1972-), Robert Lopez (1975-), Joel McNeely (1959-, archive footage)
Box office: $1,978 billion
Critic Score: 96% Certified Fresh
Average Rating: 8/10
Consensus: Better than its predecessor, gorgeously animated, and able to recapture the show-stopping feel of the pantheon musicals, Frozen II marked the new beginning of Walt Disney's practically perfect storytelling which it remains a dazzling adventure into the unknown.
ANNA: Oh!
ELSA: Yes.
SVEN: Mm.
OLAF: Ooh.
OLAF: Hyah!
ANNA: Hmm.
OLAF: Anna?
LIZZY: Whoa!
ANNA: Whoa.
MILORI: Peri?
ANNA: Kristoff.
ELSA: Come in.
ROSETTA: Pull!
OLAF: I got this.
MAN: Fire Spirit!
ANNA: Let her go!
ELSA: Ahtohallan.
TINKER BELL: Oh!
BOBBLE: Get back!
BOBBLE: Get back!
MATTIAS: Hang on!
FIGHTER: Look out!
FIGHTER: Look out!
CLANK: It's working!
PERIWINKLE: Wow.
SILVERMIST: Hurry!
WOMAN: The water!
AGNARR: I love you.
TINKER BELL: Wow.
TINKER BELL: Wow!
CHEF LOUIS: Ah-ha!
AGNARR: ...was lost.
AGNARR: Anna. Elsa.
CLARION: Tinker Bell.
ANNA: No. No, no, no.
IDUNA: Bedtime soon.
FAWN: Is she all right?
KRISTOFF: No, no, no.
ROSETTA: All together.
KRISTOFF: The Trolls?
DR. GRIFFITHS: Lizzy?
OLAF: Who's into trivia?
OLAF: She's saving him.
MATTIAS: Prince Agnarr!
ANNA: Oh! Uh, alarmed?
MATTIAS: Get the sword!
IDUNA: And on that note,
CLANK: Righty-o, Bobble.
FAWN: Road? What road?
PERIWINKLE: Second star
BOBBLE: Give me the sap.
SLED: Ha! They're serious.
OLAF: Hey, let me ask you.
ANNA: And we're locked in.
MATTIAS: Head for the river!
KRISTOFF: Coming through!
KRISTOFF: Anna, be careful!
BOBBLE: We're almost there.
ELSA: Why is their ship here?
IRIDESSA: This is so exciting.
RUNEARD: Stand tall, Agnarr.
YOUNG ANNA: Do the magic!
YELENA: Get back, everyone!
CLANK: Gear it down, Bobble!
ROSETTA: Our wings are wet.
MATTIAS: Hey, back at home...
IRIDESSA: That's a good point.
CLANK: Welcome, Miss Winkle.
IDUNA: The waves are too high!
SILVERMIST: Brace yourselves!
DR. GRIFFITHS: Yes, of course.
KRISTOFF: Come on. Come on.
AGNARR: And I was so honored

AGNARR:
It was a brutal battle.
YOUNG ANNA:
I love you, Olaf!
ANNA:
Mother and father's ship.
TINKER BELL:
Not much further.
AGNARR:
I wasn't at all prepared
LIZZY:
Aren't her wings beautiful?
ELSA AND IDUNA:
Show yourself
AGNARR:
We keep going for Elsa.
BOBBLE:
Can you reach it, Clanky?
SILVERMIST:
You guys are so alike.
DR. GRIFFITHS:
The wings are so fresh.
TINKER BELL:
This isn't a human house.
YOUNG ANNA:
That's a big gift of peace.
DUKE OF WESELTON:
Oh! Like a chicken
TINKER BELL:
Um... I know. Favorite star?
DR. GRIFFITHS:
Well, of course, my darling.
BOBBLE:
And who knows when they'll be dry.
SILVERMIST:
Well, I'm gonna remain optimistic.
NORTHULDRA LEADER:
King Runeard, the dam,
MALE GARDEN FAIRY:
No, thanks. She's running fine.

ELSA: Hmm.
ANNA: Anytime.
AGNARR: Iduna!
IDUNA: Agnarr!
ELSA: Hey!
KRISTOFF: What is this?
ANNA: It's true.
ELSA: Definitely true.
ANNA: No pushing.
KRISTOFF: Stop it.
OLAF: Yeah, that's not true.
KRISTOFF: It is.
CLANK: I'm sorry.
BOBBLE: I can't feel my legs.
DR. GRIFFITHS: Lizzy?
LIZZY: Coming, Father!
CLANK: What've we got?
BOBBLE: House! Get off.
DR. GRIFFITHS: The butterfly. It's gone!
LIZZY: What?
LIZZY: Father, look!
DR. GRIFFITHS: Not just now, Lizzy.
_________________________________
_________________________________
OLAF: I will!
CLANK: Ho!
ANNA: Elsa!
FAWN: Tink!
ANNA: Tree!
OLAF: Yeah.
CLANK: Tink!
LIZZY: Whoa!
MILORI: Peri?
AGNARR: No!
ELSA: Conceal
ROSETTA: Pull!
ANNA: Grab on!
OLAF: Look out!
ANNA: The gate
FAWN: Look out!
KRISTOFF: Hey!
BOBBLE: Heave!
KRISTOFF: Anna!
KAI: Your Majesty.
OLAF: Hey, Sven?
CLANK: Tink! Wait!
TINKER BELL: Oh!
SOLDIER 2: Whoa!
MILORI: Ambitious.
BOBBLE: We did it!
KRISTOFF: Mmm...
BOBBLE: Get back!
BOBBLE: Get back!
KRISTOFF: It's 200.
ANNA: It's this way?
KRISTOFF: Carrots.
FIGHTER: Look out!
CLANK: It's working!
PERIWINKLE: Wow.
SILVERMIST: Hurry!
KAI: Princess Anna?
MAN 1: Yes! It is her!
TINKER BELL: Wow.
TINKER BELL: Wow!
TINKER BELL: Vidia!
CAPTAIN: All ashore!
KRISTOFF: Look out!
AGNARR: Anna. Elsa.
CLARION: Tinker Bell.
KRISTOFF: Run! Run!
SLED: Welcome back.
IDUNA: Bedtime soon.
FAWN: Is she all right?
TINKER BELL: Oh, no.
WOMAN: There she is!
RECEPTIONIST: Next!
ROSETTA: All together.
SLED: Sorry about that.
DR. GRIFFITHS: Lizzy?
DUKE'S THUG 2: Aim...
ANNA: I owe you a sled.
DUKE'S THUG 2: There!
SOLDIER: Grab his arm.
KRISTOFF: Whoa! Stop!
LIZZY: Oh! Sorry, fairies.
IRIDESSA: Got you, Tink.
CLANK: Righty-o, Bobble.
ANNA: Stop! Put us down!
TROLL KID: He's napping.
FAWN: Road? What road?
ANNA: It's a 100-foot drop.
GERDA: Ooh! Whoo-hoo...
PERIWINKLE: Second star
SLED: Ha! They're serious.
ROSETTA: I feel so tinkery.
BOBBLE: Give me the sap.
KRISTOFF: So, uh, tell me,
GUARD 4: Come on! Push!
TINKER BELL: Okay, push!
DUKE'S THUG 1: Up there!
DUKE'S THUG 1: Look out!
CLARION: But never again.
DUKE'S THUG 2: Fire! Fire!
SAILOR: Setting course, sir.
MAN 2: Our beautiful queen!
GUARD 2: She's dangerous.
CLANK: Come on, everyone!
LIZZY: (LAUGHS) Oh, father!
CLARION: Oh, my goodness.
BOBBLE: We're almost there.
DUKE'S THUG 2: We got her.
ANNA: I think, actually, it's up.
IRIDESSA: This is so exciting.
RUNEARD: Stand tall, Agnarr.
YOUNG ANNA: Do the magic!
CLANK: Gear it down, Bobble!
ROSETTA: Our wings are wet.
FAIRY MARY: Start the pulley!
FAIRY MARY: That's it, fairies.
AGNARR: The gloves will help.
FAIRY MARY: The snowy owls!
PERIWINKLE: You're welcome.
CLANK: Oh, yes, I'm right here.
IRIDESSA: That's a good point.
GUARD 2: Put your back into it!
YOUNG ELSA: Go away, Anna.
SOLDIER 1: This way, this way!
KRISTOFF: Okay, okay. I'm out.
CLANK: Welcome, Miss Winkle.
MILORI: Keeper? Are you here?
SILVERMIST: Brace yourselves!
DR. GRIFFITHS: Yes, of course.
MAN: It's Princess Anna's horse.
AGNARR: And I was so honored
SPRING: But if the temperatures
KRISTOFF: The North Mountain.
TINKER BELL: Not much further.
FAIRY MARY: Oh, my goodness.
KRISTOFF: What are you doing?
CLANK: All together. All together.
LIZZY: Aren't her wings beautiful?
KRISTOFF: Whoa! (CHUCKLING)
TINKER BELL: It's getting warmer.
KRISTOFF: Stay out of sight, Olaf.
BOBBLE: Can you reach it, Clanky?
ANNA: You mean, the love experts?
DUKE'S THUG 2: Go, go! Come on!
TROLL 3: She's like a little cupcake.
TROLL 2: His thing with the reindeer
SILVERMIST: You guys are so alike.
BOBBLE: Hurry! It's nearly out of ice!
FAIRY MARY: Look sharp, everyone!
DUKE'S THUG 2: Go around. Toss it.
FAWN: That lost thing really is handy.
YOUNG KRISTOFF: Come on, Sven.
TROLL 1: Like his peculiar brain, dear
CLANK: (LAUGHING) Sneaky glacier.
WOMAN 1: So, where is the princess?
DUKE: Let me know when you're ready
DEWEY: That's the end of that chapter.
DUKE: It's getting colder by the minute.
NARRATOR: If you had wings to lift you
ANNA: All right. I'm just blocking you out
OLAF: All right. We got off to a bad start.

AGNARR:
It was a brutal battle.
AGNARR:
I wasn't at all prepared
DR. GRIFFITHS:
The wings are so fresh.
TINKER BELL:
This isn't a human house.
YOUNG ANNA:
That's a big gift of peace.
TINKER BELL:
Um... I know. Favorite star?
PERIWINKLE:
I've never felt anything like it!
DR. GRIFFITHS:
Well, of course, my darling.
BOBBLE:
And who knows when they'll be dry.
SILVERMIST:
Well, I'm gonna remain optimistic.
MALE GARDEN FAIRY:
No, thanks. She's running fine.

MAN 2: Bark down!
BOY: Papa!
ANNA: Okay.
KRISTOFF: One...
ANNA: Pardon. Sorry.
WOMAN: Oh!
SILVERMIST: Amazing!
FAWN: It's fantastic!
CLANK: I'm sorry.
BOBBLE: I can't feel my legs.
DR. GRIFFITHS: Lizzy?
LIZZY: Coming, Father!
ANNA: Coming through.
HANS: Excuse me. Oh...
CLANK: What've we got?
BOBBLE: House! Get off.
YOUNG ANNA: Catch me!
YOUNG ELSA: Slow down!
DR. GRIFFITHS: The butterfly. It's gone!
LIZZY: What?
IRIDESSA: This way!
ROSETTA: Come on, girls. Hurry.
LIZZY: Father, look!
DR. GRIFFITHS: Not just now, Lizzy.
TROLL 1: Something's wrong.
TROLL 2: Are you all right?
WOMAN 2: Where could she be?
WOMAN 3: Where is she?
_________________________________
_________________________________
ARIEL: Oh, boy.
ARIEL: It's okay.
INK SPOT: Yeah!
MARINA: Wait up!
FLOUNDER: Sorry.
ARIEL: Oh, Flounder.
SEBASTIAN: That's right!
CHEEKS: You slippery eel!
ARIEL: The family together.
SWORDFISH: There they are!
SEBASTIAN: Don't worry, mon.
SINGER: Oh, it's about that time.
ARIEL: (PANTING) This way. Quick!
CHEEKS: Oh, yeah, take me with you.
SEBASTIAN: So, Ariel came back home

SEBASTIAN:
But even the brightest days
FLOUNDER:
Where are we going exactly?
SEBASTIAN:
So that's how a king and a princess

RAY-RAY: Yeah, yeah!
FLOUNDER: Fabulous!
INK SPOT: Okay.
CHEEKS: Let's step-a-doodle.
FLOUNDER: Are we there yet?
SEBASTIAN: No.
RAY-RAY: Let's go.
SHELBOW: Right in your wake, kid.
SEBASTIAN: Come on, guys. This way.
SHELBOW: All right.
INK SPOT: Hey! Flounder at 12 o'clock!
SHELBOW: 12.04, actually.
FLOUNDER: Move it, move it, move it.
SEBASTIAN: Flounder, please!
_________________________________
_________________________________
TIMON: Oh!
TIMON: Oh.
PUMBAA: Oh!
TIMON: I, uh...
SIMBA: Timon.
TIMON: Whoa!
SIMBA: Timon?
PUMBAA: Sorry.
MAX: Are you nuts?
PUMBAA: Oh, sure.
TIMON: Well, that it,
SHENZI: What the...
TIMON: So majestic.
MEERKAT: Play dead!
PUMBAA: Pride Rock.
SIMBA: Timon. Timon.
TIMON: Hey, Pumbaa.
TIMON: Oh, you tease.
PUMBAA: Ahem. Timon!
PUMBAA: Hang on, Timon!
PUMBAA: It's over already?
TIMON: It means no worries
TIMON: This is it, buddy boy.
TIMON: Ah. You got to admit,
BANZAI: Hey, it works for me.
MOTHER: Not yet. Keep stalling.
TIMON: Our Simba is growing up.
MOTHER: Need more time, honey.
TIMON: Home sweet home indeed.
BANZAI: I say we skip the wedding,

PUMBAA:
I got to tell you, Timon.
PUMBAA:
I think we're a little late.

SECOND MEERKAT: Ándale!
THIRD MEERKAT: Almost there!
_________________________________
_________________________________
JASMINE: Abu?
ALADDIN: Whoa!
RAZOUL: Gotcha!
THIEF: His father?
FLYNN: I'm kidding!
RAPUNZEL: Eugene.
FLYNN: Well... Almost.
THIEF 4: Hey, me, too.
CASSIM: It's a miracle.
ALADDIN: It fits. Good.
SULTAN: Oh, please do.
THIEF 3: I hate intruders.
SA'LUK: Captain, over here.
FAZAL: The King of Thieves!
CASSIM: We're almost there!
FLYNN: Yeah. Everything was...
RAZOUL: He was here. I know it.
ALADDIN: We never wanted gold.
RAPUNZEL: It was a magical day,
GUARD 1: Look over there. Hurry!
RAPUNZEL: Everything was perfect.
IAGO: I know the treasure's limitless,
CASSIM: Get up here, you blasted rug!
IAGO: I should've stayed with the genie.
FLYNN: So! Who wants a piece of cake?

FAZAL: Found him!
HAKIM: Lost him.
GUARD 1: Over there!
GUARD 3: There!
THIEF 1: Sa'luk is right.
THIEF 2: He knows our secrets.
GUARD 1: Well, which way did he go?
GUARD 2: I don't see him.
GUARD 1: Which way did he go?
GUARD 2: I heard him over there.
_________________________________
_________________________________
PETER: Yep.
MARY: Wendy!
CLANK: Goodbye.
WENDY: Oh, dear.
FAIRY 1: So scary.
FAIRY 2: Look out!
HOOK: Remember,
JOHN: Aha, I got ya.
SILVERMIST: Whoa!
MICHAEL: Take that!
PETER: Hoist anchor!
PETER: To Never Land.
PETER: Tink said what?
PETER: Tinker Bell. Tink!
PETER: Twelve seconds.
SILVERMIST: Tinker Bell!
WENDY: Tinker Bell! Wait!
PETER: Stop! Stop it, Tink!
GARDEN FAIRY: Look out!
MICHAEL: Wendy! Wendy!
TINKER FAIRY: Let her go.
SPARROWMAN 1: Just did.
FAWN: We'll save you, Tink!
JOHN: Blast you, Peter Pan!
WENDY: Mmm. Nana had it.
HOOK: But time grows short.
MICHAEL: Oh, no, you won't.
ROSETTA: Cover your tushy!
BOBBLE: Right! Here we are.
PIRATE: After the brats, men!
SMEE: Oh, captain, you did it.
SLIGHTLY: Yea for Bear Killer!
BOBBLE: Gather round, ladies.
PETER: (AS HOOK) Mr. Smee!
BOBBLE: Watch out for falling...
WENDY: (SINGING) You mother
TINKER BELL: Let me show you!
PIRATE 3: Did you hear a splash?
FAIRY MARY: Not here, you don't!
FLOWER FAIRY 1: It's the Queen!
CLANK: Like me. I can be a wheel.
MICHAEL: And I'll cut you to pieces.
PETER: They've captured Tiger Lily.
MERMAID 1: I'm so glad to see you.
WENDY: Oh, Michael, do be careful.
CLANK: Sorry! Make way for tinkers!
PETER: I came to listen to the stories.
CLANK: Well, spring won't spring itself.
MARY: Yes, Wendy. What is it, darling?
BOBBLE: Like a wittle, wee baby, there.
WENDY: Bu... But where are we going?
HOOK: Don't stand there, you bilge rats!

SUMMER:
But we can't! We can't do that!
BOBBLE:
And the fairies of Summer Glade
NARRATOR:
All this has happened before.
WENDY:
Well, what were you doing there?
FLOWER FAIRY 1:
Get your pixie dust yet?
TINKER BELL:
The mouse's name is Cheese?
BOBBLE:
Glad we had a bath today, eh, Clank?

FAIRY 1: Hello.
FAIRY 2: Hello.
FAIRY 1: What?
FAIRY 2: You all right?
FAWN: You fixed it!
SILVERMIST: Wow!
HOOK: Elevation 65.
SMEE: Elevation 65.
IRIDESSA: Beautiful!
ROSETTA: Amazing!
ROSETTA: Tinker Bell?
FAWN: Tinker Bell?
WENDY AND JOHN: Dust?
MICHAEL: Dust?
CLANK: Excuse us!
BOBBLE: Coming through!
IRIDESSA: I knew you'd get to go!
FAWN: Oh, Tink!
PIRATE: No splash.
PIRATE 2: No sign of the wrench.
FAWN: You, too! Fly with you later!
ROSETTA: Fly with you later!
FAWN: Don't get your wings in a bunch.
ROSETTA: Don't be like that.
_________________________________
Ralph Visits the Internet / The Rescuers Down Under (November 21, 2018) (science fiction, comedy, adventure) (PG)
Directors: Rich Moore (1963-) and Phil Johnston (1971-)
Story: Rich Moore (1963-), Phil Johnston (1971-), Jim Reardon (1965-), Pamela Ribon (1975-), and Josie Trinidad
Screenplay: Phil Johnston (1971-) and Pamela Ribon (1975-)
Producer: Clark Spencer (1963-)
Executive Producer: John Lasseter (1957-)
Voices: Tim Allen (1953-), Jesse Averna, Colleen Ballinger (1986-), Billy Barty (1924–2000), Irene Bedard (1967-), Kristen Bell (1980-), Olivier Bénard (1973-), Jodi Benson (1961-), Hamish Blake (1981-), Flura Borg (1982-), Corey Burton (1955-), John Candy (1950–1994), Ann Colgin, Auli'i Cravalho (2000-), Brian Curless, Anthony Daniels (1946-), Kevin Deters (1970-), Vin Diesel (1967-), John DiMaggio (1968-), Jamie Elman (1976-), Dani Fernandez, Peter Firth (1953-), Bernard Fox (1927–2016), Fuchsia!, Eva Gabor (1919–1995), Gal Gadot (1985-), Brad Garrett (1960-), Michael Giacchino (1967-), Sean Giambrone (1999-), Ed Gilbert (1931–1999), GloZell Green (1972-), Bill Hader (1978-), Jennifer Hale (1972-), Taraji P. Henson (1970-), Tiffany Herrera (1988-), Jason Hightower, Phil Johnston (1971-), Brittany Kikuchi, Maurice LaMarche (1958-), Linda Larkin (1970-), Katie Lowes (1981-), Jane Lynch (1960-), Kelly Macdonald (1976-), Jason Mantzoukas (1972-), Jack McBrayer (1973-), Ben McKee (1985-), Idina Menzel (1971-), Carla Meyer, Jeremy Milton, Alex Moffat (1982-), Alfred Molina (1953-), Mandy Moore (1984-), Rich Moore (1963-), Bob Newhart (1929-), Paige O'Hara (1956-), Ed O'Neill (1946-), Ana Ortiz (1971-), Viveca Paulin (1969-), Raymond S. Persi (1975-), Daniel Platzman (1986-), John C. Reilly (1965-), Dan Reynolds (1987-), Pamela Ribon (1975-), Sam Richardson (1984-), Wayne Robson (1946–2011), Tristan Rogers (1946-), Anika Noni Rose (1972-), Adam Ryen (1980-), Della Saba (1989-), Horatio Sanz (1969-), Nicole Scherzinger (1978-), George C. Scott (1927–1999), Douglas Seale (1913–1999), Wayne Sermon (1984-), Sarah Silverman (1970-), Timothy Simons (1978-), Roger Craig Smith (1975-), June Squibb (1929-), Russi Taylor (1944–2019), Alan Tudyk (1971-), Melissa Villaseñor (1987-), Frank Welker (1946-), Ming-Na Wen (1963-), Rebecca Wisocky (1971-), Ali Wong (1982-), Jaboukie Young-White (1994-), Michaela Zee (2000-)
Composers: Henry Jackman (1974-), Bruce Broughton (1945-)
Box office: $528.0 million
Critic Score: 77% Certified Fresh
Average Rating: 6.7/10
Consensus: Ralph Visits the Internet didn't level up like its predecessor but expands its colorful universe with core characters and relationships.
_________________________________
RALPH: Kid!
FELIX: Um...
RALPH: Huh.
CODY: Whoa!
SWATI: Whoa!
RALPH: Yeah?
WILBUR: Help!
DOCTOR: Fire!
RALPH: Uh-oh.
RALPH: Uh-uh!
WOMAN: Cody!
RALPH: Kid! Kid!
RALPH: $43,000!
RALPH: Uh... No.
RALPH: Beats me.
RALPH: Aw, sugar.
RALPH: There it is.
SHANK: Of course.
JOSEY: Oh, not yet.
McLEACH: Surprise!
VANELLOPE: Ralph.
VANELLOPE: Whoa.
VANELLOPE: Ralph!
WILBUR: Hey! What?
DOUBLE DAN: Hmm.
FELIX: All right, now...
WOMAN: Cody! Cody!
AURORA: Mmm-hmm.
ANNOUNCER: Drivers,
RALPH: No, that's not...
SHANK: Well, well, well.
BALLET MOM: ...tights?
WYNNCHEL: Gangway!
VANELLOPE: Whoo-hoo!
VANELLOPE: Whoo-hoo!
VANELLOPE: Whoo-hoo!
RALPH: Only one person.
CODY: Easy. Easy does it.
RALPH: Move! Move! Hey!
WILBUR: Mugwomp tower,
RALPH: Well, think about it.
WILBUR: Big time, big time!
VANELLOPE: Oh, my gosh.
VANELLOPE: Yeah, we are!
VANELLOPE: Do you realize
McLEACH: I'm gonna kill her.
CODY: That's it, you've got it!
SPAMLEY: Oh, there you are.
RACER KID: Come and get it.
ARTHUR: Insecurity detected.
VANELLOPE: Anyone? Hello?
RALPH: Go, run, run, run, run!
RALPH: I'm keeping busy, too.
WILBUR: Girls? Girls, I'm here!
RALPH: (SIGHS) I'll be honest,
FRANK: Hey, what do you got?
STORMTROOPER 3: This way.
ANNOUNCER: End of the road!
VANELLOPE: Ooh, Ralph, look.
STORMTROOPER 3: Roger that.
VANELLOPE: Ooh, here it comes.
McLEACH: (LAUGHING) Got one!
ANNOUNCER: "Precious Car-go."
JIMMY'S GRANDMA: Jim! Jimmy?
BIANCA: Darling, you'll be just fine!
ANNOUNCER: Game reboot begins
BERNARD: Jake's been gone... Ow!
McLEACH: Get out of here! Go on! Get!

RALPH:
You're totally right, kid.
JIMMY:
You're going down, Shank.
VANELLOPE:
Are you really saying
VANELLOPE:
That car is gorgeous.
ANNOUNCER:
Three, two, one, go!
ARTHUR:
Scanning for insecurities.
ARTHUR:
Scanning for insecurities.
RALPH:
What's going on, Spamley?
SPAMLEY:
Now, this area down here
RAPUNZEL:
(GASPS) Look up there!
CANDLEHEAD:
Get your own candle.
EBAY ELAYNE:
So, we are set to ship
VANELLOPE:
I know it sounds crazy...
STORMTROOPER 3:
Any sign of her?
VANELLOPE:
Great, but can you make it
STORMTROOPER 2:
She's getting away.
VANELLOPE:
This is a shockingly sound,
POP-UP BLOCKER:
Right this way, miss.
ANNOUNCER:
And for your final question.
ANNOUNCER:
Vanellope takes a huge lead.
ANNOUNCER ON PA:
That old, tired laptop
STORMTROOPER 2:
No, maybe she went down
AUTOMATED VOICE:
IP address 415-1037-483.
AUTOMATED VOICE:
IP address 415-1037-483.
STORMTROOPER 3:
Come on. Let's check it out.
SUGAR RUSH CANDY:
I don't want to be gameless.

CODY: We did it!
FRANK: You've got it!
NAFISA: Good idea.
GIRL: Oh, me too.
RAPUNZEL: For sure.
TIANA: Mmm-hmm.
RALPH: Oh, yeah!
VANELLOPE: That's the stuff.
MICE: Heave! Ho!
WILBUR: What are you doing?
VANELLOPE: Flying so fast
SHANK: Setting the pace
_________________________________
Toy Story 4 (June 21, 2019) (comedy) (G)
Director: Josh Cooley (1980-)
Story: John Lasseter (1957-), Pete Docter (1968-), Andrew Stanton (1965-) and Lee Unkrich (1967-)
Screenplay: Stephany Folsom, Andrew Stanton (1965-)
Producers: Jonas Rivera (1971-), Mark Nielsen
Executive Producer: Pete Docter (1968-)
Voices: Lori Alan (1966-), Tim Allen (1953-), Patricia Arquette (1968-), Maliah Bargas-Good, Mel Brooks (1926-), Lila Sage Bromley, Carol Burnett (1933-), Blake Clark (1946-), Joan Cusack (1962-), Timothy Dalton (1946-), Emily Davis, Flea (1962-), Jeff Garlin (1962-), Bill Hader (1978-), Tony Hale (1970-), Tom Hanks (1956-), Juliana Hansen (1983-), Estelle Harris (1928–2022), Rickey Henderson (1958-), Christina Hendricks (1975-), Jay Hernandez (1978-), Bonnie Hunt (1961-), Keegan-Michael Key (1971-), Ally Maki (1986-), Jack McGraw, Madeleine McGraw (2008-), Laurie Metcalf (1955-), John Morris (1984-), Alan Oppenheimer (1930-), Jordan Peele (1979-), Jeff Pidgeon (1965-), Annie Potts (1952-), Steve Purcell (1961-), Carl Reiner (1922–2020), John Ratzenberger (1947-), Keanu Reeves (1964-), Don Rickles (1926–2017), Kristen Schaal (1978-), Wallace Shawn (1943-), June Squibb (1929-), Melissa Villaseñor (1987-), Carl Weathers (1948–2024), Betty White (1922–2021)
Composer: Randy Newman (1943-)
Box office: $1,071.6 billion
Critic Score: 97% Certified Fresh.
Average Rating: 8.6/10
Consensus: Heartwarming, funny, and beautifully animated, Toy Story 4 manages the unlikely feat of extending – and perhaps concluding – a practically perfect animated saga.
_________________________________
BUZZ: Huh.
TOY: Whoa!
FORKY: Bo.
FORKY: Bo?
BUZZ: Hmm.
BUNNY: Hey.
WOODY: Ow.
WOODY: Bo?
WOODY: Bo?
GIGGLE: Yes!
BONNIE: Yay!
FORKY: Got it.
FORKY: Scary.
FORKY: Trash!
WOODY: Wow.
FORKY: Whoo!
WOODY: Right!
FORKY: Trash?
WOODY: Forky!
WOODY: Forky!
WOODY: There!
WOODY: Whoa!
FORKY: Woody!
BONNIE: Forky?
BO PEEP: Okay.
WOMAN: Skunk!
MAN: Thank you.
LISA: Wait for me!
FORKY: Hey, hey!
WOMAN: A skunk!
FORKY: Ah, trash.
FORKY: Come on.
WOODY: Yee-haw!
MARGARET: Sure.
ANDY: Okay, Mom!
FORKY: No, no, no!
GABBY GABBY: Oh.
DUCKY: Mmm-hmm.
BO PEEP: Flashlight.
JESSIE: Guys, listen!
LOST GIRL: Mommy!
BONNIE'S DAD: Uh...
TRIXIE: Another right!
DOLLY: Jessie's back!
BONNIE'S DAD: Huh?
TOY 1: Bo came back!
HAMM: Is it really her?
MAN: Oh, it's beautiful.
MAN: Well, good night.
VOICE BOX: Yee-haw!
FORKY: Wait a second...
BONNIE'S DAD: Bonnie?
ANDY: Oh, there you are.
AXEL: Hey! Step right up!
TRIXIE: Right turn ahead.
ANDY: I can't find Woody!
HAMM: You're on my foot!
VOICE BOX: Time for tea.
BONNIE'S MOM: Bonnie?
HAMM: Nice work, Jessie!
TRIXIE: Should we all go?
GABBY GABBY: Harmony.
WOODY: How'd you get it?
GIGGLE: Three. Two. One!
BO PEEP: Easiest way in is
BO PEEP: All right, all right.
FORKY: Bonnie, I'm coming!
GIGGLE: That was amazing.
BONNIE: He's not anywhere.
BUNNY: Psst. Hey, Lightyear.
WENDY: Hi! Are you Bonnie?
BUZZ: How do we reach him?
FORKY: (LAUGHS) Oh, yeah!
ANDY: Mom, where's Woody?
TOY 2: Magic 8-Ball was right!
LOST GIRL: Are you lost, too?
ROBOT TOY: Bo, help me out.
BONNIE'S MOM: Here we are.
VOICE BOX: I'm Gabby Gabby
VOICE BOX: Full speed ahead!
VOICE BOX: Reach for the sky!
GIGGLE: Where Dragon roams.
ANNOUNCER ON TV: Caboom!
DUCKY: How you like that, huh?
ANDY'S MOM: I'm so glad to see
MR. PRICKLEPANTS: Important?
DUCKY: Gonna have nightmares.
BONNIE'S MOM: (SIGHS) Finally.
ANDY'S MOM: Andy! Come inside!

TRIXIE:
It's getting hot in here!
FORKY:
But what about Gabby?
VOICE BOX:
This planet is toxic.
BONNIE'S MOM:
Oh, there he is!
VOICE BOX:
It's a secret mission
VOICE BOX:
Scanning perimeter.
BONNIE'S MOM:
I'm sorry, Bonnie.
VOICE BOX:
Buzz... Buzz... Buzz...
BONNIE'S DAD:
Have a good night.
VOICE BOX:
To infinity and beyond!
ANDY'S MOM:
Andy, time for dinner.
VOICE BOX:
You are my best friend.
GIGGLE:
And he treats you like that?
VOICE BOX:
You make me so happy!
MR. POTATO HEAD:
Where's my ear?
VOICE BOX:
Meteor shower! Look out!
VOICE BOX:
You're my favorite deputy.
VOICE BOX:
You're my favorite deputy!
LOST GIRL'S MOM:
She was right here!
VOICE BOX:
There's a snake in my boot.
VOICE BOX:
There's a snake in my boot!
MELEPHANT BROOKS:
He's a cowboy,
HARMONY'S MOM:
You're kidding me!
CHAIROL BURNETT:
Aw, how adorable.
BONNIE'S DAD:
Just toss it in the drawer.
BONNIE'S DAD:
Since school doesn't start
BONNIE'S MOM:
Oh, Bonnie, check it out.
MARGARET:
Can I help you with anything?
BONNIE'S DAD:
Great. Let's get out of here.
BONNIE'S MOM:
Honey, it's fine. Just drive.
LOST GIRL'S DAD:
She was right next to us.
FEMALE GPS VOICE:
Left turn in 0.5 miles.
ANNOUNCER ON TV:
That's Duke Caboom,
BUZZ'S VOICE BOX:
To infinity and beyond!
WOODY'S VOICE BOX:
You're my favorite...
CARL REINEROCEROS:
When's the last time
HARMONY'S MOM:
Harmony, sweetie, I'm leaving.

JESSIE: Buzz!
HAMM: Buzz!
HAMM: Oh, no!
JESSIE: Buzz!
REX: Go, go, go!
HAMM: Oh, boy.
BUZZ: Hi-ya!
BUNNY: Oh, no, no!
BUZZ: Do you see him?
WOODY: No.
WOODY: No, no, no!
FORKY: No! No!
DOLLY: Brilliant!
REX: That was genius!
TRIXIE: Leaving?
HAMM: They can't do that!
DOLLY: Where's Woody?
HAMM: And Forky?
BONNIE'S DAD: Huh?
TRIXIE: Recalculating.
TRIXIE: Sorry!
SLINKY: Could you move over
WOODY: Huh?
COMBAT CARL: Playtime, baby!
BO PEEP: Don't stare.
GIGGLE: I'm totally staring.
BUZZ: Hey! Wait a minute!
DUCKY: Eat my plush!
BUNNY: Come on, Pull-string.
GIGGLE: It's not worth it.
MARGARET: Here you go.
GIGGLE: That's our objective.
HAMM: We're headin' back.
SLINKY: There's the carousel!
SLINKY: Golly bob howdy!
MR. POTATO HEAD: Look at that!
BONNIE: Can I bring Forky?
BONNIE'S MOM: 'Course you can!
MELEPHANT BROOKS: Francis!
CHAIROL BURNETT: Harry!
CARL REINEROCEROS: Karen!
MELEPHANT BROOKS: Fuzzball!
_________________________________
Posted by at

No comments:

Post a Comment

Subscribe to: Post Comments (Atom)